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Color name
HEX #F9D18B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9D18B it is the complementary color #062E74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9D18B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9D18B shade: #FED186, #FFE399, #FFF5AC, #FFFFBF and #FFFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9D18B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9D18B shade: #F9D18B, #E8BF78, #D7AD65, #C69B52 and #B5893F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9D18B shade: #F9D18B, #F9B38B, #F9958B and #F98B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9D18B shade: #F9D18B, #F9EF8B, #E6F98B, #C8F98B and #AAF98B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9D18B shade matches the following richer shades: #F9D18B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9D18B shade: #F9D18B, #EFCE95, #E5CB9F, #DBC9A8 and #D1C6B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9D18B shade: #F9968B, #F9B38B, #F9D08B, #F9EE8B and #E7F98B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9D18B shade: #F5B23C, #F7C164, #F9D18B, #FBE0B2 and #FDF0D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9D18B shade: #F9D18B, #9DF98B and #A48BF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9D18B shade: #F9D18B, #8BF9D0 and #D08BF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9D18B shade: #F9D18B, #9DF98B, #8BB3F9 and #E78BF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9D18B shade: #F9D18B, #8BF999, #8BB3F9 and #F98BEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 44 / 2

HEX #F9D18B

RGB 249 209 139

HSL 38.18, 0.9%, 0.76%

LAB 85.81, 5.11, 39.89

 

Complementary color

CMYK 95 / 60 / 0 / 55

HEX #062E74

RGB 6 46 116

HSL 218.18, 0.9%, 0.24%

LAB 21.03, 17.21, -43.7

 

CMYK 0 / 18 / 47 / 0

HEX #FED186

RGB 254 209 134

HSL 37.5, 0.98%, 0.76%

LAB 86.2, 6.61, 43

 

CMYK 0 / 11 / 40 / 0

HEX #FFE399

RGB 255 227 153

HSL 43.53, 1%, 0.8%

LAB 91.01, -0.31, 39.64

 

CMYK 0 / 4 / 33 / 0

HEX #FFF5AC

RGB 255 245 172

HSL 52.77, 1%, 0.84%

LAB 95.81, -7.22, 36.41

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 0 / 16 / 44 / 2

HEX #F9D18B

RGB 249 209 139

HSL 38.18, 0.9%, 0.76%

LAB 85.81, 5.11, 39.89

 

CMYK 0 / 18 / 48 / 9

HEX #E8BF78

RGB 232 191 120

HSL 38.04, 0.71%, 0.69%

LAB 79.48, 5.84, 41.16

 

CMYK 0 / 20 / 53 / 16

HEX #D7AD65

RGB 215 173 101

HSL 37.89, 0.59%, 0.62%

LAB 73.07, 6.68, 42.48

 

CMYK 0 / 22 / 59 / 22

HEX #C69B52

RGB 198 155 82

HSL 37.76, 0.5%, 0.55%

LAB 66.56, 7.66, 43.83

 

CMYK 0 / 24 / 65 / 29

HEX #B5893F

RGB 181 137 63

HSL 37.63, 0.48%, 0.48%

LAB 59.96, 8.82, 45.15

 

CMYK 0 / 16 / 44 / 2

HEX #F9D18B

RGB 249 209 139

HSL 38.18, 0.9%, 0.76%

LAB 85.81, 5.11, 39.89

 

CMYK 0 / 28 / 44 / 2

HEX #F9B38B

RGB 249 179 139

HSL 21.82, 0.9%, 0.76%

LAB 78.6, 20.78, 30.5

 

CMYK 0 / 40 / 44 / 2

HEX #F9958B

RGB 249 149 139

HSL 5.45, 0.9%, 0.76%

LAB 71.89, 36.48, 21.47

 

CMYK 0 / 44 / 44 / 2

HEX #F98B8B

RGB 249 139 139

HSL 0, 0.9%, 0.76%

LAB 69.8, 41.6, 18.6

 

CMYK 0 / 16 / 44 / 2

HEX #F9D18B

RGB 249 209 139

HSL 38.18, 0.9%, 0.76%

LAB 85.81, 5.11, 39.89

 

CMYK 0 / 4 / 44 / 2

HEX #F9EF8B

RGB 249 239 139

HSL 54.55, 0.9%, 0.76%

LAB 93.34, -10.07, 49.38

 

CMYK 8 / 0 / 44 / 2

HEX #E6F98B

RGB 230 249 139

HSL 70.36, 0.9%, 0.76%

LAB 94.5, -22.26, 50.5

 

CMYK 20 / 0 / 44 / 2

HEX #C8F98B

RGB 200 249 139

HSL 86.73, 0.9%, 0.76%

LAB 92.53, -33.34, 47.62

 

CMYK 32 / 0 / 44 / 2

HEX #AAF98B

RGB 170 249 139

HSL 103.09, 0.9%, 0.76%

LAB 90.85, -43.63, 45.16

 

CMYK 0 / 16 / 44 / 2

HEX #F9D18B

RGB 249 209 139

HSL 38.18, 0.9%, 0.76%

LAB 85.81, 5.11, 39.89

 

CMYK 0 / 16 / 44 / 2

HEX #F9D18B

RGB 249 209 139

HSL 38.18, 0.9%, 0.76%

LAB 85.81, 5.11, 39.89

 

CMYK 0 / 14 / 38 / 6

HEX #EFCE95

RGB 239 206 149

HSL 38, 0.74%, 0.76%

LAB 84.31, 3.79, 32.65

 

CMYK 0 / 11 / 31 / 10

HEX #E5CB9F

RGB 229 203 159

HSL 37.71, 0.57%, 0.76%

LAB 82.85, 2.68, 25.32

 

CMYK 0 / 8 / 23 / 14

HEX #DBC9A8

RGB 219 201 168

HSL 38.82, 0.41%, 0.76%

LAB 81.65, 1.14, 18.79

 

CMYK 0 / 5 / 15 / 18

HEX #D1C6B2

RGB 209 198 178

HSL 38.71, 0.25%, 0.76%

LAB 80.27, 0.5, 11.39

 

CMYK 0 / 40 / 44 / 2

HEX #F9968B

RGB 249 150 139

HSL 6, 0.9%, 0.76%

LAB 72.11, 35.96, 21.76

 

CMYK 0 / 28 / 44 / 2

HEX #F9B38B

RGB 249 179 139

HSL 21.82, 0.9%, 0.76%

LAB 78.6, 20.78, 30.5

 

CMYK 0 / 16 / 44 / 2

HEX #F9D08B

RGB 249 208 139

HSL 37.64, 0.9%, 0.76%

LAB 85.56, 5.63, 39.57

 

CMYK 0 / 4 / 44 / 2

HEX #F9EE8B

RGB 249 238 139

HSL 54, 0.9%, 0.76%

LAB 93.08, -9.58, 49.06

 

CMYK 7 / 0 / 44 / 2

HEX #E7F98B

RGB 231 249 139

HSL 69.82, 0.9%, 0.76%

LAB 94.57, -21.88, 50.6

 

CMYK 0 / 27 / 76 / 4

HEX #F5B23C

RGB 245 178 60

HSL 38.27, 0.9%, 0.6%

LAB 77.03, 14.13, 66.23

 

CMYK 0 / 22 / 60 / 3

HEX #F7C164

RGB 247 193 100

HSL 37.96, 0.9%, 0.68%

LAB 81.2, 9.3, 53.4

 

CMYK 0 / 16 / 44 / 2

HEX #F9D18B

RGB 249 209 139

HSL 38.18, 0.9%, 0.76%

LAB 85.81, 5.11, 39.89

 

CMYK 0 / 11 / 29 / 2

HEX #FBE0B2

RGB 251 224 178

HSL 37.81, 0.9%, 0.84%

LAB 90.34, 2.61, 25.95

 

CMYK 0 / 5 / 14 / 1

HEX #FDF0D9

RGB 253 240 217

HSL 38.33, 0.9%, 0.92%

LAB 95.25, 0.66, 12.68

 

CMYK 0 / 16 / 44 / 2

HEX #F9D18B

RGB 249 209 139

HSL 38.18, 0.9%, 0.76%

LAB 85.81, 5.11, 39.89

 

CMYK 37 / 0 / 44 / 2

HEX #9DF98B

RGB 157 249 139

HSL 110.18, 0.9%, 0.76%

LAB 90.22, -47.76, 44.23

 

CMYK 34 / 44 / 0 / 2

HEX #A48BF9

RGB 164 139 249

HSL 253.64, 0.9%, 0.76%

LAB 64.32, 33.54, -51.84

 

CMYK 0 / 16 / 44 / 2

HEX #F9D18B

RGB 249 209 139

HSL 38.18, 0.9%, 0.76%

LAB 85.81, 5.11, 39.89

 

CMYK 44 / 0 / 16 / 2

HEX #8BF9D0

RGB 139 249 208

HSL 157.64, 0.9%, 0.76%

LAB 90.69, -40.92, 9.91

 

CMYK 16 / 44 / 0 / 2

HEX #D08BF9

RGB 208 139 249

HSL 277.64, 0.9%, 0.76%

LAB 68.54, 45.42, -44.9

 

CMYK 0 / 16 / 44 / 2

HEX #F9D18B

RGB 249 209 139

HSL 38.18, 0.9%, 0.76%

LAB 85.81, 5.11, 39.89

 

CMYK 37 / 0 / 44 / 2

HEX #9DF98B

RGB 157 249 139

HSL 110.18, 0.9%, 0.76%

LAB 90.22, -47.76, 44.23

 

CMYK 44 / 28 / 0 / 2

HEX #8BB3F9

RGB 139 179 249

HSL 218.18, 0.9%, 0.76%

LAB 72.61, 4.47, -38.95

 

CMYK 7 / 44 / 0 / 2

HEX #E78BF9

RGB 231 139 249

HSL 290.18, 0.9%, 0.76%

LAB 71.07, 51.9, -40.76

 

CMYK 0 / 16 / 44 / 2

HEX #F9D18B

RGB 249 209 139

HSL 38.18, 0.9%, 0.76%

LAB 85.81, 5.11, 39.89

 

CMYK 44 / 0 / 39 / 2

HEX #8BF999

RGB 139 249 153

HSL 127.64, 0.9%, 0.76%

LAB 89.65, -51.01, 36.48

 

CMYK 44 / 28 / 0 / 2

HEX #8BB3F9

RGB 139 179 249

HSL 218.18, 0.9%, 0.76%

LAB 72.61, 4.47, -38.95

 

CMYK 0 / 44 / 6 / 2

HEX #F98BEA

RGB 249 139 234

HSL 308.18, 0.9%, 0.76%

LAB 72.59, 54.44, -30.04

 

Description

Color code: HEX #F9D18B | qconv.com Color code: HEX #F9D18B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 209 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 209 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 44 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 44% 2% C M Y K

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Provide designers and agencies with accurate color values.

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