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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA191E it is the complementary color #05E6E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA191E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA191E shade: #FF1919, #FF2B2C, #FF3D3F, #FF4F52 and #FF6165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA191E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA191E shade: #FA191E, #E9070B, #D80000, #C70000 and #B60000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA191E shade: #FA191E and #FA1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA191E shade: #FA191E, #FA195A, #FA1997, #FA19D4 and #E319FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA191E shade matches the following richer shades: #FA191E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA191E shade: #FA191E, #E72C30, #D43F42, #C15254 and #AE6566

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA191E shade: #FA1998, #FA195C, #FA1920, #FA4D19 and #FA8919

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA191E shade: #BD0307, #E50409, #FA191E, #FB4145 and #FB696D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA191E shade: #FA191E, #D4FA19 and #197AFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA191E shade: #FA191E, #20FA19 and #1920FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA191E shade: #FA191E, #D4FA19, #19FAF2 and #3E19FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA191E shade: #FA191E, #91FA19, #19FAF2 and #8219FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 88 / 2

HEX #FA191E

RGB 250 25 30

HSL 358.67, 0.96%, 0.54%

LAB 53.07, 76.99, 57.4

 

Complementary color

CMYK 98 / 0 / 2 / 10

HEX #05E6E1

RGB 5 230 225

HSL 178.67, 0.96%, 0.46%

LAB 82.95, -45.81, -10.62

 

CMYK 0 / 90 / 90 / 0

HEX #FF1919

RGB 255 25 25

HSL 0, 1%, 0.55%

LAB 54.05, 78.16, 60.58

 

CMYK 0 / 83 / 83 / 0

HEX #FF2B2C

RGB 255 43 44

HSL 359.72, 1%, 0.58%

LAB 55.25, 75.42, 53.12

 

CMYK 0 / 76 / 75 / 0

HEX #FF3D3F

RGB 255 61 63

HSL 359.38, 1%, 0.62%

LAB 57.03, 71.42, 45

 

CMYK 0 / 69 / 68 / 0

HEX #FF4F52

RGB 255 79 82

HSL 358.98, 1%, 0.65%

LAB 59.4, 66.31, 37.18

 

CMYK 0 / 62 / 60 / 0

HEX #FF6165

RGB 255 97 101

HSL 358.48, 1%, 0.69%

LAB 62.3, 60.32, 30.06

 

CMYK 0 / 90 / 88 / 2

HEX #FA191E

RGB 250 25 30

HSL 358.67, 0.96%, 0.54%

LAB 53.07, 76.99, 57.4

 

CMYK 0 / 97 / 95 / 9

HEX #E9070B

RGB 233 7 11

HSL 358.94, 0.94%, 0.47%

LAB 48.88, 74.36, 59.85

 

CMYK 0 / 100 / 100 / 15

HEX #D80000

RGB 216 0 0

HSL 0, 1%, 0.42%

LAB 45.08, 70.68, 59.3

 

CMYK 0 / 100 / 100 / 22

HEX #C70000

RGB 199 0 0

HSL 0, 1%, 0.39%

LAB 41.44, 66.47, 55.77

 

CMYK 0 / 100 / 100 / 29

HEX #B60000

RGB 182 0 0

HSL 0, 1%, 0.36%

LAB 37.74, 62.19, 52.16

 

CMYK 0 / 90 / 88 / 2

HEX #FA191E

RGB 250 25 30

HSL 358.67, 0.96%, 0.54%

LAB 53.07, 76.99, 57.4

 

CMYK 0 / 90 / 90 / 2

HEX #FA1919

RGB 250 25 25

HSL 0, 0.96%, 0.54%

LAB 53.05, 76.91, 59.42

 

CMYK 0 / 90 / 88 / 2

HEX #FA191E

RGB 250 25 30

HSL 358.67, 0.96%, 0.54%

LAB 53.07, 76.99, 57.4

 

CMYK 0 / 90 / 64 / 2

HEX #FA195A

RGB 250 25 90

HSL 342.67, 0.96%, 0.54%

LAB 53.77, 78.95, 25.26

 

CMYK 0 / 90 / 40 / 2

HEX #FA1997

RGB 250 25 151

HSL 326.4, 0.96%, 0.54%

LAB 55.33, 83.26, -9.11

 

CMYK 0 / 90 / 15 / 2

HEX #FA19D4

RGB 250 25 212

HSL 310.13, 0.96%, 0.54%

LAB 57.82, 89.84, -40.73

 

CMYK 9 / 90 / 0 / 2

HEX #E319FA

RGB 227 25 250

HSL 293.87, 0.96%, 0.54%

LAB 56.02, 91.27, -65.23

 

CMYK 0 / 90 / 88 / 2

HEX #FA191E

RGB 250 25 30

HSL 358.67, 0.96%, 0.54%

LAB 53.07, 76.99, 57.4

 

CMYK 0 / 90 / 88 / 2

HEX #FA191E

RGB 250 25 30

HSL 358.67, 0.96%, 0.54%

LAB 53.07, 76.99, 57.4

 

CMYK 0 / 81 / 79 / 9

HEX #E72C30

RGB 231 44 48

HSL 358.72, 0.8%, 0.54%

LAB 50.69, 68.82, 45.07

 

CMYK 0 / 70 / 69 / 17

HEX #D43F42

RGB 212 63 66

HSL 358.79, 0.63%, 0.54%

LAB 49.43, 58.08, 32.53

 

CMYK 0 / 58 / 56 / 24

HEX #C15254

RGB 193 82 84

HSL 358.92, 0.47%, 0.54%

LAB 49.51, 44.72, 21.35

 

CMYK 0 / 42 / 41 / 32

HEX #AE6566

RGB 174 101 102

HSL 359.18, 0.31%, 0.54%

LAB 51, 29.46, 12.22

 

CMYK 0 / 90 / 39 / 2

HEX #FA1998

RGB 250 25 152

HSL 326.13, 0.96%, 0.54%

LAB 55.37, 83.35, -9.66

 

CMYK 0 / 90 / 63 / 2

HEX #FA195C

RGB 250 25 92

HSL 342.13, 0.96%, 0.54%

LAB 53.81, 79.05, 24.11

 

CMYK 0 / 90 / 87 / 2

HEX #FA1920

RGB 250 25 32

HSL 358.13, 0.96%, 0.54%

LAB 53.08, 77.02, 56.54

 

CMYK 0 / 69 / 90 / 2

HEX #FA4D19

RGB 250 77 25

HSL 13.87, 0.96%, 0.54%

LAB 57.75, 63.7, 62.65

 

CMYK 0 / 45 / 90 / 2

HEX #FA8919

RGB 250 137 25

HSL 29.87, 0.96%, 0.54%

LAB 68.23, 36.61, 70.19

 

CMYK 0 / 98 / 96 / 26

HEX #BD0307

RGB 189 3 7

HSL 358.71, 0.97%, 0.38%

LAB 39.41, 63.71, 51.09

 

CMYK 0 / 98 / 96 / 10

HEX #E50409

RGB 229 4 9

HSL 358.67, 0.97%, 0.46%

LAB 47.96, 73.6, 59.46

 

CMYK 0 / 90 / 88 / 2

HEX #FA191E

RGB 250 25 30

HSL 358.67, 0.96%, 0.54%

LAB 53.07, 76.99, 57.4

 

CMYK 0 / 74 / 73 / 2

HEX #FB4145

RGB 251 65 69

HSL 358.71, 0.96%, 0.62%

LAB 56.8, 69.29, 41.24

 

CMYK 0 / 58 / 57 / 2

HEX #FB696D

RGB 251 105 109

HSL 358.36, 0.95%, 0.7%

LAB 63.11, 56.07, 26.46

 

CMYK 0 / 90 / 88 / 2

HEX #FA191E

RGB 250 25 30

HSL 358.67, 0.96%, 0.54%

LAB 53.07, 76.99, 57.4

 

CMYK 15 / 0 / 90 / 2

HEX #D4FA19

RGB 212 250 25

HSL 70.13, 0.96%, 0.54%

LAB 92.77, -36.34, 87.58

 

CMYK 90 / 51 / 0 / 2

HEX #197AFA

RGB 25 122 250

HSL 214.13, 0.96%, 0.54%

LAB 52.98, 21.38, -70.97

 

CMYK 0 / 90 / 88 / 2

HEX #FA191E

RGB 250 25 30

HSL 358.67, 0.96%, 0.54%

LAB 53.07, 76.99, 57.4

 

CMYK 87 / 0 / 90 / 2

HEX #20FA19

RGB 32 250 25

HSL 118.13, 0.96%, 0.54%

LAB 86.38, -83.06, 79.71

 

CMYK 90 / 87 / 0 / 2

HEX #1920FA

RGB 25 32 250

HSL 238.13, 0.96%, 0.54%

LAB 34.28, 71.34, -101.74

 

CMYK 0 / 90 / 88 / 2

HEX #FA191E

RGB 250 25 30

HSL 358.67, 0.96%, 0.54%

LAB 53.07, 76.99, 57.4

 

CMYK 15 / 0 / 90 / 2

HEX #D4FA19

RGB 212 250 25

HSL 70.13, 0.96%, 0.54%

LAB 92.77, -36.34, 87.58

 

CMYK 90 / 0 / 3 / 2

HEX #19FAF2

RGB 25 250 242

HSL 177.87, 0.96%, 0.54%

LAB 89.39, -48.99, -9.95

 

CMYK 75 / 90 / 0 / 2

HEX #3E19FA

RGB 62 25 250

HSL 249.87, 0.96%, 0.54%

LAB 35.25, 74.46, -100.09

 

CMYK 0 / 90 / 88 / 2

HEX #FA191E

RGB 250 25 30

HSL 358.67, 0.96%, 0.54%

LAB 53.07, 76.99, 57.4

 

CMYK 42 / 0 / 90 / 2

HEX #91FA19

RGB 145 250 25

HSL 88, 0.96%, 0.54%

LAB 89.14, -60.52, 83.13

 

CMYK 90 / 0 / 3 / 2

HEX #19FAF2

RGB 25 250 242

HSL 177.87, 0.96%, 0.54%

LAB 89.39, -48.99, -9.95

 

CMYK 48 / 90 / 0 / 2

HEX #8219FA

RGB 130 25 250

HSL 268, 0.96%, 0.54%

LAB 41.76, 78.96, -89.09

 

Description

Color code: HEX #FA191E | qconv.com Color code: HEX #FA191E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 25 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 25 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 88 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 88% 2% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - 【楽天市場】NetBabyWorld(ネ...
Link: http://www.rakuten.ne.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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