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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F97CED it is the complementary color #068312. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F97CED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F97CED shade: #FE7CE8, #FF8EFB, #FFA0FF, #FFB2FF and #FFC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F97CED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F97CED shade: #F97CED, #E86ADA, #D758C7, #C646B4 and #B534A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F97CED shade: #F97BED, #F97BCB, #F97BA9, #F97B87 and #F97B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F97CED shade: #F97BED, #E37BF9, #C17BF9, #9F7BF9 and #7E7BF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F97CED shade matches the following richer shades: #F97BED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F97CED shade: #F97BED, #EE87E4, #E392DB, #D79DD2 and #CCA8C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F97CED shade: #C07BF9, #E27BF9, #F97BEE, #F97BCD and #F97BAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F97CED shade: #F52DE2, #F754E7, #F97BED, #FBA3F2 and #FDCAF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F97CED shade: #F97CED, #F99F7B and #7BF9D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F97CED shade: #F97CED, #EEF97B and #7BEEF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F97CED shade: #F97CED, #F99F7B, #7BF986 and #7BD5F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F97CED shade: #F97CED, #F9C57B, #7BF986 and #7BB0F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 5 / 2

HEX #F97CED

RGB 249 124 237

HSL 305.76, 0.91%, 0.73%

LAB 69.94, 62.16, -35.78

 

Complementary color

CMYK 95 / 0 / 86 / 49

HEX #068312

RGB 6 131 18

HSL 125.76, 0.91%, 0.27%

LAB 47.39, -51.38, 47.03

 

CMYK 0 / 51 / 9 / 0

HEX #FE7CE8

RGB 254 124 232

HSL 310.15, 0.98%, 0.74%

LAB 70.39, 62.74, -32.28

 

CMYK 0 / 44 / 2 / 0

HEX #FF8EFB

RGB 255 142 251

HSL 302.12, 1%, 0.78%

LAB 74.55, 57.59, -36.21

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 50 / 5 / 2

HEX #F97CED

RGB 249 124 237

HSL 305.76, 0.91%, 0.73%

LAB 69.94, 62.16, -35.78

 

CMYK 0 / 54 / 6 / 9

HEX #E86ADA

RGB 232 106 218

HSL 306.67, 0.73%, 0.66%

LAB 63.78, 62.67, -35

 

CMYK 0 / 59 / 7 / 16

HEX #D758C7

RGB 215 88 199

HSL 307.56, 0.61%, 0.59%

LAB 57.61, 63.03, -34.05

 

CMYK 0 / 65 / 9 / 22

HEX #C646B4

RGB 198 70 180

HSL 308.44, 0.53%, 0.53%

LAB 51.48, 63.11, -32.86

 

CMYK 0 / 71 / 11 / 29

HEX #B534A1

RGB 181 52 161

HSL 309.3, 0.55%, 0.46%

LAB 45.43, 62.74, -31.32

 

CMYK 0 / 51 / 5 / 2

HEX #F97BED

RGB 249 123 237

HSL 305.71, 0.91%, 0.73%

LAB 69.77, 62.62, -36.05

 

CMYK 0 / 51 / 18 / 2

HEX #F97BCB

RGB 249 123 203

HSL 321.9, 0.91%, 0.73%

LAB 68.47, 57.36, -19.19

 

CMYK 0 / 51 / 32 / 2

HEX #F97BA9

RGB 249 123 169

HSL 338.1, 0.91%, 0.73%

LAB 67.4, 52.85, -1.67

 

CMYK 0 / 51 / 46 / 2

HEX #F97B87

RGB 249 123 135

HSL 354.29, 0.91%, 0.73%

LAB 66.56, 49.16, 16.36

 

CMYK 0 / 51 / 51 / 2

HEX #F97B7B

RGB 249 123 123

HSL 0, 0.91%, 0.73%

LAB 66.32, 48.07, 22.79

 

CMYK 0 / 51 / 5 / 2

HEX #F97BED

RGB 249 123 237

HSL 305.71, 0.91%, 0.73%

LAB 69.77, 62.62, -36.05

 

CMYK 9 / 51 / 0 / 2

HEX #E37BF9

RGB 227 123 249

HSL 289.52, 0.91%, 0.73%

LAB 67.53, 58.78, -46.34

 

CMYK 22 / 51 / 0 / 2

HEX #C17BF9

RGB 193 123 249

HSL 273.33, 0.91%, 0.73%

LAB 63.63, 49.85, -52.77

 

CMYK 36 / 51 / 0 / 2

HEX #9F7BF9

RGB 159 123 249

HSL 257.14, 0.91%, 0.73%

LAB 60.23, 41.32, -58.38

 

CMYK 49 / 51 / 0 / 2

HEX #7E7BF9

RGB 126 123 249

HSL 241.43, 0.91%, 0.73%

LAB 57.5, 33.84, -62.9

 

CMYK 0 / 51 / 5 / 2

HEX #F97BED

RGB 249 123 237

HSL 305.71, 0.91%, 0.73%

LAB 69.77, 62.62, -36.05

 

CMYK 0 / 51 / 5 / 2

HEX #F97BED

RGB 249 123 237

HSL 305.71, 0.91%, 0.73%

LAB 69.77, 62.62, -36.05

 

CMYK 0 / 43 / 4 / 7

HEX #EE87E4

RGB 238 135 228

HSL 305.83, 0.75%, 0.73%

LAB 70.25, 52.15, -30.46

 

CMYK 0 / 36 / 4 / 11

HEX #E392DB

RGB 227 146 219

HSL 305.93, 0.59%, 0.73%

LAB 70.87, 41.56, -24.65

 

CMYK 0 / 27 / 2 / 16

HEX #D79DD2

RGB 215 157 210

HSL 305.17, 0.42%, 0.73%

LAB 71.7, 30.17, -18.56

 

CMYK 0 / 18 / 1 / 20

HEX #CCA8C9

RGB 204 168 201

HSL 305, 0.26%, 0.73%

LAB 72.93, 18.81, -11.86

 

CMYK 23 / 51 / 0 / 2

HEX #C07BF9

RGB 192 123 249

HSL 272.86, 0.91%, 0.73%

LAB 63.52, 49.59, -52.95

 

CMYK 9 / 51 / 0 / 2

HEX #E27BF9

RGB 226 123 249

HSL 289.05, 0.91%, 0.73%

LAB 67.41, 58.52, -46.54

 

CMYK 0 / 51 / 4 / 2

HEX #F97BEE

RGB 249 123 238

HSL 305.24, 0.91%, 0.73%

LAB 69.81, 62.79, -36.54

 

CMYK 0 / 51 / 18 / 2

HEX #F97BCD

RGB 249 123 205

HSL 320.95, 0.91%, 0.73%

LAB 68.54, 57.65, -20.2

 

CMYK 0 / 51 / 31 / 2

HEX #F97BAC

RGB 249 123 172

HSL 336.67, 0.91%, 0.73%

LAB 67.49, 53.21, -3.24

 

CMYK 0 / 82 / 8 / 4

HEX #F52DE2

RGB 245 45 226

HSL 305.7, 0.91%, 0.57%

LAB 58.77, 87.5, -47.21

 

CMYK 0 / 66 / 6 / 3

HEX #F754E7

RGB 247 84 231

HSL 305.89, 0.91%, 0.65%

LAB 63.25, 77.46, -42.94

 

CMYK 0 / 51 / 5 / 2

HEX #F97BED

RGB 249 123 237

HSL 305.71, 0.91%, 0.73%

LAB 69.77, 62.62, -36.05

 

CMYK 0 / 35 / 4 / 2

HEX #FBA3F2

RGB 251 163 242

HSL 306.14, 0.92%, 0.81%

LAB 77.94, 44.25, -26.16

 

CMYK 0 / 20 / 2 / 1

HEX #FDCAF8

RGB 253 202 248

HSL 305.88, 0.93%, 0.89%

LAB 86.95, 25.52, -15.71

 

CMYK 0 / 50 / 5 / 2

HEX #F97CED

RGB 249 124 237

HSL 305.76, 0.91%, 0.73%

LAB 69.94, 62.16, -35.78

 

CMYK 0 / 36 / 51 / 2

HEX #F99F7B

RGB 249 159 123

HSL 17.14, 0.91%, 0.73%

LAB 73.78, 29.76, 32.68

 

CMYK 51 / 0 / 16 / 2

HEX #7BF9D1

RGB 123 249 209

HSL 160.95, 0.91%, 0.73%

LAB 90.12, -44.45, 8.5

 

CMYK 0 / 50 / 5 / 2

HEX #F97CED

RGB 249 124 237

HSL 305.76, 0.91%, 0.73%

LAB 69.94, 62.16, -35.78

 

CMYK 4 / 0 / 51 / 2

HEX #EEF97B

RGB 238 249 123

HSL 65.24, 0.91%, 0.73%

LAB 94.89, -20.69, 58.54

 

CMYK 51 / 4 / 0 / 2

HEX #7BEEF9

RGB 123 238 249

HSL 185.24, 0.91%, 0.73%

LAB 88.06, -29.78, -15.38

 

CMYK 0 / 50 / 5 / 2

HEX #F97CED

RGB 249 124 237

HSL 305.76, 0.91%, 0.73%

LAB 69.94, 62.16, -35.78

 

CMYK 0 / 36 / 51 / 2

HEX #F99F7B

RGB 249 159 123

HSL 17.14, 0.91%, 0.73%

LAB 73.78, 29.76, 32.68

 

CMYK 51 / 0 / 46 / 2

HEX #7BF986

RGB 123 249 134

HSL 125.24, 0.91%, 0.73%

LAB 88.77, -58.06, 44.51

 

CMYK 51 / 14 / 0 / 2

HEX #7BD5F9

RGB 123 213 249

HSL 197.14, 0.91%, 0.73%

LAB 81.09, -17.42, -25.93

 

CMYK 0 / 50 / 5 / 2

HEX #F97CED

RGB 249 124 237

HSL 305.76, 0.91%, 0.73%

LAB 69.94, 62.16, -35.78

 

CMYK 0 / 21 / 51 / 2

HEX #F9C57B

RGB 249 197 123

HSL 35.24, 0.91%, 0.73%

LAB 82.65, 9.84, 43.95

 

CMYK 51 / 0 / 46 / 2

HEX #7BF986

RGB 123 249 134

HSL 125.24, 0.91%, 0.73%

LAB 88.77, -58.06, 44.51

 

CMYK 51 / 29 / 0 / 2

HEX #7BB0F9

RGB 123 176 249

HSL 214.76, 0.91%, 0.73%

LAB 70.94, 2.41, -41.61

 

Description

Color code: HEX #F97CED | qconv.com Color code: HEX #F97CED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 124 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 124 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 5 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 5% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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