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Color name
HEX #FA05CF

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA05CF it is the complementary color #05FA30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA05CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA05CF shade: #FF05CA, #FF17DD, #FF29F0, #FF3BFF and #FF4DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA05CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA05CF shade: #FA05CF, #E900BC, #D800A9, #C70096 and #B60083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA05CF shade: #FA05CF, #FA058D, #FA054B, #FA0509 and #FA0505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA05CF shade: #FA05CF, #E305FA, #A105FA, #5F05FA and #1D05FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA05CF shade matches the following richer shades: #FA05CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA05CF shade: #FA05CF, #E51AC2, #D12EB4, #BC43A7 and #A75899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA05CF shade: #A005FA, #E105FA, #FA05D1, #FA0590 and #FA054F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA05CF shade: #A9038C, #D104AD, #FA05CF, #FB2ED7 and #FC56DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA05CF shade: #FA05CF, #FA5F05 and #05FAC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA05CF shade: #FA05CF, #D1FA05 and #05D1FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA05CF shade: #FA05CF, #FA5F05, #05FA2E and #05A0FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA05CF shade: #FA05CF, #FAA805, #05FA2E and #0557FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 17 / 2

HEX #FA05CF

RGB 250 5 207

HSL 310.53, 0.96%, 0.5%

LAB 57.01, 90.89, -39.14

 

Complementary color

CMYK 98 / 0 / 81 / 2

HEX #05FA30

RGB 5 250 48

HSL 130.53, 0.96%, 0.5%

LAB 86.31, -83.37, 74.96

 

CMYK 0 / 98 / 21 / 0

HEX #FF05CA

RGB 255 5 202

HSL 312.72, 1%, 0.51%

LAB 57.69, 91.2, -35.16

 

CMYK 0 / 91 / 13 / 0

HEX #FF17DD

RGB 255 23 221

HSL 308.79, 1%, 0.55%

LAB 59.06, 92.1, -43.82

 

CMYK 0 / 84 / 6 / 0

HEX #FF29F0

RGB 255 41 240

HSL 304.21, 1%, 0.58%

LAB 60.9, 92.04, -51.58

 

CMYK 0 / 77 / 0 / 0

HEX #FF3BFF

RGB 255 59 255

HSL 300, 1%, 0.62%

LAB 63.02, 90.35, -56.54

 

CMYK 0 / 70 / 0 / 0

HEX #FF4DFF

RGB 255 77 255

HSL 300, 1%, 0.65%

LAB 64.79, 85.25, -53.71

 

CMYK 0 / 98 / 17 / 2

HEX #FA05CF

RGB 250 5 207

HSL 310.53, 0.96%, 0.5%

LAB 57.01, 90.89, -39.14

 

CMYK 0 / 100 / 19 / 9

HEX #E900BC

RGB 233 0 188

HSL 311.59, 1%, 0.46%

LAB 52.9, 85.91, -34.86

 

CMYK 0 / 100 / 22 / 15

HEX #D800A9

RGB 216 0 169

HSL 313.06, 1%, 0.42%

LAB 48.84, 80.54, -30.29

 

CMYK 0 / 100 / 25 / 22

HEX #C70096

RGB 199 0 150

HSL 314.77, 1%, 0.39%

LAB 44.72, 75.1, -25.58

 

CMYK 0 / 100 / 28 / 29

HEX #B60083

RGB 182 0 131

HSL 316.81, 1%, 0.36%

LAB 40.55, 69.58, -20.71

 

CMYK 0 / 98 / 17 / 2

HEX #FA05CF

RGB 250 5 207

HSL 310.53, 0.96%, 0.5%

LAB 57.01, 90.89, -39.14

 

CMYK 0 / 98 / 44 / 2

HEX #FA058D

RGB 250 5 141

HSL 326.69, 0.96%, 0.5%

LAB 54.4, 84.17, -4.55

 

CMYK 0 / 98 / 70 / 2

HEX #FA054B

RGB 250 5 75

HSL 342.86, 0.96%, 0.5%

LAB 52.88, 80.1, 33.12

 

CMYK 0 / 98 / 96 / 2

HEX #FA0509

RGB 250 5 9

HSL 359.02, 0.96%, 0.5%

LAB 52.34, 78.63, 64.01

 

CMYK 0 / 98 / 98 / 2

HEX #FA0505

RGB 250 5 5

HSL 0, 0.96%, 0.5%

LAB 52.33, 78.6, 64.98

 

CMYK 0 / 98 / 17 / 2

HEX #FA05CF

RGB 250 5 207

HSL 310.53, 0.96%, 0.5%

LAB 57.01, 90.89, -39.14

 

CMYK 9 / 98 / 0 / 2

HEX #E305FA

RGB 227 5 250

HSL 294.37, 0.96%, 0.5%

LAB 55.42, 93.03, -66.19

 

CMYK 36 / 98 / 0 / 2

HEX #A105FA

RGB 161 5 250

HSL 278.2, 0.96%, 0.5%

LAB 45.06, 84.65, -83.5

 

CMYK 62 / 98 / 0 / 2

HEX #5F05FA

RGB 95 5 250

HSL 262.04, 0.96%, 0.5%

LAB 36.82, 79.44, -97.38

 

CMYK 88 / 98 / 0 / 2

HEX #1D05FA

RGB 29 5 250

HSL 245.88, 0.96%, 0.5%

LAB 32.42, 77.45, -104.85

 

CMYK 0 / 98 / 17 / 2

HEX #FA05CF

RGB 250 5 207

HSL 310.53, 0.96%, 0.5%

LAB 57.01, 90.89, -39.14

 

CMYK 0 / 98 / 17 / 2

HEX #FA05CF

RGB 250 5 207

HSL 310.53, 0.96%, 0.5%

LAB 57.01, 90.89, -39.14

 

CMYK 0 / 89 / 15 / 10

HEX #E51AC2

RGB 229 26 194

HSL 310.34, 0.8%, 0.5%

LAB 53.27, 83.54, -37.81

 

CMYK 0 / 78 / 14 / 18

HEX #D12EB4

RGB 209 46 180

HSL 310.67, 0.64%, 0.5%

LAB 50.46, 73.66, -34.32

 

CMYK 0 / 64 / 11 / 26

HEX #BC43A7

RGB 188 67 167

HSL 310.41, 0.47%, 0.5%

LAB 48.88, 59.73, -29.41

 

CMYK 0 / 47 / 8 / 35

HEX #A75899

RGB 167 88 153

HSL 310.63, 0.31%, 0.5%

LAB 48.88, 41.46, -21.37

 

CMYK 36 / 98 / 0 / 2

HEX #A005FA

RGB 160 5 250

HSL 277.96, 0.96%, 0.5%

LAB 44.92, 84.55, -83.74

 

CMYK 10 / 98 / 0 / 2

HEX #E105FA

RGB 225 5 250

HSL 293.88, 0.96%, 0.5%

LAB 55.09, 92.74, -66.74

 

CMYK 0 / 98 / 16 / 2

HEX #FA05D1

RGB 250 5 209

HSL 310.04, 0.96%, 0.5%

LAB 57.11, 91.14, -40.13

 

CMYK 0 / 98 / 42 / 2

HEX #FA0590

RGB 250 5 144

HSL 325.96, 0.96%, 0.5%

LAB 54.5, 84.42, -6.2

 

CMYK 0 / 98 / 68 / 2

HEX #FA054F

RGB 250 5 79

HSL 341.88, 0.96%, 0.5%

LAB 52.95, 80.27, 30.81

 

CMYK 0 / 98 / 17 / 34

HEX #A9038C

RGB 169 3 140

HSL 310.48, 0.97%, 0.34%

LAB 38.54, 67.8, -29.57

 

CMYK 0 / 98 / 17 / 18

HEX #D104AD

RGB 209 4 173

HSL 310.54, 0.96%, 0.42%

LAB 47.83, 79.4, -34.33

 

CMYK 0 / 98 / 17 / 2

HEX #FA05CF

RGB 250 5 207

HSL 310.53, 0.96%, 0.5%

LAB 57.01, 90.89, -39.14

 

CMYK 0 / 82 / 14 / 2

HEX #FB2ED7

RGB 251 46 215

HSL 310.54, 0.96%, 0.58%

LAB 59.31, 86.98, -40.07

 

CMYK 0 / 66 / 12 / 1

HEX #FC56DE

RGB 252 86 222

HSL 310.84, 0.97%, 0.66%

LAB 63.86, 76.59, -36.9

 

CMYK 0 / 98 / 17 / 2

HEX #FA05CF

RGB 250 5 207

HSL 310.53, 0.96%, 0.5%

LAB 57.01, 90.89, -39.14

 

CMYK 0 / 62 / 98 / 2

HEX #FA5F05

RGB 250 95 5

HSL 22.04, 0.96%, 0.5%

LAB 60.36, 56.33, 68.96

 

CMYK 98 / 0 / 23 / 2

HEX #05FAC1

RGB 5 250 193

HSL 166.04, 0.96%, 0.5%

LAB 88.09, -62.25, 13.62

 

CMYK 0 / 98 / 17 / 2

HEX #FA05CF

RGB 250 5 207

HSL 310.53, 0.96%, 0.5%

LAB 57.01, 90.89, -39.14

 

CMYK 16 / 0 / 98 / 2

HEX #D1FA05

RGB 209 250 5

HSL 70.04, 0.96%, 0.5%

LAB 92.55, -37.75, 89.25

 

CMYK 98 / 16 / 0 / 2

HEX #05D1FA

RGB 5 209 250

HSL 190.04, 0.96%, 0.5%

LAB 77.6, -28.38, -32.03

 

CMYK 0 / 98 / 17 / 2

HEX #FA05CF

RGB 250 5 207

HSL 310.53, 0.96%, 0.5%

LAB 57.01, 90.89, -39.14

 

CMYK 0 / 62 / 98 / 2

HEX #FA5F05

RGB 250 95 5

HSL 22.04, 0.96%, 0.5%

LAB 60.36, 56.33, 68.96

 

CMYK 98 / 0 / 82 / 2

HEX #05FA2E

RGB 5 250 46

HSL 130.04, 0.96%, 0.5%

LAB 86.31, -83.48, 75.46

 

CMYK 98 / 36 / 0 / 2

HEX #05A0FA

RGB 5 160 250

HSL 202.04, 0.96%, 0.5%

LAB 63.41, -2.25, -54.24

 

CMYK 0 / 98 / 17 / 2

HEX #FA05CF

RGB 250 5 207

HSL 310.53, 0.96%, 0.5%

LAB 57.01, 90.89, -39.14

 

CMYK 0 / 33 / 98 / 2

HEX #FAA805

RGB 250 168 5

HSL 39.92, 0.96%, 0.5%

LAB 75.04, 20.31, 78.17

 

CMYK 98 / 0 / 82 / 2

HEX #05FA2E

RGB 5 250 46

HSL 130.04, 0.96%, 0.5%

LAB 86.31, -83.48, 75.46

 

CMYK 98 / 65 / 0 / 2

HEX #0557FA

RGB 5 87 250

HSL 219.92, 0.96%, 0.5%

LAB 43.87, 42.88, -85.85

 

Description

Color code: HEX #FA05CF | qconv.com Color code: HEX #FA05CF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 5 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 5 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 17 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 17% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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