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Color name
HEX #F9939ACE

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9939ACE it is the complementary color #066C65CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #F9939ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9939ACE shade: #FE9395CE, #FFA5A8CE, #FFB7BBCE, #FFC9CECE and #FFDBE1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #F9939ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9939ACE shade: #F9939ACE, #E88187CE, #D76F74CE, #C65D61CE and #B54B4ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9939ACE shade: #F9959C and #F99595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9939ACE shade: #F9959C, #F995B7, #F995D2, #F995ED and #EA95F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9939ACE shade matches the following richer shades: #F9959C

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9939ACE shade: #F9959C, #F09EA4, #E7A7AB, #DEB0B3 and #D5B9BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9939ACE shade: #F995D3, #F995B8, #F9959D, #F9A795 and #F9C295

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9939ACE shade: #F44753, #F76E77, #F9959C, #FBBCC0 and #FDE3E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9939ACE shade: #F9939A, #EDF995 and #95C5F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9939ACE shade: #F9939A, #9DF995 and #959DF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9939ACE shade: #F9939A, #EDF995, #95F9F1 and #A195F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9939ACE shade: #F9939A, #CFF995, #95F9F1 and #BF95F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 31 / 2

RGBA 249 147 154 0.81

HSLA 355.88, 0.89%, 0.78%, 0.81

LABA 71.79, 39.11, 13.03, 0.81

Complementary color

CMYK 77 / 0 / 5 / 47

RGBA 6 108 101 0.81

HSLA 175.88, 0.89%, 0.22%, 0.81

LABA 40.74, -27.42, -3.5, 0.81

Lighter colors

CMYK 0 / 34 / 33 / 0

RGBA 254 147 149 0.81

HSLA 358.88, 0.98%, 0.79%, 0.81

LABA 72.3, 40.38, 16.61, 0.81

CMYK 0 / 29 / 28 / 0

RGBA 255 165 168 0.81

HSLA 358, 1%, 0.82%, 0.81

LABA 76.68, 33.61, 12.34, 0.81

CMYK 0 / 23 / 22 / 0

RGBA 255 183 187 0.81

HSLA 356.67, 1%, 0.86%, 0.81

LABA 81.13, 26.62, 8.38, 0.81

CMYK 0 / 17 / 16 / 0

RGBA 255 201 206 0.81

HSLA 354.44, 1%, 0.89%, 0.81

LABA 85.75, 19.87, 4.85, 0.81

CMYK 0 / 11 / 10 / 0

RGBA 255 219 225 0.81

HSLA 350, 1%, 0.93%, 0.81

LABA 90.49, 13.41, 1.68, 0.81

Darker colors

CMYK 0 / 33 / 31 / 2

RGBA 249 147 154 0.81

HSLA 355.88, 0.89%, 0.78%, 0.81

LABA 71.79, 39.11, 13.03, 0.81

CMYK 0 / 36 / 34 / 7

RGBA 232 129 135 0.81

HSLA 356.5, 0.69%, 0.71%, 0.81

LABA 65.44, 40.11, 14.45, 0.81

CMYK 0 / 39 / 37 / 13

RGBA 215 111 116 0.81

HSLA 357.12, 0.57%, 0.64%, 0.81

LABA 59.05, 41.15, 16.07, 0.81

CMYK 0 / 43 / 41 / 18

RGBA 198 93 97 0.81

HSLA 357.71, 0.48%, 0.57%, 0.81

LABA 52.62, 42.23, 17.95, 0.81

CMYK 0 / 47 / 46 / 24

RGBA 181 75 78 0.81

HSLA 358.3, 0.42%, 0.5%, 0.81

LABA 46.19, 43.3, 20.19, 0.81

Warmer colors

CMYK 0 / 40 / 37 / 2

RGB 249 149 156

HSL 355.8, 0.89%, 0.78%

LAB 72.25, 38.31, 12.58

CMYK 0 / 40 / 40 / 2

RGB 249 149 149

HSL 0, 0.89%, 0.78%

LAB 72.1, 37.53, 16.24

Colder colors

CMYK 0 / 40 / 37 / 2

RGB 249 149 156

HSL 355.8, 0.89%, 0.78%

LAB 72.25, 38.31, 12.58

CMYK 0 / 40 / 27 / 2

RGB 249 149 183

HSL 339.6, 0.89%, 0.78%

LAB 72.93, 41.67, -1.41

CMYK 0 / 40 / 16 / 2

RGB 249 149 210

HSL 323.4, 0.89%, 0.78%

LAB 73.73, 45.56, -15.12

CMYK 0 / 40 / 5 / 2

RGB 249 149 237

HSL 307.2, 0.89%, 0.78%

LAB 74.67, 49.94, -28.49

CMYK 6 / 40 / 0 / 2

RGB 234 149 249

HSL 291, 0.89%, 0.78%

LAB 73.43, 47.63, -37.06

Richer colors

CMYK 0 / 40 / 37 / 2

RGB 249 149 156

HSL 355.8, 0.89%, 0.78%

LAB 72.25, 38.31, 12.58

Paler colors

CMYK 0 / 40 / 37 / 2

RGB 249 149 156

HSL 355.8, 0.89%, 0.78%

LAB 72.25, 38.31, 12.58

CMYK 0 / 34 / 32 / 6

RGB 240 158 164

HSL 355.61, 0.73%, 0.78%

LAB 73.32, 31.29, 9.53

CMYK 0 / 28 / 26 / 9

RGB 231 167 171

HSL 356.25, 0.57%, 0.78%

LAB 74.55, 24.13, 7.31

CMYK 0 / 21 / 19 / 13

RGB 222 176 179

HSL 356.09, 0.41%, 0.78%

LAB 75.97, 17.16, 4.85

CMYK 0 / 13 / 12 / 16

RGB 213 185 187

HSL 355.71, 0.25%, 0.78%

LAB 77.54, 10.32, 2.67

Analogue colors

CMYK 0 / 40 / 15 / 2

RGB 249 149 211

HSL 322.8, 0.89%, 0.78%

LAB 73.76, 45.72, -15.62

CMYK 0 / 40 / 26 / 2

RGB 249 149 184

HSL 339, 0.89%, 0.78%

LAB 72.95, 41.81, -1.92

CMYK 0 / 40 / 37 / 2

RGB 249 149 157

HSL 355.2, 0.89%, 0.78%

LAB 72.27, 38.42, 12.06

CMYK 0 / 33 / 40 / 2

RGB 249 167 149

HSL 10.8, 0.89%, 0.78%

LAB 76.04, 28.14, 21.68

CMYK 0 / 22 / 40 / 2

RGB 249 194 149

HSL 27, 0.89%, 0.78%

LAB 82.32, 13.95, 30.17

Monochromatic colors

CMYK 0 / 71 / 66 / 4

HSL 355.84, 0.89%, 0.62%

LAB 56.45, 65.88, 32.57

CMYK 0 / 55 / 52 / 3

RGB 247 110 119

HSL 356.06, 0.9%, 0.7%

LAB 63.56, 53.21, 21.27

CMYK 0 / 40 / 37 / 2

RGB 249 149 156

HSL 355.8, 0.89%, 0.78%

LAB 72.25, 38.31, 12.58

CMYK 0 / 25 / 24 / 2

RGB 251 188 192

HSL 356.19, 0.89%, 0.86%

LAB 81.99, 23.24, 6.86

CMYK 0 / 10 / 9 / 1

RGB 253 227 229

HSL 355.38, 0.87%, 0.94%

LAB 92.34, 9.22, 2.27

Partial complementary colors

CMYK 0 / 41 / 38 / 2

RGB 249 147 154

HSL 355.88, 0.89%, 0.78%

LAB 71.79, 39.11, 13.03

CMYK 5 / 0 / 40 / 2

RGB 237 249 149

HSL 67.2, 0.89%, 0.78%

LAB 95.13, -18.57, 46.6

CMYK 40 / 21 / 0 / 2

RGB 149 197 249

HSL 211.2, 0.89%, 0.78%

LAB 77.97, -2.88, -30.61

Triadic colors

CMYK 0 / 41 / 38 / 2

RGB 249 147 154

HSL 355.88, 0.89%, 0.78%

LAB 71.79, 39.11, 13.03

CMYK 37 / 0 / 40 / 2

RGB 157 249 149

HSL 115.2, 0.89%, 0.78%

LAB 90.36, -46.39, 39.54

CMYK 40 / 37 / 0 / 2

RGB 149 157 249

HSL 235.2, 0.89%, 0.78%

LAB 67.53, 19.42, -46.85

Rectangular (tetradic) colors

CMYK 0 / 41 / 38 / 2

RGB 249 147 154

HSL 355.88, 0.89%, 0.78%

LAB 71.79, 39.11, 13.03

CMYK 5 / 0 / 40 / 2

RGB 237 249 149

HSL 67.2, 0.89%, 0.78%

LAB 95.13, -18.57, 46.6

CMYK 40 / 0 / 3 / 2

RGB 149 249 241

HSL 175.2, 0.89%, 0.78%

LAB 91.91, -31.13, -5.39

CMYK 35 / 40 / 0 / 2

RGB 161 149 249

HSL 247.2, 0.89%, 0.78%

LAB 66.45, 27.08, -48.49

Square colors

CMYK 0 / 41 / 38 / 2

RGB 249 147 154

HSL 355.88, 0.89%, 0.78%

LAB 71.79, 39.11, 13.03

CMYK 17 / 0 / 40 / 2

RGB 207 249 149

HSL 85.2, 0.89%, 0.78%

LAB 93.1, -29.65, 43.6

CMYK 40 / 0 / 3 / 2

RGB 149 249 241

HSL 175.2, 0.89%, 0.78%

LAB 91.91, -31.13, -5.39

CMYK 23 / 40 / 0 / 2

RGB 191 149 249

HSL 265.2, 0.89%, 0.78%

LAB 69.05, 35.24, -44.23

Description

Color code: HEX #F9939ACE | qconv.com

Color code: HEX #F9939ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 147 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 31 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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