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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F97F45 it is the complementary color #0680BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F97F45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F97F45 shade: #FE7F40, #FF9153, #FFA366, #FFB579 and #FFC78C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F97F45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F97F45 shade: #F97F45, #E86D32, #D75B1F, #C6490C and #B53700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F97F45 shade: #F97E43, #F94D43 and #F94343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F97F45 shade: #F97E43, #F9AF43, #F9E043, #E1F943 and #B0F943

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F97F45 shade matches the following richer shades: #F97E43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F97F45 shade: #F97E43, #EA8353, #DA8962, #CA8E72 and #BA9482

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F97F45 shade: #F9436A, #F94C43, #F97D43, #F9AD43 and #F9DE43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F97F45 shade: #E34E07, #F8621B, #F97E43, #FA996B and #FCB593

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F97F45 shade: #F97F45, #9BF943 and #4352F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F97F45 shade: #F97F45, #43F97D and #7D43F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F97F45 shade: #F97F45, #9BF943, #43BFF9 and #A143F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F97F45 shade: #F97F45, #64F943, #43BFF9 and #D843F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 72 / 2

HEX #F97F45

RGB 249 127 69

HSL 19.33, 0.94%, 0.62%

LAB 66.33, 42.57, 51.66

 

Complementary color

CMYK 97 / 31 / 0 / 27

HEX #0680BA

RGB 6 128 186

HSL 199.33, 0.94%, 0.38%

LAB 50.71, -7.75, -38.5

 

CMYK 0 / 50 / 75 / 0

HEX #FE7F40

RGB 254 127 64

HSL 19.89, 0.99%, 0.62%

LAB 66.99, 44.25, 54.96

 

CMYK 0 / 43 / 67 / 0

HEX #FF9153

RGB 255 145 83

HSL 21.63, 1%, 0.66%

LAB 70.96, 36.51, 50.14

 

CMYK 0 / 36 / 60 / 0

HEX #FFA366

RGB 255 163 102

HSL 23.92, 1%, 0.7%

LAB 75.09, 28.39, 45.43

 

CMYK 0 / 29 / 53 / 0

HEX #FFB579

RGB 255 181 121

HSL 26.87, 1%, 0.74%

LAB 79.44, 20.43, 41.09

 

CMYK 0 / 22 / 45 / 0

HEX #FFC78C

RGB 255 199 140

HSL 30.78, 1%, 0.77%

LAB 83.97, 12.76, 37.12

 

CMYK 0 / 49 / 72 / 2

HEX #F97F45

RGB 249 127 69

HSL 19.33, 0.94%, 0.62%

LAB 66.33, 42.57, 51.66

 

CMYK 0 / 53 / 78 / 9

HEX #E86D32

RGB 232 109 50

HSL 19.45, 0.8%, 0.55%

LAB 60.18, 44.21, 53.53

 

CMYK 0 / 58 / 86 / 16

HEX #D75B1F

RGB 215 91 31

HSL 19.57, 0.75%, 0.48%

LAB 54.06, 45.91, 55.08

 

CMYK 0 / 63 / 94 / 22

HEX #C6490C

RGB 198 73 12

HSL 19.68, 0.89%, 0.41%

LAB 48, 47.6, 55.6

 

CMYK 0 / 70 / 100 / 29

HEX #B53700

RGB 181 55 0

HSL 18.23, 1%, 0.35%

LAB 42.09, 49.1, 53.89

 

CMYK 0 / 49 / 73 / 2

HEX #F97E43

RGB 249 126 67

HSL 19.45, 0.94%, 0.62%

LAB 66.11, 42.97, 52.4

 

CMYK 0 / 69 / 73 / 2

HEX #F94D43

RGB 249 77 67

HSL 3.3, 0.94%, 0.62%

LAB 57.9, 64.52, 43.47

 

CMYK 0 / 73 / 73 / 2

HEX #F94343

RGB 249 67 67

HSL 0, 0.94%, 0.62%

LAB 56.64, 67.98, 42.07

 

CMYK 0 / 49 / 73 / 2

HEX #F97E43

RGB 249 126 67

HSL 19.45, 0.94%, 0.62%

LAB 66.11, 42.97, 52.4

 

CMYK 0 / 30 / 73 / 2

HEX #F9AF43

RGB 249 175 67

HSL 35.6, 0.94%, 0.62%

LAB 76.8, 17.68, 63.39

 

CMYK 0 / 10 / 73 / 2

HEX #F9E043

RGB 249 224 67

HSL 51.76, 0.94%, 0.62%

LAB 88.85, -7.56, 75.14

 

CMYK 10 / 0 / 73 / 2

HEX #E1F943

RGB 225 249 67

HSL 67.91, 0.94%, 0.62%

LAB 93.52, -29.45, 78.9

 

CMYK 29 / 0 / 73 / 2

HEX #B0F943

RGB 176 249 67

HSL 84.07, 0.94%, 0.62%

LAB 90.5, -48.04, 74.95

 

CMYK 0 / 49 / 73 / 2

HEX #F97E43

RGB 249 126 67

HSL 19.45, 0.94%, 0.62%

LAB 66.11, 42.97, 52.4

 

CMYK 0 / 49 / 73 / 2

HEX #F97E43

RGB 249 126 67

HSL 19.45, 0.94%, 0.62%

LAB 66.11, 42.97, 52.4

 

CMYK 0 / 44 / 65 / 8

HEX #EA8353

RGB 234 131 83

HSL 19.07, 0.78%, 0.62%

LAB 65.24, 35.47, 42.82

 

CMYK 0 / 37 / 55 / 15

HEX #DA8962

RGB 218 137 98

HSL 19.5, 0.62%, 0.62%

LAB 64.71, 27.02, 33.73

 

CMYK 0 / 30 / 44 / 21

HEX #CA8E72

RGB 202 142 114

HSL 19.09, 0.45%, 0.62%

LAB 64.26, 19.37, 24.01

 

CMYK 0 / 20 / 30 / 27

HEX #BA9482

RGB 186 148 130

HSL 19.29, 0.29%, 0.62%

LAB 64.35, 11.61, 14.94

 

CMYK 0 / 73 / 57 / 2

HEX #F9436A

RGB 249 67 106

HSL 347.14, 0.94%, 0.62%

LAB 57.26, 70.04, 20.35

 

CMYK 0 / 69 / 73 / 2

HEX #F94C43

RGB 249 76 67

HSL 2.97, 0.94%, 0.62%

LAB 57.76, 64.89, 43.33

 

CMYK 0 / 50 / 73 / 2

HEX #F97D43

RGB 249 125 67

HSL 19.12, 0.94%, 0.62%

LAB 65.91, 43.47, 52.19

 

CMYK 0 / 31 / 73 / 2

HEX #F9AD43

RGB 249 173 67

HSL 34.95, 0.94%, 0.62%

LAB 76.33, 18.73, 62.92

 

CMYK 0 / 11 / 73 / 2

HEX #F9DE43

RGB 249 222 67

HSL 51.1, 0.94%, 0.62%

LAB 88.35, -6.56, 74.65

 

CMYK 0 / 66 / 97 / 11

HEX #E34E07

RGB 227 78 7

HSL 19.36, 0.94%, 0.46%

LAB 53.81, 55.56, 62.82

 

CMYK 0 / 60 / 89 / 3

HEX #F8621B

RGB 248 98 27

HSL 19.28, 0.94%, 0.54%

LAB 60.58, 54.58, 63.88

 

CMYK 0 / 49 / 73 / 2

HEX #F97E43

RGB 249 126 67

HSL 19.45, 0.94%, 0.62%

LAB 66.11, 42.97, 52.4

 

CMYK 0 / 39 / 57 / 2

HEX #FA996B

RGB 250 153 107

HSL 19.3, 0.93%, 0.7%

LAB 72.34, 31.98, 39.35

 

CMYK 0 / 28 / 42 / 1

HEX #FCB593

RGB 252 181 147

HSL 19.43, 0.95%, 0.78%

LAB 79.53, 21.72, 27.54

 

CMYK 0 / 49 / 72 / 2

HEX #F97F45

RGB 249 127 69

HSL 19.33, 0.94%, 0.62%

LAB 66.33, 42.57, 51.66

 

CMYK 38 / 0 / 73 / 2

HEX #9BF943

RGB 155 249 67

HSL 90.99, 0.94%, 0.62%

LAB 89.45, -55.24, 73.57

 

CMYK 73 / 67 / 0 / 2

HEX #4352F9

RGB 67 82 249

HSL 235.05, 0.94%, 0.62%

LAB 44.33, 48.95, -84.48

 

CMYK 0 / 49 / 72 / 2

HEX #F97F45

RGB 249 127 69

HSL 19.33, 0.94%, 0.62%

LAB 66.33, 42.57, 51.66

 

CMYK 73 / 0 / 50 / 2

HEX #43F97D

RGB 67 249 125

HSL 139.12, 0.94%, 0.62%

LAB 87.21, -70.49, 46.52

 

CMYK 50 / 73 / 0 / 2

HEX #7D43F9

RGB 125 67 249

HSL 259.12, 0.94%, 0.62%

LAB 45.93, 64.03, -81.69

 

CMYK 0 / 49 / 72 / 2

HEX #F97F45

RGB 249 127 69

HSL 19.33, 0.94%, 0.62%

LAB 66.33, 42.57, 51.66

 

CMYK 38 / 0 / 73 / 2

HEX #9BF943

RGB 155 249 67

HSL 90.99, 0.94%, 0.62%

LAB 89.45, -55.24, 73.57

 

CMYK 73 / 23 / 0 / 2

HEX #43BFF9

RGB 67 191 249

HSL 199.12, 0.94%, 0.62%

LAB 73.09, -15.5, -38.42

 

CMYK 35 / 73 / 0 / 2

HEX #A143F9

RGB 161 67 249

HSL 270.99, 0.94%, 0.62%

LAB 50.01, 69.71, -74.85

 

CMYK 0 / 49 / 72 / 2

HEX #F97F45

RGB 249 127 69

HSL 19.33, 0.94%, 0.62%

LAB 66.33, 42.57, 51.66

 

CMYK 60 / 0 / 73 / 2

HEX #64F943

RGB 100 249 67

HSL 109.12, 0.94%, 0.62%

LAB 87.42, -70.63, 70.88

 

CMYK 73 / 23 / 0 / 2

HEX #43BFF9

RGB 67 191 249

HSL 199.12, 0.94%, 0.62%

LAB 73.09, -15.5, -38.42

 

CMYK 13 / 73 / 0 / 2

HEX #D843F9

RGB 216 67 249

HSL 289.12, 0.94%, 0.62%

LAB 57.51, 79.71, -62.35

 

Description

Color code: HEX #F97F45 | qconv.com Color code: HEX #F97F45 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 127 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 127 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 72 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 72% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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