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Color name
HEX #F999973F

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F999973F it is the complementary color #0666683F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #F999973F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F999973F shade: #FE99923F, #FFABA53F, #FFBDB83F, #FFCFCB3F and #FFE1DE3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #F999973F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F999973F shade: #F999973F, #E887843F, #D775713F, #C6635E3F and #B5514B3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F999973F shade: #F99795 and #F99595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F999973F shade: #F99795, #F9B295, #F9CD95, #F9E895 and #EFF995

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F999973F shade matches the following richer shades: #F99795

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F999973F shade: #F99795, #F0A09E, #E7A8A7, #DEB1B0 and #D5BAB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F999973F shade: #F995C9, #F995AE, #F99795, #F9B195 and #F9CC95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F999973F shade: #F44B47, #F7716E, #F99795, #FBBDBC and #FDE3E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F999973F shade: #F99997, #E3F995 and #95BBF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F999973F shade: #F99997, #95F997 and #9795F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F999973F shade: #F99997, #E3F995, #95F7F9 and #AB95F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F999973F shade: #F99997, #C5F995, #95F7F9 and #C995F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 10 / 1

RGBA 249 153 151 0.25

HSLA 1.22, 0.89%, 0.78%, 0.25

LABA 72.99, 35.68, 16.38, 0.25

Complementary color

CMYK 24 / 0 / 0 / 15

RGBA 6 102 104 0.25

HSLA 181.22, 0.89%, 0.22%, 0.25

LABA 38.8, -23.41, -8.23, 0.25

Lighter colors

CMYK 0 / 10 / 11 / 0

RGBA 254 153 146 0.25

HSLA 3.89, 0.98%, 0.78%, 0.25

LABA 73.5, 36.99, 19.92, 0.25

CMYK 0 / 8 / 9 / 0

RGBA 255 171 165 0.25

HSLA 4, 1%, 0.82%, 0.25

LABA 77.94, 30.12, 15.74, 0.25

CMYK 0 / 6 / 7 / 0

RGBA 255 189 184 0.25

HSLA 4.23, 1%, 0.86%, 0.25

LABA 82.44, 23.07, 11.85, 0.25

CMYK 0 / 5 / 5 / 0

RGBA 255 207 203 0.25

HSLA 4.62, 1%, 0.9%, 0.25

LABA 87.09, 16.29, 8.37, 0.25

CMYK 0 / 3 / 3 / 0

RGBA 255 225 222 0.25

HSLA 5.45, 1%, 0.94%, 0.25

LABA 91.86, 9.83, 5.24, 0.25

Darker colors

CMYK 0 / 10 / 10 / 1

RGBA 249 153 151 0.25

HSLA 1.22, 0.89%, 0.78%, 0.25

LABA 72.99, 35.68, 16.38, 0.25

CMYK 0 / 10 / 11 / 2

RGBA 232 135 132 0.25

HSLA 1.8, 0.68%, 0.71%, 0.25

LABA 66.63, 36.69, 17.8, 0.25

CMYK 0 / 11 / 12 / 4

RGBA 215 117 113 0.25

HSLA 2.35, 0.56%, 0.64%, 0.25

LABA 60.21, 37.77, 19.39, 0.25

CMYK 0 / 13 / 13 / 6

RGBA 198 99 94 0.25

HSLA 2.88, 0.48%, 0.57%, 0.25

LABA 53.75, 38.93, 21.23, 0.25

CMYK 0 / 14 / 15 / 7

RGBA 181 81 75 0.25

HSLA 3.4, 0.42%, 0.5%, 0.25

LABA 47.26, 40.12, 23.39, 0.25

Warmer colors

CMYK 0 / 39 / 40 / 2

RGB 249 151 149

HSL 1.2, 0.89%, 0.78%

LAB 72.52, 36.49, 16.83

CMYK 0 / 40 / 40 / 2

RGB 249 149 149

HSL 0, 0.89%, 0.78%

LAB 72.1, 37.53, 16.24

Colder colors

CMYK 0 / 39 / 40 / 2

RGB 249 151 149

HSL 1.2, 0.89%, 0.78%

LAB 72.52, 36.49, 16.83

CMYK 0 / 29 / 40 / 2

RGB 249 178 149

HSL 17.4, 0.89%, 0.78%

LAB 78.55, 22.36, 25.1

CMYK 0 / 18 / 40 / 2

RGB 249 205 149

HSL 33.6, 0.89%, 0.78%

LAB 84.98, 8.22, 33.7

CMYK 0 / 7 / 40 / 2

RGB 249 232 149

HSL 49.8, 0.89%, 0.78%

LAB 91.7, -5.58, 42.43

CMYK 4 / 0 / 40 / 2

RGB 239 249 149

HSL 66, 0.89%, 0.78%

LAB 95.28, -17.81, 46.82

Richer colors

CMYK 0 / 39 / 40 / 2

RGB 249 151 149

HSL 1.2, 0.89%, 0.78%

LAB 72.52, 36.49, 16.83

Paler colors

CMYK 0 / 39 / 40 / 2

RGB 249 151 149

HSL 1.2, 0.89%, 0.78%

LAB 72.52, 36.49, 16.83

CMYK 0 / 33 / 34 / 6

RGB 240 160 158

HSL 1.46, 0.73%, 0.78%

LAB 73.63, 29.49, 13.27

CMYK 0 / 27 / 28 / 9

RGB 231 168 167

HSL 0.94, 0.57%, 0.78%

LAB 74.69, 23.04, 9.69

CMYK 0 / 20 / 21 / 13

RGB 222 177 176

HSL 1.3, 0.41%, 0.78%

LAB 76.14, 16.17, 6.73

CMYK 0 / 13 / 13 / 16

RGB 213 186 185

HSL 2.14, 0.25%, 0.78%

LAB 77.74, 9.45, 4.04

Analogue colors

CMYK 0 / 40 / 19 / 2

RGB 249 149 201

HSL 328.8, 0.89%, 0.78%

LAB 73.45, 44.21, -10.59

CMYK 0 / 40 / 30 / 2

RGB 249 149 174

HSL 345, 0.89%, 0.78%

LAB 72.69, 40.49, 3.23

CMYK 0 / 39 / 40 / 2

RGB 249 151 149

HSL 1.2, 0.89%, 0.78%

LAB 72.52, 36.49, 16.83

CMYK 0 / 29 / 40 / 2

RGB 249 177 149

HSL 16.8, 0.89%, 0.78%

LAB 78.32, 22.88, 24.79

CMYK 0 / 18 / 40 / 2

RGB 249 204 149

HSL 33, 0.89%, 0.78%

LAB 84.74, 8.74, 33.38

Monochromatic colors

CMYK 0 / 69 / 71 / 4

HSL 1.39, 0.89%, 0.62%

LAB 56.8, 63.87, 39.8

CMYK 0 / 54 / 55 / 3

RGB 247 113 110

HSL 1.31, 0.9%, 0.7%

LAB 63.93, 51.1, 26.86

CMYK 0 / 39 / 40 / 2

RGB 249 151 149

HSL 1.2, 0.89%, 0.78%

LAB 72.52, 36.49, 16.83

CMYK 0 / 25 / 25 / 2

RGB 251 189 188

HSL 0.95, 0.89%, 0.86%

LAB 82.13, 22.15, 9.21

CMYK 0 / 10 / 10 / 1

RGB 253 227 227

HSL 0, 0.87%, 0.94%

LAB 92.29, 8.89, 3.24

Partial complementary colors

CMYK 0 / 39 / 39 / 2

RGB 249 153 151

HSL 1.22, 0.89%, 0.78%

LAB 72.99, 35.68, 16.38

CMYK 9 / 0 / 40 / 2

RGB 227 249 149

HSL 73.2, 0.89%, 0.78%

LAB 94.42, -22.32, 45.56

CMYK 40 / 25 / 0 / 2

RGB 149 187 249

HSL 217.2, 0.89%, 0.78%

LAB 75.31, 2.56, -34.71

Triadic colors

CMYK 0 / 39 / 39 / 2

RGB 249 153 151

HSL 1.22, 0.89%, 0.78%

LAB 72.99, 35.68, 16.38

CMYK 40 / 0 / 39 / 2

RGB 149 249 151

HSL 121.2, 0.89%, 0.78%

LAB 90.03, -48.48, 38.06

CMYK 39 / 40 / 0 / 2

RGB 151 149 249

HSL 241.2, 0.89%, 0.78%

LAB 65.68, 24.51, -49.76

Rectangular (tetradic) colors

CMYK 0 / 39 / 39 / 2

RGB 249 153 151

HSL 1.22, 0.89%, 0.78%

LAB 72.99, 35.68, 16.38

CMYK 9 / 0 / 40 / 2

RGB 227 249 149

HSL 73.2, 0.89%, 0.78%

LAB 94.42, -22.32, 45.56

CMYK 40 / 1 / 0 / 2

RGB 149 247 249

HSL 181.2, 0.89%, 0.78%

LAB 91.57, -28.29, -10.04

CMYK 31 / 40 / 0 / 2

RGB 171 149 249

HSL 253.2, 0.89%, 0.78%

LAB 67.27, 29.73, -47.14

Square colors

CMYK 0 / 39 / 39 / 2

RGB 249 153 151

HSL 1.22, 0.89%, 0.78%

LAB 72.99, 35.68, 16.38

CMYK 21 / 0 / 40 / 2

RGB 197 249 149

HSL 91.2, 0.89%, 0.78%

LAB 92.48, -33.21, 42.69

CMYK 40 / 1 / 0 / 2

RGB 149 247 249

HSL 181.2, 0.89%, 0.78%

LAB 91.57, -28.29, -10.04

CMYK 19 / 40 / 0 / 2

RGB 201 149 249

HSL 271.2, 0.89%, 0.78%

LAB 70, 38.07, -42.66

Description

Color code: HEX #F999973F | qconv.com

Color code: HEX #F999973F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 153 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 10 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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