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Color name
HEX #FA105A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA105A it is the complementary color #05EFA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA105A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA105A shade: #FF1055, #FF2268, #FF347B, #FF468E and #FF58A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA105A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA105A shade: #FA105A, #E90047, #D80034, #C70021 and #B6000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA105A shade: #FA0F59, #FA0F1A and #FA0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA105A shade: #FA0F59, #FA0F99, #FA0FD8, #DD0FFA and #9D0FFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA105A shade matches the following richer shades: #FA0F59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA105A shade: #FA0F59, #E62361, #D23768, #BF4B6F and #AB5E77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA105A shade: #FA0FD7, #FA0F98, #FA0F5A, #FA0F1B and #FA420F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA105A shade: #B3043B, #DB0448, #FA0F59, #FB3875 and #FC6091

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA105A shade: #FA105A, #FADF0F and #0FB8FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA105A shade: #FA105A, #5AFA0F and #0F5AFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA105A shade: #FA105A, #FADF0F, #0FFAB0 and #0F2BFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA105A shade: #FA105A, #CFFA0F, #0FFAB0 and #3A0FFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 64 / 2

HEX #FA105A

RGB 250 16 90

HSL 341.03, 0.96%, 0.52%

LAB 53.42, 79.96, 24.81

 

Complementary color

CMYK 98 / 0 / 31 / 6

HEX #05EFA5

RGB 5 239 165

HSL 161.03, 0.96%, 0.48%

LAB 84.22, -64.53, 22.66

 

CMYK 0 / 94 / 67 / 0

HEX #FF1055

RGB 255 16 85

HSL 342.68, 1%, 0.53%

LAB 54.33, 80.89, 29.18

 

CMYK 0 / 87 / 59 / 0

HEX #FF2268

RGB 255 34 104

HSL 341, 1%, 0.57%

LAB 55.49, 79.57, 19.32

 

CMYK 0 / 80 / 52 / 0

HEX #FF347B

RGB 255 52 123

HSL 339.01, 1%, 0.6%

LAB 57.22, 77.09, 10.38

 

CMYK 0 / 73 / 44 / 0

HEX #FF468E

RGB 255 70 142

HSL 336.65, 1%, 0.64%

LAB 59.52, 73.52, 2.46

 

CMYK 0 / 65 / 37 / 0

HEX #FF58A1

RGB 255 88 161

HSL 333.77, 1%, 0.67%

LAB 62.35, 69.02, -4.44

 

CMYK 0 / 94 / 64 / 2

HEX #FA105A

RGB 250 16 90

HSL 341.03, 0.96%, 0.52%

LAB 53.42, 79.96, 24.81

 

CMYK 0 / 100 / 70 / 9

HEX #E90047

RGB 233 0 71

HSL 341.72, 1%, 0.46%

LAB 49.23, 76.35, 30.25

 

CMYK 0 / 100 / 76 / 15

HEX #D80034

RGB 216 0 52

HSL 345.56, 1%, 0.42%

LAB 45.42, 71.61, 36.3

 

CMYK 0 / 100 / 83 / 22

HEX #C70021

RGB 199 0 33

HSL 350.05, 1%, 0.39%

LAB 41.61, 66.94, 42.13

 

CMYK 0 / 100 / 92 / 29

HEX #B6000E

RGB 182 0 14

HSL 355.38, 1%, 0.36%

LAB 37.8, 62.34, 46.81

 

CMYK 0 / 94 / 64 / 2

HEX #FA0F59

RGB 250 15 89

HSL 341.11, 0.96%, 0.52%

LAB 53.37, 80, 25.35

 

CMYK 0 / 94 / 90 / 2

HEX #FA0F1A

RGB 250 15 26

HSL 357.19, 0.96%, 0.52%

LAB 52.66, 78.05, 58.77

 

CMYK 0 / 94 / 94 / 2

HEX #FA0F0F

RGB 250 15 15

HSL 0, 0.96%, 0.52%

LAB 52.62, 77.92, 62.58

 

CMYK 0 / 94 / 64 / 2

HEX #FA0F59

RGB 250 15 89

HSL 341.11, 0.96%, 0.52%

LAB 53.37, 80, 25.35

 

CMYK 0 / 94 / 39 / 2

HEX #FA0F99

RGB 250 15 153

HSL 324.77, 0.96%, 0.52%

LAB 55.04, 84.5, -10.74

 

CMYK 0 / 94 / 14 / 2

HEX #FA0FD8

RGB 250 15 216

HSL 308.68, 0.96%, 0.52%

LAB 57.68, 91.33, -43.23

 

CMYK 12 / 94 / 0 / 2

HEX #DD0FFA

RGB 221 15 250

HSL 292.6, 0.96%, 0.52%

LAB 54.67, 91.44, -67.44

 

CMYK 37 / 94 / 0 / 2

HEX #9D0FFA

RGB 157 15 250

HSL 276.26, 0.96%, 0.52%

LAB 44.82, 83.25, -83.93

 

CMYK 0 / 94 / 64 / 2

HEX #FA0F59

RGB 250 15 89

HSL 341.11, 0.96%, 0.52%

LAB 53.37, 80, 25.35

 

CMYK 0 / 94 / 64 / 2

HEX #FA0F59

RGB 250 15 89

HSL 341.11, 0.96%, 0.52%

LAB 53.37, 80, 25.35

 

CMYK 0 / 85 / 58 / 10

HEX #E62361

RGB 230 35 97

HSL 340.92, 0.8%, 0.52%

LAB 50.56, 72.84, 16.04

 

CMYK 0 / 74 / 50 / 18

HEX #D23768

RGB 210 55 104

HSL 341.03, 0.63%, 0.52%

LAB 48.8, 62.78, 8.76

 

CMYK 0 / 61 / 42 / 25

HEX #BF4B6F

RGB 191 75 111

HSL 341.38, 0.48%, 0.52%

LAB 48.58, 49.79, 3.75

 

CMYK 0 / 45 / 30 / 33

HEX #AB5E77

RGB 171 94 119

HSL 340.52, 0.31%, 0.52%

LAB 49.49, 34.3, -0.12

 

CMYK 0 / 94 / 14 / 2

HEX #FA0FD7

RGB 250 15 215

HSL 308.94, 0.96%, 0.52%

LAB 57.63, 91.21, -42.74

 

CMYK 0 / 94 / 39 / 2

HEX #FA0F98

RGB 250 15 152

HSL 325.02, 0.96%, 0.52%

LAB 55, 84.41, -10.2

 

CMYK 0 / 94 / 64 / 2

HEX #FA0F5A

RGB 250 15 90

HSL 340.85, 0.96%, 0.52%

LAB 53.39, 80.05, 24.77

 

CMYK 0 / 94 / 89 / 2

HEX #FA0F1B

RGB 250 15 27

HSL 356.94, 0.96%, 0.52%

LAB 52.67, 78.06, 58.37

 

CMYK 0 / 74 / 94 / 2

HEX #FA420F

RGB 250 66 15

HSL 13.02, 0.96%, 0.52%

LAB 56.34, 67.38, 64.67

 

CMYK 0 / 98 / 67 / 30

HEX #B3043B

RGB 179 4 59

HSL 341.14, 0.96%, 0.36%

LAB 37.82, 62.53, 20.97

 

CMYK 0 / 98 / 67 / 14

HEX #DB0448

RGB 219 4 72

HSL 341.02, 0.96%, 0.44%

LAB 46.46, 72.79, 25.56

 

CMYK 0 / 94 / 64 / 2

HEX #FA0F59

RGB 250 15 89

HSL 341.11, 0.96%, 0.52%

LAB 53.37, 80, 25.35

 

CMYK 0 / 78 / 53 / 2

HEX #FB3875

RGB 251 56 117

HSL 341.23, 0.96%, 0.6%

LAB 56.71, 74.6, 13.12

 

CMYK 0 / 62 / 42 / 1

HEX #FC6091

RGB 252 96 145

HSL 341.15, 0.96%, 0.68%

LAB 62.6, 63.33, 5.1

 

CMYK 0 / 94 / 64 / 2

HEX #FA105A

RGB 250 16 90

HSL 341.03, 0.96%, 0.52%

LAB 53.42, 79.96, 24.81

 

CMYK 0 / 11 / 94 / 2

HEX #FADF0F

RGB 250 223 15

HSL 53.11, 0.96%, 0.52%

LAB 88.51, -7.94, 86.78

 

CMYK 94 / 26 / 0 / 2

HEX #0FB8FA

RGB 15 184 250

HSL 196.85, 0.96%, 0.52%

LAB 70.37, -15.32, -43.25

 

CMYK 0 / 94 / 64 / 2

HEX #FA105A

RGB 250 16 90

HSL 341.03, 0.96%, 0.52%

LAB 53.42, 79.96, 24.81

 

CMYK 64 / 0 / 94 / 2

HEX #5AFA0F

RGB 90 250 15

HSL 100.85, 0.96%, 0.52%

LAB 87.28, -75.26, 82.06

 

CMYK 94 / 64 / 0 / 2

HEX #0F5AFA

RGB 15 90 250

HSL 220.85, 0.96%, 0.52%

LAB 44.68, 41.23, -84.52

 

CMYK 0 / 94 / 64 / 2

HEX #FA105A

RGB 250 16 90

HSL 341.03, 0.96%, 0.52%

LAB 53.42, 79.96, 24.81

 

CMYK 0 / 11 / 94 / 2

HEX #FADF0F

RGB 250 223 15

HSL 53.11, 0.96%, 0.52%

LAB 88.51, -7.94, 86.78

 

CMYK 94 / 0 / 30 / 2

HEX #0FFAB0

RGB 15 250 176

HSL 161.11, 0.96%, 0.52%

LAB 87.78, -65.83, 21.93

 

CMYK 94 / 83 / 0 / 2

HEX #0F2BFA

RGB 15 43 250

HSL 232.85, 0.96%, 0.52%

LAB 35.46, 66.98, -99.77

 

CMYK 0 / 94 / 64 / 2

HEX #FA105A

RGB 250 16 90

HSL 341.03, 0.96%, 0.52%

LAB 53.42, 79.96, 24.81

 

CMYK 17 / 0 / 94 / 2

HEX #CFFA0F

RGB 207 250 15

HSL 70.98, 0.96%, 0.52%

LAB 92.43, -38.44, 88.33

 

CMYK 94 / 0 / 30 / 2

HEX #0FFAB0

RGB 15 250 176

HSL 161.11, 0.96%, 0.52%

LAB 87.78, -65.83, 21.93

 

CMYK 77 / 94 / 0 / 2

HEX #3A0FFA

RGB 58 15 250

HSL 250.98, 0.96%, 0.52%

LAB 34.28, 76.51, -101.7

 

Description

Color code: HEX #FA105A | qconv.com Color code: HEX #FA105A | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 16 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 16 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 64 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 64% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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