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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F97EBECE it is the complementary color #068141CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F97EBECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F97EBECE shade: #FE7EB9CE, #FF90CCCE, #FFA2DFCE, #FFB4F2CE and #FFC6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F97EBECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F97EBECE shade: #F97EBECE, #E86CABCE, #D75A98CE, #C64885CE and #B53672CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F97EBECE shade: #F980BF, #F9809F and #F98080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F97EBECE shade: #F980BF, #F980E0, #F280F9, #D180F9 and #B180F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F97EBECE shade matches the following richer shades: #F980BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F97EBECE shade: #F980BF, #EE8BBF, #E496BE, #D9A1BE and #CEABBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F97EBECE shade: #F180F9, #F980E1, #F980C1, #F980A1 and #F98080

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F97EBECE shade: #F53297, #F759AB, #F980BF, #FBA8D3 and #FDCFE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F97EBECE shade: #F97EBE, #F9D180 and #80F1F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F97EBECE shade: #F97EBE, #C1F980 and #80C1F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F97EBECE shade: #F97EBE, #F9D180, #80F9B9 and #80A9F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F97EBECE shade: #F97EBE, #F9F580, #80F9B9 and #8084F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 19 / 2

HEX #F97EBECE

RGBA 249 126 190 0.81

HSLA 328.78, 0.91%, 0.74%, 0.81

LABA 68.59, 54.11, -11.74, 0.81

 

Complementary color

CMYK 77 / 0 / 40 / 40

HEX #068141CE

RGBA 6 129 65 0.81

HSLA 148.78, 0.91%, 0.26%, 0.81

LABA 47.13, -45.25, 26.34, 0.81

 

CMYK 0 / 41 / 22 / 0

HEX #FE7EB9CE

RGBA 254 126 185 0.81

HSLA 332.34, 0.98%, 0.75%, 0.81

LABA 69.11, 55.02, -8.09, 0.81

 

CMYK 0 / 35 / 16 / 0

HEX #FF90CCCE

RGBA 255 144 204 0.81

HSLA 327.57, 1%, 0.78%, 0.81

LABA 73.26, 49.14, -12.44, 0.81

 

CMYK 0 / 30 / 10 / 0

HEX #FFA2DFCE

RGBA 255 162 223 0.81

HSLA 320.65, 1%, 0.82%, 0.81

LABA 77.54, 42.87, -16.43, 0.81

 

CMYK 0 / 24 / 4 / 0

HEX #FFB4F2CE

RGBA 255 180 242 0.81

HSLA 310.4, 1%, 0.85%, 0.81

LABA 82.01, 36.67, -19.94, 0.81

 

CMYK 0 / 18 / 0 / 0

HEX #FFC6FFCE

RGBA 255 198 255 0.81

HSLA 300, 1%, 0.89%, 0.81

LABA 86.44, 29.52, -20.16, 0.81

 

CMYK 0 / 40 / 19 / 2

HEX #F97EBECE

RGBA 249 126 190 0.81

HSLA 328.78, 0.91%, 0.74%, 0.81

LABA 68.59, 54.11, -11.74, 0.81

 

CMYK 0 / 43 / 21 / 7

HEX #E86CABCE

RGBA 232 108 171 0.81

HSLA 329.52, 0.73%, 0.67%, 0.81

LABA 62.36, 54.8, -10.55, 0.81

 

CMYK 0 / 47 / 24 / 13

HEX #D75A98CE

RGBA 215 90 152 0.81

HSLA 330.24, 0.61%, 0.6%, 0.81

LABA 56.11, 55.39, -9.15, 0.81

 

CMYK 0 / 52 / 27 / 18

HEX #C64885CE

RGBA 198 72 133 0.81

HSLA 330.95, 0.53%, 0.53%, 0.81

LABA 49.9, 55.78, -7.46, 0.81

 

CMYK 0 / 57 / 30 / 24

HEX #B53672CE

RGBA 181 54 114 0.81

HSLA 331.65, 0.54%, 0.46%, 0.81

LABA 43.77, 55.82, -5.33, 0.81

 

CMYK 0 / 49 / 23 / 2

HEX #F980BF

RGB 249 128 191

HSL 328.76, 0.91%, 0.74%

LAB 69, 53.28, -11.69

 

CMYK 0 / 49 / 36 / 2

HEX #F9809F

RGB 249 128 159

HSL 344.63, 0.91%, 0.74%

LAB 68.08, 49.24, 4.96

 

CMYK 0 / 49 / 49 / 2

HEX #F98080

RGB 249 128 128

HSL 0, 0.91%, 0.74%

LAB 67.38, 46.06, 21.42

 

CMYK 0 / 49 / 23 / 2

HEX #F980BF

RGB 249 128 191

HSL 328.76, 0.91%, 0.74%

LAB 69, 53.28, -11.69

 

CMYK 0 / 49 / 10 / 2

HEX #F980E0

RGB 249 128 224

HSL 312.4, 0.91%, 0.74%

LAB 70.15, 58.16, -28.3

 

CMYK 3 / 49 / 0 / 2

HEX #F280F9

RGB 242 128 249

HSL 296.53, 0.91%, 0.74%

LAB 70.28, 60.4, -41.89

 

CMYK 16 / 49 / 0 / 2

HEX #D180F9

RGB 209 128 249

HSL 280.17, 0.91%, 0.74%

LAB 66.39, 51.46, -48.28

 

CMYK 29 / 49 / 0 / 2

HEX #B180F9

RGB 177 128 249

HSL 264.3, 0.91%, 0.74%

LAB 63.03, 43.03, -53.81

 

CMYK 0 / 49 / 23 / 2

HEX #F980BF

RGB 249 128 191

HSL 328.76, 0.91%, 0.74%

LAB 69, 53.28, -11.69

 

CMYK 0 / 49 / 23 / 2

HEX #F980BF

RGB 249 128 191

HSL 328.76, 0.91%, 0.74%

LAB 69, 53.28, -11.69

 

CMYK 0 / 42 / 20 / 7

HEX #EE8BBF

RGB 238 139 191

HSL 328.48, 0.74%, 0.74%

LAB 69.76, 44.21, -10.7

 

CMYK 0 / 34 / 17 / 11

HEX #E496BE

RGB 228 150 190

HSL 329.23, 0.59%, 0.74%

LAB 70.89, 34.93, -8.58

 

CMYK 0 / 26 / 12 / 15

HEX #D9A1BE

RGB 217 161 190

HSL 328.93, 0.42%, 0.74%

LAB 72.2, 25.2, -6.76

 

CMYK 0 / 17 / 8 / 19

HEX #CEABBD

RGB 206 171 189

HSL 329.14, 0.26%, 0.74%

LAB 73.49, 15.71, -4.41

 

CMYK 3 / 49 / 0 / 2

HEX #F180F9

RGB 241 128 249

HSL 296.03, 0.91%, 0.74%

LAB 70.16, 60.12, -42.09

 

CMYK 0 / 49 / 10 / 2

HEX #F980E1

RGB 249 128 225

HSL 311.9, 0.91%, 0.74%

LAB 70.19, 58.32, -28.79

 

CMYK 0 / 49 / 22 / 2

HEX #F980C1

RGB 249 128 193

HSL 327.77, 0.91%, 0.74%

LAB 69.06, 53.55, -12.71

 

CMYK 0 / 49 / 35 / 2

HEX #F980A1

RGB 249 128 161

HSL 343.64, 0.91%, 0.74%

LAB 68.13, 49.47, 3.9

 

CMYK 0 / 49 / 49 / 2

HEX #F98080

RGB 249 128 128

HSL 0, 0.91%, 0.74%

LAB 67.38, 46.06, 21.42

 

CMYK 0 / 80 / 38 / 4

HEX #F53297

RGB 245 50 151

HSL 328.92, 0.91%, 0.58%

LAB 56.02, 77.5, -8.19

 

CMYK 0 / 64 / 31 / 3

HEX #F759AB

RGB 247 89 171

HSL 328.86, 0.91%, 0.66%

LAB 61.53, 67.49, -11.56

 

CMYK 0 / 49 / 23 / 2

HEX #F980BF

RGB 249 128 191

HSL 328.76, 0.91%, 0.74%

LAB 69, 53.28, -11.69

 

CMYK 0 / 33 / 16 / 2

HEX #FBA8D3

RGB 251 168 211

HSL 328.92, 0.91%, 0.82%

LAB 78, 36.56, -9.25

 

CMYK 0 / 18 / 9 / 1

HEX #FDCFE7

RGB 253 207 231

HSL 328.7, 0.92%, 0.9%

LAB 87.62, 19.96, -5.71

 

CMYK 0 / 49 / 24 / 2

HEX #F97EBE

RGB 249 126 190

HSL 328.78, 0.91%, 0.74%

LAB 68.59, 54.11, -11.74

 

CMYK 0 / 16 / 49 / 2

HEX #F9D180

RGB 249 209 128

HSL 40.17, 0.91%, 0.74%

LAB 85.65, 4.07, 45.2

 

CMYK 49 / 3 / 0 / 2

HEX #80F1F9

RGB 128 241 249

HSL 183.97, 0.91%, 0.74%

LAB 89.08, -30.17, -13.84

 

CMYK 0 / 49 / 24 / 2

HEX #F97EBE

RGB 249 126 190

HSL 328.78, 0.91%, 0.74%

LAB 68.59, 54.11, -11.74

 

CMYK 22 / 0 / 49 / 2

HEX #C1F980

RGB 193 249 128

HSL 87.77, 0.91%, 0.74%

LAB 91.97, -37.05, 52.04

 

CMYK 49 / 22 / 0 / 2

HEX #80C1F9

RGB 128 193 249

HSL 207.77, 0.91%, 0.74%

LAB 75.8, -5.8, -34.04

 

CMYK 0 / 49 / 24 / 2

HEX #F97EBE

RGB 249 126 190

HSL 328.78, 0.91%, 0.74%

LAB 68.59, 54.11, -11.74

 

CMYK 0 / 16 / 49 / 2

HEX #F9D180

RGB 249 209 128

HSL 40.17, 0.91%, 0.74%

LAB 85.65, 4.07, 45.2

 

CMYK 49 / 0 / 26 / 2

HEX #80F9B9

RGB 128 249 185

HSL 148.26, 0.91%, 0.74%

LAB 89.79, -48.26, 20.43

 

CMYK 49 / 32 / 0 / 2

HEX #80A9F9

RGB 128 169 249

HSL 219.67, 0.91%, 0.74%

LAB 69.33, 7.48, -44.12

 

CMYK 0 / 49 / 24 / 2

HEX #F97EBE

RGB 249 126 190

HSL 328.78, 0.91%, 0.74%

LAB 68.59, 54.11, -11.74

 

CMYK 0 / 2 / 49 / 2

HEX #F9F580

RGB 249 245 128

HSL 58.02, 0.91%, 0.74%

LAB 94.74, -14.03, 56.28

 

CMYK 49 / 0 / 26 / 2

HEX #80F9B9

RGB 128 249 185

HSL 148.26, 0.91%, 0.74%

LAB 89.79, -48.26, 20.43

 

CMYK 49 / 47 / 0 / 2

HEX #8084F9

RGB 128 132 249

HSL 238.02, 0.91%, 0.74%

LAB 59.83, 28.97, -59.17

 

Description

Color code: HEX #F97EBECE | qconv.com Color code: HEX #F97EBECE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 126 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 126 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 19 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 19% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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