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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F99CD93F it is the complementary color #0663263F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F99CD93F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F99CD93F shade: #FE9CD43F, #FFAEE73F, #FFC0FA3F, #FFD2FF3F and #FFE4FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F99CD93F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F99CD93F shade: #F99CD93F, #E88AC63F, #D778B33F, #C666A03F and #B5548D3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F99CD93F shade: #F99AD8, #F99ABF, #F99AA5 and #F99A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F99CD93F shade: #F99AD8, #F99AF2, #E79AF9, #CD9AF9 and #B39AF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F99CD93F shade matches the following richer shades: #F99AD8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F99CD93F shade: #F99AD8, #F0A2D6, #E8ABD3, #DFB4D0 and #D6BCCE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F99CD93F shade: #E69AF9, #F99AF3, #F99AD9, #F99AC0 and #F99AA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F99CD93F shade: #F54CBA, #F773C9, #F99AD8, #FBC1E7 and #FEE8F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F99CD93F shade: #F99CD9, #F9CD9A and #9AF9F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F99CD93F shade: #F99CD9, #D9F99A and #9AD9F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F99CD93F shade: #F99CD9, #F9CD9A, #9AF9BA and #9AC6F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F99CD93F shade: #F99CD9, #F9E99A, #9AF9BA and #9AAAF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 3 / 1

HEX #F99CD93F

RGBA 249 156 217 0.25

HSLA 320.65, 0.89%, 0.79%, 0.25

LABA 75.41, 43.07, -16.44, 0.25

 

Complementary color

CMYK 23 / 0 / 15 / 15

HEX #0663263F

RGBA 6 99 38 0.25

HSLA 140.65, 0.89%, 0.21%, 0.25

LABA 36.18, -38.99, 27.4, 0.25

 

CMYK 0 / 10 / 4 / 0

HEX #FE9CD43F

RGBA 254 156 212 0.25

HSLA 325.71, 0.98%, 0.8%, 0.25

LABA 75.82, 43.92, -13.02, 0.25

 

CMYK 0 / 8 / 2 / 0

HEX #FFAEE73F

RGBA 255 174 231 0.25

HSLA 317.78, 1%, 0.84%, 0.25

LABA 80.35, 37.95, -16.53, 0.25

 

CMYK 0 / 6 / 0 / 0

HEX #FFC0FA3F

RGBA 255 192 250 0.25

HSLA 304.76, 1%, 0.88%, 0.25

LABA 84.93, 31.78, -19.8, 0.25

 

CMYK 0 / 4 / 0 / 0

HEX #FFD2FF3F

RGBA 255 210 255 0.25

HSLA 300, 1%, 0.91%, 0.25

LABA 89.19, 23.22, -16.01, 0.25

 

CMYK 0 / 3 / 0 / 0

HEX #FFE4FF3F

RGBA 255 228 255 0.25

HSLA 300, 1%, 0.95%, 0.25

LABA 93.44, 13.83, -9.68, 0.25

 

CMYK 0 / 9 / 3 / 1

HEX #F99CD93F

RGBA 249 156 217 0.25

HSLA 320.65, 0.89%, 0.79%, 0.25

LABA 75.41, 43.07, -16.44, 0.25

 

CMYK 0 / 10 / 4 / 2

HEX #E88AC63F

RGBA 232 138 198 0.25

HSLA 321.7, 0.67%, 0.73%, 0.25

LABA 69.05, 43.82, -15.74, 0.25

 

CMYK 0 / 11 / 4 / 4

HEX #D778B33F

RGBA 215 120 179 0.25

HSLA 322.74, 0.54%, 0.66%, 0.25

LABA 62.62, 44.59, -14.95, 0.25

 

CMYK 0 / 12 / 5 / 6

HEX #C666A03F

RGBA 198 102 160 0.25

HSLA 323.75, 0.46%, 0.59%, 0.25

LABA 56.13, 45.35, -14.04, 0.25

 

CMYK 0 / 13 / 6 / 7

HEX #B5548D3F

RGBA 181 84 141 0.25

HSLA 324.74, 0.4%, 0.52%, 0.25

LABA 49.6, 46.05, -12.95, 0.25

 

CMYK 0 / 38 / 13 / 2

HEX #F99AD8

RGB 249 154 216

HSL 320.84, 0.89%, 0.79%

LAB 74.96, 43.94, -16.57

 

CMYK 0 / 38 / 23 / 2

HEX #F99ABF

RGB 249 154 191

HSL 336.63, 0.89%, 0.79%

LAB 74.2, 40.2, -3.96

 

CMYK 0 / 38 / 34 / 2

HEX #F99AA5

RGB 249 154 165

HSL 353.05, 0.89%, 0.79%

LAB 73.52, 36.78, 9.41

 

CMYK 0 / 38 / 38 / 2

HEX #F99A9A

RGB 249 154 154

HSL 0, 0.89%, 0.79%

LAB 73.27, 35.49, 15.12

 

CMYK 0 / 38 / 13 / 2

HEX #F99AD8

RGB 249 154 216

HSL 320.84, 0.89%, 0.79%

LAB 74.96, 43.94, -16.57

 

CMYK 0 / 38 / 3 / 2

HEX #F99AF2

RGB 249 154 242

HSL 304.42, 0.89%, 0.79%

LAB 75.86, 48.26, -29.37

 

CMYK 7 / 38 / 0 / 2

HEX #E79AF9

RGB 231 154 249

HSL 288.63, 0.89%, 0.79%

LAB 74.15, 44.14, -35.97

 

CMYK 18 / 38 / 0 / 2

HEX #CD9AF9

RGB 205 154 249

HSL 272.21, 0.89%, 0.79%

LAB 71.51, 36.5, -40.28

 

CMYK 28 / 38 / 0 / 2

HEX #B39AF9

RGB 179 154 249

HSL 255.79, 0.89%, 0.79%

LAB 69.14, 29.1, -44.16

 

CMYK 0 / 38 / 13 / 2

HEX #F99AD8

RGB 249 154 216

HSL 320.84, 0.89%, 0.79%

LAB 74.96, 43.94, -16.57

 

CMYK 0 / 38 / 13 / 2

HEX #F99AD8

RGB 249 154 216

HSL 320.84, 0.89%, 0.79%

LAB 74.96, 43.94, -16.57

 

CMYK 0 / 33 / 11 / 6

HEX #F0A2D6

RGB 240 162 214

HSL 320, 0.72%, 0.79%

LAB 75.59, 36.49, -14.62

 

CMYK 0 / 26 / 9 / 9

HEX #E8ABD3

RGB 232 171 211

HSL 320.66, 0.57%, 0.79%

LAB 76.67, 28.52, -11.45

 

CMYK 0 / 19 / 7 / 13

HEX #DFB4D0

RGB 223 180 208

HSL 320.93, 0.4%, 0.79%

LAB 77.81, 20.09, -8.22

 

CMYK 0 / 12 / 4 / 16

HEX #D6BCCE

RGB 214 188 206

HSL 318.46, 0.24%, 0.79%

LAB 78.88, 12.33, -5.64

 

CMYK 8 / 38 / 0 / 2

HEX #E69AF9

RGB 230 154 249

HSL 288, 0.89%, 0.79%

LAB 74.04, 43.84, -36.14

 

CMYK 0 / 38 / 2 / 2

HEX #F99AF3

RGB 249 154 243

HSL 303.79, 0.89%, 0.79%

LAB 75.9, 48.43, -29.85

 

CMYK 0 / 38 / 13 / 2

HEX #F99AD9

RGB 249 154 217

HSL 320.21, 0.89%, 0.79%

LAB 74.99, 44.1, -17.07

 

CMYK 0 / 38 / 23 / 2

HEX #F99AC0

RGB 249 154 192

HSL 336, 0.89%, 0.79%

LAB 74.23, 40.34, -4.47

 

CMYK 0 / 38 / 33 / 2

HEX #F99AA6

RGB 249 154 166

HSL 352.42, 0.89%, 0.79%

LAB 73.55, 36.91, 8.89

 

CMYK 0 / 69 / 24 / 4

HEX #F54CBA

RGB 245 76 186

HSL 320.95, 0.89%, 0.63%

LAB 60, 73.6, -22.53

 

CMYK 0 / 53 / 19 / 3

HEX #F773C9

RGB 247 115 201

HSL 320.91, 0.89%, 0.71%

LAB 66.71, 60.22, -20.77

 

CMYK 0 / 38 / 13 / 2

HEX #F99AD8

RGB 249 154 216

HSL 320.84, 0.89%, 0.79%

LAB 74.96, 43.94, -16.57

 

CMYK 0 / 23 / 8 / 2

HEX #FBC1E7

RGB 251 193 231

HSL 320.69, 0.88%, 0.87%

LAB 84.18, 26.65, -10.83

 

CMYK 0 / 9 / 3 / 0

HEX #FEE8F6

RGB 254 232 246

HSL 321.82, 0.92%, 0.95%

LAB 94.07, 9.84, -4.06

 

CMYK 0 / 37 / 13 / 2

HEX #F99CD9

RGB 249 156 217

HSL 320.65, 0.89%, 0.79%

LAB 75.41, 43.07, -16.44

 

CMYK 0 / 18 / 38 / 2

HEX #F9CD9A

RGB 249 205 154

HSL 32.21, 0.89%, 0.79%

LAB 85.07, 8.77, 31.23

 

CMYK 38 / 0 / 2 / 2

HEX #9AF9F3

RGB 154 249 243

HSL 176.21, 0.89%, 0.79%

LAB 92.17, -29.44, -6.01

 

CMYK 0 / 37 / 13 / 2

HEX #F99CD9

RGB 249 156 217

HSL 320.65, 0.89%, 0.79%

LAB 75.41, 43.07, -16.44

 

CMYK 13 / 0 / 38 / 2

HEX #D9F99A

RGB 217 249 154

HSL 80.21, 0.89%, 0.79%

LAB 93.81, -25.43, 42.2

 

CMYK 38 / 13 / 0 / 2

HEX #9AD9F9

RGB 154 217 249

HSL 200.21, 0.89%, 0.79%

LAB 83.62, -12.13, -21.96

 

CMYK 0 / 37 / 13 / 2

HEX #F99CD9

RGB 249 156 217

HSL 320.65, 0.89%, 0.79%

LAB 75.41, 43.07, -16.44

 

CMYK 0 / 18 / 38 / 2

HEX #F9CD9A

RGB 249 205 154

HSL 32.21, 0.89%, 0.79%

LAB 85.07, 8.77, 31.23

 

CMYK 38 / 0 / 25 / 2

HEX #9AF9BA

RGB 154 249 186

HSL 140.21, 0.89%, 0.79%

LAB 90.86, -41.26, 21.56

 

CMYK 38 / 20 / 0 / 2

HEX #9AC6F9

RGB 154 198 249

HSL 212.21, 0.89%, 0.79%

LAB 78.52, -2.12, -29.74

 

CMYK 0 / 37 / 13 / 2

HEX #F99CD9

RGB 249 156 217

HSL 320.65, 0.89%, 0.79%

LAB 75.41, 43.07, -16.44

 

CMYK 0 / 6 / 38 / 2

HEX #F9E99A

RGB 249 233 154

HSL 49.89, 0.89%, 0.79%

LAB 92.02, -5.55, 40.36

 

CMYK 38 / 0 / 25 / 2

HEX #9AF9BA

RGB 154 249 186

HSL 140.21, 0.89%, 0.79%

LAB 90.86, -41.26, 21.56

 

CMYK 38 / 32 / 0 / 2

HEX #9AAAF9

RGB 154 170 249

HSL 229.89, 0.89%, 0.79%

LAB 71.19, 13.32, -41.1

 

Description

Color code: HEX #F99CD93F | qconv.com Color code: HEX #F99CD93F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 156 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 156 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 3 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 3% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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