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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F990DACE it is the complementary color #066F25CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F990DACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F990DACE shade: #FE90D5CE, #FFA2E8CE, #FFB4FBCE, #FFC6FFCE and #FFD8FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F990DACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F990DACE shade: #F990DACE, #E87EC7CE, #D76CB4CE, #C65AA1CE and #B5488ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F990DACE shade: #F990DA, #F990BE, #F990A1 and #F99090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F990DACE shade: #F990DA, #F990F6, #DF90F9, #C390F9 and #A690F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F990DACE shade matches the following richer shades: #F990DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F990DACE shade: #F990DA, #F099D6, #E6A3D2, #DDACCE and #D3B6CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F990DACE shade: #DF90F9, #F990F7, #F990DB, #F990BF and #F990A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F990DACE shade: #F541C0, #F768CD, #F990DA, #FBB7E7 and #FDDEF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F990DACE shade: #F990DA, #F9C390 and #90F9ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F990DACE shade: #F990DA, #DBF990 and #90DBF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F990DACE shade: #F990DA, #F9C390, #90F9AD and #90C6F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F990DACE shade: #F990DA, #F9E290, #90F9AD and #90A6F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 10 / 2

HEX #F990DACE

RGBA 249 144 218 0.81

HSLA 317.71, 0.9%, 0.77%, 0.81

LABA 72.99, 49.34, -20.64, 0.81

 

Complementary color

CMYK 77 / 0 / 54 / 46

HEX #066F25CE

RGBA 6 111 37 0.81

HSLA 137.71, 0.9%, 0.23%, 0.81

LABA 40.48, -43.32, 32.85, 0.81

 

CMYK 0 / 35 / 13 / 0

HEX #FE90D5CE

RGBA 254 144 213 0.81

HSLA 322.36, 0.98%, 0.78%, 0.81

LABA 73.43, 50.15, -17.17, 0.81

 

CMYK 0 / 30 / 7 / 0

HEX #FFA2E8CE

RGBA 255 162 232 0.81

HSLA 314.84, 1%, 0.82%, 0.81

LABA 77.83, 44.33, -20.87, 0.81

 

CMYK 0 / 24 / 1 / 0

HEX #FFB4FBCE

RGBA 255 180 251 0.81

HSLA 303.2, 1%, 0.85%, 0.81

LABA 82.31, 38.25, -24.3, 0.81

 

CMYK 0 / 18 / 0 / 0

HEX #FFC6FFCE

RGBA 255 198 255 0.81

HSLA 300, 1%, 0.89%, 0.81

LABA 86.44, 29.52, -20.16, 0.81

 

CMYK 0 / 12 / 0 / 0

HEX #FFD8FFCE

RGBA 255 216 255 0.81

HSLA 300, 1%, 0.92%, 0.81

LABA 90.59, 20.08, -13.92, 0.81

 

CMYK 0 / 34 / 10 / 2

HEX #F990DACE

RGBA 249 144 218 0.81

HSLA 317.71, 0.9%, 0.77%, 0.81

LABA 72.99, 49.34, -20.64, 0.81

 

CMYK 0 / 37 / 12 / 7

HEX #E87EC7CE

RGBA 232 126 199 0.81

HSLA 318.68, 0.7%, 0.7%, 0.81

LABA 66.67, 50.08, -19.89, 0.81

 

CMYK 0 / 40 / 13 / 13

HEX #D76CB4CE

RGBA 215 108 180 0.81

HSLA 319.63, 0.57%, 0.63%, 0.81

LABA 60.31, 50.78, -19.03, 0.81

 

CMYK 0 / 44 / 15 / 18

HEX #C65AA1CE

RGBA 198 90 161 0.81

HSLA 320.56, 0.49%, 0.56%, 0.81

LABA 53.91, 51.42, -18, 0.81

 

CMYK 0 / 49 / 17 / 24

HEX #B5488ECE

RGBA 181 72 142 0.81

HSLA 321.47, 0.43%, 0.5%, 0.81

LABA 47.51, 51.89, -16.73, 0.81

 

CMYK 0 / 42 / 12 / 2

HEX #F990DA

RGB 249 144 218

HSL 317.71, 0.9%, 0.77%

LAB 72.99, 49.34, -20.64

 

CMYK 0 / 42 / 24 / 2

HEX #F990BE

RGB 249 144 190

HSL 333.71, 0.9%, 0.77%

LAB 72.1, 45.18, -6.51

 

CMYK 0 / 42 / 35 / 2

HEX #F990A1

RGB 249 144 161

HSL 350.29, 0.9%, 0.77%

LAB 71.32, 41.45, 8.49

 

CMYK 0 / 42 / 42 / 2

HEX #F99090

RGB 249 144 144

HSL 0, 0.9%, 0.77%

LAB 70.94, 39.57, 17.39

 

CMYK 0 / 42 / 12 / 2

HEX #F990DA

RGB 249 144 218

HSL 317.71, 0.9%, 0.77%

LAB 72.99, 49.34, -20.64

 

CMYK 0 / 42 / 1 / 2

HEX #F990F6

RGB 249 144 246

HSL 301.71, 0.9%, 0.77%

LAB 74.02, 54, -34.38

 

CMYK 10 / 42 / 0 / 2

HEX #DF90F9

RGB 223 144 249

HSL 285.14, 0.9%, 0.77%

LAB 71.2, 47.04, -40.63

 

CMYK 22 / 42 / 0 / 2

HEX #C390F9

RGB 195 144 249

HSL 269.14, 0.9%, 0.77%

LAB 68.31, 39.1, -45.37

 

CMYK 33 / 42 / 0 / 2

HEX #A690F9

RGB 166 144 249

HSL 252.57, 0.9%, 0.77%

LAB 65.67, 31.23, -49.7

 

CMYK 0 / 42 / 12 / 2

HEX #F990DA

RGB 249 144 218

HSL 317.71, 0.9%, 0.77%

LAB 72.99, 49.34, -20.64

 

CMYK 0 / 42 / 12 / 2

HEX #F990DA

RGB 249 144 218

HSL 317.71, 0.9%, 0.77%

LAB 72.99, 49.34, -20.64

 

CMYK 0 / 36 / 11 / 6

HEX #F099D6

RGB 240 153 214

HSL 317.93, 0.74%, 0.77%

LAB 73.65, 41.21, -17.54

 

CMYK 0 / 29 / 9 / 10

HEX #E6A3D2

RGB 230 163 210

HSL 317.91, 0.57%, 0.77%

LAB 74.62, 31.95, -14

 

CMYK 0 / 22 / 7 / 13

HEX #DDACCE

RGB 221 172 206

HSL 318.37, 0.42%, 0.77%

LAB 75.66, 23.37, -10.35

 

CMYK 0 / 14 / 4 / 17

HEX #D3B6CA

RGB 211 182 202

HSL 318.62, 0.25%, 0.77%

LAB 77.02, 13.8, -6.25

 

CMYK 10 / 42 / 0 / 2

HEX #DF90F9

RGB 223 144 249

HSL 285.14, 0.9%, 0.77%

LAB 71.2, 47.04, -40.63

 

CMYK 0 / 42 / 1 / 2

HEX #F990F7

RGB 249 144 247

HSL 301.14, 0.9%, 0.77%

LAB 74.06, 54.18, -34.86

 

CMYK 0 / 42 / 12 / 2

HEX #F990DB

RGB 249 144 219

HSL 317.14, 0.9%, 0.77%

LAB 73.02, 49.5, -21.14

 

CMYK 0 / 42 / 23 / 2

HEX #F990BF

RGB 249 144 191

HSL 333.14, 0.9%, 0.77%

LAB 72.13, 45.32, -7.02

 

CMYK 0 / 42 / 35 / 2

HEX #F990A3

RGB 249 144 163

HSL 349.14, 0.9%, 0.77%

LAB 71.37, 41.69, 7.44

 

CMYK 0 / 73 / 22 / 4

HEX #F541C0

RGB 245 65 192

HSL 317.67, 0.9%, 0.61%

LAB 58.97, 77.92, -27.56

 

CMYK 0 / 58 / 17 / 3

HEX #F768CD

RGB 247 104 205

HSL 317.62, 0.9%, 0.69%

LAB 65.03, 65.69, -25.6

 

CMYK 0 / 42 / 12 / 2

HEX #F990DA

RGB 249 144 218

HSL 317.71, 0.9%, 0.77%

LAB 72.99, 49.34, -20.64

 

CMYK 0 / 27 / 8 / 2

HEX #FBB7E7

RGB 251 183 231

HSL 317.65, 0.89%, 0.85%

LAB 81.92, 31.92, -14.21

 

CMYK 0 / 12 / 4 / 1

HEX #FDDEF4

RGB 253 222 244

HSL 317.42, 0.89%, 0.93%

LAB 91.53, 14.34, -6.77

 

CMYK 0 / 42 / 12 / 2

HEX #F990DA

RGB 249 144 218

HSL 317.71, 0.9%, 0.77%

LAB 72.99, 49.34, -20.64

 

CMYK 0 / 22 / 42 / 2

HEX #F9C390

RGB 249 195 144

HSL 29.14, 0.9%, 0.77%

LAB 82.48, 12.9, 32.99

 

CMYK 42 / 0 / 5 / 2

HEX #90F9ED

RGB 144 249 237

HSL 173.14, 0.9%, 0.77%

LAB 91.59, -33.27, -3.8

 

CMYK 0 / 42 / 12 / 2

HEX #F990DA

RGB 249 144 218

HSL 317.71, 0.9%, 0.77%

LAB 72.99, 49.34, -20.64

 

CMYK 12 / 0 / 42 / 2

HEX #DBF990

RGB 219 249 144

HSL 77.14, 0.9%, 0.77%

LAB 93.81, -25.85, 47.08

 

CMYK 42 / 12 / 0 / 2

HEX #90DBF9

RGB 144 219 249

HSL 197.14, 0.9%, 0.77%

LAB 83.67, -15.67, -21.93

 

CMYK 0 / 42 / 12 / 2

HEX #F990DA

RGB 249 144 218

HSL 317.71, 0.9%, 0.77%

LAB 72.99, 49.34, -20.64

 

CMYK 0 / 22 / 42 / 2

HEX #F9C390

RGB 249 195 144

HSL 29.14, 0.9%, 0.77%

LAB 82.48, 12.9, 32.99

 

CMYK 42 / 0 / 31 / 2

HEX #90F9AD

RGB 144 249 173

HSL 136.57, 0.9%, 0.77%

LAB 90.18, -46.35, 27.19

 

CMYK 42 / 20 / 0 / 2

HEX #90C6F9

RGB 144 198 249

HSL 209.14, 0.9%, 0.77%

LAB 77.97, -4.68, -30.63

 

CMYK 0 / 42 / 12 / 2

HEX #F990DA

RGB 249 144 218

HSL 317.71, 0.9%, 0.77%

LAB 72.99, 49.34, -20.64

 

CMYK 0 / 9 / 42 / 2

HEX #F9E290

RGB 249 226 144

HSL 46.86, 0.9%, 0.77%

LAB 90.11, -3.07, 42.88

 

CMYK 42 / 0 / 31 / 2

HEX #90F9AD

RGB 144 249 173

HSL 136.57, 0.9%, 0.77%

LAB 90.18, -46.35, 27.19

 

CMYK 42 / 33 / 0 / 2

HEX #90A6F9

RGB 144 166 249

HSL 227.43, 0.9%, 0.77%

LAB 69.5, 13.02, -43.78

 

Description

Color code: HEX #F990DACE | qconv.com Color code: HEX #F990DACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 144 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 144 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 10 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 10% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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