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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F98F5ACE it is the complementary color #0670A5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F98F5ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F98F5ACE shade: #FE8F55CE, #FFA168CE, #FFB37BCE, #FFC58ECE and #FFD7A1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F98F5ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F98F5ACE shade: #F98F5ACE, #E87D47CE, #D76B34CE, #C65921CE and #B5470ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F98F5ACE shade: #F98D58, #F96258 and #F95858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F98F5ACE shade: #F98D58, #F9B958, #F9E458, #E2F958 and #B6F958

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F98F5ACE shade matches the following richer shades: #F98D58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F98F5ACE shade: #F98D58, #EB9266, #DD9774, #CF9B82 and #C1A090

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F98F5ACE shade: #F95878, #F96258, #F98D58, #F9B858 and #F9E358

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F98F5ACE shade: #F55809, #F77230, #F98D58, #FAA87F and #FCC3A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F98F5ACE shade: #F98F5A, #A3F958 and #5862F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F98F5ACE shade: #F98F5A, #58F98D and #8D58F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F98F5ACE shade: #F98F5A, #A3F958, #58C3F9 and #AE58F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F98F5ACE shade: #F98F5A, #73F958, #58C3F9 and #DE58F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 52 / 2

HEX #F98F5ACE

RGBA 249 143 90 0.81

HSLA 20, 0.93%, 0.66%, 0.81

LABA 69.84, 35.59, 45.12, 0.81

 

Complementary color

CMYK 78 / 26 / 0 / 29

HEX #0670A5CE

RGBA 6 112 165 0.81

HSLA 200, 0.93%, 0.34%, 0.81

LABA 44.72, -6.38, -35.75, 0.81

 

CMYK 0 / 35 / 54 / 0

HEX #FE8F55CE

RGBA 254 143 85 0.81

HSLA 20.59, 0.99%, 0.66%, 0.81

LABA 70.44, 37.25, 48.51, 0.81

 

CMYK 0 / 30 / 48 / 0

HEX #FFA168CE

RGBA 255 161 104 0.81

HSLA 22.65, 1%, 0.7%, 0.81

LABA 74.67, 29.57, 43.9, 0.81

 

CMYK 0 / 24 / 42 / 0

HEX #FFB37BCE

RGBA 255 179 123 0.81

HSLA 25.45, 1%, 0.74%, 0.81

LABA 79, 21.65, 39.51, 0.81

 

CMYK 0 / 18 / 36 / 0

HEX #FFC58ECE

RGBA 255 197 142 0.81

HSLA 29.2, 1%, 0.78%, 0.81

LABA 83.52, 14, 35.5, 0.81

 

CMYK 0 / 13 / 30 / 0

HEX #FFD7A1CE

RGBA 255 215 161 0.81

HSLA 34.47, 1%, 0.82%, 0.81

LABA 88.18, 6.7, 31.86, 0.81

 

CMYK 0 / 34 / 52 / 2

HEX #F98F5ACE

RGBA 249 143 90 0.81

HSLA 20, 0.93%, 0.66%, 0.81

LABA 69.84, 35.59, 45.12, 0.81

 

CMYK 0 / 37 / 56 / 7

HEX #E87D47CE

RGBA 232 125 71 0.81

HSLA 20.12, 0.78%, 0.59%, 0.81

LABA 63.57, 37.1, 46.98, 0.81

 

CMYK 0 / 41 / 61 / 13

HEX #D76B34CE

RGBA 215 107 52 0.81

HSLA 20.25, 0.67%, 0.52%, 0.81

LABA 57.28, 38.73, 48.87, 0.81

 

CMYK 0 / 45 / 68 / 18

HEX #C65921CE

RGBA 198 89 33 0.81

HSLA 20.36, 0.71%, 0.45%, 0.81

LABA 50.99, 40.48, 50.57, 0.81

 

CMYK 0 / 49 / 75 / 24

HEX #B5470ECE

RGBA 181 71 14 0.81

HSLA 20.48, 0.86%, 0.38%, 0.81

LABA 44.75, 42.28, 51.44, 0.81

 

CMYK 0 / 43 / 65 / 2

HEX #F98D58

RGB 249 141 88

HSL 19.75, 0.93%, 0.66%

LAB 69.39, 36.5, 45.62

 

CMYK 0 / 61 / 65 / 2

HEX #F96258

RGB 249 98 88

HSL 3.73, 0.93%, 0.66%

LAB 61.29, 57.12, 35.9

 

CMYK 0 / 65 / 65 / 2

HEX #F95858

RGB 249 88 88

HSL 0, 0.93%, 0.66%

LAB 59.73, 61.3, 33.97

 

CMYK 0 / 43 / 65 / 2

HEX #F98D58

RGB 249 141 88

HSL 19.75, 0.93%, 0.66%

LAB 69.39, 36.5, 45.62

 

CMYK 0 / 26 / 65 / 2

HEX #F9B958

RGB 249 185 88

HSL 36.15, 0.93%, 0.66%

LAB 79.35, 13.53, 56.95

 

CMYK 0 / 8 / 65 / 2

HEX #F9E458

RGB 249 228 88

HSL 52.17, 0.93%, 0.66%

LAB 90.01, -8.51, 68.43

 

CMYK 9 / 0 / 65 / 2

HEX #E2F958

RGB 226 249 88

HSL 68.57, 0.93%, 0.66%

LAB 93.72, -27.94, 71.75

 

CMYK 27 / 0 / 65 / 2

HEX #B6F958

RGB 182 249 88

HSL 84.97, 0.93%, 0.66%

LAB 90.96, -44.57, 68.01

 

CMYK 0 / 43 / 65 / 2

HEX #F98D58

RGB 249 141 88

HSL 19.75, 0.93%, 0.66%

LAB 69.39, 36.5, 45.62

 

CMYK 0 / 43 / 65 / 2

HEX #F98D58

RGB 249 141 88

HSL 19.75, 0.93%, 0.66%

LAB 69.39, 36.5, 45.62

 

CMYK 0 / 38 / 57 / 8

HEX #EB9266

RGB 235 146 102

HSL 19.85, 0.77%, 0.66%

LAB 68.88, 29.35, 37.28

 

CMYK 0 / 32 / 48 / 13

HEX #DD9774

RGB 221 151 116

HSL 20, 0.61%, 0.66%

LAB 68.58, 22.32, 29.03

 

CMYK 0 / 25 / 37 / 19

HEX #CF9B82

RGB 207 155 130

HSL 19.48, 0.45%, 0.66%

LAB 68.26, 16.1, 20.67

 

CMYK 0 / 17 / 25 / 24

HEX #C1A090

RGB 193 160 144

HSL 19.59, 0.28%, 0.66%

LAB 68.38, 9.72, 12.89

 

CMYK 0 / 65 / 52 / 2

HEX #F95878

RGB 249 88 120

HSL 348.07, 0.93%, 0.66%

LAB 60.32, 63.47, 16.31

 

CMYK 0 / 61 / 65 / 2

HEX #F96258

RGB 249 98 88

HSL 3.73, 0.93%, 0.66%

LAB 61.29, 57.12, 35.9

 

CMYK 0 / 43 / 65 / 2

HEX #F98D58

RGB 249 141 88

HSL 19.75, 0.93%, 0.66%

LAB 69.39, 36.5, 45.62

 

CMYK 0 / 26 / 65 / 2

HEX #F9B858

RGB 249 184 88

HSL 35.78, 0.93%, 0.66%

LAB 79.11, 14.05, 56.68

 

CMYK 0 / 9 / 65 / 2

HEX #F9E358

RGB 249 227 88

HSL 51.8, 0.93%, 0.66%

LAB 89.76, -8.01, 68.16

 

CMYK 0 / 64 / 96 / 4

HEX #F55809

RGB 245 88 9

HSL 20.08, 0.93%, 0.5%

LAB 58.43, 57.59, 66.7

 

CMYK 0 / 54 / 81 / 3

HEX #F77230

RGB 247 114 48

HSL 19.9, 0.93%, 0.58%

LAB 63.36, 47.36, 58.22

 

CMYK 0 / 43 / 65 / 2

HEX #F98D58

RGB 249 141 88

HSL 19.75, 0.93%, 0.66%

LAB 69.39, 36.5, 45.62

 

CMYK 0 / 33 / 49 / 2

HEX #FAA87F

RGB 250 168 127

HSL 20, 0.92%, 0.74%

LAB 75.98, 25.8, 33.43

 

CMYK 0 / 23 / 34 / 1

HEX #FCC3A7

RGB 252 195 167

HSL 19.76, 0.93%, 0.82%

LAB 83.19, 16.65, 21.91

 

CMYK 0 / 43 / 64 / 2

HEX #F98F5A

RGB 249 143 90

HSL 20, 0.93%, 0.66%

LAB 69.84, 35.59, 45.12

 

CMYK 35 / 0 / 65 / 2

HEX #A3F958

RGB 163 249 88

HSL 92.05, 0.93%, 0.66%

LAB 89.97, -51.16, 66.66

 

CMYK 65 / 61 / 0 / 2

HEX #5862F9

RGB 88 98 249

HSL 236.27, 0.93%, 0.66%

LAB 49.07, 41.98, -76.67

 

CMYK 0 / 43 / 64 / 2

HEX #F98F5A

RGB 249 143 90

HSL 20, 0.93%, 0.66%

LAB 69.84, 35.59, 45.12

 

CMYK 65 / 0 / 43 / 2

HEX #58F98D

RGB 88 249 141

HSL 139.75, 0.93%, 0.66%

LAB 87.85, -64.65, 39.74

 

CMYK 43 / 65 / 0 / 2

HEX #8D58F9

RGB 141 88 249

HSL 259.75, 0.93%, 0.66%

LAB 51.25, 56.43, -72.94

 

CMYK 0 / 43 / 64 / 2

HEX #F98F5A

RGB 249 143 90

HSL 20, 0.93%, 0.66%

LAB 69.84, 35.59, 45.12

 

CMYK 35 / 0 / 65 / 2

HEX #A3F958

RGB 163 249 88

HSL 92.05, 0.93%, 0.66%

LAB 89.97, -51.16, 66.66

 

CMYK 65 / 22 / 0 / 2

HEX #58C3F9

RGB 88 195 249

HSL 200.12, 0.93%, 0.66%

LAB 74.79, -14.66, -35.73

 

CMYK 30 / 65 / 0 / 2

HEX #AE58F9

RGB 174 88 249

HSL 272.05, 0.93%, 0.66%

LAB 54.88, 62.95, -66.88

 

CMYK 0 / 43 / 64 / 2

HEX #F98F5A

RGB 249 143 90

HSL 20, 0.93%, 0.66%

LAB 69.84, 35.59, 45.12

 

CMYK 54 / 0 / 65 / 2

HEX #73F958

RGB 115 249 88

HSL 109.94, 0.93%, 0.66%

LAB 88.02, -65.39, 63.97

 

CMYK 65 / 22 / 0 / 2

HEX #58C3F9

RGB 88 195 249

HSL 200.12, 0.93%, 0.66%

LAB 74.79, -14.66, -35.73

 

CMYK 11 / 65 / 0 / 2

HEX #DE58F9

RGB 222 88 249

HSL 289.94, 0.93%, 0.66%

LAB 61.09, 73.26, -56.59

 

Description

Color code: HEX #F98F5ACE | qconv.com Color code: HEX #F98F5ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 143 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 143 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 52 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 52% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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