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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9AB3E it is the complementary color #0654C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9AB3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9AB3E shade: #FEAB39, #FFBD4C, #FFCF5F, #FFE172 and #FFF385

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9AB3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9AB3E shade: #F9AB3E, #E8992B, #D78718, #C67505 and #B56300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9AB3E shade: #F9AB3E, #F9783E, #F9463E and #F93E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9AB3E shade: #F9AB3E, #F9DD3E, #E2F93E, #AFF93E and #7DF93E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9AB3E shade matches the following richer shades: #F9AB3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9AB3E shade: #F9AB3E, #E8A84E, #D8A55E, #C8A36E and #B8A07E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9AB3E shade: #F9443E, #F9763E, #F9A83E, #F9D93E and #E6F93E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9AB3E shade: #DD8406, #F79916, #F9AB3E, #FABC66 and #FBCD8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9AB3E shade: #F9AB3E, #69F93E and #5D3EF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9AB3E shade: #F9AB3E, #3EF9A8 and #A83EF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9AB3E shade: #F9AB3E, #69F93E, #3E8FF9 and #CD3EF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9AB3E shade: #F9AB3E, #3EF94A, #3E8FF9 and #F93EEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 75 / 2

HEX #F9AB3E

RGB 249 171 62

HSL 34.97, 0.94%, 0.61%

LAB 75.83, 19.56, 64.45

 

Complementary color

CMYK 97 / 56 / 0 / 24

HEX #0654C1

RGB 6 84 193

HSL 214.97, 0.94%, 0.39%

LAB 38.25, 22.92, -62.54

 

CMYK 0 / 33 / 78 / 0

HEX #FEAB39

RGB 254 171 57

HSL 34.72, 0.99%, 0.61%

LAB 76.37, 21.45, 67.09

 

CMYK 0 / 26 / 70 / 0

HEX #FFBD4C

RGB 255 189 76

HSL 37.88, 1%, 0.65%

LAB 80.84, 13.28, 63.98

 

CMYK 0 / 19 / 63 / 0

HEX #FFCF5F

RGB 255 207 95

HSL 42, 1%, 0.69%

LAB 85.36, 5.02, 60.6

 

CMYK 0 / 12 / 55 / 0

HEX #FFE172

RGB 255 225 114

HSL 47.23, 1%, 0.72%

LAB 90.01, -2.84, 57.28

 

CMYK 0 / 5 / 48 / 0

HEX #FFF385

RGB 255 243 133

HSL 54.1, 1%, 0.76%

LAB 94.76, -10.26, 54.08

 

CMYK 0 / 31 / 75 / 2

HEX #F9AB3E

RGB 249 171 62

HSL 34.97, 0.94%, 0.61%

LAB 75.83, 19.56, 64.45

 

CMYK 0 / 34 / 81 / 9

HEX #E8992B

RGB 232 153 43

HSL 34.92, 0.8%, 0.54%

LAB 69.55, 21.25, 64.97

 

CMYK 0 / 37 / 89 / 16

HEX #D78718

RGB 215 135 24

HSL 34.87, 0.8%, 0.47%

LAB 63.21, 23.17, 64.63

 

CMYK 0 / 41 / 97 / 22

HEX #C67505

RGB 198 117 5

HSL 34.82, 0.95%, 0.4%

LAB 56.82, 25.33, 62.85

 

CMYK 0 / 45 / 100 / 29

HEX #B56300

RGB 181 99 0

HSL 32.82, 1%, 0.35%

LAB 50.39, 27.73, 58.55

 

CMYK 0 / 31 / 75 / 2

HEX #F9AB3E

RGB 249 171 62

HSL 34.97, 0.94%, 0.61%

LAB 75.83, 19.56, 64.45

 

CMYK 0 / 52 / 75 / 2

HEX #F9783E

RGB 249 120 62

HSL 18.61, 0.94%, 0.61%

LAB 64.9, 45.71, 53.52

 

CMYK 0 / 72 / 75 / 2

HEX #F9463E

RGB 249 70 62

HSL 2.57, 0.94%, 0.61%

LAB 56.95, 66.8, 45.13

 

CMYK 0 / 75 / 75 / 2

HEX #F93E3E

RGB 249 62 62

HSL 0, 0.94%, 0.61%

LAB 56.02, 69.37, 44.12

 

CMYK 0 / 31 / 75 / 2

HEX #F9AB3E

RGB 249 171 62

HSL 34.97, 0.94%, 0.61%

LAB 75.83, 19.56, 64.45

 

CMYK 0 / 11 / 75 / 2

HEX #F9DD3E

RGB 249 221 62

HSL 51.02, 0.94%, 0.61%

LAB 88.06, -6.26, 76.07

 

CMYK 9 / 0 / 75 / 2

HEX #E2F93E

RGB 226 249 62

HSL 67.38, 0.94%, 0.61%

LAB 93.57, -29.26, 80.5

 

CMYK 30 / 0 / 75 / 2

HEX #AFF93E

RGB 175 249 62

HSL 83.74, 0.94%, 0.61%

LAB 90.42, -48.66, 76.43

 

CMYK 50 / 0 / 75 / 2

HEX #7DF93E

RGB 125 249 62

HSL 99.79, 0.94%, 0.61%

LAB 88.19, -64.65, 73.51

 

CMYK 0 / 31 / 75 / 2

HEX #F9AB3E

RGB 249 171 62

HSL 34.97, 0.94%, 0.61%

LAB 75.83, 19.56, 64.45

 

CMYK 0 / 31 / 75 / 2

HEX #F9AB3E

RGB 249 171 62

HSL 34.97, 0.94%, 0.61%

LAB 75.83, 19.56, 64.45

 

CMYK 0 / 28 / 66 / 9

HEX #E8A84E

RGB 232 168 78

HSL 35.06, 0.77%, 0.61%

LAB 73.36, 14.82, 54.42

 

CMYK 0 / 24 / 56 / 15

HEX #D8A55E

RGB 216 165 94

HSL 34.92, 0.61%, 0.61%

LAB 71.09, 10.8, 43.63

 

CMYK 0 / 19 / 45 / 22

HEX #C8A36E

RGB 200 163 110

HSL 35.33, 0.45%, 0.61%

LAB 69.18, 6.68, 32.61

 

CMYK 0 / 13 / 32 / 28

HEX #B8A07E

RGB 184 160 126

HSL 35.17, 0.29%, 0.61%

LAB 67.16, 3.68, 20.99

 

CMYK 0 / 73 / 75 / 2

HEX #F9443E

RGB 249 68 62

HSL 1.93, 0.94%, 0.61%

LAB 56.71, 67.46, 44.87

 

CMYK 0 / 53 / 75 / 2

HEX #F9763E

RGB 249 118 62

HSL 17.97, 0.94%, 0.61%

LAB 64.52, 46.67, 53.13

 

CMYK 0 / 33 / 75 / 2

HEX #F9A83E

RGB 249 168 62

HSL 34.01, 0.94%, 0.61%

LAB 75.13, 21.14, 63.77

 

CMYK 0 / 13 / 75 / 2

HEX #F9D93E

RGB 249 217 62

HSL 49.73, 0.94%, 0.61%

LAB 87.05, -4.24, 75.13

 

CMYK 8 / 0 / 75 / 2

HEX #E6F93E

RGB 230 249 62

HSL 66.1, 0.94%, 0.61%

LAB 93.85, -27.67, 80.87

 

CMYK 0 / 40 / 97 / 13

HEX #DD8406

RGB 221 132 6

HSL 35.16, 0.95%, 0.45%

LAB 63.25, 27.08, 68.43

 

CMYK 0 / 38 / 91 / 3

HEX #F79916

RGB 247 153 22

HSL 34.93, 0.93%, 0.53%

LAB 71.29, 27.08, 72.93

 

CMYK 0 / 31 / 75 / 2

HEX #F9AB3E

RGB 249 171 62

HSL 34.97, 0.94%, 0.61%

LAB 75.83, 19.56, 64.45

 

CMYK 0 / 25 / 59 / 2

HEX #FABC66

RGB 250 188 102

HSL 34.86, 0.94%, 0.69%

LAB 80.32, 13.28, 51.5

 

CMYK 0 / 18 / 43 / 2

HEX #FBCD8E

RGB 251 205 142

HSL 34.68, 0.93%, 0.77%

LAB 85.06, 8.27, 37.43

 

CMYK 0 / 31 / 75 / 2

HEX #F9AB3E

RGB 249 171 62

HSL 34.97, 0.94%, 0.61%

LAB 75.83, 19.56, 64.45

 

CMYK 58 / 0 / 75 / 2

HEX #69F93E

RGB 105 249 62

HSL 106.2, 0.94%, 0.61%

LAB 87.53, -69.8, 72.65

 

CMYK 63 / 75 / 0 / 2

HEX #5D3EF9

RGB 93 62 249

HSL 249.95, 0.94%, 0.61%

LAB 42.17, 62.34, -87.97

 

CMYK 0 / 31 / 75 / 2

HEX #F9AB3E

RGB 249 171 62

HSL 34.97, 0.94%, 0.61%

LAB 75.83, 19.56, 64.45

 

CMYK 75 / 0 / 33 / 2

HEX #3EF9A8

RGB 62 249 168

HSL 154.01, 0.94%, 0.61%

LAB 87.78, -63.69, 26.08

 

CMYK 33 / 75 / 0 / 2

HEX #A83EF9

RGB 168 62 249

HSL 274.01, 0.94%, 0.61%

LAB 50.23, 72.82, -74.46

 

CMYK 0 / 31 / 75 / 2

HEX #F9AB3E

RGB 249 171 62

HSL 34.97, 0.94%, 0.61%

LAB 75.83, 19.56, 64.45

 

CMYK 58 / 0 / 75 / 2

HEX #69F93E

RGB 105 249 62

HSL 106.2, 0.94%, 0.61%

LAB 87.53, -69.8, 72.65

 

CMYK 75 / 43 / 0 / 2

HEX #3E8FF9

RGB 62 143 249

HSL 214.01, 0.94%, 0.61%

LAB 59.44, 11.07, -59.96

 

CMYK 18 / 75 / 0 / 2

HEX #CD3EF9

RGB 205 62 249

HSL 285.88, 0.94%, 0.61%

LAB 55.34, 79.27, -65.93

 

CMYK 0 / 31 / 75 / 2

HEX #F9AB3E

RGB 249 171 62

HSL 34.97, 0.94%, 0.61%

LAB 75.83, 19.56, 64.45

 

CMYK 75 / 0 / 70 / 2

HEX #3EF94A

RGB 62 249 74

HSL 123.85, 0.94%, 0.61%

LAB 86.64, -77, 67.41

 

CMYK 75 / 43 / 0 / 2

HEX #3E8FF9

RGB 62 143 249

HSL 214.01, 0.94%, 0.61%

LAB 59.44, 11.07, -59.96

 

CMYK 0 / 75 / 5 / 2

HEX #F93EEC

RGB 249 62 236

HSL 304.17, 0.94%, 0.61%

LAB 61.34, 85.62, -48.71

 

Description

Color code: HEX #F9AB3E | qconv.com Color code: HEX #F9AB3E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 171 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 171 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 75 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 75% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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