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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA04DD it is the complementary color #05FB22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA04DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA04DD shade: #FF04D8, #FF16EB, #FF28FE, #FF3AFF and #FF4CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA04DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA04DD shade: #FA04DD, #E900CA, #D800B7, #C700A4 and #B60091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA04DD shade: #FB04DE, #FB049B, #FB0459, #FB0416 and #FB0404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA04DD shade: #FB04DE, #D604FB, #9304FB, #5004FB and #0E04FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA04DD shade matches the following richer shades: #FB04DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA04DD shade: #FB04DE, #E718CE, #D22DBE, #BD42AF and #A9569F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA04DD shade: #9404FB, #D604FB, #FB04DE, #FB049C and #FB045A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA04DD shade: #AA0396, #D303BA, #FB04DE, #FC2CE3 and #FC55E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA04DD shade: #FA04DD, #FB5204 and #04FBB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA04DD shade: #FA04DD, #DEFB04 and #04DEFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA04DD shade: #FA04DD, #FB5204, #04FB21 and #04ADFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA04DD shade: #FA04DD, #FB9C04, #04FB21 and #0463FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 12 / 2

HEX #FA04DD

RGB 250 4 221

HSL 307.07, 0.97%, 0.5%

LAB 57.69, 92.69, -46.05

 

Complementary color

CMYK 98 / 0 / 86 / 2

HEX #05FB22

RGB 5 251 34

HSL 127.07, 0.97%, 0.5%

LAB 86.57, -84.27, 78.31

 

CMYK 0 / 98 / 15 / 0

HEX #FF04D8

RGB 255 4 216

HSL 309.32, 1%, 0.51%

LAB 58.33, 92.92, -42.15

 

CMYK 0 / 91 / 8 / 0

HEX #FF16EB

RGB 255 22 235

HSL 305.15, 1%, 0.54%

LAB 59.74, 94.01, -50.63

 

CMYK 0 / 84 / 0 / 0

HEX #FF28FE

RGB 255 40 254

HSL 300.28, 1%, 0.58%

LAB 61.6, 94.18, -58.25

 

CMYK 0 / 77 / 0 / 0

HEX #FF3AFF

RGB 255 58 255

HSL 300, 1%, 0.61%

LAB 62.93, 90.6, -56.67

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 0 / 98 / 12 / 2

HEX #FA04DD

RGB 250 4 221

HSL 307.07, 0.97%, 0.5%

LAB 57.69, 92.69, -46.05

 

CMYK 0 / 100 / 13 / 9

HEX #E900CA

RGB 233 0 202

HSL 307.98, 1%, 0.46%

LAB 53.59, 87.62, -41.88

 

CMYK 0 / 100 / 15 / 15

HEX #D800B7

RGB 216 0 183

HSL 309.17, 1%, 0.42%

LAB 49.52, 82.24, -37.47

 

CMYK 0 / 100 / 18 / 22

HEX #C700A4

RGB 199 0 164

HSL 310.55, 1%, 0.39%

LAB 45.39, 76.78, -32.95

 

CMYK 0 / 100 / 20 / 29

HEX #B60091

RGB 182 0 145

HSL 312.2, 1%, 0.36%

LAB 41.2, 71.24, -28.28

 

CMYK 0 / 98 / 12 / 2

HEX #FB04DE

RGB 251 4 222

HSL 307.04, 0.97%, 0.5%

LAB 57.91, 92.98, -46.24

 

CMYK 0 / 98 / 38 / 2

HEX #FB049B

RGB 251 4 155

HSL 323.32, 0.97%, 0.5%

LAB 55.03, 85.65, -11.91

 

CMYK 0 / 98 / 65 / 2

HEX #FB0459

RGB 251 4 89

HSL 339.35, 0.97%, 0.5%

LAB 53.3, 81.03, 25.29

 

CMYK 0 / 98 / 91 / 2

HEX #FB0416

RGB 251 4 22

HSL 355.63, 0.97%, 0.5%

LAB 52.57, 79.05, 60.34

 

CMYK 0 / 98 / 98 / 2

HEX #FB0404

RGB 251 4 4

HSL 0, 0.97%, 0.5%

LAB 52.51, 78.9, 65.43

 

CMYK 0 / 98 / 12 / 2

HEX #FB04DE

RGB 251 4 222

HSL 307.04, 0.97%, 0.5%

LAB 57.91, 92.98, -46.24

 

CMYK 15 / 98 / 0 / 2

HEX #D604FB

RGB 214 4 251

HSL 291.01, 0.97%, 0.5%

LAB 53.33, 91.41, -70.23

 

CMYK 41 / 98 / 0 / 2

HEX #9304FB

RGB 147 4 251

HSL 274.74, 0.97%, 0.5%

LAB 43.14, 83.55, -87.29

 

CMYK 68 / 98 / 0 / 2

HEX #5004FB

RGB 80 4 251

HSL 258.46, 0.97%, 0.5%

LAB 35.51, 79.1, -100.17

 

CMYK 94 / 98 / 0 / 2

HEX #0E04FB

RGB 14 4 251

HSL 242.43, 0.97%, 0.5%

LAB 32.14, 77.71, -105.89

 

CMYK 0 / 98 / 12 / 2

HEX #FB04DE

RGB 251 4 222

HSL 307.04, 0.97%, 0.5%

LAB 57.91, 92.98, -46.24

 

CMYK 0 / 98 / 12 / 2

HEX #FB04DE

RGB 251 4 222

HSL 307.04, 0.97%, 0.5%

LAB 57.91, 92.98, -46.24

 

CMYK 0 / 90 / 11 / 9

HEX #E718CE

RGB 231 24 206

HSL 307.25, 0.81%, 0.5%

LAB 54.13, 85.73, -43.34

 

CMYK 0 / 79 / 10 / 18

HEX #D22DBE

RGB 210 45 190

HSL 307.27, 0.65%, 0.5%

LAB 51.03, 75.53, -39.24

 

CMYK 0 / 65 / 7 / 26

HEX #BD42AF

RGB 189 66 175

HSL 306.83, 0.48%, 0.5%

LAB 49.27, 61.64, -33.5

 

CMYK 0 / 49 / 6 / 34

HEX #A9569F

RGB 169 86 159

HSL 307.23, 0.33%, 0.5%

LAB 49, 44.19, -24.71

 

CMYK 41 / 98 / 0 / 2

HEX #9404FB

RGB 148 4 251

HSL 274.98, 0.97%, 0.5%

LAB 43.28, 83.65, -87.06

 

CMYK 15 / 98 / 0 / 2

HEX #D604FB

RGB 214 4 251

HSL 291.01, 0.97%, 0.5%

LAB 53.33, 91.41, -70.23

 

CMYK 0 / 98 / 12 / 2

HEX #FB04DE

RGB 251 4 222

HSL 307.04, 0.97%, 0.5%

LAB 57.91, 92.98, -46.24

 

CMYK 0 / 98 / 38 / 2

HEX #FB049C

RGB 251 4 156

HSL 323.08, 0.97%, 0.5%

LAB 55.07, 85.74, -12.45

 

CMYK 0 / 98 / 64 / 2

HEX #FB045A

RGB 251 4 90

HSL 339.11, 0.97%, 0.5%

LAB 53.31, 81.08, 24.71

 

CMYK 0 / 98 / 12 / 33

HEX #AA0396

RGB 170 3 150

HSL 307.19, 0.97%, 0.34%

LAB 39.26, 69.32, -34.53

 

CMYK 0 / 99 / 12 / 17

HEX #D303BA

RGB 211 3 186

HSL 307.21, 0.97%, 0.42%

LAB 48.83, 81.5, -40.37

 

CMYK 0 / 98 / 12 / 2

HEX #FB04DE

RGB 251 4 222

HSL 307.04, 0.97%, 0.5%

LAB 57.91, 92.98, -46.24

 

CMYK 0 / 83 / 10 / 1

HEX #FC2CE3

RGB 252 44 227

HSL 307.21, 0.97%, 0.58%

LAB 59.93, 89.16, -45.87

 

CMYK 0 / 66 / 8 / 1

HEX #FC55E9

RGB 252 85 233

HSL 306.83, 0.97%, 0.66%

LAB 64.22, 78.56, -42.47

 

CMYK 0 / 98 / 12 / 2

HEX #FA04DD

RGB 250 4 221

HSL 307.07, 0.97%, 0.5%

LAB 57.69, 92.69, -46.05

 

CMYK 0 / 67 / 98 / 2

HEX #FB5204

RGB 251 82 4

HSL 18.95, 0.97%, 0.5%

LAB 58.56, 61.94, 68.26

 

CMYK 98 / 0 / 28 / 2

HEX #04FBB5

RGB 4 251 181

HSL 163, 0.97%, 0.5%

LAB 88.14, -65.38, 19.86

 

CMYK 0 / 98 / 12 / 2

HEX #FA04DD

RGB 250 4 221

HSL 307.07, 0.97%, 0.5%

LAB 57.69, 92.69, -46.05

 

CMYK 12 / 0 / 98 / 2

HEX #DEFB04

RGB 222 251 4

HSL 67.04, 0.97%, 0.5%

LAB 93.68, -33.06, 90.56

 

CMYK 98 / 12 / 0 / 2

HEX #04DEFB

RGB 4 222 251

HSL 187.04, 0.97%, 0.5%

LAB 81.42, -34.35, -26.7

 

CMYK 0 / 98 / 12 / 2

HEX #FA04DD

RGB 250 4 221

HSL 307.07, 0.97%, 0.5%

LAB 57.69, 92.69, -46.05

 

CMYK 0 / 67 / 98 / 2

HEX #FB5204

RGB 251 82 4

HSL 18.95, 0.97%, 0.5%

LAB 58.56, 61.94, 68.26

 

CMYK 98 / 0 / 87 / 2

HEX #04FB21

RGB 4 251 33

HSL 127.04, 0.97%, 0.5%

LAB 86.57, -84.33, 78.49

 

CMYK 98 / 31 / 0 / 2

HEX #04ADFB

RGB 4 173 251

HSL 198.95, 0.97%, 0.5%

LAB 67.19, -9.26, -48.81

 

CMYK 0 / 98 / 12 / 2

HEX #FA04DD

RGB 250 4 221

HSL 307.07, 0.97%, 0.5%

LAB 57.69, 92.69, -46.05

 

CMYK 0 / 38 / 98 / 2

HEX #FB9C04

RGB 251 156 4

HSL 36.92, 0.97%, 0.5%

LAB 72.43, 26.99, 76.6

 

CMYK 98 / 0 / 87 / 2

HEX #04FB21

RGB 4 251 33

HSL 127.04, 0.97%, 0.5%

LAB 86.57, -84.33, 78.49

 

CMYK 98 / 61 / 0 / 2

HEX #0463FB

RGB 4 99 251

HSL 216.92, 0.97%, 0.5%

LAB 46.86, 35.69, -81.5

 

Description

Color code: HEX #FA04DD | qconv.com Color code: HEX #FA04DD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 4 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 4 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 12 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 12% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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