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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F97DA0CE it is the complementary color #06825FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F97DA0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F97DA0CE shade: #FE7D9BCE, #FF8FAECE, #FFA1C1CE, #FFB3D4CE and #FFC5E7CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F97DA0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F97DA0CE shade: #F97DA0CE, #E86B8DCE, #D7597ACE, #C64767CE and #B53554CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F97DA0CE shade: #F97B9F, #F97B7D and #F97B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F97DA0CE shade: #F97B9F, #F97BC1, #F97BE2, #ED7BF9 and #CC7BF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F97DA0CE shade matches the following richer shades: #F97B9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F97DA0CE shade: #F97B9F, #EE87A4, #E392A9, #D79DAD and #CCA8B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F97DA0CE shade: #F97BE2, #F97BC0, #F97B9F, #F97B7E and #F99B7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F97DA0CE shade: #F52D65, #F75482, #F97B9F, #FBA3BC and #FDCAD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F97DA0CE shade: #F97DA0, #F9EE7B and #7BD1F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F97DA0CE shade: #F97DA0, #9FF97B and #7B9FF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F97DA0CE shade: #F97DA0, #F9EE7B, #7BF9D5 and #7B86F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F97DA0CE shade: #F97DA0, #DEF97B, #7BF9D5 and #977BF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 29 / 2

HEX #F97DA0CE

RGBA 249 125 160 0.81

HSLA 343.06, 0.91%, 0.73%, 0.81

LABA 67.54, 50.82, 3.6, 0.81

 

Complementary color

CMYK 77 / 0 / 22 / 40

HEX #06825FCE

RGBA 6 130 95 0.81

HSLA 163.06, 0.91%, 0.27%, 0.81

LABA 48.05, -39.05, 10.59, 0.81

 

CMYK 0 / 41 / 32 / 0

HEX #FE7D9BCE

RGBA 254 125 155 0.81

HSLA 346.05, 0.98%, 0.74%, 0.81

LABA 68.1, 51.94, 7.33, 0.81

 

CMYK 0 / 36 / 26 / 0

HEX #FF8FAECE

RGBA 255 143 174 0.81

HSLA 343.39, 1%, 0.78%, 0.81

LABA 72.2, 45.62, 2.62, 0.81

 

CMYK 0 / 30 / 20 / 0

HEX #FFA1C1CE

RGBA 255 161 193 0.81

HSLA 339.57, 1%, 0.82%, 0.81

LABA 76.44, 38.92, -1.69, 0.81

 

CMYK 0 / 24 / 14 / 0

HEX #FFB3D4CE

RGBA 255 179 212 0.81

HSLA 333.95, 1%, 0.85%, 0.81

LABA 80.88, 32.32, -5.48, 0.81

 

CMYK 0 / 18 / 8 / 0

HEX #FFC5E7CE

RGBA 255 197 231 0.81

HSLA 324.83, 1%, 0.89%, 0.81

LABA 85.48, 25.89, -8.85, 0.81

 

CMYK 0 / 40 / 29 / 2

HEX #F97DA0CE

RGBA 249 125 160 0.81

HSLA 343.06, 0.91%, 0.73%, 0.81

LABA 67.54, 50.82, 3.6, 0.81

 

CMYK 0 / 44 / 32 / 7

HEX #E86B8DCE

RGBA 232 107 141 0.81

HSLA 343.68, 0.73%, 0.66%, 0.81

LABA 61.3, 51.66, 5.15, 0.81

 

CMYK 0 / 47 / 35 / 13

HEX #D7597ACE

RGBA 215 89 122 0.81

HSLA 344.29, 0.61%, 0.6%, 0.81

LABA 55.07, 52.42, 6.98, 0.81

 

CMYK 0 / 52 / 39 / 18

HEX #C64767CE

RGBA 198 71 103 0.81

HSLA 344.88, 0.53%, 0.53%, 0.81

LABA 48.87, 53.03, 9.17, 0.81

 

CMYK 0 / 57 / 43 / 24

HEX #B53554CE

RGBA 181 53 84 0.81

HSLA 345.47, 0.55%, 0.46%, 0.81

LABA 42.78, 53.31, 11.89, 0.81

 

CMYK 0 / 51 / 36 / 2

HEX #F97B9F

RGB 249 123 159

HSL 342.86, 0.91%, 0.73%

LAB 67.13, 51.67, 3.59

 

CMYK 0 / 51 / 50 / 2

HEX #F97B7D

RGB 249 123 125

HSL 359.05, 0.91%, 0.73%

LAB 66.36, 48.24, 21.72

 

CMYK 0 / 51 / 51 / 2

HEX #F97B7B

RGB 249 123 123

HSL 0, 0.91%, 0.73%

LAB 66.32, 48.07, 22.79

 

CMYK 0 / 51 / 36 / 2

HEX #F97B9F

RGB 249 123 159

HSL 342.86, 0.91%, 0.73%

LAB 67.13, 51.67, 3.59

 

CMYK 0 / 51 / 22 / 2

HEX #F97BC1

RGB 249 123 193

HSL 326.67, 0.91%, 0.73%

LAB 68.14, 55.95, -14.1

 

CMYK 0 / 51 / 9 / 2

HEX #F97BE2

RGB 249 123 226

HSL 310.95, 0.91%, 0.73%

LAB 69.32, 60.85, -30.67

 

CMYK 5 / 51 / 0 / 2

HEX #ED7BF9

RGB 237 123 249

HSL 294.29, 0.91%, 0.73%

LAB 68.76, 61.44, -44.33

 

CMYK 18 / 51 / 0 / 2

HEX #CC7BF9

RGB 204 123 249

HSL 278.57, 0.91%, 0.73%

LAB 64.84, 52.71, -50.77

 

CMYK 0 / 51 / 36 / 2

HEX #F97B9F

RGB 249 123 159

HSL 342.86, 0.91%, 0.73%

LAB 67.13, 51.67, 3.59

 

CMYK 0 / 51 / 36 / 2

HEX #F97B9F

RGB 249 123 159

HSL 342.86, 0.91%, 0.73%

LAB 67.13, 51.67, 3.59

 

CMYK 0 / 43 / 31 / 7

HEX #EE87A4

RGB 238 135 164

HSL 343.11, 0.75%, 0.73%

LAB 68.16, 42.56, 2.07

 

CMYK 0 / 36 / 26 / 11

HEX #E392A9

RGB 227 146 169

HSL 342.96, 0.59%, 0.73%

LAB 69.29, 33.6, 0.76

 

CMYK 0 / 27 / 20 / 16

HEX #D79DAD

RGB 215 157 173

HSL 343.45, 0.42%, 0.73%

LAB 70.58, 23.94, 0.24

 

CMYK 0 / 18 / 13 / 20

HEX #CCA8B2

RGB 204 168 178

HSL 343.33, 0.26%, 0.73%

LAB 72.27, 14.76, -0.19

 

CMYK 0 / 51 / 9 / 2

HEX #F97BE2

RGB 249 123 226

HSL 310.95, 0.91%, 0.73%

LAB 69.32, 60.85, -30.67

 

CMYK 0 / 51 / 23 / 2

HEX #F97BC0

RGB 249 123 192

HSL 327.14, 0.91%, 0.73%

LAB 68.1, 55.82, -13.59

 

CMYK 0 / 51 / 36 / 2

HEX #F97B9F

RGB 249 123 159

HSL 342.86, 0.91%, 0.73%

LAB 67.13, 51.67, 3.59

 

CMYK 0 / 51 / 49 / 2

HEX #F97B7E

RGB 249 123 126

HSL 358.57, 0.91%, 0.73%

LAB 66.38, 48.33, 21.18

 

CMYK 0 / 38 / 51 / 2

HEX #F99B7B

RGB 249 155 123

HSL 15.24, 0.91%, 0.73%

LAB 72.9, 31.85, 31.53

 

CMYK 0 / 82 / 59 / 4

HEX #F52D65

RGB 245 45 101

HSL 343.2, 0.91%, 0.57%

LAB 54.27, 74.73, 19.15

 

CMYK 0 / 66 / 47 / 3

HEX #F75482

RGB 247 84 130

HSL 343.07, 0.91%, 0.65%

LAB 59.64, 65.26, 9.49

 

CMYK 0 / 51 / 36 / 2

HEX #F97B9F

RGB 249 123 159

HSL 342.86, 0.91%, 0.73%

LAB 67.13, 51.67, 3.59

 

CMYK 0 / 35 / 25 / 2

HEX #FBA3BC

RGB 251 163 188

HSL 342.95, 0.92%, 0.81%

LAB 76.27, 35.8, 0.76

 

CMYK 0 / 20 / 15 / 1

HEX #FDCAD8

RGB 253 202 216

HSL 343.53, 0.93%, 0.89%

LAB 86.05, 20.16, -0.06

 

CMYK 0 / 50 / 36 / 2

HEX #F97DA0

RGB 249 125 160

HSL 343.06, 0.91%, 0.73%

LAB 67.54, 50.82, 3.6

 

CMYK 0 / 4 / 51 / 2

HEX #F9EE7B

RGB 249 238 123

HSL 54.76, 0.91%, 0.73%

LAB 92.89, -11.01, 56.39

 

CMYK 51 / 16 / 0 / 2

HEX #7BD1F9

RGB 123 209 249

HSL 199.05, 0.91%, 0.73%

LAB 79.98, -15.36, -27.63

 

CMYK 0 / 50 / 36 / 2

HEX #F97DA0

RGB 249 125 160

HSL 343.06, 0.91%, 0.73%

LAB 67.54, 50.82, 3.6

 

CMYK 36 / 0 / 51 / 2

HEX #9FF97B

RGB 159 249 123

HSL 102.86, 0.91%, 0.73%

LAB 90.12, -49.11, 51.69

 

CMYK 51 / 36 / 0 / 2

HEX #7B9FF9

RGB 123 159 249

HSL 222.86, 0.91%, 0.73%

LAB 66.4, 12.07, -48.74

 

CMYK 0 / 50 / 36 / 2

HEX #F97DA0

RGB 249 125 160

HSL 343.06, 0.91%, 0.73%

LAB 67.54, 50.82, 3.6

 

CMYK 0 / 4 / 51 / 2

HEX #F9EE7B

RGB 249 238 123

HSL 54.76, 0.91%, 0.73%

LAB 92.89, -11.01, 56.39

 

CMYK 51 / 0 / 14 / 2

HEX #7BF9D5

RGB 123 249 213

HSL 162.86, 0.91%, 0.73%

LAB 90.21, -43.56, 6.56

 

CMYK 51 / 46 / 0 / 2

HEX #7B86F9

RGB 123 134 249

HSL 234.76, 0.91%, 0.73%

LAB 59.98, 26.71, -58.94

 

CMYK 0 / 50 / 36 / 2

HEX #F97DA0

RGB 249 125 160

HSL 343.06, 0.91%, 0.73%

LAB 67.54, 50.82, 3.6

 

CMYK 11 / 0 / 51 / 2

HEX #DEF97B

RGB 222 249 123

HSL 72.86, 0.91%, 0.73%

LAB 93.76, -26.84, 56.92

 

CMYK 51 / 0 / 14 / 2

HEX #7BF9D5

RGB 123 249 213

HSL 162.86, 0.91%, 0.73%

LAB 90.21, -43.56, 6.56

 

CMYK 39 / 51 / 0 / 2

HEX #977BF9

RGB 151 123 249

HSL 253.33, 0.91%, 0.73%

LAB 59.51, 39.42, -59.57

 

Description

Color code: HEX #F97DA0CE | qconv.com Color code: HEX #F97DA0CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 125 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 125 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 29 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 29% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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