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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9838B it is the complementary color #067C74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9838B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9838B shade: #FE8386, #FF9599, #FFA7AC, #FFB9BF and #FFCBD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9838B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9838B shade: #F9838B, #E87178, #D75F65, #C64D52 and #B53B3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9838B shade: #F9858D and #F98585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9838B shade: #F9858D, #F985AC, #F985CC, #F985EB and #E885F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9838B shade matches the following richer shades: #F9858D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9838B shade: #F9858D, #EF9096, #E59A9F, #DAA4A8 and #D0AEB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9838B shade: #F985CD, #F985AE, #F9858F, #F99B85 and #F9B985

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9838B shade: #F63643, #F75E68, #F9858D, #FBADB2 and #FDD4D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9838B shade: #F9838B, #ECF985 and #85BDF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9838B shade: #F9838B, #8FF985 and #858FF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9838B shade: #F9838B, #ECF985, #85F9F0 and #9385F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9838B shade: #F9838B, #C9F985, #85F9F0 and #B685F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 44 / 2

HEX #F9838B

RGB 249 131 139

HSL 355.93, 0.91%, 0.75%

LAB 68.19, 45.62, 16.37

 

Complementary color

CMYK 95 / 0 / 6 / 51

HEX #067C74

RGB 6 124 116

HSL 175.93, 0.91%, 0.25%

LAB 46.6, -30.4, -3.85

 

CMYK 0 / 48 / 47 / 0

HEX #FE8386

RGB 254 131 134

HSL 358.54, 0.98%, 0.75%

LAB 68.77, 46.91, 20.07

 

CMYK 0 / 42 / 40 / 0

HEX #FF9599

RGB 255 149 153

HSL 357.74, 1%, 0.79%

LAB 72.93, 40.15, 15.3

 

CMYK 0 / 35 / 33 / 0

HEX #FFA7AC

RGB 255 167 172

HSL 356.59, 1%, 0.83%

LAB 77.21, 33.05, 10.9

 

CMYK 0 / 27 / 25 / 0

HEX #FFB9BF

RGB 255 185 191

HSL 354.86, 1%, 0.86%

LAB 81.69, 26.12, 7.01

 

CMYK 0 / 20 / 18 / 0

HEX #FFCBD2

RGB 255 203 210

HSL 351.92, 1%, 0.9%

LAB 86.32, 19.42, 3.54

 

CMYK 0 / 47 / 44 / 2

HEX #F9838B

RGB 249 131 139

HSL 355.93, 0.91%, 0.75%

LAB 68.19, 45.62, 16.37

 

CMYK 0 / 51 / 48 / 9

HEX #E87178

RGB 232 113 120

HSL 356.47, 0.72%, 0.68%

LAB 61.93, 46.65, 18.12

 

CMYK 0 / 56 / 53 / 16

HEX #D75F65

RGB 215 95 101

HSL 357, 0.6%, 0.61%

LAB 55.66, 47.69, 20.15

 

CMYK 0 / 61 / 59 / 22

HEX #C64D52

RGB 198 77 82

HSL 357.52, 0.51%, 0.54%

LAB 49.4, 48.66, 22.54

 

CMYK 0 / 67 / 65 / 29

HEX #B53B3F

RGB 181 59 63

HSL 358.03, 0.51%, 0.47%

LAB 43.23, 49.44, 25.43

 

CMYK 0 / 47 / 43 / 2

HEX #F9858D

RGB 249 133 141

HSL 355.86, 0.91%, 0.75%

LAB 68.63, 44.82, 15.86

 

CMYK 0 / 47 / 47 / 2

HEX #F98585

RGB 249 133 133

HSL 0, 0.91%, 0.75%

LAB 68.47, 44.04, 20.11

 

CMYK 0 / 47 / 43 / 2

HEX #F9858D

RGB 249 133 141

HSL 355.86, 0.91%, 0.75%

LAB 68.63, 44.82, 15.86

 

CMYK 0 / 47 / 31 / 2

HEX #F985AC

RGB 249 133 172

HSL 339.83, 0.91%, 0.75%

LAB 69.39, 48.33, -0.45

 

CMYK 0 / 47 / 18 / 2

HEX #F985CC

RGB 249 133 204

HSL 323.28, 0.91%, 0.75%

LAB 70.37, 52.68, -16.88

 

CMYK 0 / 47 / 6 / 2

HEX #F985EB

RGB 249 133 235

HSL 307.24, 0.91%, 0.75%

LAB 71.5, 57.54, -32.28

 

CMYK 7 / 47 / 0 / 2

HEX #E885F9

RGB 232 133 249

HSL 291.21, 0.91%, 0.75%

LAB 70.01, 55.2, -42.4

 

CMYK 0 / 47 / 43 / 2

HEX #F9858D

RGB 249 133 141

HSL 355.86, 0.91%, 0.75%

LAB 68.63, 44.82, 15.86

 

CMYK 0 / 47 / 43 / 2

HEX #F9858D

RGB 249 133 141

HSL 355.86, 0.91%, 0.75%

LAB 68.63, 44.82, 15.86

 

CMYK 0 / 40 / 37 / 6

HEX #EF9096

RGB 239 144 150

HSL 356.21, 0.75%, 0.75%

LAB 69.82, 36.57, 12.31

 

CMYK 0 / 33 / 31 / 10

HEX #E59A9F

RGB 229 154 159

HSL 356, 0.59%, 0.75%

LAB 71.06, 28.72, 8.9

 

CMYK 0 / 25 / 23 / 15

HEX #DAA4A8

RGB 218 164 168

HSL 355.56, 0.42%, 0.75%

LAB 72.42, 20.51, 5.71

 

CMYK 0 / 16 / 15 / 18

HEX #D0AEB1

RGB 208 174 177

HSL 354.71, 0.27%, 0.75%

LAB 74.1, 12.8, 3.07

 

CMYK 0 / 47 / 18 / 2

HEX #F985CD

RGB 249 133 205

HSL 322.76, 0.91%, 0.75%

LAB 70.4, 52.83, -17.38

 

CMYK 0 / 47 / 30 / 2

HEX #F985AE

RGB 249 133 174

HSL 338.79, 0.91%, 0.75%

LAB 69.45, 48.58, -1.49

 

CMYK 0 / 47 / 43 / 2

HEX #F9858F

RGB 249 133 143

HSL 354.83, 0.91%, 0.75%

LAB 68.68, 45.03, 14.8

 

CMYK 0 / 38 / 47 / 2

HEX #F99B85

RGB 249 155 133

HSL 11.38, 0.91%, 0.75%

LAB 73.07, 32.78, 26.35

 

CMYK 0 / 26 / 47 / 2

HEX #F9B985

RGB 249 185 133

HSL 26.9, 0.91%, 0.75%

LAB 79.92, 17.03, 35.37

 

CMYK 0 / 78 / 73 / 4

HEX #F63643

RGB 246 54 67

HSL 355.94, 0.91%, 0.59%

LAB 54.7, 71.02, 39.71

 

CMYK 0 / 62 / 58 / 3

HEX #F75E68

RGB 247 94 104

HSL 356.08, 0.91%, 0.67%

LAB 60.59, 59.18, 25.88

 

CMYK 0 / 47 / 43 / 2

HEX #F9858D

RGB 249 133 141

HSL 355.86, 0.91%, 0.75%

LAB 68.63, 44.82, 15.86

 

CMYK 0 / 31 / 29 / 2

HEX #FBADB2

RGB 251 173 178

HSL 356.15, 0.91%, 0.83%

LAB 78.23, 29.22, 9.04

 

CMYK 0 / 16 / 15 / 1

HEX #FDD4D7

RGB 253 212 215

HSL 355.61, 0.91%, 0.91%

LAB 88.39, 14.78, 3.87

 

CMYK 0 / 47 / 44 / 2

HEX #F9838B

RGB 249 131 139

HSL 355.93, 0.91%, 0.75%

LAB 68.19, 45.62, 16.37

 

CMYK 5 / 0 / 47 / 2

HEX #ECF985

RGB 236 249 133

HSL 66.72, 0.91%, 0.75%

LAB 94.86, -20.56, 53.86

 

CMYK 47 / 24 / 0 / 2

HEX #85BDF9

RGB 133 189 249

HSL 211.03, 0.91%, 0.75%

LAB 74.96, -2.48, -35.32

 

CMYK 0 / 47 / 44 / 2

HEX #F9838B

RGB 249 131 139

HSL 355.93, 0.91%, 0.75%

LAB 68.19, 45.62, 16.37

 

CMYK 43 / 0 / 47 / 2

HEX #8FF985

RGB 143 249 133

HSL 114.83, 0.91%, 0.75%

LAB 89.53, -52.75, 46.1

 

CMYK 47 / 43 / 0 / 2

HEX #858FF9

RGB 133 143 249

HSL 234.83, 0.91%, 0.75%

LAB 62.9, 23.64, -54.24

 

CMYK 0 / 47 / 44 / 2

HEX #F9838B

RGB 249 131 139

HSL 355.93, 0.91%, 0.75%

LAB 68.19, 45.62, 16.37

 

CMYK 5 / 0 / 47 / 2

HEX #ECF985

RGB 236 249 133

HSL 66.72, 0.91%, 0.75%

LAB 94.86, -20.56, 53.86

 

CMYK 47 / 0 / 4 / 2

HEX #85F9F0

RGB 133 249 240

HSL 175.34, 0.91%, 0.75%

LAB 91.25, -35.09, -5.91

 

CMYK 41 / 47 / 0 / 2

HEX #9385F9

RGB 147 133 249

HSL 247.24, 0.91%, 0.75%

LAB 61.5, 32.74, -56.42

 

CMYK 0 / 47 / 44 / 2

HEX #F9838B

RGB 249 131 139

HSL 355.93, 0.91%, 0.75%

LAB 68.19, 45.62, 16.37

 

CMYK 19 / 0 / 47 / 2

HEX #C9F985

RGB 201 249 133

HSL 84.83, 0.91%, 0.75%

LAB 92.51, -33.64, 50.46

 

CMYK 47 / 0 / 4 / 2

HEX #85F9F0

RGB 133 249 240

HSL 175.34, 0.91%, 0.75%

LAB 91.25, -35.09, -5.91

 

CMYK 27 / 47 / 0 / 2

HEX #B685F9

RGB 182 133 249

HSL 265.34, 0.91%, 0.75%

LAB 64.61, 41.59, -51.28

 

Description

Color code: HEX #F9838B | qconv.com Color code: HEX #F9838B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 131 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 131 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 44 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 44% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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