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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA0080 it is the complementary color #05FF7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA0080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA0080 shade: #FF007B, #FF128E, #FF24A1, #FF36B4 and #FF48C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA0080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA0080 shade: #FA0080, #E9006D, #D8005A, #C70047 and #B60034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA0080 shade: #FA0080, #FA003D and #FA0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA0080 shade: #FA0080, #FA00C3, #ED00FA, #AA00FA and #6600FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA0080 shade matches the following richer shades: #FA0080

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA0080 shade: #FA0080, #E6147F, #D1287F, #BD3D7E and #A9517E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA0080 shade: #ED00FA, #FA00C4, #FA0081, #FA003E and #FA0400

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA0080 shade: #A70056, #D1006B, #FA0080, #FF2494 and #FF4DA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA0080 shade: #FA0080, #FAAB00 and #00E5FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA0080 shade: #FA0080, #81FA00 and #0081FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA0080 shade: #FA0080, #FAAB00, #00FA79 and #004FFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA0080 shade: #FA0080, #FAF600, #00FA79 and #0004FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 49 / 2

HEX #FA0080

RGB 250 0 128

HSL 329.28, 1%, 0.49%

LAB 53.9, 83.49, 2.52

 

Complementary color

CMYK 98 / 0 / 50 / 0

HEX #05FF7F

RGB 5 255 127

HSL 149.28, 1%, 0.51%

LAB 88.49, -76.77, 47.05

 

CMYK 0 / 100 / 52 / 0

HEX #FF007B

RGB 255 0 123

HSL 331.06, 1%, 0.5%

LAB 54.75, 84.2, 6.88

 

CMYK 0 / 93 / 44 / 0

HEX #FF128E

RGB 255 18 142

HSL 328.61, 1%, 0.54%

LAB 55.73, 84.34, -3.07

 

CMYK 0 / 86 / 37 / 0

HEX #FF24A1

RGB 255 36 161

HSL 325.75, 1%, 0.57%

LAB 57.17, 83.63, -12.17

 

CMYK 0 / 79 / 29 / 0

HEX #FF36B4

RGB 255 54 180

HSL 322.39, 1%, 0.61%

LAB 59.15, 81.83, -20.23

 

CMYK 0 / 72 / 22 / 0

HEX #FF48C7

RGB 255 72 199

HSL 318.36, 1%, 0.64%

LAB 61.67, 78.99, -27.26

 

CMYK 0 / 100 / 49 / 2

HEX #FA0080

RGB 250 0 128

HSL 329.28, 1%, 0.49%

LAB 53.9, 83.49, 2.52

 

CMYK 0 / 100 / 53 / 9

HEX #E9006D

RGB 233 0 109

HSL 331.93, 1%, 0.46%

LAB 50.01, 78.45, 8.03

 

CMYK 0 / 100 / 58 / 15

HEX #D8005A

RGB 216 0 90

HSL 335, 1%, 0.42%

LAB 46.09, 73.41, 13.79

 

CMYK 0 / 100 / 64 / 22

HEX #C70047

RGB 199 0 71

HSL 338.59, 1%, 0.39%

LAB 42.15, 68.39, 19.79

 

CMYK 0 / 100 / 71 / 29

HEX #B60034

RGB 182 0 52

HSL 342.86, 1%, 0.36%

LAB 38.19, 63.39, 26.03

 

CMYK 0 / 100 / 49 / 2

HEX #FA0080

RGB 250 0 128

HSL 329.28, 1%, 0.49%

LAB 53.9, 83.49, 2.52

 

CMYK 0 / 100 / 76 / 2

HEX #FA003D

RGB 250 0 61

HSL 345.36, 1%, 0.49%

LAB 52.58, 79.94, 40.96

 

CMYK 0 / 100 / 100 / 2

HEX #FA0000

RGB 250 0 0

HSL 0, 1%, 0.49%

LAB 52.2, 78.92, 66.22

 

CMYK 0 / 100 / 49 / 2

HEX #FA0080

RGB 250 0 128

HSL 329.28, 1%, 0.49%

LAB 53.9, 83.49, 2.52

 

CMYK 0 / 100 / 22 / 2

HEX #FA00C3

RGB 250 0 195

HSL 313.2, 1%, 0.49%

LAB 56.35, 89.81, -33.29

 

CMYK 5 / 100 / 0 / 2

HEX #ED00FA

RGB 237 0 250

HSL 296.88, 1%, 0.49%

LAB 56.98, 94.82, -63.58

 

CMYK 32 / 100 / 0 / 2

HEX #AA00FA

RGB 170 0 250

HSL 280.8, 1%, 0.49%

LAB 46.24, 86.07, -81.52

 

CMYK 59 / 100 / 0 / 2

HEX #6600FA

RGB 102 0 250

HSL 264.48, 1%, 0.49%

LAB 37.35, 80.43, -96.49

 

CMYK 0 / 100 / 49 / 2

HEX #FA0080

RGB 250 0 128

HSL 329.28, 1%, 0.49%

LAB 53.9, 83.49, 2.52

 

CMYK 0 / 100 / 49 / 2

HEX #FA0080

RGB 250 0 128

HSL 329.28, 1%, 0.49%

LAB 53.9, 83.49, 2.52

 

CMYK 0 / 91 / 45 / 10

HEX #E6147F

RGB 230 20 127

HSL 329.43, 0.84%, 0.49%

LAB 50.52, 77.42, -2.29

 

CMYK 0 / 81 / 39 / 18

HEX #D1287F

RGB 209 40 127

HSL 329.11, 0.68%, 0.49%

LAB 47.76, 68.92, -6.82

 

CMYK 0 / 68 / 33 / 26

HEX #BD3D7E

RGB 189 61 126

HSL 329.53, 0.51%, 0.49%

LAB 46.53, 56.8, -8.42

 

CMYK 0 / 52 / 25 / 34

HEX #A9517E

RGB 169 81 126

HSL 329.32, 0.35%, 0.49%

LAB 46.75, 41.44, -8.42

 

CMYK 5 / 100 / 0 / 2

HEX #ED00FA

RGB 237 0 250

HSL 296.88, 1%, 0.49%

LAB 56.98, 94.82, -63.58

 

CMYK 0 / 100 / 22 / 2

HEX #FA00C4

RGB 250 0 196

HSL 312.96, 1%, 0.49%

LAB 56.4, 89.92, -33.79

 

CMYK 0 / 100 / 48 / 2

HEX #FA0081

RGB 250 0 129

HSL 329.04, 1%, 0.49%

LAB 53.93, 83.56, 1.96

 

CMYK 0 / 100 / 75 / 2

HEX #FA003E

RGB 250 0 62

HSL 345.12, 1%, 0.49%

LAB 52.59, 79.97, 40.4

 

CMYK 0 / 98 / 100 / 2

HEX #FA0400

RGB 250 4 0

HSL 0.96, 1%, 0.49%

LAB 52.3, 78.63, 66.25

 

CMYK 0 / 100 / 49 / 35

HEX #A70056

RGB 167 0 86

HSL 329.1, 1%, 0.33%

LAB 35.77, 61.94, 0.26

 

CMYK 0 / 100 / 49 / 18

HEX #D1006B

RGB 209 0 107

HSL 329.28, 1%, 0.41%

LAB 45.1, 73.02, 1.59

 

CMYK 0 / 100 / 49 / 2

HEX #FA0080

RGB 250 0 128

HSL 329.28, 1%, 0.49%

LAB 53.9, 83.49, 2.52

 

CMYK 0 / 86 / 42 / 0

HEX #FF2494

RGB 255 36 148

HSL 329.32, 1%, 0.57%

LAB 56.74, 82.45, -5.14

 

CMYK 0 / 70 / 34 / 0

HEX #FF4DA8

RGB 255 77 168

HSL 329.33, 1%, 0.65%

LAB 61.13, 73.75, -10.3

 

CMYK 0 / 100 / 49 / 2

HEX #FA0080

RGB 250 0 128

HSL 329.28, 1%, 0.49%

LAB 53.9, 83.49, 2.52

 

CMYK 0 / 32 / 100 / 2

HEX #FAAB00

RGB 250 171 0

HSL 41.04, 1%, 0.49%

LAB 75.73, 18.69, 79.2

 

CMYK 100 / 8 / 0 / 2

HEX #00E5FA

RGB 0 229 250

HSL 185.04, 1%, 0.49%

LAB 83.41, -38.01, -23.14

 

CMYK 0 / 100 / 49 / 2

HEX #FA0080

RGB 250 0 128

HSL 329.28, 1%, 0.49%

LAB 53.9, 83.49, 2.52

 

CMYK 48 / 0 / 100 / 2

HEX #81FA00

RGB 129 250 0

HSL 89.04, 1%, 0.49%

LAB 88.47, -65.74, 84.71

 

CMYK 100 / 48 / 0 / 2

HEX #0081FA

RGB 0 129 250

HSL 209.04, 1%, 0.49%

LAB 54.66, 16.24, -68.26

 

CMYK 0 / 100 / 49 / 2

HEX #FA0080

RGB 250 0 128

HSL 329.28, 1%, 0.49%

LAB 53.9, 83.49, 2.52

 

CMYK 0 / 32 / 100 / 2

HEX #FAAB00

RGB 250 171 0

HSL 41.04, 1%, 0.49%

LAB 75.73, 18.69, 79.2

 

CMYK 100 / 0 / 52 / 2

HEX #00FA79

RGB 0 250 121

HSL 149.04, 1%, 0.49%

LAB 86.87, -76.26, 47.86

 

CMYK 100 / 68 / 0 / 2

HEX #004FFA

RGB 0 79 250

HSL 221.04, 1%, 0.49%

LAB 41.99, 47.69, -88.95

 

CMYK 0 / 100 / 49 / 2

HEX #FA0080

RGB 250 0 128

HSL 329.28, 1%, 0.49%

LAB 53.9, 83.49, 2.52

 

CMYK 0 / 2 / 100 / 2

HEX #FAF600

RGB 250 246 0

HSL 59.04, 1%, 0.49%

LAB 94.41, -19.32, 92.32

 

CMYK 100 / 0 / 52 / 2

HEX #00FA79

RGB 0 250 121

HSL 149.04, 1%, 0.49%

LAB 86.87, -76.26, 47.86

 

CMYK 100 / 98 / 0 / 2

HEX #0004FA

RGB 0 4 250

HSL 239.04, 1%, 0.49%

LAB 31.78, 77.4, -105.92

 

Description

Color code: HEX #FA0080 | qconv.com Color code: HEX #FA0080 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, none green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 0 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 49 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 49% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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