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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9ED5E it is the complementary color #0612A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9ED5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9ED5E shade: #FEED59, #FFFF6C, #FFFF7F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9ED5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9ED5E shade: #F9ED5E, #E8DB4B, #D7C938, #C6B725 and #B5A512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9ED5E shade: #F9ED5D, #F9C35D, #F9995D, #F96E5D and #F95D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9ED5E shade: #F9ED5D, #DBF95D, #B1F95D, #87F95D and #5DF95D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9ED5E shade matches the following richer shades: #F9ED5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9ED5E shade: #F9ED5D, #EBE16A, #DED678, #D0CA85 and #C3BF93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9ED5E shade: #F9995D, #F9C25D, #F9EC5D, #DCF95D and #B3F95D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9ED5E shade: #F6E40D, #F8E935, #F9ED5D, #FBF184 and #FCF6AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9ED5E shade: #F9ED5E, #5DF96F and #AD5DF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9ED5E shade: #F9ED5E, #5DF9EC and #EC5DF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9ED5E shade: #F9ED5E, #5DF96F, #5D6AF9 and #F95DE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9ED5E shade: #F9ED5E, #5DF99E, #5D6AF9 and #F95DB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 62 / 2

HEX #F9ED5E

RGB 249 237 94

HSL 55.35, 0.93%, 0.67%

LAB 92.36, -12.61, 68.48

 

Complementary color

CMYK 96 / 89 / 0 / 37

HEX #0612A1

RGB 6 18 161

HSL 235.35, 0.93%, 0.33%

LAB 20.22, 50.67, -73.17

 

CMYK 0 / 7 / 65 / 0

HEX #FEED59

RGB 254 237 89

HSL 53.82, 0.99%, 0.67%

LAB 92.73, -10.87, 71

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 5 / 62 / 2

HEX #F9ED5E

RGB 249 237 94

HSL 55.35, 0.93%, 0.67%

LAB 92.36, -12.61, 68.48

 

CMYK 0 / 6 / 68 / 9

HEX #E8DB4B

RGB 232 219 75

HSL 55.03, 0.77%, 0.6%

LAB 86.17, -11.75, 69.12

 

CMYK 0 / 7 / 74 / 16

HEX #D7C938

RGB 215 201 56

HSL 54.72, 0.67%, 0.53%

LAB 79.9, -10.75, 69.37

 

CMYK 0 / 8 / 81 / 22

HEX #C6B725

RGB 198 183 37

HSL 54.41, 0.69%, 0.46%

LAB 73.55, -9.57, 68.94

 

CMYK 0 / 9 / 90 / 29

HEX #B5A512

RGB 181 165 18

HSL 54.11, 0.82%, 0.39%

LAB 67.11, -8.16, 67.39

 

CMYK 0 / 5 / 63 / 2

HEX #F9ED5D

RGB 249 237 93

HSL 55.38, 0.93%, 0.67%

LAB 92.35, -12.67, 68.88

 

CMYK 0 / 22 / 63 / 2

HEX #F9C35D

RGB 249 195 93

HSL 39.23, 0.93%, 0.67%

LAB 81.82, 8.62, 57.4

 

CMYK 0 / 39 / 63 / 2

HEX #F9995D

RGB 249 153 93

HSL 23.08, 0.93%, 0.67%

LAB 72.04, 30.61, 46.18

 

CMYK 0 / 56 / 63 / 2

HEX #F96E5D

RGB 249 110 93

HSL 6.54, 0.93%, 0.67%

LAB 63.41, 52.03, 35.75

 

CMYK 0 / 63 / 63 / 2

HEX #F95D5D

RGB 249 93 93

HSL 0, 0.93%, 0.67%

LAB 60.57, 59.54, 32.19

 

CMYK 0 / 5 / 63 / 2

HEX #F9ED5D

RGB 249 237 93

HSL 55.38, 0.93%, 0.67%

LAB 92.35, -12.67, 68.88

 

CMYK 12 / 0 / 63 / 2

HEX #DBF95D

RGB 219 249 93

HSL 71.54, 0.93%, 0.67%

LAB 93.28, -30.36, 69.19

 

CMYK 29 / 0 / 63 / 2

HEX #B1F95D

RGB 177 249 93

HSL 87.69, 0.93%, 0.67%

LAB 90.73, -45.97, 65.7

 

CMYK 46 / 0 / 63 / 2

HEX #87F95D

RGB 135 249 93

HSL 103.85, 0.93%, 0.67%

LAB 88.78, -59.51, 63

 

CMYK 63 / 0 / 63 / 2

HEX #5DF95D

RGB 93 249 93

HSL 120, 0.93%, 0.67%

LAB 87.42, -69.95, 61.12

 

CMYK 0 / 5 / 63 / 2

HEX #F9ED5D

RGB 249 237 93

HSL 55.38, 0.93%, 0.67%

LAB 92.35, -12.67, 68.88

 

CMYK 0 / 5 / 63 / 2

HEX #F9ED5D

RGB 249 237 93

HSL 55.38, 0.93%, 0.67%

LAB 92.35, -12.67, 68.88

 

CMYK 0 / 4 / 55 / 8

HEX #EBE16A

RGB 235 225 106

HSL 55.35, 0.76%, 0.67%

LAB 88.23, -11.53, 58.44

 

CMYK 0 / 4 / 46 / 13

HEX #DED678

RGB 222 214 120

HSL 55.29, 0.61%, 0.67%

LAB 84.47, -10.05, 47.15

 

CMYK 0 / 3 / 36 / 18

HEX #D0CA85

RGB 208 202 133

HSL 55.2, 0.44%, 0.67%

LAB 80.37, -8.13, 35.23

 

CMYK 0 / 2 / 25 / 24

HEX #C3BF93

RGB 195 191 147

HSL 55, 0.29%, 0.67%

LAB 76.66, -5.69, 22.76

 

CMYK 0 / 39 / 63 / 2

HEX #F9995D

RGB 249 153 93

HSL 23.08, 0.93%, 0.67%

LAB 72.04, 30.61, 46.18

 

CMYK 0 / 22 / 63 / 2

HEX #F9C25D

RGB 249 194 93

HSL 38.85, 0.93%, 0.67%

LAB 81.57, 9.14, 57.13

 

CMYK 0 / 5 / 63 / 2

HEX #F9EC5D

RGB 249 236 93

HSL 55, 0.93%, 0.67%

LAB 92.1, -12.18, 68.6

 

CMYK 12 / 0 / 63 / 2

HEX #DCF95D

RGB 220 249 93

HSL 71.15, 0.93%, 0.67%

LAB 93.34, -29.97, 69.28

 

CMYK 28 / 0 / 63 / 2

HEX #B3F95D

RGB 179 249 93

HSL 86.92, 0.93%, 0.67%

LAB 90.84, -45.26, 65.84

 

CMYK 0 / 7 / 95 / 4

HEX #F6E40D

RGB 246 228 13

HSL 55.36, 0.93%, 0.51%

LAB 89.44, -12.13, 87.51

 

CMYK 0 / 6 / 79 / 3

HEX #F8E935

RGB 248 233 53

HSL 55.38, 0.93%, 0.59%

LAB 91, -12.95, 81.41

 

CMYK 0 / 5 / 63 / 2

HEX #F9ED5D

RGB 249 237 93

HSL 55.38, 0.93%, 0.67%

LAB 92.35, -12.67, 68.88

 

CMYK 0 / 4 / 47 / 2

HEX #FBF184

RGB 251 241 132

HSL 54.96, 0.94%, 0.75%

LAB 93.92, -10.93, 53.46

 

CMYK 0 / 2 / 32 / 1

HEX #FCF6AC

RGB 252 246 172

HSL 55.5, 0.93%, 0.83%

LAB 95.82, -8.84, 36.39

 

CMYK 0 / 5 / 62 / 2

HEX #F9ED5E

RGB 249 237 94

HSL 55.35, 0.93%, 0.67%

LAB 92.36, -12.61, 68.48

 

CMYK 63 / 0 / 55 / 2

HEX #5DF96F

RGB 93 249 111

HSL 126.92, 0.93%, 0.67%

LAB 87.59, -67.94, 53.57

 

CMYK 31 / 63 / 0 / 2

HEX #AD5DF9

RGB 173 93 249

HSL 270.77, 0.93%, 0.67%

LAB 55.64, 60.36, -65.67

 

CMYK 0 / 5 / 62 / 2

HEX #F9ED5E

RGB 249 237 94

HSL 55.35, 0.93%, 0.67%

LAB 92.36, -12.61, 68.48

 

CMYK 63 / 0 / 5 / 2

HEX #5DF9EC

RGB 93 249 236

HSL 175, 0.93%, 0.67%

LAB 89.92, -43.65, -5.93

 

CMYK 5 / 63 / 0 / 2

HEX #EC5DF9

RGB 236 93 249

HSL 295, 0.93%, 0.67%

LAB 63.75, 74.41, -52.23

 

CMYK 0 / 5 / 62 / 2

HEX #F9ED5E

RGB 249 237 94

HSL 55.35, 0.93%, 0.67%

LAB 92.36, -12.61, 68.48

 

CMYK 63 / 0 / 55 / 2

HEX #5DF96F

RGB 93 249 111

HSL 126.92, 0.93%, 0.67%

LAB 87.59, -67.94, 53.57

 

CMYK 63 / 57 / 0 / 2

HEX #5D6AF9

RGB 93 106 249

HSL 235, 0.93%, 0.67%

LAB 51.24, 37.92, -73.13

 

CMYK 0 / 63 / 7 / 2

HEX #F95DE7

RGB 249 93 231

HSL 306.92, 0.93%, 0.67%

LAB 64.75, 74.57, -40.55

 

CMYK 0 / 5 / 62 / 2

HEX #F9ED5E

RGB 249 237 94

HSL 55.35, 0.93%, 0.67%

LAB 92.36, -12.61, 68.48

 

CMYK 63 / 0 / 37 / 2

HEX #5DF99E

RGB 93 249 158

HSL 145, 0.93%, 0.67%

LAB 88.23, -60.85, 31.84

 

CMYK 63 / 57 / 0 / 2

HEX #5D6AF9

RGB 93 106 249

HSL 235, 0.93%, 0.67%

LAB 51.24, 37.92, -73.13

 

CMYK 0 / 63 / 26 / 2

HEX #F95DB8

RGB 249 93 184

HSL 325, 0.93%, 0.67%

LAB 62.87, 68.03, -16.96

 

Description

Color code: HEX #F9ED5E | qconv.com Color code: HEX #F9ED5E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 237 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 237 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 62 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 62% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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