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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F97076CE it is the complementary color #068F89CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F97076CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F97076CE shade: #FE7071CE, #FF8284CE, #FF9497CE, #FFA6AACE and #FFB8BDCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F97076CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F97076CE shade: #F97076CE, #E85E63CE, #D74C50CE, #C63A3DCE and #B5282ACE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F97076CE shade: #F97177 and #F97171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F97076CE shade: #F97177, #F9719C, #F971C0, #F971E5 and #E871F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F97076CE shade matches the following richer shades: #F97177

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F97076CE shade: #F97177, #ED7D82, #E1898D, #D59598 and #C9A1A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F97076CE shade: #F971C0, #F9719C, #F97178, #F98E71 and #F9B371

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F97076CE shade: #F6222B, #F74951, #F97177, #FB999D and #FCC0C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F97076CE shade: #F97076, #E5F971 and #71AEF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F97076CE shade: #F97076, #78F971 and #7178F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F97076CE shade: #F97076, #E5F971, #71F9F2 and #8571F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F97076CE shade: #F97076, #BCF971, #71F9F2 and #AE71F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 43 / 2

HEX #F97076CE

RGBA 249 112 118 0.81

HSLA 357.37, 0.92%, 0.71%, 0.81

LABA 64.19, 52.89, 22.74, 0.81

 

Complementary color

CMYK 78 / 0 / 3 / 36

HEX #068F89CE

RGBA 6 143 137 0.81

HSLA 177.37, 0.92%, 0.29%, 0.81

LABA 53.48, -32.86, -5.94, 0.81

 

CMYK 0 / 45 / 45 / 0

HEX #FE7071CE

RGBA 254 112 113 0.81

HSLA 359.58, 0.99%, 0.72%, 0.81

LABA 64.84, 54.21, 26.58, 0.81

 

CMYK 0 / 40 / 39 / 0

HEX #FF8284CE

RGBA 255 130 132 0.81

HSLA 359.04, 1%, 0.75%, 0.81

LABA 68.67, 47.58, 21.08, 0.81

 

CMYK 0 / 34 / 33 / 0

HEX #FF9497CE

RGBA 255 148 151 0.81

HSLA 358.32, 1%, 0.79%, 0.81

LABA 72.68, 40.44, 16.05, 0.81

 

CMYK 0 / 28 / 27 / 0

HEX #FFA6AACE

RGBA 255 166 170 0.81

HSLA 357.3, 1%, 0.83%, 0.81

LABA 76.94, 33.33, 11.62, 0.81

 

CMYK 0 / 23 / 21 / 0

HEX #FFB8BDCE

RGBA 255 184 189 0.81

HSLA 355.77, 1%, 0.86%, 0.81

LABA 81.41, 26.37, 7.7, 0.81

 

CMYK 0 / 45 / 43 / 2

HEX #F97076CE

RGBA 249 112 118 0.81

HSLA 357.37, 0.92%, 0.71%, 0.81

LABA 64.19, 52.89, 22.74, 0.81

 

CMYK 0 / 48 / 46 / 7

HEX #E85E63CE

RGBA 232 94 99 0.81

HSLA 357.83, 0.75%, 0.64%, 0.81

LABA 58.1, 53.85, 25.03, 0.81

 

CMYK 0 / 52 / 51 / 13

HEX #D74C50CE

RGBA 215 76 80 0.81

HSLA 358.27, 0.63%, 0.57%, 0.81

LABA 52.06, 54.69, 27.72, 0.81

 

CMYK 0 / 57 / 56 / 18

HEX #C63A3DCE

RGBA 198 58 61 0.81

HSLA 358.71, 0.55%, 0.5%, 0.81

LABA 46.14, 55.26, 30.9, 0.81

 

CMYK 0 / 63 / 62 / 24

HEX #B5282ACE

RGBA 181 40 42 0.81

HSLA 359.15, 0.64%, 0.43%, 0.81

LABA 40.42, 55.34, 34.64, 0.81

 

CMYK 0 / 55 / 52 / 2

HEX #F97177

RGB 249 113 119

HSL 357.35, 0.92%, 0.71%

LAB 64.39, 52.5, 22.44

 

CMYK 0 / 55 / 55 / 2

HEX #F97171

RGB 249 113 113

HSL 0, 0.92%, 0.71%

LAB 64.28, 52.02, 25.69

 

CMYK 0 / 55 / 52 / 2

HEX #F97177

RGB 249 113 119

HSL 357.35, 0.92%, 0.71%

LAB 64.39, 52.5, 22.44

 

CMYK 0 / 55 / 37 / 2

HEX #F9719C

RGB 249 113 156

HSL 341.03, 0.92%, 0.71%

LAB 65.24, 56.06, 2.55

 

CMYK 0 / 55 / 23 / 2

HEX #F971C0

RGB 249 113 192

HSL 325.15, 0.92%, 0.71%

LAB 66.33, 60.47, -16.26

 

CMYK 0 / 55 / 8 / 2

HEX #F971E5

RGB 249 113 229

HSL 308.82, 0.92%, 0.71%

LAB 67.73, 65.89, -34.8

 

CMYK 7 / 55 / 0 / 2

HEX #E871F9

RGB 232 113 249

HSL 292.5, 0.92%, 0.71%

LAB 66.37, 64.82, -48.13

 

CMYK 0 / 55 / 52 / 2

HEX #F97177

RGB 249 113 119

HSL 357.35, 0.92%, 0.71%

LAB 64.39, 52.5, 22.44

 

CMYK 0 / 55 / 52 / 2

HEX #F97177

RGB 249 113 119

HSL 357.35, 0.92%, 0.71%

LAB 64.39, 52.5, 22.44

 

CMYK 0 / 47 / 45 / 7

HEX #ED7D82

RGB 237 125 130

HSL 357.32, 0.76%, 0.71%

LAB 65.19, 43.44, 17.03

 

CMYK 0 / 39 / 37 / 12

HEX #E1898D

RGB 225 137 141

HSL 357.27, 0.59%, 0.71%

LAB 66.38, 34.03, 12.26

 

CMYK 0 / 30 / 29 / 16

HEX #D59598

RGB 213 149 152

HSL 357.19, 0.43%, 0.71%

LAB 67.95, 24.5, 8.12

 

CMYK 0 / 20 / 19 / 21

HEX #C9A1A3

RGB 201 161 163

HSL 357, 0.27%, 0.71%

LAB 69.86, 15.06, 4.57

 

CMYK 0 / 55 / 23 / 2

HEX #F971C0

RGB 249 113 192

HSL 325.15, 0.92%, 0.71%

LAB 66.33, 60.47, -16.26

 

CMYK 0 / 55 / 37 / 2

HEX #F9719C

RGB 249 113 156

HSL 341.03, 0.92%, 0.71%

LAB 65.24, 56.06, 2.55

 

CMYK 0 / 55 / 52 / 2

HEX #F97178

RGB 249 113 120

HSL 356.91, 0.92%, 0.71%

LAB 64.41, 52.59, 21.9

 

CMYK 0 / 43 / 55 / 2

HEX #F98E71

RGB 249 142 113

HSL 12.79, 0.92%, 0.71%

LAB 69.95, 37.73, 33.1

 

CMYK 0 / 28 / 55 / 2

HEX #F9B371

RGB 249 179 113

HSL 29.12, 0.92%, 0.71%

LAB 78.21, 18.42, 43.5

 

CMYK 0 / 86 / 83 / 4

HEX #F6222B

RGB 246 34 43

HSL 357.45, 0.92%, 0.55%

LAB 52.85, 74.81, 50.79

 

CMYK 0 / 70 / 67 / 3

HEX #F74951

RGB 247 73 81

HSL 357.24, 0.92%, 0.63%

LAB 57.21, 65.98, 34.76

 

CMYK 0 / 55 / 52 / 2

HEX #F97177

RGB 249 113 119

HSL 357.35, 0.92%, 0.71%

LAB 64.39, 52.5, 22.44

 

CMYK 0 / 39 / 37 / 2

HEX #FB999D

RGB 251 153 157

HSL 357.55, 0.92%, 0.79%

LAB 73.37, 37.08, 13.63

 

CMYK 0 / 24 / 23 / 1

HEX #FCC0C3

RGB 252 192 195

HSL 357, 0.91%, 0.87%

LAB 83.09, 21.92, 6.85

 

CMYK 0 / 55 / 53 / 2

HEX #F97076

RGB 249 112 118

HSL 357.37, 0.92%, 0.71%

LAB 64.19, 52.89, 22.74

 

CMYK 8 / 0 / 55 / 2

HEX #E5F971

RGB 229 249 113

HSL 68.82, 0.92%, 0.71%

LAB 94.14, -25.01, 61.96

 

CMYK 55 / 30 / 0 / 2

HEX #71AEF9

RGB 113 174 249

HSL 213.09, 0.92%, 0.71%

LAB 69.91, 1.38, -43.26

 

CMYK 0 / 55 / 53 / 2

HEX #F97076

RGB 249 112 118

HSL 357.37, 0.92%, 0.71%

LAB 64.19, 52.89, 22.74

 

CMYK 52 / 0 / 55 / 2

HEX #78F971

RGB 120 249 113

HSL 116.91, 0.92%, 0.71%

LAB 88.42, -61.53, 53.84

 

CMYK 55 / 52 / 0 / 2

HEX #7178F9

RGB 113 120 249

HSL 236.91, 0.92%, 0.71%

LAB 55.87, 33, -65.57

 

CMYK 0 / 55 / 53 / 2

HEX #F97076

RGB 249 112 118

HSL 357.37, 0.92%, 0.71%

LAB 64.19, 52.89, 22.74

 

CMYK 8 / 0 / 55 / 2

HEX #E5F971

RGB 229 249 113

HSL 68.82, 0.92%, 0.71%

LAB 94.14, -25.01, 61.96

 

CMYK 55 / 0 / 3 / 2

HEX #71F9F2

RGB 113 249 242

HSL 176.91, 0.92%, 0.71%

LAB 90.63, -38.68, -7.94

 

CMYK 47 / 55 / 0 / 2

HEX #8571F9

RGB 133 113 249

HSL 248.82, 0.92%, 0.71%

LAB 55.72, 41.12, -65.74

 

CMYK 0 / 55 / 53 / 2

HEX #F97076

RGB 249 112 118

HSL 357.37, 0.92%, 0.71%

LAB 64.19, 52.89, 22.74

 

CMYK 24 / 0 / 55 / 2

HEX #BCF971

RGB 188 249 113

HSL 86.91, 0.92%, 0.71%

LAB 91.52, -40.34, 58.26

 

CMYK 55 / 0 / 3 / 2

HEX #71F9F2

RGB 113 249 242

HSL 176.91, 0.92%, 0.71%

LAB 90.63, -38.68, -7.94

 

CMYK 30 / 55 / 0 / 2

HEX #AE71F9

RGB 174 113 249

HSL 266.91, 0.92%, 0.71%

LAB 59.57, 50.39, -59.35

 

Description

Color code: HEX #F97076CE | qconv.com Color code: HEX #F97076CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 112 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 112 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 43 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 43% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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