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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9954E it is the complementary color #066AB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9954E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9954E shade: #FE9549, #FFA75C, #FFB96F, #FFCB82 and #FFDD95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9954E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9954E shade: #F9954E, #E8833B, #D77128, #C65F15 and #B54D02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9954E shade: #F9954E, #F9674E and #F94E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9954E shade: #F9954E, #F9C34E, #F9F14E, #D2F94E and #A4F94E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9954E shade matches the following richer shades: #F9954E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9954E shade: #F9954E, #EA975D, #DB9A6C, #CC9C7A and #BD9F89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9954E shade: #F94E65, #F9654E, #F9924E, #F9C04E and #F9ED4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9954E shade: #EB6709, #F77D26, #F9954E, #FAAD76 and #FBC49D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9954E shade: #F9954E, #92F94E and #4E4EF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9954E shade: #F9954E, #4EF992 and #924EF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9954E shade: #F9954E, #92F94E, #4EB4F9 and #B44EF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9954E shade: #F9954E, #5FF94E, #4EB4F9 and #E74EF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 69 / 2

HEX #F9954E

RGB 249 149 78

HSL 24.91, 0.93%, 0.64%

LAB 71, 31.81, 52.4

 

Complementary color

CMYK 97 / 40 / 0 / 31

HEX #066AB1

RGB 6 106 177

HSL 204.91, 0.93%, 0.36%

LAB 43.54, 2.07, -44.66

 

CMYK 0 / 41 / 71 / 0

HEX #FE9549

RGB 254 149 73

HSL 25.19, 0.99%, 0.64%

LAB 71.59, 33.56, 55.58

 

CMYK 0 / 35 / 64 / 0

HEX #FFA75C

RGB 255 167 92

HSL 27.61, 1%, 0.68%

LAB 75.87, 25.65, 51.31

 

CMYK 0 / 27 / 56 / 0

HEX #FFB96F

RGB 255 185 111

HSL 30.83, 1%, 0.72%

LAB 80.24, 17.54, 47.13

 

CMYK 0 / 20 / 49 / 0

HEX #FFCB82

RGB 255 203 130

HSL 35.04, 1%, 0.75%

LAB 84.78, 9.75, 43.24

 

CMYK 0 / 13 / 42 / 0

HEX #FFDD95

RGB 255 221 149

HSL 40.75, 1%, 0.79%

LAB 89.46, 2.32, 39.65

 

CMYK 0 / 40 / 69 / 2

HEX #F9954E

RGB 249 149 78

HSL 24.91, 0.93%, 0.64%

LAB 71, 31.81, 52.4

 

CMYK 0 / 44 / 75 / 9

HEX #E8833B

RGB 232 131 59

HSL 24.97, 0.79%, 0.57%

LAB 64.73, 33.43, 53.98

 

CMYK 0 / 47 / 81 / 16

HEX #D77128

RGB 215 113 40

HSL 25.03, 0.69%, 0.5%

LAB 58.42, 35.22, 55.31

 

CMYK 0 / 52 / 89 / 22

HEX #C65F15

RGB 198 95 21

HSL 25.08, 0.81%, 0.43%

LAB 52.11, 37.18, 55.93

 

CMYK 0 / 57 / 99 / 29

HEX #B54D02

RGB 181 77 2

HSL 25.14, 0.98%, 0.36%

LAB 45.82, 39.23, 55.32

 

CMYK 0 / 40 / 69 / 2

HEX #F9954E

RGB 249 149 78

HSL 24.91, 0.93%, 0.64%

LAB 71, 31.81, 52.4

 

CMYK 0 / 59 / 69 / 2

HEX #F9674E

RGB 249 103 78

HSL 8.77, 0.93%, 0.64%

LAB 61.99, 54.38, 42.21

 

CMYK 0 / 69 / 69 / 2

HEX #F94E4E

RGB 249 78 78

HSL 0, 0.93%, 0.64%

LAB 58.17, 64.64, 37.71

 

CMYK 0 / 40 / 69 / 2

HEX #F9954E

RGB 249 149 78

HSL 24.91, 0.93%, 0.64%

LAB 71, 31.81, 52.4

 

CMYK 0 / 22 / 69 / 2

HEX #F9C34E

RGB 249 195 78

HSL 41.05, 0.93%, 0.64%

LAB 81.69, 7.76, 63.83

 

CMYK 0 / 3 / 69 / 2

HEX #F9F14E

RGB 249 241 78

HSL 57.19, 0.93%, 0.64%

LAB 93.28, -15.44, 75.57

 

CMYK 16 / 0 / 69 / 2

HEX #D2F94E

RGB 210 249 78

HSL 73.68, 0.93%, 0.64%

LAB 92.58, -34.77, 73.93

 

CMYK 34 / 0 / 69 / 2

HEX #A4F94E

RGB 164 249 78

HSL 89.82, 0.93%, 0.64%

LAB 89.95, -51.55, 70.42

 

CMYK 0 / 40 / 69 / 2

HEX #F9954E

RGB 249 149 78

HSL 24.91, 0.93%, 0.64%

LAB 71, 31.81, 52.4

 

CMYK 0 / 40 / 69 / 2

HEX #F9954E

RGB 249 149 78

HSL 24.91, 0.93%, 0.64%

LAB 71, 31.81, 52.4

 

CMYK 0 / 35 / 60 / 8

HEX #EA975D

RGB 234 151 93

HSL 24.68, 0.77%, 0.64%

LAB 69.76, 25.64, 43.04

 

CMYK 0 / 30 / 51 / 14

HEX #DB9A6C

RGB 219 154 108

HSL 24.86, 0.61%, 0.64%

LAB 68.93, 19.15, 33.76

 

CMYK 0 / 24 / 40 / 20

HEX #CC9C7A

RGB 204 156 122

HSL 24.88, 0.45%, 0.64%

LAB 68.03, 13.42, 24.7

 

CMYK 0 / 16 / 28 / 26

HEX #BD9F89

RGB 189 159 137

HSL 25.38, 0.28%, 0.64%

LAB 67.59, 7.71, 15.6

 

CMYK 0 / 69 / 59 / 2

HEX #F94E65

RGB 249 78 101

HSL 351.93, 0.93%, 0.64%

LAB 58.53, 65.93, 24.97

 

CMYK 0 / 59 / 69 / 2

HEX #F9654E

RGB 249 101 78

HSL 8.07, 0.93%, 0.64%

LAB 61.65, 55.27, 41.82

 

CMYK 0 / 41 / 69 / 2

HEX #F9924E

RGB 249 146 78

HSL 23.86, 0.93%, 0.64%

LAB 70.35, 33.36, 51.68

 

CMYK 0 / 23 / 69 / 2

HEX #F9C04E

RGB 249 192 78

HSL 40, 0.93%, 0.64%

LAB 80.95, 9.32, 63.07

 

CMYK 0 / 5 / 69 / 2

HEX #F9ED4E

RGB 249 237 78

HSL 55.79, 0.93%, 0.64%

LAB 92.25, -13.49, 74.55

 

CMYK 0 / 56 / 96 / 8

HEX #EB6709

RGB 235 103 9

HSL 24.96, 0.93%, 0.48%

LAB 59.33, 47.37, 66.4

 

CMYK 0 / 49 / 85 / 3

HEX #F77D26

RGB 247 125 38

HSL 24.98, 0.93%, 0.56%

LAB 65.42, 41.73, 63.93

 

CMYK 0 / 40 / 69 / 2

HEX #F9954E

RGB 249 149 78

HSL 24.91, 0.93%, 0.64%

LAB 71, 31.81, 52.4

 

CMYK 0 / 31 / 53 / 2

HEX #FAAD76

RGB 250 173 118

HSL 25, 0.93%, 0.72%

LAB 76.99, 22.38, 39.44

 

CMYK 0 / 22 / 37 / 2

HEX #FBC49D

RGB 251 196 157

HSL 24.89, 0.92%, 0.8%

LAB 83.14, 14.57, 27.11

 

CMYK 0 / 40 / 69 / 2

HEX #F9954E

RGB 249 149 78

HSL 24.91, 0.93%, 0.64%

LAB 71, 31.81, 52.4

 

CMYK 41 / 0 / 69 / 2

HEX #92F94E

RGB 146 249 78

HSL 96.14, 0.93%, 0.64%

LAB 89.12, -57.41, 69.3

 

CMYK 69 / 69 / 0 / 2

HEX #4E4EF9

RGB 78 78 249

HSL 240, 0.93%, 0.64%

LAB 44.1, 52.37, -84.83

 

CMYK 0 / 40 / 69 / 2

HEX #F9954E

RGB 249 149 78

HSL 24.91, 0.93%, 0.64%

LAB 71, 31.81, 52.4

 

CMYK 69 / 0 / 41 / 2

HEX #4EF992

RGB 78 249 146

HSL 143.86, 0.93%, 0.64%

LAB 87.7, -65.53, 37.05

 

CMYK 41 / 69 / 0 / 2

HEX #924EF9

RGB 146 78 249

HSL 263.86, 0.93%, 0.64%

LAB 49.98, 62.28, -74.98

 

CMYK 0 / 40 / 69 / 2

HEX #F9954E

RGB 249 149 78

HSL 24.91, 0.93%, 0.64%

LAB 71, 31.81, 52.4

 

CMYK 41 / 0 / 69 / 2

HEX #92F94E

RGB 146 249 78

HSL 96.14, 0.93%, 0.64%

LAB 89.12, -57.41, 69.3

 

CMYK 69 / 28 / 0 / 2

HEX #4EB4F9

RGB 78 180 249

HSL 204.21, 0.93%, 0.64%

LAB 70.25, -8.12, -42.83

 

CMYK 28 / 69 / 0 / 2

HEX #B44EF9

RGB 180 78 249

HSL 275.79, 0.93%, 0.64%

LAB 54.02, 68.61, -68.24

 

CMYK 0 / 40 / 69 / 2

HEX #F9954E

RGB 249 149 78

HSL 24.91, 0.93%, 0.64%

LAB 71, 31.81, 52.4

 

CMYK 62 / 0 / 69 / 2

HEX #5FF94E

RGB 95 249 78

HSL 114.04, 0.93%, 0.64%

LAB 87.36, -70.9, 66.92

 

CMYK 69 / 28 / 0 / 2

HEX #4EB4F9

RGB 78 180 249

HSL 204.21, 0.93%, 0.64%

LAB 70.25, -8.12, -42.83

 

CMYK 7 / 69 / 0 / 2

HEX #E74EF9

RGB 231 78 249

HSL 293.68, 0.93%, 0.64%

LAB 61.03, 78.96, -56.61

 

Description

Color code: HEX #F9954E | qconv.com Color code: HEX #F9954E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 149 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 149 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 69 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 69% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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