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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9909ACE it is the complementary color #066F65CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9909ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9909ACE shade: #FE9095CE, #FFA2A8CE, #FFB4BBCE, #FFC6CECE and #FFD8E1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9909ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9909ACE shade: #F9909ACE, #E87E87CE, #D76C74CE, #C65A61CE and #B5484ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9909ACE shade: #F9909A and #F99090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9909ACE shade: #F9909A, #F990B6, #F990D3, #F990EF and #E790F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9909ACE shade matches the following richer shades: #F9909A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9909ACE shade: #F9909A, #F099A1, #E6A3A9, #DDACB1 and #D3B6B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9909ACE shade: #F990D2, #F990B6, #F9909A, #F9A190 and #F9BD90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9909ACE shade: #F54152, #F76876, #F9909A, #FBB7BD and #FDDEE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9909ACE shade: #F9909A, #EFF990 and #90C4F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9909ACE shade: #F9909A, #9AF990 and #909AF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9909ACE shade: #F9909A, #EFF990, #90F9EF and #9A90F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9909ACE shade: #F9909A, #CFF990, #90F9EF and #BA90F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 31 / 2

HEX #F9909ACE

RGBA 249 144 154 0.81

HSLA 354.29, 0.9%, 0.77%, 0.81

LABA 71.16, 40.65, 12.15, 0.81

 

Complementary color

CMYK 77 / 0 / 7 / 46

HEX #066F65CE

RGBA 6 111 101 0.81

HSLA 174.29, 0.9%, 0.23%, 0.81

LABA 41.76, -28.87, -1.99, 0.81

 

CMYK 0 / 35 / 33 / 0

HEX #FE9095CE

RGBA 254 144 149 0.81

HSLA 357.27, 0.98%, 0.78%, 0.81

LABA 71.68, 41.9, 15.75, 0.81

 

CMYK 0 / 30 / 28 / 0

HEX #FFA2A8CE

RGBA 255 162 168 0.81

HSLA 356.13, 1%, 0.82%, 0.81

LABA 76.02, 35.17, 11.41, 0.81

 

CMYK 0 / 24 / 22 / 0

HEX #FFB4BBCE

RGBA 255 180 187 0.81

HSLA 354.4, 1%, 0.85%, 0.81

LABA 80.45, 28.19, 7.4, 0.81

 

CMYK 0 / 18 / 16 / 0

HEX #FFC6CECE

RGBA 255 198 206 0.81

HSLA 351.58, 1%, 0.89%, 0.81

LABA 85.05, 21.44, 3.84, 0.81

 

CMYK 0 / 12 / 10 / 0

HEX #FFD8E1CE

RGBA 255 216 225 0.81

HSLA 346.15, 1%, 0.92%, 0.81

LABA 89.77, 14.97, 0.64, 0.81

 

CMYK 0 / 34 / 31 / 2

HEX #F9909ACE

RGBA 249 144 154 0.81

HSLA 354.29, 0.9%, 0.77%, 0.81

LABA 71.16, 40.65, 12.15, 0.81

 

CMYK 0 / 37 / 34 / 7

HEX #E87E87CE

RGBA 232 126 135 0.81

HSLA 354.91, 0.7%, 0.7%, 0.81

LABA 64.82, 41.64, 13.59, 0.81

 

CMYK 0 / 40 / 37 / 13

HEX #D76C74CE

RGBA 215 108 116 0.81

HSLA 355.51, 0.57%, 0.63%, 0.81

LABA 58.45, 42.67, 15.24, 0.81

 

CMYK 0 / 44 / 41 / 18

HEX #C65A61CE

RGBA 198 90 97 0.81

HSLA 356.11, 0.49%, 0.56%, 0.81

LABA 52.04, 43.72, 17.17, 0.81

 

CMYK 0 / 49 / 46 / 24

HEX #B5484ECE

RGBA 181 72 78 0.81

HSLA 356.7, 0.43%, 0.5%, 0.81

LABA 45.65, 44.72, 19.47, 0.81

 

CMYK 0 / 42 / 38 / 2

HEX #F9909A

RGB 249 144 154

HSL 354.29, 0.9%, 0.77%

LAB 71.16, 40.65, 12.15

 

CMYK 0 / 42 / 42 / 2

HEX #F99090

RGB 249 144 144

HSL 0, 0.9%, 0.77%

LAB 70.94, 39.57, 17.39

 

CMYK 0 / 42 / 38 / 2

HEX #F9909A

RGB 249 144 154

HSL 354.29, 0.9%, 0.77%

LAB 71.16, 40.65, 12.15

 

CMYK 0 / 42 / 27 / 2

HEX #F990B6

RGB 249 144 182

HSL 338.29, 0.9%, 0.77%

LAB 71.87, 44.09, -2.41

 

CMYK 0 / 42 / 15 / 2

HEX #F990D3

RGB 249 144 211

HSL 321.71, 0.9%, 0.77%

LAB 72.75, 48.26, -17.15

 

CMYK 0 / 42 / 4 / 2

HEX #F990EF

RGB 249 144 239

HSL 305.71, 0.9%, 0.77%

LAB 73.75, 52.8, -30.98

 

CMYK 7 / 42 / 0 / 2

HEX #E790F9

RGB 231 144 249

HSL 289.71, 0.9%, 0.77%

LAB 72.08, 49.34, -39.19

 

CMYK 0 / 42 / 38 / 2

HEX #F9909A

RGB 249 144 154

HSL 354.29, 0.9%, 0.77%

LAB 71.16, 40.65, 12.15

 

CMYK 0 / 42 / 38 / 2

HEX #F9909A

RGB 249 144 154

HSL 354.29, 0.9%, 0.77%

LAB 71.16, 40.65, 12.15

 

CMYK 0 / 36 / 33 / 6

HEX #F099A1

RGB 240 153 161

HSL 354.48, 0.74%, 0.77%

LAB 72.15, 33.55, 9.52

 

CMYK 0 / 29 / 27 / 10

HEX #E6A3A9

RGB 230 163 169

HSL 354.63, 0.57%, 0.77%

LAB 73.47, 25.62, 6.84

 

CMYK 0 / 22 / 20 / 13

HEX #DDACB1

RGB 221 172 177

HSL 353.88, 0.42%, 0.77%

LAB 74.86, 18.64, 4.33

 

CMYK 0 / 14 / 13 / 17

HEX #D3B6B8

RGB 211 182 184

HSL 355.86, 0.25%, 0.77%

LAB 76.54, 10.71, 2.82

 

CMYK 0 / 42 / 16 / 2

HEX #F990D2

RGB 249 144 210

HSL 322.29, 0.9%, 0.77%

LAB 72.72, 48.1, -16.65

 

CMYK 0 / 42 / 27 / 2

HEX #F990B6

RGB 249 144 182

HSL 338.29, 0.9%, 0.77%

LAB 71.87, 44.09, -2.41

 

CMYK 0 / 42 / 38 / 2

HEX #F9909A

RGB 249 144 154

HSL 354.29, 0.9%, 0.77%

LAB 71.16, 40.65, 12.15

 

CMYK 0 / 35 / 42 / 2

HEX #F9A190

RGB 249 161 144

HSL 9.71, 0.9%, 0.77%

LAB 74.6, 30.75, 22.43

 

CMYK 0 / 24 / 42 / 2

HEX #F9BD90

RGB 249 189 144

HSL 25.71, 0.9%, 0.77%

LAB 81.04, 16.04, 31.09

 

CMYK 0 / 73 / 67 / 4

HEX #F54152

RGB 245 65 82

HSL 354.33, 0.9%, 0.61%

LAB 55.89, 68.14, 32.49

 

CMYK 0 / 58 / 52 / 3

HEX #F76876

RGB 247 104 118

HSL 354.13, 0.9%, 0.69%

LAB 62.49, 55.87, 20.4

 

CMYK 0 / 42 / 38 / 2

HEX #F9909A

RGB 249 144 154

HSL 354.29, 0.9%, 0.77%

LAB 71.16, 40.65, 12.15

 

CMYK 0 / 27 / 25 / 2

HEX #FBB7BD

RGB 251 183 189

HSL 354.71, 0.89%, 0.85%

LAB 80.77, 25.45, 6.72

 

CMYK 0 / 12 / 11 / 1

HEX #FDDEE1

RGB 253 222 225

HSL 354.19, 0.89%, 0.93%

LAB 91.04, 11.16, 2.46

 

CMYK 0 / 42 / 38 / 2

HEX #F9909A

RGB 249 144 154

HSL 354.29, 0.9%, 0.77%

LAB 71.16, 40.65, 12.15

 

CMYK 4 / 0 / 42 / 2

HEX #EFF990

RGB 239 249 144

HSL 65.71, 0.9%, 0.77%

LAB 95.21, -18.33, 49.14

 

CMYK 42 / 21 / 0 / 2

HEX #90C4F9

RGB 144 196 249

HSL 210.29, 0.9%, 0.77%

LAB 77.43, -3.6, -31.46

 

CMYK 0 / 42 / 38 / 2

HEX #F9909A

RGB 249 144 154

HSL 354.29, 0.9%, 0.77%

LAB 71.16, 40.65, 12.15

 

CMYK 38 / 0 / 42 / 2

HEX #9AF990

RGB 154 249 144

HSL 114.29, 0.9%, 0.77%

LAB 90.15, -48, 41.69

 

CMYK 42 / 38 / 0 / 2

HEX #909AF9

RGB 144 154 249

HSL 234.29, 0.9%, 0.77%

LAB 66.43, 19.89, -48.61

 

CMYK 0 / 42 / 38 / 2

HEX #F9909A

RGB 249 144 154

HSL 354.29, 0.9%, 0.77%

LAB 71.16, 40.65, 12.15

 

CMYK 4 / 0 / 42 / 2

HEX #EFF990

RGB 239 249 144

HSL 65.71, 0.9%, 0.77%

LAB 95.21, -18.33, 49.14

 

CMYK 42 / 0 / 4 / 2

HEX #90F9EF

RGB 144 249 239

HSL 174.29, 0.9%, 0.77%

LAB 91.65, -32.8, -4.76

 

CMYK 38 / 42 / 0 / 2

HEX #9A90F9

RGB 154 144 249

HSL 245.71, 0.9%, 0.77%

LAB 64.69, 28.14, -51.31

 

CMYK 0 / 42 / 38 / 2

HEX #F9909A

RGB 249 144 154

HSL 354.29, 0.9%, 0.77%

LAB 71.16, 40.65, 12.15

 

CMYK 17 / 0 / 42 / 2

HEX #CFF990

RGB 207 249 144

HSL 84, 0.9%, 0.77%

LAB 93.03, -30.24, 45.94

 

CMYK 42 / 0 / 4 / 2

HEX #90F9EF

RGB 144 249 239

HSL 174.29, 0.9%, 0.77%

LAB 91.65, -32.8, -4.76

 

CMYK 25 / 42 / 0 / 2

HEX #BA90F9

RGB 186 144 249

HSL 264, 0.9%, 0.77%

LAB 67.45, 36.61, -46.78

 

Description

Color code: HEX #F9909ACE | qconv.com Color code: HEX #F9909ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 144 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 144 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 31 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 31% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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