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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F98AC43F it is the complementary color #06753B3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F98AC43F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F98AC43F shade: #FE8ABF3F, #FF9CD23F, #FFAEE53F, #FFC0F83F and #FFD2FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F98AC43F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F98AC43F shade: #F98AC43F, #E878B13F, #D7669E3F, #C6548B3F and #B542783F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F98AC43F shade: #F98BC4, #F98BA7 and #F98B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F98AC43F shade: #F98BC4, #F98BE2, #F28BF9, #D48BF9 and #B78BF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F98AC43F shade matches the following richer shades: #F98BC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F98AC43F shade: #F98BC4, #EF95C4, #E59FC3, #DBA8C3 and #D1B2C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F98AC43F shade: #F28BF9, #F98BE3, #F98BC5, #F98BA8 and #F98B8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F98AC43F shade: #F53C9D, #F764B0, #F98BC4, #FBB2D8 and #FDD9EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F98AC43F shade: #F98AC4, #F9D48B and #8BF2F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F98AC43F shade: #F98AC4, #C5F98B and #8BC5F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F98AC43F shade: #F98AC4, #F9D48B, #8BF9BE and #8BAFF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F98AC43F shade: #F98AC4, #F9F58B, #8BF9BE and #8B8EF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 5 / 1

HEX #F98AC43F

RGBA 249 138 196 0.25

HSLA 328.65, 0.9%, 0.76%, 0.25

LABA 71.08, 49.05, -11.36, 0.25

 

Complementary color

CMYK 24 / 0 / 12 / 14

HEX #06753B3F

RGBA 6 117 59 0.25

HSLA 148.65, 0.9%, 0.24%, 0.25

LABA 42.88, -41.98, 24.24, 0.25

 

CMYK 0 / 11 / 6 / 0

HEX #FE8ABF3F

RGBA 254 138 191 0.25

HSLA 332.59, 0.98%, 0.77%, 0.25

LABA 71.56, 49.98, -7.79, 0.25

 

CMYK 0 / 10 / 4 / 0

HEX #FF9CD23F

RGBA 255 156 210 0.25

HSLA 327.27, 1%, 0.81%, 0.25

LABA 75.88, 43.95, -11.83, 0.25

 

CMYK 0 / 8 / 3 / 0

HEX #FFAEE53F

RGBA 255 174 229 0.25

HSLA 319.26, 1%, 0.84%, 0.25

LABA 80.29, 37.62, -15.54, 0.25

 

CMYK 0 / 6 / 1 / 0

HEX #FFC0F83F

RGBA 255 192 248 0.25

HSLA 306.67, 1%, 0.88%, 0.25

LABA 84.86, 31.43, -18.83, 0.25

 

CMYK 0 / 4 / 0 / 0

HEX #FFD2FF3F

RGBA 255 210 255 0.25

HSLA 300, 1%, 0.91%, 0.25

LABA 89.19, 23.22, -16.01, 0.25

 

CMYK 0 / 11 / 5 / 1

HEX #F98AC43F

RGBA 249 138 196 0.25

HSLA 328.65, 0.9%, 0.76%, 0.25

LABA 71.08, 49.05, -11.36, 0.25

 

CMYK 0 / 12 / 6 / 2

HEX #E878B13F

RGBA 232 120 177 0.25

HSLA 329.46, 0.71%, 0.69%, 0.25

LABA 64.77, 49.82, -10.35, 0.25

 

CMYK 0 / 13 / 7 / 4

HEX #D7669E3F

RGBA 215 102 158 0.25

HSLA 330.27, 0.59%, 0.62%, 0.25

LABA 58.43, 50.55, -9.19, 0.25

 

CMYK 0 / 14 / 7 / 6

HEX #C6548B3F

RGBA 198 84 139 0.25

HSLA 331.05, 0.5%, 0.55%, 0.25

LABA 52.07, 51.19, -7.79, 0.25

 

CMYK 0 / 16 / 8 / 7

HEX #B542783F

RGBA 181 66 120 0.25

HSLA 331.83, 0.47%, 0.48%, 0.25

LABA 45.74, 51.64, -6.08, 0.25

 

CMYK 0 / 44 / 21 / 2

HEX #F98BC4

RGB 249 139 196

HSL 328.91, 0.9%, 0.76%

LAB 71.28, 48.55, -11.06

 

CMYK 0 / 44 / 33 / 2

HEX #F98BA7

RGB 249 139 167

HSL 344.73, 0.9%, 0.76%

LAB 70.45, 44.71, 3.89

 

CMYK 0 / 44 / 44 / 2

HEX #F98B8B

RGB 249 139 139

HSL 0, 0.9%, 0.76%

LAB 69.8, 41.6, 18.6

 

CMYK 0 / 44 / 21 / 2

HEX #F98BC4

RGB 249 139 196

HSL 328.91, 0.9%, 0.76%

LAB 71.28, 48.55, -11.06

 

CMYK 0 / 44 / 9 / 2

HEX #F98BE2

RGB 249 139 226

HSL 312.55, 0.9%, 0.76%

LAB 72.29, 53.12, -26.11

 

CMYK 3 / 44 / 0 / 2

HEX #F28BF9

RGB 242 139 249

HSL 296.18, 0.9%, 0.76%

LAB 72.35, 55.02, -38.67

 

CMYK 15 / 44 / 0 / 2

HEX #D48BF9

RGB 212 139 249

HSL 279.82, 0.9%, 0.76%

LAB 68.97, 46.54, -44.2

 

CMYK 27 / 44 / 0 / 2

HEX #B78BF9

RGB 183 139 249

HSL 264, 0.9%, 0.76%

LAB 66.04, 38.56, -49.02

 

CMYK 0 / 44 / 21 / 2

HEX #F98BC4

RGB 249 139 196

HSL 328.91, 0.9%, 0.76%

LAB 71.28, 48.55, -11.06

 

CMYK 0 / 44 / 21 / 2

HEX #F98BC4

RGB 249 139 196

HSL 328.91, 0.9%, 0.76%

LAB 71.28, 48.55, -11.06

 

CMYK 0 / 38 / 18 / 6

HEX #EF95C4

RGB 239 149 196

HSL 328.67, 0.74%, 0.76%

LAB 72.12, 40.13, -9.94

 

CMYK 0 / 31 / 15 / 10

HEX #E59FC3

RGB 229 159 195

HSL 329.14, 0.57%, 0.76%

LAB 73.15, 31.28, -7.97

 

CMYK 0 / 23 / 11 / 14

HEX #DBA8C3

RGB 219 168 195

HSL 328.24, 0.41%, 0.76%

LAB 74.19, 22.95, -6.53

 

CMYK 0 / 15 / 7 / 18

HEX #D1B2C2

RGB 209 178 194

HSL 329.03, 0.25%, 0.76%

LAB 75.63, 13.85, -3.97

 

CMYK 3 / 44 / 0 / 2

HEX #F28BF9

RGB 242 139 249

HSL 296.18, 0.9%, 0.76%

LAB 72.35, 55.02, -38.67

 

CMYK 0 / 44 / 9 / 2

HEX #F98BE3

RGB 249 139 227

HSL 312, 0.9%, 0.76%

LAB 72.33, 53.29, -26.6

 

CMYK 0 / 44 / 21 / 2

HEX #F98BC5

RGB 249 139 197

HSL 328.36, 0.9%, 0.76%

LAB 71.31, 48.69, -11.57

 

CMYK 0 / 44 / 33 / 2

HEX #F98BA8

RGB 249 139 168

HSL 344.18, 0.9%, 0.76%

LAB 70.48, 44.83, 3.37

 

CMYK 0 / 44 / 44 / 2

HEX #F98B8B

RGB 249 139 139

HSL 0, 0.9%, 0.76%

LAB 69.8, 41.6, 18.6

 

CMYK 0 / 76 / 36 / 4

HEX #F53C9D

RGB 245 60 157

HSL 328.54, 0.9%, 0.6%

LAB 57.15, 75.42, -10.02

 

CMYK 0 / 60 / 29 / 3

HEX #F764B0

RGB 247 100 176

HSL 328.98, 0.9%, 0.68%

LAB 63.36, 63.56, -11.68

 

CMYK 0 / 44 / 21 / 2

HEX #F98BC4

RGB 249 139 196

HSL 328.91, 0.9%, 0.76%

LAB 71.28, 48.55, -11.06

 

CMYK 0 / 29 / 14 / 2

HEX #FBB2D8

RGB 251 178 216

HSL 328.77, 0.9%, 0.84%

LAB 80.35, 32.1, -8.47

 

CMYK 0 / 14 / 7 / 1

HEX #FDD9EC

RGB 253 217 236

HSL 328.33, 0.9%, 0.92%

LAB 90.12, 15.57, -4.66

 

CMYK 0 / 45 / 21 / 2

HEX #F98AC4

RGB 249 138 196

HSL 328.65, 0.9%, 0.76%

LAB 71.08, 49.05, -11.36

 

CMYK 0 / 15 / 44 / 2

HEX #F9D48B

RGB 249 212 139

HSL 39.82, 0.9%, 0.76%

LAB 86.55, 3.57, 40.83

 

CMYK 44 / 3 / 0 / 2

HEX #8BF2F9

RGB 139 242 249

HSL 183.82, 0.9%, 0.76%

LAB 89.78, -28.24, -12.75

 

CMYK 0 / 45 / 21 / 2

HEX #F98AC4

RGB 249 138 196

HSL 328.65, 0.9%, 0.76%

LAB 71.08, 49.05, -11.36

 

CMYK 21 / 0 / 44 / 2

HEX #C5F98B

RGB 197 249 139

HSL 88.36, 0.9%, 0.76%

LAB 92.35, -34.41, 47.35

 

CMYK 44 / 21 / 0 / 2

HEX #8BC5F9

RGB 139 197 249

HSL 208.36, 0.9%, 0.76%

LAB 77.44, -5.37, -31.47

 

CMYK 0 / 45 / 21 / 2

HEX #F98AC4

RGB 249 138 196

HSL 328.65, 0.9%, 0.76%

LAB 71.08, 49.05, -11.36

 

CMYK 0 / 15 / 44 / 2

HEX #F9D48B

RGB 249 212 139

HSL 39.82, 0.9%, 0.76%

LAB 86.55, 3.57, 40.83

 

CMYK 44 / 0 / 24 / 2

HEX #8BF9BE

RGB 139 249 190

HSL 147.82, 0.9%, 0.76%

LAB 90.3, -44.55, 18.65

 

CMYK 44 / 30 / 0 / 2

HEX #8BAFF9

RGB 139 175 249

HSL 220.36, 0.9%, 0.76%

LAB 71.55, 6.71, -40.6

 

CMYK 0 / 45 / 21 / 2

HEX #F98AC4

RGB 249 138 196

HSL 328.65, 0.9%, 0.76%

LAB 71.08, 49.05, -11.36

 

CMYK 0 / 2 / 44 / 2

HEX #F9F58B

RGB 249 245 139

HSL 57.82, 0.9%, 0.76%

LAB 94.87, -13.03, 51.27

 

CMYK 44 / 0 / 24 / 2

HEX #8BF9BE

RGB 139 249 190

HSL 147.82, 0.9%, 0.76%

LAB 90.3, -44.55, 18.65

 

CMYK 44 / 43 / 0 / 2

HEX #8B8EF9

RGB 139 142 249

HSL 238.36, 0.9%, 0.76%

LAB 63.07, 25.62, -53.95

 

Description

Color code: HEX #F98AC43F | qconv.com Color code: HEX #F98AC43F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 138 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 138 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 5 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 5% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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