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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA0F8F it is the complementary color #05F070. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA0F8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA0F8F shade: #FF0F8A, #FF219D, #FF33B0, #FF45C3 and #FF57D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA0F8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA0F8F shade: #FA0F8F, #E9007C, #D80069, #C70056 and #B60043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA0F8F shade: #FA0F8F, #FA0F50, #FA0F10 and #FA0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA0F8F shade: #FA0F8F, #FA0FCE, #E60FFA, #A70FFA and #680FFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA0F8F shade matches the following richer shades: #FA0F8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA0F8F shade: #FA0F8F, #E6238D, #D2378C, #BF4B8A and #AB5E88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA0F8F shade: #E70FFA, #FA0FCF, #FA0F90, #FA0F52 and #FA0F13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA0F8F shade: #B30463, #DB047A, #FA0F8F, #FB38A2 and #FC60B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA0F8F shade: #FA0F8F, #FAA80F and #0FEEFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA0F8F shade: #FA0F8F, #90FA0F and #0F90FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA0F8F shade: #FA0F8F, #FAA80F, #0FFA79 and #0F61FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA0F8F shade: #FA0F8F, #FAEE0F, #0FFA79 and #0F1BFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 43 / 2

HEX #FA0F8F

RGB 250 15 143

HSL 327.32, 0.96%, 0.52%

LAB 54.71, 83.62, -5.29

 

Complementary color

CMYK 98 / 0 / 53 / 6

HEX #05F070

RGB 5 240 112

HSL 147.32, 0.96%, 0.48%

LAB 83.72, -74.36, 48.18

 

CMYK 0 / 94 / 46 / 0

HEX #FF0F8A

RGB 255 15 138

HSL 329.25, 1%, 0.53%

LAB 55.52, 84.29, -1

 

CMYK 0 / 87 / 38 / 0

HEX #FF219D

RGB 255 33 157

HSL 326.49, 1%, 0.56%

LAB 56.86, 83.75, -10.27

 

CMYK 0 / 80 / 31 / 0

HEX #FF33B0

RGB 255 51 176

HSL 323.24, 1%, 0.6%

LAB 58.75, 82.11, -18.52

 

CMYK 0 / 73 / 24 / 0

HEX #FF45C3

RGB 255 69 195

HSL 319.35, 1%, 0.64%

LAB 61.18, 79.43, -25.73

 

CMYK 0 / 66 / 16 / 0

HEX #FF57D6

RGB 255 87 214

HSL 314.64, 1%, 0.67%

LAB 64.11, 75.84, -31.98

 

CMYK 0 / 94 / 43 / 2

HEX #FA0F8F

RGB 250 15 143

HSL 327.32, 0.96%, 0.52%

LAB 54.71, 83.62, -5.29

 

CMYK 0 / 100 / 47 / 9

HEX #E9007C

RGB 233 0 124

HSL 328.07, 1%, 0.46%

LAB 50.43, 79.55, -0.53

 

CMYK 0 / 100 / 51 / 15

HEX #D80069

RGB 216 0 105

HSL 330.83, 1%, 0.42%

LAB 46.47, 74.42, 4.99

 

CMYK 0 / 100 / 57 / 22

HEX #C70056

RGB 199 0 86

HSL 334.07, 1%, 0.39%

LAB 42.48, 69.27, 10.75

 

CMYK 0 / 100 / 63 / 29

HEX #B60043

RGB 182 0 67

HSL 337.91, 1%, 0.36%

LAB 38.46, 64.14, 16.8

 

CMYK 0 / 94 / 43 / 2

HEX #FA0F8F

RGB 250 15 143

HSL 327.32, 0.96%, 0.52%

LAB 54.71, 83.62, -5.29

 

CMYK 0 / 94 / 68 / 2

HEX #FA0F50

RGB 250 15 80

HSL 343.4, 0.96%, 0.52%

LAB 53.22, 79.58, 30.55

 

CMYK 0 / 94 / 94 / 2

HEX #FA0F10

RGB 250 15 16

HSL 359.74, 0.96%, 0.52%

LAB 52.62, 77.93, 62.28

 

CMYK 0 / 94 / 94 / 2

HEX #FA0F0F

RGB 250 15 15

HSL 0, 0.96%, 0.52%

LAB 52.62, 77.92, 62.58

 

CMYK 0 / 94 / 43 / 2

HEX #FA0F8F

RGB 250 15 143

HSL 327.32, 0.96%, 0.52%

LAB 54.71, 83.62, -5.29

 

CMYK 0 / 94 / 18 / 2

HEX #FA0FCE

RGB 250 15 206

HSL 311.23, 0.96%, 0.52%

LAB 57.19, 90.11, -38.29

 

CMYK 8 / 94 / 0 / 2

HEX #E60FFA

RGB 230 15 250

HSL 294.89, 0.96%, 0.52%

LAB 56.15, 92.78, -64.98

 

CMYK 33 / 94 / 0 / 2

HEX #A70FFA

RGB 167 15 250

HSL 278.81, 0.96%, 0.52%

LAB 46.26, 84.35, -81.51

 

CMYK 58 / 94 / 0 / 2

HEX #680FFA

RGB 104 15 250

HSL 262.72, 0.96%, 0.52%

LAB 38.18, 78.67, -95.11

 

CMYK 0 / 94 / 43 / 2

HEX #FA0F8F

RGB 250 15 143

HSL 327.32, 0.96%, 0.52%

LAB 54.71, 83.62, -5.29

 

CMYK 0 / 94 / 43 / 2

HEX #FA0F8F

RGB 250 15 143

HSL 327.32, 0.96%, 0.52%

LAB 54.71, 83.62, -5.29

 

CMYK 0 / 85 / 39 / 10

HEX #E6238D

RGB 230 35 141

HSL 327.38, 0.8%, 0.52%

LAB 51.78, 76.33, -8.86

 

CMYK 0 / 74 / 33 / 18

HEX #D2378C

RGB 210 55 140

HSL 327.1, 0.63%, 0.52%

LAB 49.89, 66.26, -11.46

 

CMYK 0 / 61 / 28 / 25

HEX #BF4B8A

RGB 191 75 138

HSL 327.41, 0.48%, 0.52%

LAB 49.43, 53, -11.28

 

CMYK 0 / 45 / 20 / 33

HEX #AB5E88

RGB 171 94 136

HSL 327.27, 0.31%, 0.52%

LAB 50.03, 36.79, -9.48

 

CMYK 8 / 94 / 0 / 2

HEX #E70FFA

RGB 231 15 250

HSL 295.15, 0.96%, 0.52%

LAB 56.32, 92.93, -64.71

 

CMYK 0 / 94 / 17 / 2

HEX #FA0FCF

RGB 250 15 207

HSL 310.98, 0.96%, 0.52%

LAB 57.24, 90.23, -38.78

 

CMYK 0 / 94 / 42 / 2

HEX #FA0F90

RGB 250 15 144

HSL 327.06, 0.96%, 0.52%

LAB 54.74, 83.71, -5.84

 

CMYK 0 / 94 / 67 / 2

HEX #FA0F52

RGB 250 15 82

HSL 342.89, 0.96%, 0.52%

LAB 53.25, 79.67, 29.39

 

CMYK 0 / 94 / 92 / 2

HEX #FA0F13

RGB 250 15 19

HSL 358.98, 0.96%, 0.52%

LAB 52.63, 77.96, 61.33

 

CMYK 0 / 98 / 45 / 30

HEX #B30463

RGB 179 4 99

HSL 327.43, 0.96%, 0.36%

LAB 38.85, 65.31, -3.26

 

CMYK 0 / 98 / 44 / 14

HEX #DB047A

RGB 219 4 122

HSL 327.07, 0.96%, 0.44%

LAB 47.69, 76.07, -3.65

 

CMYK 0 / 94 / 43 / 2

HEX #FA0F8F

RGB 250 15 143

HSL 327.32, 0.96%, 0.52%

LAB 54.71, 83.62, -5.29

 

CMYK 0 / 78 / 35 / 2

HEX #FB38A2

RGB 251 56 162

HSL 327.38, 0.96%, 0.6%

LAB 57.99, 78.49, -11.59

 

CMYK 0 / 62 / 28 / 1

HEX #FC60B5

RGB 252 96 181

HSL 327.31, 0.96%, 0.68%

LAB 63.67, 67.28, -14

 

CMYK 0 / 94 / 43 / 2

HEX #FA0F8F

RGB 250 15 143

HSL 327.32, 0.96%, 0.52%

LAB 54.71, 83.62, -5.29

 

CMYK 0 / 33 / 94 / 2

HEX #FAA80F

RGB 250 168 15

HSL 39.06, 0.96%, 0.52%

LAB 75.05, 20.39, 77

 

CMYK 94 / 5 / 0 / 2

HEX #0FEEFA

RGB 15 238 250

HSL 183.06, 0.96%, 0.52%

LAB 86.08, -41.77, -19.09

 

CMYK 0 / 94 / 43 / 2

HEX #FA0F8F

RGB 250 15 143

HSL 327.32, 0.96%, 0.52%

LAB 54.71, 83.62, -5.29

 

CMYK 42 / 0 / 94 / 2

HEX #90FA0F

RGB 144 250 15

HSL 87.06, 0.96%, 0.52%

LAB 89.08, -61.02, 84.26

 

CMYK 94 / 42 / 0 / 2

HEX #0F90FA

RGB 15 144 250

HSL 207.06, 0.96%, 0.52%

LAB 58.93, 7.44, -61.39

 

CMYK 0 / 94 / 43 / 2

HEX #FA0F8F

RGB 250 15 143

HSL 327.32, 0.96%, 0.52%

LAB 54.71, 83.62, -5.29

 

CMYK 0 / 33 / 94 / 2

HEX #FAA80F

RGB 250 168 15

HSL 39.06, 0.96%, 0.52%

LAB 75.05, 20.39, 77

 

CMYK 94 / 0 / 52 / 2

HEX #0FFA79

RGB 15 250 121

HSL 147.06, 0.96%, 0.52%

LAB 86.92, -75.84, 47.93

 

CMYK 94 / 61 / 0 / 2

HEX #0F61FA

RGB 15 97 250

HSL 219.06, 0.96%, 0.52%

LAB 46.38, 36.83, -81.73

 

CMYK 0 / 94 / 43 / 2

HEX #FA0F8F

RGB 250 15 143

HSL 327.32, 0.96%, 0.52%

LAB 54.71, 83.62, -5.29

 

CMYK 0 / 5 / 94 / 2

HEX #FAEE0F

RGB 250 238 15

HSL 56.94, 0.96%, 0.52%

LAB 92.36, -15.34, 89.64

 

CMYK 94 / 0 / 52 / 2

HEX #0FFA79

RGB 15 250 121

HSL 147.06, 0.96%, 0.52%

LAB 86.92, -75.84, 47.93

 

CMYK 94 / 89 / 0 / 2

HEX #0F1BFA

RGB 15 27 250

HSL 236.94, 0.96%, 0.52%

LAB 33.54, 72.78, -102.99

 

Description

Color code: HEX #FA0F8F | qconv.com Color code: HEX #FA0F8F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 15 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 15 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 43 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 43% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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