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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F971E3 it is the complementary color #068E1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F971E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F971E3 shade: #FE71DE, #FF83F1, #FF95FF, #FFA7FF and #FFB9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F971E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F971E3 shade: #F971E3, #E85FD0, #D74DBD, #C63BAA and #B52997

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F971E3 shade: #F971E3, #F971BE, #F9719A, #F97175 and #F97171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F971E3 shade: #F971E3, #EA71F9, #C671F9, #A171F9 and #7C71F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F971E3 shade matches the following richer shades: #F971E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F971E3 shade: #F971E3, #ED7DDB, #E189D3, #D595CB and #C9A1C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F971E3 shade: #C571F9, #E971F9, #F971E5, #F971C0 and #F9719C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F971E3 shade: #F622D3, #F749DB, #F971E3, #FB99EB and #FCC0F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F971E3 shade: #F971E3, #F9A171 and #71F9D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F971E3 shade: #F971E3, #E5F971 and #71E5F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F971E3 shade: #F971E3, #F9A171, #71F985 and #71C9F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F971E3 shade: #F971E3, #F9C971, #71F985 and #71A1F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 9 / 2

HEX #F971E3

RGB 249 113 227

HSL 309.71, 0.92%, 0.71%

LAB 67.65, 65.58, -33.82

 

Complementary color

CMYK 96 / 0 / 80 / 44

HEX #068E1C

RGB 6 142 28

HSL 129.71, 0.92%, 0.29%

LAB 51.23, -54.08, 47.64

 

CMYK 0 / 56 / 13 / 0

HEX #FE71DE

RGB 254 113 222

HSL 313.62, 0.99%, 0.72%

LAB 68.13, 66.18, -30.23

 

CMYK 0 / 49 / 5 / 0

HEX #FF83F1

RGB 255 131 241

HSL 306.77, 1%, 0.76%

LAB 72.12, 61.2, -34.53

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 0 / 27 / 0 / 0

HEX #FFB9FF

RGB 255 185 255

HSL 300, 1%, 0.86%

LAB 83.54, 36.35, -24.57

 

CMYK 0 / 55 / 9 / 2

HEX #F971E3

RGB 249 113 227

HSL 309.71, 0.92%, 0.71%

LAB 67.65, 65.58, -33.82

 

CMYK 0 / 59 / 10 / 9

HEX #E85FD0

RGB 232 95 208

HSL 310.51, 0.75%, 0.64%

LAB 61.56, 65.93, -32.82

 

CMYK 0 / 64 / 12 / 16

HEX #D74DBD

RGB 215 77 189

HSL 311.3, 0.63%, 0.57%

LAB 55.51, 66.03, -31.58

 

CMYK 0 / 70 / 14 / 22

HEX #C63BAA

RGB 198 59 170

HSL 312.09, 0.55%, 0.5%

LAB 49.54, 65.73, -30.02

 

CMYK 0 / 77 / 17 / 29

HEX #B52997

RGB 181 41 151

HSL 312.86, 0.63%, 0.44%

LAB 43.72, 64.8, -28

 

CMYK 0 / 55 / 9 / 2

HEX #F971E3

RGB 249 113 227

HSL 309.71, 0.92%, 0.71%

LAB 67.65, 65.58, -33.82

 

CMYK 0 / 55 / 24 / 2

HEX #F971BE

RGB 249 113 190

HSL 326.03, 0.92%, 0.71%

LAB 66.27, 60.2, -15.23

 

CMYK 0 / 55 / 38 / 2

HEX #F9719A

RGB 249 113 154

HSL 341.91, 0.92%, 0.71%

LAB 65.19, 55.84, 3.61

 

CMYK 0 / 55 / 53 / 2

HEX #F97175

RGB 249 113 117

HSL 358.24, 0.92%, 0.71%

LAB 64.35, 52.34, 23.53

 

CMYK 0 / 55 / 55 / 2

HEX #F97171

RGB 249 113 113

HSL 0, 0.92%, 0.71%

LAB 64.28, 52.02, 25.69

 

CMYK 0 / 55 / 9 / 2

HEX #F971E3

RGB 249 113 227

HSL 309.71, 0.92%, 0.71%

LAB 67.65, 65.58, -33.82

 

CMYK 6 / 55 / 0 / 2

HEX #EA71F9

RGB 234 113 249

HSL 293.38, 0.92%, 0.71%

LAB 66.63, 65.33, -47.7

 

CMYK 20 / 55 / 0 / 2

HEX #C671F9

RGB 198 113 249

HSL 277.5, 0.92%, 0.71%

LAB 62.22, 56.26, -54.97

 

CMYK 35 / 55 / 0 / 2

HEX #A171F9

RGB 161 113 249

HSL 261.18, 0.92%, 0.71%

LAB 58.25, 47.33, -61.53

 

CMYK 50 / 55 / 0 / 2

HEX #7C71F9

RGB 124 113 249

HSL 244.85, 0.92%, 0.71%

LAB 55.01, 39.28, -66.93

 

CMYK 0 / 55 / 9 / 2

HEX #F971E3

RGB 249 113 227

HSL 309.71, 0.92%, 0.71%

LAB 67.65, 65.58, -33.82

 

CMYK 0 / 55 / 9 / 2

HEX #F971E3

RGB 249 113 227

HSL 309.71, 0.92%, 0.71%

LAB 67.65, 65.58, -33.82

 

CMYK 0 / 47 / 8 / 7

HEX #ED7DDB

RGB 237 125 219

HSL 309.64, 0.76%, 0.71%

LAB 67.86, 55.29, -29.17

 

CMYK 0 / 39 / 6 / 12

HEX #E189D3

RGB 225 137 211

HSL 309.55, 0.59%, 0.71%

LAB 68.46, 44.23, -23.94

 

CMYK 0 / 30 / 5 / 16

HEX #D595CB

RGB 213 149 203

HSL 309.38, 0.43%, 0.71%

LAB 69.44, 32.57, -18.14

 

CMYK 0 / 20 / 3 / 21

HEX #C9A1C3

RGB 201 161 195

HSL 309, 0.27%, 0.71%

LAB 70.77, 20.51, -11.83

 

CMYK 21 / 55 / 0 / 2

HEX #C571F9

RGB 197 113 249

HSL 277.06, 0.92%, 0.71%

LAB 62.1, 56.01, -55.16

 

CMYK 6 / 55 / 0 / 2

HEX #E971F9

RGB 233 113 249

HSL 292.94, 0.92%, 0.71%

LAB 66.5, 65.08, -47.91

 

CMYK 0 / 55 / 8 / 2

HEX #F971E5

RGB 249 113 229

HSL 308.82, 0.92%, 0.71%

LAB 67.73, 65.89, -34.8

 

CMYK 0 / 55 / 23 / 2

HEX #F971C0

RGB 249 113 192

HSL 325.15, 0.92%, 0.71%

LAB 66.33, 60.47, -16.26

 

CMYK 0 / 55 / 37 / 2

HEX #F9719C

RGB 249 113 156

HSL 341.03, 0.92%, 0.71%

LAB 65.24, 56.06, 2.55

 

CMYK 0 / 86 / 14 / 4

HEX #F622D3

RGB 246 34 211

HSL 309.91, 0.92%, 0.55%

LAB 57.5, 87.71, -40.71

 

CMYK 0 / 70 / 11 / 3

HEX #F749DB

RGB 247 73 219

HSL 309.66, 0.92%, 0.63%

LAB 61.35, 79.48, -39.18

 

CMYK 0 / 55 / 9 / 2

HEX #F971E3

RGB 249 113 227

HSL 309.71, 0.92%, 0.71%

LAB 67.65, 65.58, -33.82

 

CMYK 0 / 39 / 6 / 2

HEX #FB99EB

RGB 251 153 235

HSL 309.8, 0.92%, 0.79%

LAB 75.63, 48.18, -25.9

 

CMYK 0 / 24 / 4 / 1

HEX #FCC0F3

RGB 252 192 243

HSL 309, 0.91%, 0.87%

LAB 84.41, 29.57, -16.87

 

CMYK 0 / 55 / 9 / 2

HEX #F971E3

RGB 249 113 227

HSL 309.71, 0.92%, 0.71%

LAB 67.65, 65.58, -33.82

 

CMYK 0 / 35 / 55 / 2

HEX #F9A171

RGB 249 161 113

HSL 21.18, 0.92%, 0.71%

LAB 74.08, 27.87, 38.35

 

CMYK 55 / 0 / 14 / 2

HEX #71F9D7

RGB 113 249 215

HSL 165, 0.92%, 0.71%

LAB 89.94, -45.21, 5.08

 

CMYK 0 / 55 / 9 / 2

HEX #F971E3

RGB 249 113 227

HSL 309.71, 0.92%, 0.71%

LAB 67.65, 65.58, -33.82

 

CMYK 8 / 0 / 55 / 2

HEX #E5F971

RGB 229 249 113

HSL 68.82, 0.92%, 0.71%

LAB 94.14, -25.01, 61.96

 

CMYK 55 / 8 / 0 / 2

HEX #71E5F9

RGB 113 229 249

HSL 188.82, 0.92%, 0.71%

LAB 85.19, -27.43, -19.74

 

CMYK 0 / 55 / 9 / 2

HEX #F971E3

RGB 249 113 227

HSL 309.71, 0.92%, 0.71%

LAB 67.65, 65.58, -33.82

 

CMYK 0 / 35 / 55 / 2

HEX #F9A171

RGB 249 161 113

HSL 21.18, 0.92%, 0.71%

LAB 74.08, 27.87, 38.35

 

CMYK 55 / 0 / 47 / 2

HEX #71F985

RGB 113 249 133

HSL 128.82, 0.92%, 0.71%

LAB 88.43, -60.65, 44.49

 

CMYK 55 / 19 / 0 / 2

HEX #71C9F9

RGB 113 201 249

HSL 201.18, 0.92%, 0.71%

LAB 77.35, -13.28, -31.7

 

CMYK 0 / 55 / 9 / 2

HEX #F971E3

RGB 249 113 227

HSL 309.71, 0.92%, 0.71%

LAB 67.65, 65.58, -33.82

 

CMYK 0 / 19 / 55 / 2

HEX #F9C971

RGB 249 201 113

HSL 38.82, 0.92%, 0.71%

LAB 83.5, 6.93, 49.92

 

CMYK 55 / 0 / 47 / 2

HEX #71F985

RGB 113 249 133

HSL 128.82, 0.92%, 0.71%

LAB 88.43, -60.65, 44.49

 

CMYK 55 / 35 / 0 / 2

HEX #71A1F9

RGB 113 161 249

HSL 218.82, 0.92%, 0.71%

LAB 66.4, 8.78, -48.78

 

Description

Color code: HEX #F971E3 | qconv.com Color code: HEX #F971E3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 113 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 113 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 9 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 9% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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