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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F987AC3F it is the complementary color #0678533F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F987AC3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F987AC3F shade: #FE87A73F, #FF99BA3F, #FFABCD3F, #FFBDE03F and #FFCFF33F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F987AC3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F987AC3F shade: #F987AC3F, #E875993F, #D763863F, #C651733F and #B53F603F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F987AC3F shade: #F986AB, #F9868C and #F98686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F987AC3F shade: #F986AB, #F986CA, #F986E9, #E986F9 and #CA86F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F987AC3F shade matches the following richer shades: #F986AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F987AC3F shade: #F986AB, #EE90AF, #E49BB2, #DAA5B6 and #CFAFBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F987AC3F shade: #F986E9, #F986CB, #F986AC, #F9868E and #F99D86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F987AC3F shade: #F43775, #F75F90, #F986AB, #FBADC6 and #FDD4E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F987AC3F shade: #F987AC, #F9E986 and #86DAF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F987AC3F shade: #F987AC, #ACF986 and #86ACF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F987AC3F shade: #F987AC, #F9E986, #86F9D2 and #8695F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F987AC3F shade: #F987AC, #E6F986, #86F9D2 and #9986F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 8 / 1

HEX #F987AC3F

RGBA 249 135 172 0.25

HSLA 340.53, 0.9%, 0.75%, 0.25

LABA 69.79, 47.34, 0.12, 0.25

 

Complementary color

CMYK 24 / 0 / 8 / 13

HEX #0678533F

RGBA 6 120 83 0.25

HSLA 160.53, 0.9%, 0.25%, 0.25

LABA 44.37, -37.92, 12.48, 0.25

 

CMYK 0 / 12 / 9 / 0

HEX #FE87A73F

RGBA 254 135 167 0.25

HSLA 343.87, 0.98%, 0.76%, 0.25

LABA 70.31, 48.42, 3.76, 0.25

 

CMYK 0 / 10 / 7 / 0

HEX #FF99BA3F

RGBA 255 153 186 0.25

HSLA 340.59, 1%, 0.8%, 0.25

LABA 74.56, 42.09, -0.58, 0.25

 

CMYK 0 / 8 / 5 / 0

HEX #FFABCD3F

RGBA 255 171 205 0.25

HSLA 335.71, 1%, 0.84%, 0.25

LABA 78.92, 35.45, -4.58, 0.25

 

CMYK 0 / 6 / 3 / 0

HEX #FFBDE03F

RGBA 255 189 224 0.25

HSLA 328.18, 1%, 0.87%, 0.25

LABA 83.46, 28.95, -8.11, 0.25

 

CMYK 0 / 5 / 1 / 0

HEX #FFCFF33F

RGBA 255 207 243 0.25

HSLA 315, 1%, 0.91%, 0.25

LABA 88.14, 22.68, -11.26, 0.25

 

CMYK 0 / 11 / 8 / 1

HEX #F987AC3F

RGBA 249 135 172 0.25

HSLA 340.53, 0.9%, 0.75%, 0.25

LABA 69.79, 47.34, 0.12, 0.25

 

CMYK 0 / 12 / 9 / 2

HEX #E875993F

RGBA 232 117 153 0.25

HSLA 341.22, 0.71%, 0.68%, 0.25

LABA 63.49, 48.19, 1.42, 0.25

 

CMYK 0 / 13 / 9 / 4

HEX #D763863F

RGBA 215 99 134 0.25

HSLA 341.9, 0.59%, 0.62%, 0.25

LABA 57.16, 49.02, 2.93, 0.25

 

CMYK 0 / 15 / 10 / 6

HEX #C651733F

RGBA 198 81 115 0.25

HSLA 342.56, 0.51%, 0.55%, 0.25

LABA 50.84, 49.77, 4.73, 0.25

 

CMYK 0 / 16 / 12 / 7

HEX #B53F603F

RGBA 181 63 96 0.25

HSLA 343.22, 0.48%, 0.48%, 0.25

LABA 44.55, 50.33, 6.93, 0.25

 

CMYK 0 / 46 / 31 / 2

HEX #F986AB

RGB 249 134 171

HSL 340.7, 0.91%, 0.75%

LAB 69.56, 47.71, 0.36

 

CMYK 0 / 46 / 44 / 2

HEX #F9868C

RGB 249 134 140

HSL 356.87, 0.91%, 0.75%

LAB 68.81, 44.22, 16.67

 

CMYK 0 / 46 / 46 / 2

HEX #F98686

RGB 249 134 134

HSL 0, 0.91%, 0.75%

LAB 68.69, 43.63, 19.85

 

CMYK 0 / 46 / 31 / 2

HEX #F986AB

RGB 249 134 171

HSL 340.7, 0.91%, 0.75%

LAB 69.56, 47.71, 0.36

 

CMYK 0 / 46 / 19 / 2

HEX #F986CA

RGB 249 134 202

HSL 324.52, 0.91%, 0.75%

LAB 70.49, 51.9, -15.58

 

CMYK 0 / 46 / 6 / 2

HEX #F986E9

RGB 249 134 233

HSL 308.35, 0.91%, 0.75%

LAB 71.6, 56.72, -31.01

 

CMYK 6 / 46 / 0 / 2

HEX #E986F9

RGB 233 134 249

HSL 291.65, 0.91%, 0.75%

LAB 70.33, 54.98, -41.91

 

CMYK 19 / 46 / 0 / 2

HEX #CA86F9

RGB 202 134 249

HSL 275.48, 0.91%, 0.75%

LAB 66.86, 46.42, -47.59

 

CMYK 0 / 46 / 31 / 2

HEX #F986AB

RGB 249 134 171

HSL 340.7, 0.91%, 0.75%

LAB 69.56, 47.71, 0.36

 

CMYK 0 / 46 / 31 / 2

HEX #F986AB

RGB 249 134 171

HSL 340.7, 0.91%, 0.75%

LAB 69.56, 47.71, 0.36

 

CMYK 0 / 39 / 26 / 7

HEX #EE90AF

RGB 238 144 175

HSL 340.21, 0.73%, 0.75%

LAB 70.33, 39.36, -0.92

 

CMYK 0 / 32 / 22 / 11

HEX #E49BB2

RGB 228 155 178

HSL 341.1, 0.57%, 0.75%

LAB 71.66, 30.45, -0.79

 

CMYK 0 / 24 / 17 / 15

HEX #DAA5B6

RGB 218 165 182

HSL 340.75, 0.42%, 0.75%

LAB 73.02, 22.1, -1.13

 

CMYK 0 / 15 / 10 / 19

HEX #CFAFBA

RGB 207 175 186

HSL 339.38, 0.25%, 0.75%

LAB 74.49, 13.38, -1.3

 

CMYK 0 / 46 / 6 / 2

HEX #F986E9

RGB 249 134 233

HSL 308.35, 0.91%, 0.75%

LAB 71.6, 56.72, -31.01

 

CMYK 0 / 46 / 18 / 2

HEX #F986CB

RGB 249 134 203

HSL 324, 0.91%, 0.75%

LAB 70.53, 52.04, -16.08

 

CMYK 0 / 46 / 31 / 2

HEX #F986AC

RGB 249 134 172

HSL 340.17, 0.91%, 0.75%

LAB 69.59, 47.83, -0.16

 

CMYK 0 / 46 / 43 / 2

HEX #F9868E

RGB 249 134 142

HSL 355.83, 0.91%, 0.75%

LAB 68.85, 44.43, 15.61

 

CMYK 0 / 37 / 46 / 2

HEX #F99D86

RGB 249 157 134

HSL 12, 0.91%, 0.75%

LAB 73.53, 31.83, 26.41

 

CMYK 0 / 77 / 52 / 4

HEX #F43775

RGB 244 55 117

HSL 340.32, 0.9%, 0.59%

LAB 55.33, 73.04, 11

 

CMYK 0 / 62 / 42 / 3

HEX #F75F90

RGB 247 95 144

HSL 340.66, 0.9%, 0.67%

LAB 61.63, 62.13, 4.19

 

CMYK 0 / 46 / 31 / 2

HEX #F986AB

RGB 249 134 171

HSL 340.7, 0.91%, 0.75%

LAB 69.56, 47.71, 0.36

 

CMYK 0 / 31 / 21 / 2

HEX #FBADC6

RGB 251 173 198

HSL 340.77, 0.91%, 0.83%

LAB 78.74, 31.99, -1.1

 

CMYK 0 / 16 / 11 / 1

HEX #FDD4E1

RGB 253 212 225

HSL 340.98, 0.91%, 0.91%

LAB 88.64, 16.36, -1.04

 

CMYK 0 / 46 / 31 / 2

HEX #F987AC

RGB 249 135 172

HSL 340.53, 0.9%, 0.75%

LAB 69.79, 47.34, 0.12

 

CMYK 0 / 6 / 46 / 2

HEX #F9E986

RGB 249 233 134

HSL 51.65, 0.91%, 0.75%

LAB 91.75, -7.56, 49.82

 

CMYK 46 / 12 / 0 / 2

HEX #86DAF9

RGB 134 218 249

HSL 196.17, 0.91%, 0.75%

LAB 82.94, -17.52, -23.08

 

CMYK 0 / 46 / 31 / 2

HEX #F987AC

RGB 249 135 172

HSL 340.53, 0.9%, 0.75%

LAB 69.79, 47.34, 0.12

 

CMYK 31 / 0 / 46 / 2

HEX #ACF986

RGB 172 249 134

HSL 100.17, 0.91%, 0.75%

LAB 90.89, -43.6, 47.62

 

CMYK 46 / 31 / 0 / 2

HEX #86ACF9

RGB 134 172 249

HSL 220.17, 0.91%, 0.75%

LAB 70.46, 7.19, -42.31

 

CMYK 0 / 46 / 31 / 2

HEX #F987AC

RGB 249 135 172

HSL 340.53, 0.9%, 0.75%

LAB 69.79, 47.34, 0.12

 

CMYK 0 / 6 / 46 / 2

HEX #F9E986

RGB 249 233 134

HSL 51.65, 0.91%, 0.75%

LAB 91.75, -7.56, 49.82

 

CMYK 46 / 0 / 16 / 2

HEX #86F9D2

RGB 134 249 210

HSL 159.65, 0.91%, 0.75%

LAB 90.54, -41.71, 8.63

 

CMYK 46 / 40 / 0 / 2

HEX #8695F9

RGB 134 149 249

HSL 232.17, 0.91%, 0.75%

LAB 64.49, 20.38, -51.73

 

CMYK 0 / 46 / 31 / 2

HEX #F987AC

RGB 249 135 172

HSL 340.53, 0.9%, 0.75%

LAB 69.79, 47.34, 0.12

 

CMYK 8 / 0 / 46 / 2

HEX #E6F986

RGB 230 249 134

HSL 69.91, 0.91%, 0.75%

LAB 94.44, -22.76, 52.79

 

CMYK 46 / 0 / 16 / 2

HEX #86F9D2

RGB 134 249 210

HSL 159.65, 0.91%, 0.75%

LAB 90.54, -41.71, 8.63

 

CMYK 39 / 46 / 0 / 2

HEX #9986F9

RGB 153 134 249

HSL 249.91, 0.91%, 0.75%

LAB 62.22, 33.62, -55.23

 

Description

Color code: HEX #F987AC3F | qconv.com Color code: HEX #F987AC3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 135 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 135 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 8 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 8% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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