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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9A0EB it is the complementary color #065F14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9A0EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9A0EB shade: #FEA0E6, #FFB2F9, #FFC4FF, #FFD6FF and #FFE8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9A0EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9A0EB shade: #F9A0EB, #E88ED8, #D77CC5, #C66AB2 and #B5589F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9A0EB shade: #F99FEB, #F99FD3, #F99FBA, #F99FA2 and #F99F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9A0EB shade: #F99FEB, #EF9FF9, #D79FF9, #BE9FF9 and #A69FF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9A0EB shade matches the following richer shades: #F99FEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9A0EB shade: #F99FEB, #F1A7E5, #E8B0DF, #E0B8DA and #D8C0D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9A0EB shade: #D69FF9, #EE9FF9, #F99FEB, #F99FD3 and #F99FBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9A0EB shade: #F452DA, #F678E3, #F99FEB, #FBC6F3 and #FEEDFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9A0EB shade: #F9A0EB, #F9BF9F and #9FF9E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9A0EB shade: #F9A0EB, #EBF99F and #9FEBF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9A0EB shade: #F9A0EB, #F9BF9F, #9FF9AD and #9FD9F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9A0EB shade: #F9A0EB, #F9D99F, #9FF9AD and #9FBFF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 6 / 2

HEX #F9A0EB

RGB 249 160 235

HSL 309.44, 0.88%, 0.8%

LAB 76.85, 43.97, -24.06

 

Complementary color

CMYK 94 / 0 / 79 / 63

HEX #065F14

RGB 6 95 20

HSL 129.44, 0.88%, 0.2%

LAB 34.55, -39.8, 34.09

 

CMYK 0 / 37 / 9 / 0

HEX #FEA0E6

RGB 254 160 230

HSL 315.32, 0.98%, 0.81%

LAB 77.24, 44.71, -20.7

 

CMYK 0 / 30 / 2 / 0

HEX #FFB2F9

RGB 255 178 249

HSL 304.68, 1%, 0.85%

LAB 81.81, 38.94, -24

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 9 / 0 / 0

HEX #FFE8FF

RGB 255 232 255

HSL 300, 1%, 0.95%

LAB 94.39, 11.75, -8.26

 

CMYK 0 / 36 / 6 / 2

HEX #F9A0EB

RGB 249 160 235

HSL 309.44, 0.88%, 0.8%

LAB 76.85, 43.97, -24.06

 

CMYK 0 / 39 / 7 / 9

HEX #E88ED8

RGB 232 142 216

HSL 310.67, 0.66%, 0.73%

LAB 70.5, 44.7, -23.52

 

CMYK 0 / 42 / 8 / 16

HEX #D77CC5

RGB 215 124 197

HSL 311.87, 0.53%, 0.66%

LAB 64.07, 45.44, -22.93

 

CMYK 0 / 46 / 10 / 22

HEX #C66AB2

RGB 198 106 178

HSL 313.04, 0.45%, 0.6%

LAB 57.59, 46.18, -22.24

 

CMYK 0 / 51 / 12 / 29

HEX #B5589F

RGB 181 88 159

HSL 314.19, 0.39%, 0.53%

LAB 51.04, 46.86, -21.42

 

CMYK 0 / 36 / 6 / 2

HEX #F99FEB

RGB 249 159 235

HSL 309.33, 0.88%, 0.8%

LAB 76.64, 44.48, -24.38

 

CMYK 0 / 36 / 15 / 2

HEX #F99FD3

RGB 249 159 211

HSL 325.33, 0.88%, 0.8%

LAB 75.85, 40.57, -12.49

 

CMYK 0 / 36 / 25 / 2

HEX #F99FBA

RGB 249 159 186

HSL 342, 0.88%, 0.8%

LAB 75.13, 36.91, 0.15

 

CMYK 0 / 36 / 35 / 2

HEX #F99FA2

RGB 249 159 162

HSL 358, 0.88%, 0.8%

LAB 74.54, 33.82, 12.5

 

CMYK 0 / 36 / 36 / 2

HEX #F99F9F

RGB 249 159 159

HSL 0, 0.88%, 0.8%

LAB 74.47, 33.47, 14.05

 

CMYK 0 / 36 / 6 / 2

HEX #F99FEB

RGB 249 159 235

HSL 309.33, 0.88%, 0.8%

LAB 76.64, 44.48, -24.38

 

CMYK 4 / 36 / 0 / 2

HEX #EF9FF9

RGB 239 159 249

HSL 293.33, 0.88%, 0.8%

LAB 76.06, 43.91, -32.95

 

CMYK 14 / 36 / 0 / 2

HEX #D79FF9

RGB 215 159 249

HSL 277.33, 0.88%, 0.8%

LAB 73.6, 36.72, -36.95

 

CMYK 24 / 36 / 0 / 2

HEX #BE9FF9

RGB 190 159 249

HSL 260.67, 0.88%, 0.8%

LAB 71.27, 29.42, -40.76

 

CMYK 33 / 36 / 0 / 2

HEX #A69FF9

RGB 166 159 249

HSL 244.67, 0.88%, 0.8%

LAB 69.29, 22.73, -44.01

 

CMYK 0 / 36 / 6 / 2

HEX #F99FEB

RGB 249 159 235

HSL 309.33, 0.88%, 0.8%

LAB 76.64, 44.48, -24.38

 

CMYK 0 / 36 / 6 / 2

HEX #F99FEB

RGB 249 159 235

HSL 309.33, 0.88%, 0.8%

LAB 76.64, 44.48, -24.38

 

CMYK 0 / 31 / 5 / 5

HEX #F1A7E5

RGB 241 167 229

HSL 309.73, 0.73%, 0.8%

LAB 77.28, 36.73, -20.23

 

CMYK 0 / 24 / 4 / 9

HEX #E8B0DF

RGB 232 176 223

HSL 309.64, 0.55%, 0.8%

LAB 78.19, 27.93, -15.69

 

CMYK 0 / 18 / 3 / 12

HEX #E0B8DA

RGB 224 184 218

HSL 309, 0.39%, 0.8%

LAB 79.15, 20.06, -11.62

 

CMYK 0 / 11 / 2 / 15

HEX #D8C0D4

RGB 216 192 212

HSL 310, 0.24%, 0.8%

LAB 80.21, 11.96, -6.89

 

CMYK 14 / 36 / 0 / 2

HEX #D69FF9

RGB 214 159 249

HSL 276.67, 0.88%, 0.8%

LAB 73.5, 36.43, -37.11

 

CMYK 4 / 36 / 0 / 2

HEX #EE9FF9

RGB 238 159 249

HSL 292.67, 0.88%, 0.8%

LAB 75.95, 43.61, -33.12

 

CMYK 0 / 36 / 6 / 2

HEX #F99FEB

RGB 249 159 235

HSL 309.33, 0.88%, 0.8%

LAB 76.64, 44.48, -24.38

 

CMYK 0 / 36 / 15 / 2

HEX #F99FD3

RGB 249 159 211

HSL 325.33, 0.88%, 0.8%

LAB 75.85, 40.57, -12.49

 

CMYK 0 / 36 / 24 / 2

HEX #F99FBC

RGB 249 159 188

HSL 340.67, 0.88%, 0.8%

LAB 75.18, 37.18, -0.87

 

CMYK 0 / 66 / 11 / 4

HEX #F452DA

RGB 244 82 218

HSL 309.63, 0.88%, 0.64%

LAB 61.94, 75.55, -37.74

 

CMYK 0 / 51 / 8 / 4

HEX #F678E3

RGB 246 120 227

HSL 309.05, 0.88%, 0.72%

LAB 68.44, 61.56, -32.62

 

CMYK 0 / 36 / 6 / 2

HEX #F99FEB

RGB 249 159 235

HSL 309.33, 0.88%, 0.8%

LAB 76.64, 44.48, -24.38

 

CMYK 0 / 21 / 3 / 2

HEX #FBC6F3

RGB 251 198 243

HSL 309.06, 0.87%, 0.88%

LAB 85.69, 26.08, -14.96

 

CMYK 0 / 7 / 1 / 0

HEX #FEEDFB

RGB 254 237 251

HSL 310.59, 0.89%, 0.96%

LAB 95.41, 8.14, -4.68

 

CMYK 0 / 36 / 6 / 2

HEX #F9A0EB

RGB 249 160 235

HSL 309.44, 0.88%, 0.8%

LAB 76.85, 43.97, -24.06

 

CMYK 0 / 23 / 36 / 2

HEX #F9BF9F

RGB 249 191 159

HSL 21.33, 0.88%, 0.8%

LAB 81.79, 16.65, 24.18

 

CMYK 36 / 0 / 9 / 2

HEX #9FF9E2

RGB 159 249 226

HSL 164.67, 0.88%, 0.8%

LAB 91.96, -31.94, 2.53

 

CMYK 0 / 36 / 6 / 2

HEX #F9A0EB

RGB 249 160 235

HSL 309.44, 0.88%, 0.8%

LAB 76.85, 43.97, -24.06

 

CMYK 6 / 0 / 36 / 2

HEX #EBF99F

RGB 235 249 159

HSL 69.33, 0.88%, 0.8%

LAB 95.13, -18.2, 41.69

 

CMYK 36 / 6 / 0 / 2

HEX #9FEBF9

RGB 159 235 249

HSL 189.33, 0.88%, 0.8%

LAB 88.75, -19.96, -14.21

 

CMYK 0 / 36 / 6 / 2

HEX #F9A0EB

RGB 249 160 235

HSL 309.44, 0.88%, 0.8%

LAB 76.85, 43.97, -24.06

 

CMYK 0 / 23 / 36 / 2

HEX #F9BF9F

RGB 249 191 159

HSL 21.33, 0.88%, 0.8%

LAB 81.79, 16.65, 24.18

 

CMYK 36 / 0 / 31 / 2

HEX #9FF9AD

RGB 159 249 173

HSL 129.33, 0.88%, 0.8%

LAB 90.84, -42.07, 28.2

 

CMYK 36 / 13 / 0 / 2

HEX #9FD9F9

RGB 159 217 249

HSL 201.33, 0.88%, 0.8%

LAB 83.88, -10.83, -21.54

 

CMYK 0 / 36 / 6 / 2

HEX #F9A0EB

RGB 249 160 235

HSL 309.44, 0.88%, 0.8%

LAB 76.85, 43.97, -24.06

 

CMYK 0 / 13 / 36 / 2

HEX #F9D99F

RGB 249 217 159

HSL 38.67, 0.88%, 0.8%

LAB 88.1, 3.13, 32.68

 

CMYK 36 / 0 / 31 / 2

HEX #9FF9AD

RGB 159 249 173

HSL 129.33, 0.88%, 0.8%

LAB 90.84, -42.07, 28.2

 

CMYK 36 / 23 / 0 / 2

HEX #9FBFF9

RGB 159 191 249

HSL 218.67, 0.88%, 0.8%

LAB 76.96, 2.99, -32.11

 

Description

Color code: HEX #F9A0EB | qconv.com Color code: HEX #F9A0EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 160 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 160 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 6 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 6% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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