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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9D281 it is the complementary color #062D7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9D281. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9D281 shade: #FED27C, #FFE48F, #FFF6A2, #FFFFB5 and #FFFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9D281. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9D281 shade: #F9D281, #E8C06E, #D7AE5B, #C69C48 and #B58A35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9D281 shade: #F9D280, #F9B180, #F99180 and #F98080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9D281 shade: #F9D280, #F9F280, #DFF980, #BFF980 and #9EF980

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9D281 shade matches the following richer shades: #F9D280

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9D281 shade: #F9D280, #EECE8B, #E4CA96, #D9C7A1 and #CEC3AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9D281 shade: #F99080, #F9B180, #F9D180, #F9F180 and #E1F980

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9D281 shade: #F5B632, #F7C459, #F9D280, #FBE0A8 and #FDEECF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9D281 shade: #F9D281, #90F980 and #A180F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9D281 shade: #F9D281, #80F9D1 and #D180F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9D281 shade: #F9D281, #90F980, #80A9F9 and #E980F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9D281 shade: #F9D281, #80F994, #80A9F9 and #F980E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 48 / 2

HEX #F9D281

RGB 249 210 129

HSL 40.5, 0.91%, 0.74%

LAB 85.92, 3.64, 45.03

 

Complementary color

CMYK 95 / 64 / 0 / 51

HEX #062D7E

RGB 6 45 126

HSL 220.5, 0.91%, 0.26%

LAB 21.66, 22.22, -49.04

 

CMYK 0 / 17 / 51 / 0

HEX #FED27C

RGB 254 210 124

HSL 39.69, 0.98%, 0.74%

LAB 86.32, 5.21, 48.09

 

CMYK 0 / 11 / 44 / 0

HEX #FFE48F

RGB 255 228 143

HSL 45.54, 1%, 0.78%

LAB 91.11, -1.84, 44.75

 

CMYK 0 / 4 / 36 / 0

HEX #FFF6A2

RGB 255 246 162

HSL 54.19, 1%, 0.82%

LAB 95.91, -8.86, 41.51

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 16 / 48 / 2

HEX #F9D281

RGB 249 210 129

HSL 40.5, 0.91%, 0.74%

LAB 85.92, 3.64, 45.03

 

CMYK 0 / 17 / 53 / 9

HEX #E8C06E

RGB 232 192 110

HSL 40.33, 0.73%, 0.67%

LAB 79.6, 4.43, 46.31

 

CMYK 0 / 19 / 58 / 16

HEX #D7AE5B

RGB 215 174 91

HSL 40.16, 0.61%, 0.6%

LAB 73.2, 5.34, 47.6

 

CMYK 0 / 21 / 64 / 22

HEX #C69C48

RGB 198 156 72

HSL 40, 0.53%, 0.53%

LAB 66.71, 6.41, 48.86

 

CMYK 0 / 24 / 71 / 29

HEX #B58A35

RGB 181 138 53

HSL 39.84, 0.55%, 0.46%

LAB 60.12, 7.67, 49.97

 

CMYK 0 / 16 / 49 / 2

HEX #F9D280

RGB 249 210 128

HSL 40.66, 0.91%, 0.74%

LAB 85.9, 3.55, 45.51

 

CMYK 0 / 29 / 49 / 2

HEX #F9B180

RGB 249 177 128

HSL 24.3, 0.91%, 0.74%

LAB 77.96, 20.77, 35.44

 

CMYK 0 / 42 / 49 / 2

HEX #F99180

RGB 249 145 128

HSL 8.43, 0.91%, 0.74%

LAB 70.84, 37.48, 26.08

 

CMYK 0 / 49 / 49 / 2

HEX #F98080

RGB 249 128 128

HSL 0, 0.91%, 0.74%

LAB 67.38, 46.06, 21.42

 

CMYK 0 / 16 / 49 / 2

HEX #F9D280

RGB 249 210 128

HSL 40.66, 0.91%, 0.74%

LAB 85.9, 3.55, 45.51

 

CMYK 0 / 3 / 49 / 2

HEX #F9F280

RGB 249 242 128

HSL 56.53, 0.91%, 0.74%

LAB 93.97, -12.56, 55.36

 

CMYK 10 / 0 / 49 / 2

HEX #DFF980

RGB 223 249 128

HSL 72.89, 0.91%, 0.74%

LAB 93.88, -25.99, 54.79

 

CMYK 23 / 0 / 49 / 2

HEX #BFF980

RGB 191 249 128

HSL 88.76, 0.91%, 0.74%

LAB 91.86, -37.76, 51.87

 

CMYK 37 / 0 / 49 / 2

HEX #9EF980

RGB 158 249 128

HSL 105.12, 0.91%, 0.74%

LAB 90.13, -48.84, 49.36

 

CMYK 0 / 16 / 49 / 2

HEX #F9D280

RGB 249 210 128

HSL 40.66, 0.91%, 0.74%

LAB 85.9, 3.55, 45.51

 

CMYK 0 / 16 / 49 / 2

HEX #F9D280

RGB 249 210 128

HSL 40.66, 0.91%, 0.74%

LAB 85.9, 3.55, 45.51

 

CMYK 0 / 13 / 42 / 7

HEX #EECE8B

RGB 238 206 139

HSL 40.61, 0.74%, 0.74%

LAB 84.06, 2.31, 37.44

 

CMYK 0 / 11 / 34 / 11

HEX #E4CA96

RGB 228 202 150

HSL 40, 0.59%, 0.74%

LAB 82.34, 1.7, 29.34

 

CMYK 0 / 8 / 26 / 15

HEX #D9C7A1

RGB 217 199 161

HSL 40.71, 0.42%, 0.74%

LAB 80.83, 0.46, 21.34

 

CMYK 0 / 5 / 17 / 19

HEX #CEC3AB

RGB 206 195 171

HSL 41.14, 0.26%, 0.74%

LAB 79.09, -0.12, 13.45

 

CMYK 0 / 42 / 49 / 2

HEX #F99080

RGB 249 144 128

HSL 7.93, 0.91%, 0.74%

LAB 70.63, 37.99, 25.8

 

CMYK 0 / 29 / 49 / 2

HEX #F9B180

RGB 249 177 128

HSL 24.3, 0.91%, 0.74%

LAB 77.96, 20.77, 35.44

 

CMYK 0 / 16 / 49 / 2

HEX #F9D180

RGB 249 209 128

HSL 40.17, 0.91%, 0.74%

LAB 85.65, 4.07, 45.2

 

CMYK 0 / 3 / 49 / 2

HEX #F9F180

RGB 249 241 128

HSL 56.03, 0.91%, 0.74%

LAB 93.71, -12.07, 55.05

 

CMYK 10 / 0 / 49 / 2

HEX #E1F980

RGB 225 249 128

HSL 71.9, 0.91%, 0.74%

LAB 94.02, -25.23, 54.99

 

CMYK 0 / 26 / 80 / 4

HEX #F5B632

RGB 245 182 50

HSL 40.62, 0.91%, 0.58%

LAB 77.93, 11.67, 70.62

 

CMYK 0 / 21 / 64 / 3

HEX #F7C459

RGB 247 196 89

HSL 40.63, 0.91%, 0.66%

LAB 81.82, 7.02, 59.16

 

CMYK 0 / 16 / 49 / 2

HEX #F9D280

RGB 249 210 128

HSL 40.66, 0.91%, 0.74%

LAB 85.9, 3.55, 45.51

 

CMYK 0 / 11 / 33 / 2

HEX #FBE0A8

RGB 251 224 168

HSL 40.48, 0.91%, 0.82%

LAB 90.16, 1.37, 30.85

 

CMYK 0 / 6 / 18 / 1

HEX #FDEECF

RGB 253 238 207

HSL 40.43, 0.92%, 0.9%

LAB 94.54, 0.18, 16.84

 

CMYK 0 / 16 / 48 / 2

HEX #F9D281

RGB 249 210 129

HSL 40.5, 0.91%, 0.74%

LAB 85.92, 3.64, 45.03

 

CMYK 42 / 0 / 49 / 2

HEX #90F980

RGB 144 249 128

HSL 112.07, 0.91%, 0.74%

LAB 89.5, -53.1, 48.45

 

CMYK 35 / 49 / 0 / 2

HEX #A180F9

RGB 161 128 249

HSL 256.36, 0.91%, 0.74%

LAB 61.53, 39, -56.29

 

CMYK 0 / 16 / 48 / 2

HEX #F9D281

RGB 249 210 129

HSL 40.5, 0.91%, 0.74%

LAB 85.92, 3.64, 45.03

 

CMYK 49 / 0 / 16 / 2

HEX #80F9D1

RGB 128 249 209

HSL 160.17, 0.91%, 0.74%

LAB 90.3, -43.33, 8.77

 

CMYK 16 / 49 / 0 / 2

HEX #D180F9

RGB 209 128 249

HSL 280.17, 0.91%, 0.74%

LAB 66.39, 51.46, -48.28

 

CMYK 0 / 16 / 48 / 2

HEX #F9D281

RGB 249 210 129

HSL 40.5, 0.91%, 0.74%

LAB 85.92, 3.64, 45.03

 

CMYK 42 / 0 / 49 / 2

HEX #90F980

RGB 144 249 128

HSL 112.07, 0.91%, 0.74%

LAB 89.5, -53.1, 48.45

 

CMYK 49 / 32 / 0 / 2

HEX #80A9F9

RGB 128 169 249

HSL 219.67, 0.91%, 0.74%

LAB 69.33, 7.48, -44.12

 

CMYK 6 / 49 / 0 / 2

HEX #E980F9

RGB 233 128 249

HSL 292.07, 0.91%, 0.74%

LAB 69.18, 57.95, -43.69

 

CMYK 0 / 16 / 48 / 2

HEX #F9D281

RGB 249 210 129

HSL 40.5, 0.91%, 0.74%

LAB 85.92, 3.64, 45.03

 

CMYK 49 / 0 / 41 / 2

HEX #80F994

RGB 128 249 148

HSL 129.92, 0.91%, 0.74%

LAB 89.15, -54.71, 38.22

 

CMYK 49 / 32 / 0 / 2

HEX #80A9F9

RGB 128 169 249

HSL 219.67, 0.91%, 0.74%

LAB 69.33, 7.48, -44.12

 

CMYK 0 / 49 / 8 / 2

HEX #F980E5

RGB 249 128 229

HSL 309.92, 0.91%, 0.74%

LAB 70.34, 58.96, -30.76

 

Description

Color code: HEX #F9D281 | qconv.com Color code: HEX #F9D281 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 210 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 210 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 48 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 48% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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