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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F98CBB it is the complementary color #067344. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F98CBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F98CBB shade: #FE8CB6, #FF9EC9, #FFB0DC, #FFC2EF and #FFD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F98CBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F98CBB shade: #F98CBB, #E87AA8, #D76895, #C65682 and #B5446F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F98CBB shade: #F98BBA, #F98B9D and #F98B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F98CBB shade: #F98BBA, #F98BD8, #F98BF6, #DE8BF9 and #C18BF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F98CBB shade matches the following richer shades: #F98BBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F98CBB shade: #F98BBA, #EF95BC, #E59FBD, #DBA8BE and #D1B2C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F98CBB shade: #F98BF5, #F98BD8, #F98BBA, #F98B9D and #F9968B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F98CBB shade: #F53C8C, #F764A3, #F98BBA, #FBB2D1 and #FDD9E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F98CBB shade: #F98CBB, #F9DF8B and #8BE7F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F98CBB shade: #F98CBB, #BAF98B and #8BBAF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F98CBB shade: #F98CBB, #F9DF8B, #8BF9C9 and #8BA4F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F98CBB shade: #F98CBB, #F2F98B, #8BF9C9 and #928BF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 25 / 2

HEX #F98CBB

RGB 249 140 187

HSL 334.13, 0.9%, 0.76%

LAB 71.2, 46.79, -6.17

 

Complementary color

CMYK 95 / 0 / 41 / 55

HEX #067344

RGB 6 115 68

HSL 154.13, 0.9%, 0.24%

LAB 42.33, -39.4, 18.44

 

CMYK 0 / 45 / 28 / 0

HEX #FE8CB6

RGB 254 140 182

HSL 337.89, 0.98%, 0.77%

LAB 71.69, 47.8, -2.59

 

CMYK 0 / 38 / 21 / 0

HEX #FF9EC9

RGB 255 158 201

HSL 333.4, 1%, 0.81%

LAB 76.03, 41.6, -6.68

 

CMYK 0 / 31 / 14 / 0

HEX #FFB0DC

RGB 255 176 220

HSL 326.58, 1%, 0.85%

LAB 80.45, 35.13, -10.44

 

CMYK 0 / 24 / 6 / 0

HEX #FFC2EF

RGB 255 194 239

HSL 315.74, 1%, 0.88%

LAB 85.03, 28.81, -13.78

 

CMYK 0 / 17 / 0 / 0

HEX #FFD4FF

RGB 255 212 255

HSL 300, 1%, 0.92%

LAB 89.66, 22.17, -15.32

 

CMYK 0 / 44 / 25 / 2

HEX #F98CBB

RGB 249 140 187

HSL 334.13, 0.9%, 0.76%

LAB 71.2, 46.79, -6.17

 

CMYK 0 / 47 / 28 / 9

HEX #E87AA8

RGB 232 122 168

HSL 334.91, 0.71%, 0.69%

LAB 64.88, 47.6, -5.08

 

CMYK 0 / 52 / 31 / 16

HEX #D76895

RGB 215 104 149

HSL 335.68, 0.58%, 0.63%

LAB 58.53, 48.4, -3.82

 

CMYK 0 / 57 / 34 / 22

HEX #C65682

RGB 198 86 130

HSL 336.43, 0.5%, 0.56%

LAB 52.14, 49.13, -2.34

 

CMYK 0 / 62 / 39 / 29

HEX #B5446F

RGB 181 68 111

HSL 337.17, 0.45%, 0.49%

LAB 45.78, 49.71, -0.52

 

CMYK 0 / 44 / 25 / 2

HEX #F98BBA

RGB 249 139 186

HSL 334.36, 0.9%, 0.76%

LAB 70.97, 47.16, -5.95

 

CMYK 0 / 44 / 37 / 2

HEX #F98B9D

RGB 249 139 157

HSL 350.18, 0.9%, 0.76%

LAB 70.2, 43.53, 9.12

 

CMYK 0 / 44 / 44 / 2

HEX #F98B8B

RGB 249 139 139

HSL 0, 0.9%, 0.76%

LAB 69.8, 41.6, 18.6

 

CMYK 0 / 44 / 25 / 2

HEX #F98BBA

RGB 249 139 186

HSL 334.36, 0.9%, 0.76%

LAB 70.97, 47.16, -5.95

 

CMYK 0 / 44 / 13 / 2

HEX #F98BD8

RGB 249 139 216

HSL 318, 0.9%, 0.76%

LAB 71.94, 51.53, -21.15

 

CMYK 0 / 44 / 1 / 2

HEX #F98BF6

RGB 249 139 246

HSL 301.64, 0.9%, 0.76%

LAB 73.06, 56.48, -35.87

 

CMYK 11 / 44 / 0 / 2

HEX #DE8BF9

RGB 222 139 249

HSL 285.27, 0.9%, 0.76%

LAB 70.06, 49.35, -42.42

 

CMYK 22 / 44 / 0 / 2

HEX #C18BF9

RGB 193 139 249

HSL 269.45, 0.9%, 0.76%

LAB 67.01, 41.27, -47.42

 

CMYK 0 / 44 / 25 / 2

HEX #F98BBA

RGB 249 139 186

HSL 334.36, 0.9%, 0.76%

LAB 70.97, 47.16, -5.95

 

CMYK 0 / 44 / 25 / 2

HEX #F98BBA

RGB 249 139 186

HSL 334.36, 0.9%, 0.76%

LAB 70.97, 47.16, -5.95

 

CMYK 0 / 38 / 21 / 6

HEX #EF95BC

RGB 239 149 188

HSL 334, 0.74%, 0.76%

LAB 71.88, 38.94, -5.86

 

CMYK 0 / 31 / 17 / 10

HEX #E59FBD

RGB 229 159 189

HSL 334.29, 0.57%, 0.76%

LAB 72.98, 30.33, -4.92

 

CMYK 0 / 23 / 13 / 14

HEX #DBA8BE

RGB 219 168 190

HSL 334.12, 0.41%, 0.76%

LAB 74.05, 22.12, -4

 

CMYK 0 / 15 / 8 / 18

HEX #D1B2C0

RGB 209 178 192

HSL 332.9, 0.25%, 0.76%

LAB 75.58, 13.5, -2.96

 

CMYK 0 / 44 / 2 / 2

HEX #F98BF5

RGB 249 139 245

HSL 302.18, 0.9%, 0.76%

LAB 73.02, 56.31, -35.38

 

CMYK 0 / 44 / 13 / 2

HEX #F98BD8

RGB 249 139 216

HSL 318, 0.9%, 0.76%

LAB 71.94, 51.53, -21.15

 

CMYK 0 / 44 / 25 / 2

HEX #F98BBA

RGB 249 139 186

HSL 334.36, 0.9%, 0.76%

LAB 70.97, 47.16, -5.95

 

CMYK 0 / 44 / 37 / 2

HEX #F98B9D

RGB 249 139 157

HSL 350.18, 0.9%, 0.76%

LAB 70.2, 43.53, 9.12

 

CMYK 0 / 40 / 44 / 2

HEX #F9968B

RGB 249 150 139

HSL 6, 0.9%, 0.76%

LAB 72.11, 35.96, 21.76

 

CMYK 0 / 76 / 43 / 4

HEX #F53C8C

RGB 245 60 140

HSL 334.05, 0.9%, 0.6%

LAB 56.62, 73.78, -0.79

 

CMYK 0 / 60 / 34 / 3

HEX #F764A3

RGB 247 100 163

HSL 334.29, 0.9%, 0.68%

LAB 62.95, 62.02, -4.84

 

CMYK 0 / 44 / 25 / 2

HEX #F98BBA

RGB 249 139 186

HSL 334.36, 0.9%, 0.76%

LAB 70.97, 47.16, -5.95

 

CMYK 0 / 29 / 17 / 2

HEX #FBB2D1

RGB 251 178 209

HSL 334.52, 0.9%, 0.84%

LAB 80.15, 31, -4.98

 

CMYK 0 / 14 / 8 / 1

HEX #FDD9E9

RGB 253 217 233

HSL 333.33, 0.9%, 0.92%

LAB 90.04, 15.07, -3.2

 

CMYK 0 / 44 / 25 / 2

HEX #F98CBB

RGB 249 140 187

HSL 334.13, 0.9%, 0.76%

LAB 71.2, 46.79, -6.17

 

CMYK 0 / 10 / 44 / 2

HEX #F9DF8B

RGB 249 223 139

HSL 45.82, 0.9%, 0.76%

LAB 89.29, -2.05, 44.32

 

CMYK 44 / 7 / 0 / 2

HEX #8BE7F9

RGB 139 231 249

HSL 189.82, 0.9%, 0.76%

LAB 86.74, -22.88, -17.31

 

CMYK 0 / 44 / 25 / 2

HEX #F98CBB

RGB 249 140 187

HSL 334.13, 0.9%, 0.76%

LAB 71.2, 46.79, -6.17

 

CMYK 25 / 0 / 44 / 2

HEX #BAF98B

RGB 186 249 139

HSL 94.36, 0.9%, 0.76%

LAB 91.71, -38.26, 46.42

 

CMYK 44 / 25 / 0 / 2

HEX #8BBAF9

RGB 139 186 249

HSL 214.36, 0.9%, 0.76%

LAB 74.47, 0.6, -36.05

 

CMYK 0 / 44 / 25 / 2

HEX #F98CBB

RGB 249 140 187

HSL 334.13, 0.9%, 0.76%

LAB 71.2, 46.79, -6.17

 

CMYK 0 / 10 / 44 / 2

HEX #F9DF8B

RGB 249 223 139

HSL 45.82, 0.9%, 0.76%

LAB 89.29, -2.05, 44.32

 

CMYK 44 / 0 / 19 / 2

HEX #8BF9C9

RGB 139 249 201

HSL 153.82, 0.9%, 0.76%

LAB 90.53, -42.37, 13.3

 

CMYK 44 / 34 / 0 / 2

HEX #8BA4F9

RGB 139 164 249

HSL 226.36, 0.9%, 0.76%

LAB 68.66, 12.93, -45.11

 

CMYK 0 / 44 / 25 / 2

HEX #F98CBB

RGB 249 140 187

HSL 334.13, 0.9%, 0.76%

LAB 71.2, 46.79, -6.17

 

CMYK 3 / 0 / 44 / 2

HEX #F2F98B

RGB 242 249 139

HSL 63.82, 0.9%, 0.76%

LAB 95.37, -17.68, 51.77

 

CMYK 44 / 0 / 19 / 2

HEX #8BF9C9

RGB 139 249 201

HSL 153.82, 0.9%, 0.76%

LAB 90.53, -42.37, 13.3

 

CMYK 41 / 44 / 0 / 2

HEX #928BF9

RGB 146 139 249

HSL 243.82, 0.9%, 0.76%

LAB 62.86, 29.04, -54.26

 

Description

Color code: HEX #F98CBB | qconv.com Color code: HEX #F98CBB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 140 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 140 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 25 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 25% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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