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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F978773F it is the complementary color #0687883F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F978773F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F978773F shade: #FE78723F, #FF8A853F, #FF9C983F, #FFAEAB3F and #FFC0BE3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F978773F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F978773F shade: #F978773F, #E866643F, #D754513F, #C6423E3F and #B5302B3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F978773F shade: #F97776 and #F97676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F978773F shade: #F97776, #F99A76, #F9BE76, #F9E176 and #EEF976

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F978773F shade matches the following richer shades: #F97776

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F978773F shade: #F97776, #EE8281, #E28E8D, #D79999 and #CBA4A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F978773F shade: #F976BC, #F97699, #F97676, #F99976 and #F9BC76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F978773F shade: #F62827, #F8504E, #F97776, #FB9E9E and #FDC6C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F978773F shade: #F97877, #DFF976 and #76AAF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F978773F shade: #F97877, #76F976 and #7676F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F978773F shade: #F97877, #DFF976, #76F9F9 and #9076F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F978773F shade: #F97877, #B8F976, #76F9F9 and #B876F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 13 / 1

HEX #F978773F

RGBA 249 120 119 0.25

HSLA 0.46, 0.92%, 0.72%, 0.25

LABA 65.67, 49.18, 24.17, 0.25

 

Complementary color

CMYK 24 / 0 / 0 / 12

HEX #0687883F

RGBA 6 135 136 0.25

HSLA 180.46, 0.92%, 0.28%, 0.25

LABA 50.86, -29.35, -9.28, 0.25

 

CMYK 0 / 13 / 14 / 0

HEX #FE78723F

RGBA 254 120 114 0.25

HSLA 2.57, 0.99%, 0.72%, 0.25

LABA 66.3, 50.55, 27.94, 0.25

 

CMYK 0 / 11 / 12 / 0

HEX #FF8A853F

RGBA 255 138 133 0.25

HSLA 2.46, 1%, 0.76%, 0.25

LABA 70.27, 43.71, 22.69, 0.25

 

CMYK 0 / 10 / 10 / 0

HEX #FF9C983F

RGBA 255 156 152 0.25

HSLA 2.33, 1%, 0.8%, 0.25

LABA 74.38, 36.44, 17.87, 0.25

 

CMYK 0 / 8 / 8 / 0

HEX #FFAEAB3F

RGBA 255 174 171 0.25

HSLA 2.14, 1%, 0.84%, 0.25

LABA 78.74, 29.27, 13.61, 0.25

 

CMYK 0 / 6 / 6 / 0

HEX #FFC0BE3F

RGBA 255 192 190 0.25

HSLA 1.85, 1%, 0.87%, 0.25

LABA 83.27, 22.31, 9.82, 0.25

 

CMYK 0 / 13 / 13 / 1

HEX #F978773F

RGBA 249 120 119 0.25

HSLA 0.46, 0.92%, 0.72%, 0.25

LABA 65.67, 49.18, 24.17, 0.25

 

CMYK 0 / 14 / 14 / 2

HEX #E866643F

RGBA 232 102 100 0.25

HSLA 0.91, 0.74%, 0.65%, 0.25

LABA 59.51, 50.27, 26.31, 0.25

 

CMYK 0 / 15 / 16 / 4

HEX #D754513F

RGBA 215 84 81 0.25

HSLA 1.34, 0.63%, 0.58%, 0.25

LABA 53.36, 51.3, 28.79, 0.25

 

CMYK 0 / 17 / 17 / 6

HEX #C6423E3F

RGBA 198 66 62 0.25

HSLA 1.76, 0.54%, 0.51%, 0.25

LABA 47.3, 52.17, 31.71, 0.25

 

CMYK 0 / 18 / 19 / 7

HEX #B5302B3F

RGBA 181 48 43 0.25

HSLA 2.17, 0.62%, 0.44%, 0.25

LABA 41.39, 52.71, 35.12, 0.25

 

CMYK 0 / 52 / 53 / 2

HEX #F97776

RGB 249 119 118

HSL 0.46, 0.92%, 0.72%

LAB 65.47, 49.58, 24.46

 

CMYK 0 / 53 / 53 / 2

HEX #F97676

RGB 249 118 118

HSL 0, 0.92%, 0.72%

LAB 65.28, 50.06, 24.21

 

CMYK 0 / 52 / 53 / 2

HEX #F97776

RGB 249 119 118

HSL 0.46, 0.92%, 0.72%

LAB 65.47, 49.58, 24.46

 

CMYK 0 / 38 / 53 / 2

HEX #F99A76

RGB 249 154 118

HSL 16.49, 0.92%, 0.72%

LAB 72.6, 31.94, 33.82

 

CMYK 0 / 24 / 53 / 2

HEX #F9BE76

RGB 249 190 118

HSL 32.98, 0.92%, 0.72%

LAB 80.89, 13.06, 44.28

 

CMYK 0 / 10 / 53 / 2

HEX #F9E176

RGB 249 225 118

HSL 49.01, 0.92%, 0.72%

LAB 89.53, -4.94, 54.73

 

CMYK 4 / 0 / 53 / 2

HEX #EEF976

RGB 238 249 118

HSL 65.04, 0.92%, 0.72%

LAB 94.84, -21.1, 60.73

 

CMYK 0 / 52 / 53 / 2

HEX #F97776

RGB 249 119 118

HSL 0.46, 0.92%, 0.72%

LAB 65.47, 49.58, 24.46

 

CMYK 0 / 52 / 53 / 2

HEX #F97776

RGB 249 119 118

HSL 0.46, 0.92%, 0.72%

LAB 65.47, 49.58, 24.46

 

CMYK 0 / 45 / 46 / 7

HEX #EE8281

RGB 238 130 129

HSL 0.55, 0.76%, 0.72%

LAB 66.31, 41.17, 19.16

 

CMYK 0 / 37 / 38 / 11

HEX #E28E8D

RGB 226 142 141

HSL 0.71, 0.59%, 0.72%

LAB 67.6, 31.76, 13.99

 

CMYK 0 / 29 / 29 / 16

HEX #D79999

RGB 215 153 153

HSL 0, 0.44%, 0.72%

LAB 69.13, 23.22, 9.27

 

CMYK 0 / 19 / 19 / 20

HEX #CBA4A4

RGB 203 164 164

HSL 0, 0.27%, 0.72%

LAB 70.82, 14.33, 5.43

 

CMYK 0 / 53 / 24 / 2

HEX #F976BC

RGB 249 118 188

HSL 327.94, 0.92%, 0.72%

LAB 67.07, 57.63, -12.89

 

CMYK 0 / 53 / 39 / 2

HEX #F97699

RGB 249 118 153

HSL 343.97, 0.92%, 0.72%

LAB 66.06, 53.39, 5.44

 

CMYK 0 / 53 / 53 / 2

HEX #F97676

RGB 249 118 118

HSL 0, 0.92%, 0.72%

LAB 65.28, 50.06, 24.21

 

CMYK 0 / 39 / 53 / 2

HEX #F99976

RGB 249 153 118

HSL 16.03, 0.92%, 0.72%

LAB 72.38, 32.46, 33.54

 

CMYK 0 / 24 / 53 / 2

HEX #F9BC76

RGB 249 188 118

HSL 32.06, 0.92%, 0.72%

LAB 80.41, 14.11, 43.69

 

CMYK 0 / 84 / 84 / 4

HEX #F62827

RGB 246 40 39

HSL 0.29, 0.92%, 0.56%

LAB 53.23, 73.56, 53.1

 

CMYK 0 / 68 / 69 / 3

HEX #F8504E

RGB 248 80 78

HSL 0.71, 0.92%, 0.64%

LAB 58.27, 63.58, 37.78

 

CMYK 0 / 52 / 53 / 2

HEX #F97776

RGB 249 119 118

HSL 0.46, 0.92%, 0.72%

LAB 65.47, 49.58, 24.46

 

CMYK 0 / 37 / 37 / 2

HEX #FB9E9E

RGB 251 158 158

HSL 0, 0.92%, 0.8%

LAB 74.46, 34.61, 14.63

 

CMYK 0 / 22 / 22 / 1

HEX #FDC6C5

RGB 253 198 197

HSL 1.07, 0.93%, 0.88%

LAB 84.64, 19.42, 8.02

 

CMYK 0 / 52 / 52 / 2

HEX #F97877

RGB 249 120 119

HSL 0.46, 0.92%, 0.72%

LAB 65.67, 49.18, 24.17

 

CMYK 10 / 0 / 53 / 2

HEX #DFF976

RGB 223 249 118

HSL 71.91, 0.92%, 0.72%

LAB 93.77, -26.9, 59.22

 

CMYK 53 / 32 / 0 / 2

HEX #76AAF9

RGB 118 170 249

HSL 216.18, 0.92%, 0.72%

LAB 69.07, 4.69, -44.56

 

CMYK 0 / 52 / 52 / 2

HEX #F97877

RGB 249 120 119

HSL 0.46, 0.92%, 0.72%

LAB 65.67, 49.18, 24.17

 

CMYK 53 / 0 / 53 / 2

HEX #76F976

RGB 118 249 118

HSL 120, 0.92%, 0.72%

LAB 88.41, -61.43, 51.54

 

CMYK 53 / 53 / 0 / 2

HEX #7676F9

RGB 118 118 249

HSL 240, 0.92%, 0.72%

LAB 55.73, 35.16, -65.78

 

CMYK 0 / 52 / 52 / 2

HEX #F97877

RGB 249 120 119

HSL 0.46, 0.92%, 0.72%

LAB 65.67, 49.18, 24.17

 

CMYK 10 / 0 / 53 / 2

HEX #DFF976

RGB 223 249 118

HSL 71.91, 0.92%, 0.72%

LAB 93.77, -26.9, 59.22

 

CMYK 53 / 0 / 0 / 2

HEX #76F9F9

RGB 118 249 249

HSL 180, 0.92%, 0.72%

LAB 90.98, -35.94, -11.04

 

CMYK 42 / 53 / 0 / 2

HEX #9076F9

RGB 144 118 249

HSL 251.91, 0.92%, 0.72%

LAB 57.78, 40.65, -62.38

 

CMYK 0 / 52 / 52 / 2

HEX #F97877

RGB 249 120 119

HSL 0.46, 0.92%, 0.72%

LAB 65.67, 49.18, 24.17

 

CMYK 26 / 0 / 53 / 2

HEX #B8F976

RGB 184 249 118

HSL 89.77, 0.92%, 0.72%

LAB 91.35, -41.27, 55.76

 

CMYK 53 / 0 / 0 / 2

HEX #76F9F9

RGB 118 249 249

HSL 180, 0.92%, 0.72%

LAB 90.98, -35.94, -11.04

 

CMYK 26 / 53 / 0 / 2

HEX #B876F9

RGB 184 118 249

HSL 270.23, 0.92%, 0.72%

LAB 61.64, 50.19, -55.98

 

Description

Color code: HEX #F978773F | qconv.com Color code: HEX #F978773F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 120 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 120 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 13 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 13% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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