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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9C69ACE it is the complementary color #063965CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9C69ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9C69ACE shade: #FEC695CE, #FFD8A8CE, #FFEABBCE, #FFFCCECE and #FFFFE1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9C69ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9C69ACE shade: #F9C69ACE, #E8B487CE, #D7A274CE, #C69061CE and #B57E4ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9C69ACE shade: #F9C69A, #F9AC9A and #F99A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9C69ACE shade: #F9C69A, #F9E09A, #F9F99A, #DFF99A and #C5F99A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9C69ACE shade matches the following richer shades: #F9C69A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9C69ACE shade: #F9C69A, #F0C7A2, #E8C7AB, #DFC8B4 and #D6C8BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9C69ACE shade: #F99AA2, #F9AB9A, #F9C59A, #F9DE9A and #F9F89A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9C69ACE shade: #F59A4C, #F7B073, #F9C69A, #FBDCC1 and #FEF2E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9C69ACE shade: #F9C69A, #BBF99A and #9F9AF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9C69ACE shade: #F9C69A, #9AF9C5 and #C59AF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9C69ACE shade: #F9C69A, #BBF99A, #9ACEF9 and #D89AF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9C69ACE shade: #F9C69A, #9FF99A, #9ACEF9 and #F49AF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 31 / 2

HEX #F9C69ACE

RGBA 249 198 154 0.81

HSLA 27.79, 0.89%, 0.79%, 0.81

LABA 83.37, 12.41, 28.96, 0.81

 

Complementary color

CMYK 76 / 35 / 0 / 49

HEX #063965CE

RGBA 6 57 101 0.81

HSLA 207.79, 0.89%, 0.21%, 0.81

LABA 23.35, 2.64, -30.28, 0.81

 

CMYK 0 / 18 / 33 / 0

HEX #FEC695CE

RGBA 254 198 149 0.81

HSLA 28, 0.98%, 0.79%, 0.81

LABA 83.77, 13.81, 32.19, 0.81

 

CMYK 0 / 12 / 28 / 0

HEX #FFD8A8CE

RGBA 255 216 168 0.81

HSLA 33.1, 1%, 0.83%, 0.81

LABA 88.54, 6.99, 28.74, 0.81

 

CMYK 0 / 7 / 22 / 0

HEX #FFEABBCE

RGBA 255 234 187 0.81

HSLA 41.47, 1%, 0.87%, 0.81

LABA 93.32, 0.17, 25.45, 0.81

 

CMYK 0 / 1 / 16 / 0

HEX #FFFCCECE

RGBA 255 252 206 0.81

HSLA 56.33, 1%, 0.9%, 0.81

LABA 98.17, -6.28, 22.44, 0.81

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE1CE

RGBA 255 255 225 0.81

HSLA 60, 1%, 0.94%, 0.81

LABA 99.31, -4.95, 14.35, 0.81

 

CMYK 0 / 17 / 31 / 2

HEX #F9C69ACE

RGBA 249 198 154 0.81

HSLA 27.79, 0.89%, 0.79%, 0.81

LABA 83.37, 12.41, 28.96, 0.81

 

CMYK 0 / 18 / 34 / 7

HEX #E8B487CE

RGBA 232 180 135 0.81

HSLA 27.84, 0.68%, 0.72%, 0.81

LABA 77.01, 13.14, 30.18, 0.81

 

CMYK 0 / 20 / 37 / 13

HEX #D7A274CE

RGBA 215 162 116 0.81

HSLA 27.88, 0.55%, 0.65%, 0.81

LABA 70.56, 13.98, 31.49, 0.81

 

CMYK 0 / 22 / 41 / 18

HEX #C69061CE

RGBA 198 144 97 0.81

HSLA 27.92, 0.47%, 0.58%, 0.81

LABA 64.01, 14.93, 32.9, 0.81

 

CMYK 0 / 25 / 46 / 24

HEX #B57E4ECE

RGBA 181 126 78 0.81

HSLA 27.96, 0.41%, 0.51%, 0.81

LABA 57.36, 16.05, 34.42, 0.81

 

CMYK 0 / 20 / 38 / 2

HEX #F9C69A

RGB 249 198 154

HSL 27.79, 0.89%, 0.79%

LAB 83.37, 12.41, 28.96

 

CMYK 0 / 31 / 38 / 2

HEX #F9AC9A

RGB 249 172 154

HSL 11.37, 0.89%, 0.79%

LAB 77.27, 26.07, 20.66

 

CMYK 0 / 38 / 38 / 2

HEX #F99A9A

RGB 249 154 154

HSL 0, 0.89%, 0.79%

LAB 73.27, 35.49, 15.12

 

CMYK 0 / 20 / 38 / 2

HEX #F9C69A

RGB 249 198 154

HSL 27.79, 0.89%, 0.79%

LAB 83.37, 12.41, 28.96

 

CMYK 0 / 10 / 38 / 2

HEX #F9E09A

RGB 249 224 154

HSL 44.21, 0.89%, 0.79%

LAB 89.76, -1, 37.42

 

CMYK 0 / 0 / 38 / 2

HEX #F9F99A

RGB 249 249 154

HSL 60, 0.89%, 0.79%

LAB 96.09, -13.48, 45.58

 

CMYK 10 / 0 / 38 / 2

HEX #DFF99A

RGB 223 249 154

HSL 76.42, 0.89%, 0.79%

LAB 94.21, -23.23, 42.8

 

CMYK 21 / 0 / 38 / 2

HEX #C5F99A

RGB 197 249 154

HSL 92.84, 0.89%, 0.79%

LAB 92.55, -32.57, 40.33

 

CMYK 0 / 20 / 38 / 2

HEX #F9C69A

RGB 249 198 154

HSL 27.79, 0.89%, 0.79%

LAB 83.37, 12.41, 28.96

 

CMYK 0 / 20 / 38 / 2

HEX #F9C69A

RGB 249 198 154

HSL 27.79, 0.89%, 0.79%

LAB 83.37, 12.41, 28.96

 

CMYK 0 / 17 / 33 / 6

HEX #F0C7A2

RGB 240 199 162

HSL 28.46, 0.72%, 0.79%

LAB 82.9, 9.37, 23.98

 

CMYK 0 / 14 / 26 / 9

HEX #E8C7AB

RGB 232 199 171

HSL 27.54, 0.57%, 0.79%

LAB 82.35, 7.5, 18.34

 

CMYK 0 / 10 / 19 / 13

HEX #DFC8B4

RGB 223 200 180

HSL 27.91, 0.4%, 0.79%

LAB 82, 4.9, 12.94

 

CMYK 0 / 7 / 12 / 16

HEX #D6C8BC

RGB 214 200 188

HSL 27.69, 0.24%, 0.79%

LAB 81.42, 2.87, 7.74

 

CMYK 0 / 38 / 35 / 2

HEX #F99AA2

RGB 249 154 162

HSL 354.95, 0.89%, 0.79%

LAB 73.45, 36.42, 10.97

 

CMYK 0 / 31 / 38 / 2

HEX #F9AB9A

RGB 249 171 154

HSL 10.74, 0.89%, 0.79%

LAB 77.04, 26.6, 20.35

 

CMYK 0 / 21 / 38 / 2

HEX #F9C59A

RGB 249 197 154

HSL 27.16, 0.89%, 0.79%

LAB 83.13, 12.93, 28.63

 

CMYK 0 / 11 / 38 / 2

HEX #F9DE9A

RGB 249 222 154

HSL 42.95, 0.89%, 0.79%

LAB 89.26, 0.01, 36.77

 

CMYK 0 / 0 / 38 / 2

HEX #F9F89A

RGB 249 248 154

HSL 59.37, 0.89%, 0.79%

LAB 95.83, -12.99, 45.25

 

CMYK 0 / 37 / 69 / 4

HEX #F59A4C

RGB 245 154 76

HSL 27.69, 0.89%, 0.63%

LAB 71.59, 27.49, 53.85

 

CMYK 0 / 29 / 53 / 3

HEX #F7B073

RGB 247 176 115

HSL 27.73, 0.89%, 0.71%

LAB 77.32, 19.36, 41.33

 

CMYK 0 / 20 / 38 / 2

HEX #F9C69A

RGB 249 198 154

HSL 27.79, 0.89%, 0.79%

LAB 83.37, 12.41, 28.96

 

CMYK 0 / 12 / 23 / 2

HEX #FBDCC1

RGB 251 220 193

HSL 27.93, 0.88%, 0.87%

LAB 89.65, 6.66, 17.2

 

CMYK 0 / 5 / 9 / 0

HEX #FEF2E8

RGB 254 242 232

HSL 27.27, 0.92%, 0.95%

LAB 96.16, 2.36, 6.25

 

CMYK 0 / 20 / 38 / 2

HEX #F9C69A

RGB 249 198 154

HSL 27.79, 0.89%, 0.79%

LAB 83.37, 12.41, 28.96

 

CMYK 25 / 0 / 38 / 2

HEX #BBF99A

RGB 187 249 154

HSL 99.16, 0.89%, 0.79%

LAB 91.98, -36.01, 39.47

 

CMYK 36 / 38 / 0 / 2

HEX #9F9AF9

RGB 159 154 249

HSL 243.16, 0.89%, 0.79%

LAB 67.52, 23.71, -46.82

 

CMYK 0 / 20 / 38 / 2

HEX #F9C69A

RGB 249 198 154

HSL 27.79, 0.89%, 0.79%

LAB 83.37, 12.41, 28.96

 

CMYK 38 / 0 / 21 / 2

HEX #9AF9C5

RGB 154 249 197

HSL 147.16, 0.89%, 0.79%

LAB 91.08, -39.2, 16.23

 

CMYK 21 / 38 / 0 / 2

HEX #C59AF9

RGB 197 154 249

HSL 267.16, 0.89%, 0.79%

LAB 70.75, 34.19, -41.53

 

CMYK 0 / 20 / 38 / 2

HEX #F9C69A

RGB 249 198 154

HSL 27.79, 0.89%, 0.79%

LAB 83.37, 12.41, 28.96

 

CMYK 25 / 0 / 38 / 2

HEX #BBF99A

RGB 187 249 154

HSL 99.16, 0.89%, 0.79%

LAB 91.98, -36.01, 39.47

 

CMYK 38 / 17 / 0 / 2

HEX #9ACEF9

RGB 154 206 249

HSL 207.16, 0.89%, 0.79%

LAB 80.66, -6.39, -26.47

 

CMYK 13 / 38 / 0 / 2

HEX #D89AF9

RGB 216 154 249

HSL 279.16, 0.89%, 0.79%

LAB 72.59, 39.71, -38.51

 

CMYK 0 / 20 / 38 / 2

HEX #F9C69A

RGB 249 198 154

HSL 27.79, 0.89%, 0.79%

LAB 83.37, 12.41, 28.96

 

CMYK 36 / 0 / 38 / 2

HEX #9FF99A

RGB 159 249 154

HSL 116.84, 0.89%, 0.79%

LAB 90.53, -45.05, 37.31

 

CMYK 38 / 17 / 0 / 2

HEX #9ACEF9

RGB 154 206 249

HSL 207.16, 0.89%, 0.79%

LAB 80.66, -6.39, -26.47

 

CMYK 2 / 38 / 0 / 2

HEX #F49AF9

RGB 244 154 249

HSL 296.84, 0.89%, 0.79%

LAB 75.57, 48, -33.67

 

Description

Color code: HEX #F9C69ACE | qconv.com Color code: HEX #F9C69ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 198 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 198 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 31 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 31% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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