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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA10CF it is the complementary color #05EF30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA10CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA10CF shade: #FF10CA, #FF22DD, #FF34F0, #FF46FF and #FF58FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA10CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA10CF shade: #FA10CF, #E900BC, #D800A9, #C70096 and #B60083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA10CF shade: #FA0FCF, #FA0F90, #FA0F50, #FA0F11 and #FA0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA10CF shade: #FA0FCF, #E60FFA, #A70FFA, #670FFA and #280FFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA10CF shade matches the following richer shades: #FA0FCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA10CF shade: #FA0FCF, #E623C2, #D237B6, #BF4BA9 and #AB5E9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA10CF shade: #A80FFA, #E70FFA, #FA0FCF, #FA0F90 and #FA0F52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA10CF shade: #B30493, #DB04B4, #FA0FCF, #FB38D7 and #FC60DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA10CF shade: #FA10CF, #FA690F and #0FFAC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA10CF shade: #FA10CF, #CFFA0F and #0FCFFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA10CF shade: #FA10CF, #FA690F, #0FFA3A and #0FA0FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA10CF shade: #FA10CF, #FAB00F, #0FFA3A and #0F5AFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 17 / 2

HEX #FA10CF

RGB 250 16 207

HSL 311.03, 0.96%, 0.52%

LAB 57.27, 90.14, -38.74

 

Complementary color

CMYK 98 / 0 / 80 / 6

HEX #05EF30

RGB 5 239 48

HSL 131.03, 0.96%, 0.48%

LAB 82.9, -80.42, 71.78

 

CMYK 0 / 94 / 21 / 0

HEX #FF10CA

RGB 255 16 202

HSL 313.31, 1%, 0.53%

LAB 57.94, 90.47, -34.77

 

CMYK 0 / 87 / 13 / 0

HEX #FF22DD

RGB 255 34 221

HSL 309.23, 1%, 0.57%

LAB 59.55, 90.67, -43.05

 

CMYK 0 / 80 / 6 / 0

HEX #FF34F0

RGB 255 52 240

HSL 304.43, 1%, 0.6%

LAB 61.66, 89.83, -50.37

 

CMYK 0 / 73 / 0 / 0

HEX #FF46FF

RGB 255 70 255

HSL 300, 1%, 0.64%

LAB 64.05, 87.38, -54.9

 

CMYK 0 / 65 / 0 / 0

HEX #FF58FF

RGB 255 88 255

HSL 300, 1%, 0.67%

LAB 66.1, 81.54, -51.64

 

CMYK 0 / 94 / 17 / 2

HEX #FA10CF

RGB 250 16 207

HSL 311.03, 0.96%, 0.52%

LAB 57.27, 90.14, -38.74

 

CMYK 0 / 100 / 19 / 9

HEX #E900BC

RGB 233 0 188

HSL 311.59, 1%, 0.46%

LAB 52.9, 85.91, -34.86

 

CMYK 0 / 100 / 22 / 15

HEX #D800A9

RGB 216 0 169

HSL 313.06, 1%, 0.42%

LAB 48.84, 80.54, -30.29

 

CMYK 0 / 100 / 25 / 22

HEX #C70096

RGB 199 0 150

HSL 314.77, 1%, 0.39%

LAB 44.72, 75.1, -25.58

 

CMYK 0 / 100 / 28 / 29

HEX #B60083

RGB 182 0 131

HSL 316.81, 1%, 0.36%

LAB 40.55, 69.58, -20.71

 

CMYK 0 / 94 / 17 / 2

HEX #FA0FCF

RGB 250 15 207

HSL 310.98, 0.96%, 0.52%

LAB 57.24, 90.23, -38.78

 

CMYK 0 / 94 / 42 / 2

HEX #FA0F90

RGB 250 15 144

HSL 327.06, 0.96%, 0.52%

LAB 54.74, 83.71, -5.84

 

CMYK 0 / 94 / 68 / 2

HEX #FA0F50

RGB 250 15 80

HSL 343.4, 0.96%, 0.52%

LAB 53.22, 79.58, 30.55

 

CMYK 0 / 94 / 93 / 2

HEX #FA0F11

RGB 250 15 17

HSL 359.49, 0.96%, 0.52%

LAB 52.63, 77.94, 61.98

 

CMYK 0 / 94 / 94 / 2

HEX #FA0F0F

RGB 250 15 15

HSL 0, 0.96%, 0.52%

LAB 52.62, 77.92, 62.58

 

CMYK 0 / 94 / 17 / 2

HEX #FA0FCF

RGB 250 15 207

HSL 310.98, 0.96%, 0.52%

LAB 57.24, 90.23, -38.78

 

CMYK 8 / 94 / 0 / 2

HEX #E60FFA

RGB 230 15 250

HSL 294.89, 0.96%, 0.52%

LAB 56.15, 92.78, -64.98

 

CMYK 33 / 94 / 0 / 2

HEX #A70FFA

RGB 167 15 250

HSL 278.81, 0.96%, 0.52%

LAB 46.26, 84.35, -81.51

 

CMYK 59 / 94 / 0 / 2

HEX #670FFA

RGB 103 15 250

HSL 262.47, 0.96%, 0.52%

LAB 38.07, 78.61, -95.29

 

CMYK 84 / 94 / 0 / 2

HEX #280FFA

RGB 40 15 250

HSL 246.38, 0.96%, 0.52%

LAB 33.34, 76.06, -103.3

 

CMYK 0 / 94 / 17 / 2

HEX #FA0FCF

RGB 250 15 207

HSL 310.98, 0.96%, 0.52%

LAB 57.24, 90.23, -38.78

 

CMYK 0 / 94 / 17 / 2

HEX #FA0FCF

RGB 250 15 207

HSL 310.98, 0.96%, 0.52%

LAB 57.24, 90.23, -38.78

 

CMYK 0 / 85 / 16 / 10

HEX #E623C2

RGB 230 35 194

HSL 311.08, 0.8%, 0.52%

LAB 53.94, 82.28, -36.74

 

CMYK 0 / 74 / 13 / 18

HEX #D237B6

RGB 210 55 182

HSL 310.84, 0.63%, 0.52%

LAB 51.62, 71.58, -33.65

 

CMYK 0 / 61 / 12 / 25

HEX #BF4BA9

RGB 191 75 169

HSL 311.38, 0.48%, 0.52%

LAB 50.66, 57.47, -27.78

 

CMYK 0 / 45 / 8 / 33

HEX #AB5E9D

RGB 171 94 157

HSL 310.91, 0.31%, 0.52%

LAB 50.8, 40.27, -20.73

 

CMYK 33 / 94 / 0 / 2

HEX #A80FFA

RGB 168 15 250

HSL 279.06, 0.96%, 0.52%

LAB 46.4, 84.47, -81.26

 

CMYK 8 / 94 / 0 / 2

HEX #E70FFA

RGB 231 15 250

HSL 295.15, 0.96%, 0.52%

LAB 56.32, 92.93, -64.71

 

CMYK 0 / 94 / 17 / 2

HEX #FA0FCF

RGB 250 15 207

HSL 310.98, 0.96%, 0.52%

LAB 57.24, 90.23, -38.78

 

CMYK 0 / 94 / 42 / 2

HEX #FA0F90

RGB 250 15 144

HSL 327.06, 0.96%, 0.52%

LAB 54.74, 83.71, -5.84

 

CMYK 0 / 94 / 67 / 2

HEX #FA0F52

RGB 250 15 82

HSL 342.89, 0.96%, 0.52%

LAB 53.25, 79.67, 29.39

 

CMYK 0 / 98 / 18 / 30

HEX #B30493

RGB 179 4 147

HSL 310.97, 0.96%, 0.36%

LAB 40.86, 70.51, -30.08

 

CMYK 0 / 98 / 18 / 14

HEX #DB04B4

RGB 219 4 180

HSL 310.88, 0.96%, 0.44%

LAB 50.03, 82.1, -34.87

 

CMYK 0 / 94 / 17 / 2

HEX #FA0FCF

RGB 250 15 207

HSL 310.98, 0.96%, 0.52%

LAB 57.24, 90.23, -38.78

 

CMYK 0 / 78 / 14 / 2

HEX #FB38D7

RGB 251 56 215

HSL 311.08, 0.96%, 0.6%

LAB 60.11, 84.69, -38.83

 

CMYK 0 / 62 / 12 / 1

HEX #FC60DF

RGB 252 96 223

HSL 311.15, 0.96%, 0.68%

LAB 65.27, 72.93, -35.25

 

CMYK 0 / 94 / 17 / 2

HEX #FA10CF

RGB 250 16 207

HSL 311.03, 0.96%, 0.52%

LAB 57.27, 90.14, -38.74

 

CMYK 0 / 58 / 94 / 2

HEX #FA690F

RGB 250 105 15

HSL 22.98, 0.96%, 0.52%

LAB 62.05, 52.01, 68.18

 

CMYK 94 / 0 / 20 / 2

HEX #0FFAC7

RGB 15 250 199

HSL 166.98, 0.96%, 0.52%

LAB 88.25, -60.57, 10.75

 

CMYK 0 / 94 / 17 / 2

HEX #FA10CF

RGB 250 16 207

HSL 311.03, 0.96%, 0.52%

LAB 57.27, 90.14, -38.74

 

CMYK 17 / 0 / 94 / 2

HEX #CFFA0F

RGB 207 250 15

HSL 70.98, 0.96%, 0.52%

LAB 92.43, -38.44, 88.33

 

CMYK 94 / 17 / 0 / 2

HEX #0FCFFA

RGB 15 207 250

HSL 190.98, 0.96%, 0.52%

LAB 77.06, -27.16, -32.86

 

CMYK 0 / 94 / 17 / 2

HEX #FA10CF

RGB 250 16 207

HSL 311.03, 0.96%, 0.52%

LAB 57.27, 90.14, -38.74

 

CMYK 0 / 58 / 94 / 2

HEX #FA690F

RGB 250 105 15

HSL 22.98, 0.96%, 0.52%

LAB 62.05, 52.01, 68.18

 

CMYK 94 / 0 / 77 / 2

HEX #0FFA3A

RGB 15 250 58

HSL 130.98, 0.96%, 0.52%

LAB 86.39, -82.47, 72.28

 

CMYK 94 / 36 / 0 / 2

HEX #0FA0FA

RGB 15 160 250

HSL 202.98, 0.96%, 0.52%

LAB 63.46, -1.99, -54.15

 

CMYK 0 / 94 / 17 / 2

HEX #FA10CF

RGB 250 16 207

HSL 311.03, 0.96%, 0.52%

LAB 57.27, 90.14, -38.74

 

CMYK 0 / 30 / 94 / 2

HEX #FAB00F

RGB 250 176 15

HSL 41.11, 0.96%, 0.52%

LAB 76.93, 16.2, 78.33

 

CMYK 94 / 0 / 77 / 2

HEX #0FFA3A

RGB 15 250 58

HSL 130.98, 0.96%, 0.52%

LAB 86.39, -82.47, 72.28

 

CMYK 94 / 64 / 0 / 2

HEX #0F5AFA

RGB 15 90 250

HSL 220.85, 0.96%, 0.52%

LAB 44.68, 41.23, -84.52

 

Description

Color code: HEX #FA10CF | qconv.com Color code: HEX #FA10CF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 16 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 16 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 17 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 17% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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