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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F987C0 it is the complementary color #06783F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F987C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F987C0 shade: #FE87BB, #FF99CE, #FFABE1, #FFBDF4 and #FFCFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F987C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F987C0 shade: #F987C0, #E875AD, #D7639A, #C65187 and #B53F74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F987C0 shade: #F986BF, #F986A0 and #F98686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F987C0 shade: #F986BF, #F986DE, #F486F9, #D586F9 and #B686F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F987C0 shade matches the following richer shades: #F986BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F987C0 shade: #F986BF, #EE90BF, #E49BBF, #DAA5BF and #CFAFBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F987C0 shade: #F586F9, #F986DE, #F986BF, #F986A1 and #F98A86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F987C0 shade: #F43796, #F75FAB, #F986BF, #FBADD4 and #FDD4E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F987C0 shade: #F987C0, #F9D686 and #86EDF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F987C0 shade: #F987C0, #BFF986 and #86BFF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F987C0 shade: #F987C0, #F9D686, #86F9BF and #86A8F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F987C0 shade: #F987C0, #F9F986, #86F9BF and #8686F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 23 / 2

HEX #F987C0

RGB 249 135 192

HSL 330, 0.9%, 0.75%

LAB 70.37, 49.98, -10.2

 

Complementary color

CMYK 95 / 0 / 48 / 53

HEX #06783F

RGB 6 120 63

HSL 150, 0.9%, 0.25%

LAB 43.99, -42.33, 23.44

 

CMYK 0 / 47 / 26 / 0

HEX #FE87BB

RGB 254 135 187

HSL 333.78, 0.98%, 0.76%

LAB 70.86, 50.93, -6.6

 

CMYK 0 / 40 / 19 / 0

HEX #FF99CE

RGB 255 153 206

HSL 328.82, 1%, 0.8%

LAB 75.14, 44.89, -10.74

 

CMYK 0 / 33 / 12 / 0

HEX #FFABE1

RGB 255 171 225

HSL 321.43, 1%, 0.84%

LAB 79.51, 38.53, -14.55

 

CMYK 0 / 26 / 4 / 0

HEX #FFBDF4

RGB 255 189 244

HSL 310, 1%, 0.87%

LAB 84.06, 32.3, -17.9

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 46 / 23 / 2

HEX #F987C0

RGB 249 135 192

HSL 330, 0.9%, 0.75%

LAB 70.37, 49.98, -10.2

 

CMYK 0 / 50 / 25 / 9

HEX #E875AD

RGB 232 117 173

HSL 330.78, 0.71%, 0.68%

LAB 64.08, 50.74, -9.12

 

CMYK 0 / 54 / 28 / 16

HEX #D7639A

RGB 215 99 154

HSL 331.55, 0.59%, 0.62%

LAB 57.75, 51.46, -7.87

 

CMYK 0 / 59 / 32 / 22

HEX #C65187

RGB 198 81 135

HSL 332.31, 0.51%, 0.55%

LAB 51.43, 52.07, -6.38

 

CMYK 0 / 65 / 36 / 29

HEX #B53F74

RGB 181 63 116

HSL 333.05, 0.48%, 0.48%

LAB 45.14, 52.45, -4.53

 

CMYK 0 / 46 / 23 / 2

HEX #F986BF

RGB 249 134 191

HSL 330.26, 0.91%, 0.75%

LAB 70.14, 50.34, -9.98

 

CMYK 0 / 46 / 36 / 2

HEX #F986A0

RGB 249 134 160

HSL 346.43, 0.91%, 0.75%

LAB 69.28, 46.39, 6.11

 

CMYK 0 / 46 / 46 / 2

HEX #F98686

RGB 249 134 134

HSL 0, 0.91%, 0.75%

LAB 68.69, 43.63, 19.85

 

CMYK 0 / 46 / 23 / 2

HEX #F986BF

RGB 249 134 191

HSL 330.26, 0.91%, 0.75%

LAB 70.14, 50.34, -9.98

 

CMYK 0 / 46 / 11 / 2

HEX #F986DE

RGB 249 134 222

HSL 314.09, 0.91%, 0.75%

LAB 71.19, 54.94, -25.59

 

CMYK 2 / 46 / 0 / 2

HEX #F486F9

RGB 244 134 249

HSL 297.39, 0.91%, 0.75%

LAB 71.64, 58.04, -39.76

 

CMYK 14 / 46 / 0 / 2

HEX #D586F9

RGB 213 134 249

HSL 281.22, 0.91%, 0.75%

LAB 68.05, 49.44, -45.64

 

CMYK 27 / 46 / 0 / 2

HEX #B686F9

RGB 182 134 249

HSL 265.04, 0.91%, 0.75%

LAB 64.83, 41.04, -50.93

 

CMYK 0 / 46 / 23 / 2

HEX #F986BF

RGB 249 134 191

HSL 330.26, 0.91%, 0.75%

LAB 70.14, 50.34, -9.98

 

CMYK 0 / 46 / 23 / 2

HEX #F986BF

RGB 249 134 191

HSL 330.26, 0.91%, 0.75%

LAB 70.14, 50.34, -9.98

 

CMYK 0 / 39 / 20 / 7

HEX #EE90BF

RGB 238 144 191

HSL 330, 0.73%, 0.75%

LAB 70.79, 41.64, -9.15

 

CMYK 0 / 32 / 16 / 11

HEX #E49BBF

RGB 228 155 191

HSL 330.41, 0.57%, 0.75%

LAB 72.03, 32.43, -7.44

 

CMYK 0 / 24 / 12 / 15

HEX #DAA5BF

RGB 218 165 191

HSL 330.57, 0.42%, 0.75%

LAB 73.27, 23.56, -5.71

 

CMYK 0 / 15 / 8 / 19

HEX #CFAFBF

RGB 207 175 191

HSL 330, 0.25%, 0.75%

LAB 74.63, 14.24, -3.83

 

CMYK 2 / 46 / 0 / 2

HEX #F586F9

RGB 245 134 249

HSL 297.91, 0.91%, 0.75%

LAB 71.76, 58.32, -39.56

 

CMYK 0 / 46 / 11 / 2

HEX #F986DE

RGB 249 134 222

HSL 314.09, 0.91%, 0.75%

LAB 71.19, 54.94, -25.59

 

CMYK 0 / 46 / 23 / 2

HEX #F986BF

RGB 249 134 191

HSL 330.26, 0.91%, 0.75%

LAB 70.14, 50.34, -9.98

 

CMYK 0 / 46 / 35 / 2

HEX #F986A1

RGB 249 134 161

HSL 345.91, 0.91%, 0.75%

LAB 69.3, 46.51, 5.59

 

CMYK 0 / 45 / 46 / 2

HEX #F98A86

RGB 249 138 134

HSL 2.09, 0.91%, 0.75%

LAB 69.5, 41.62, 20.96

 

CMYK 0 / 77 / 39 / 4

HEX #F43796

RGB 244 55 150

HSL 329.84, 0.9%, 0.59%

LAB 56.26, 75.87, -7.26

 

CMYK 0 / 62 / 31 / 3

HEX #F75FAB

RGB 247 95 171

HSL 330, 0.9%, 0.67%

LAB 62.42, 65.06, -10.22

 

CMYK 0 / 46 / 23 / 2

HEX #F986BF

RGB 249 134 191

HSL 330.26, 0.91%, 0.75%

LAB 70.14, 50.34, -9.98

 

CMYK 0 / 31 / 16 / 2

HEX #FBADD4

RGB 251 173 212

HSL 330, 0.91%, 0.83%

LAB 79.13, 34.09, -8.12

 

CMYK 0 / 16 / 8 / 1

HEX #FDD4E9

RGB 253 212 233

HSL 329.27, 0.91%, 0.91%

LAB 88.85, 17.68, -4.95

 

CMYK 0 / 46 / 23 / 2

HEX #F987C0

RGB 249 135 192

HSL 330, 0.9%, 0.75%

LAB 70.37, 49.98, -10.2

 

CMYK 0 / 14 / 46 / 2

HEX #F9D686

RGB 249 214 134

HSL 41.74, 0.91%, 0.75%

LAB 86.97, 2.05, 43.88

 

CMYK 46 / 5 / 0 / 2

HEX #86EDF9

RGB 134 237 249

HSL 186.26, 0.91%, 0.75%

LAB 88.2, -26.95, -15.14

 

CMYK 0 / 46 / 23 / 2

HEX #F987C0

RGB 249 135 192

HSL 330, 0.9%, 0.75%

LAB 70.37, 49.98, -10.2

 

CMYK 23 / 0 / 46 / 2

HEX #BFF986

RGB 191 249 134

HSL 90.26, 0.91%, 0.75%

LAB 91.93, -37.1, 49.14

 

CMYK 46 / 23 / 0 / 2

HEX #86BFF9

RGB 134 191 249

HSL 210.26, 0.91%, 0.75%

LAB 75.56, -3.33, -34.4

 

CMYK 0 / 46 / 23 / 2

HEX #F987C0

RGB 249 135 192

HSL 330, 0.9%, 0.75%

LAB 70.37, 49.98, -10.2

 

CMYK 0 / 14 / 46 / 2

HEX #F9D686

RGB 249 214 134

HSL 41.74, 0.91%, 0.75%

LAB 86.97, 2.05, 43.88

 

CMYK 46 / 0 / 23 / 2

HEX #86F9BF

RGB 134 249 191

HSL 149.74, 0.91%, 0.75%

LAB 90.13, -45.62, 17.86

 

CMYK 46 / 33 / 0 / 2

HEX #86A8F9

RGB 134 168 249

HSL 222.26, 0.91%, 0.75%

LAB 69.41, 9.45, -43.97

 

CMYK 0 / 46 / 23 / 2

HEX #F987C0

RGB 249 135 192

HSL 330, 0.9%, 0.75%

LAB 70.37, 49.98, -10.2

 

CMYK 0 / 0 / 46 / 2

HEX #F9F986

RGB 249 249 134

HSL 60, 0.91%, 0.75%

LAB 95.84, -15.45, 54.81

 

CMYK 46 / 0 / 23 / 2

HEX #86F9BF

RGB 134 249 191

HSL 149.74, 0.91%, 0.75%

LAB 90.13, -45.62, 17.86

 

CMYK 46 / 46 / 0 / 2

HEX #8686F9

RGB 134 134 249

HSL 240, 0.91%, 0.75%

LAB 60.74, 29.13, -57.67

 

Description

Color code: HEX #F987C0 | qconv.com Color code: HEX #F987C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 135 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 135 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 23 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 23% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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