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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F96F65 it is the complementary color #06909A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F96F65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F96F65 shade: #FE6F60, #FF8173, #FF9386, #FFA599 and #FFB7AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F96F65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F96F65 shade: #F96F65, #E85D52, #D74B3F, #C6392C and #B52719

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F96F65 shade: #F97066 and #F96666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F96F65 shade: #F97066, #F99866, #F9C066, #F9E766 and #E4F966

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F96F65 shade matches the following richer shades: #F97066

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F96F65 shade: #F97066, #ED7B73, #E08680, #D3928D and #C69D9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F96F65 shade: #F966AB, #F96684, #F97066, #F99766 and #F9BF66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F96F65 shade: #F72617, #F84B3F, #F97066, #FB968E and #FCBBB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F96F65 shade: #F96F65, #D2F966 and #6697F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F96F65 shade: #F96F65, #66F970 and #7066F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F96F65 shade: #F96F65, #D2F966, #66F0F9 and #8E66F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F96F65 shade: #F96F65, #A6F966, #66F0F9 and #BA66F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 59 / 2

HEX #F96F65

RGB 249 111 101

HSL 4.05, 0.93%, 0.69%

LAB 63.71, 52.08, 31.69

 

Complementary color

CMYK 96 / 6 / 0 / 40

HEX #06909A

RGB 6 144 154

HSL 184.05, 0.93%, 0.31%

LAB 54.36, -27.9, -14.43

 

CMYK 0 / 56 / 62 / 0

HEX #FE6F60

RGB 254 111 96

HSL 5.7, 0.99%, 0.69%

LAB 64.39, 53.5, 35.48

 

CMYK 0 / 49 / 55 / 0

HEX #FF8173

RGB 255 129 115

HSL 6, 1%, 0.73%

LAB 68.17, 46.64, 29.85

 

CMYK 0 / 42 / 47 / 0

HEX #FF9386

RGB 255 147 134

HSL 6.45, 1%, 0.76%

LAB 72.13, 39.25, 24.66

 

CMYK 0 / 35 / 40 / 0

HEX #FFA599

RGB 255 165 153

HSL 7.06, 1%, 0.8%

LAB 76.36, 31.89, 20.06

 

CMYK 0 / 28 / 33 / 0

HEX #FFB7AC

RGB 255 183 172

HSL 7.95, 1%, 0.84%

LAB 80.8, 24.68, 15.97

 

CMYK 0 / 55 / 59 / 2

HEX #F96F65

RGB 249 111 101

HSL 4.05, 0.93%, 0.69%

LAB 63.71, 52.08, 31.69

 

CMYK 0 / 60 / 65 / 9

HEX #E85D52

RGB 232 93 82

HSL 4.4, 0.77%, 0.62%

LAB 57.65, 53.19, 34.17

 

CMYK 0 / 65 / 71 / 16

HEX #D74B3F

RGB 215 75 63

HSL 4.74, 0.66%, 0.55%

LAB 51.65, 54.18, 37

 

CMYK 0 / 71 / 78 / 22

HEX #C6392C

RGB 198 57 44

HSL 5.06, 0.64%, 0.47%

LAB 45.79, 54.9, 40.21

 

CMYK 0 / 78 / 86 / 29

HEX #B52719

RGB 181 39 25

HSL 5.38, 0.76%, 0.4%

LAB 40.16, 55.13, 43.55

 

CMYK 0 / 55 / 59 / 2

HEX #F97066

RGB 249 112 102

HSL 4.08, 0.92%, 0.69%

LAB 63.91, 51.69, 31.38

 

CMYK 0 / 59 / 59 / 2

HEX #F96666

RGB 249 102 102

HSL 0, 0.92%, 0.69%

LAB 62.17, 56.24, 29.15

 

CMYK 0 / 55 / 59 / 2

HEX #F97066

RGB 249 112 102

HSL 4.08, 0.92%, 0.69%

LAB 63.91, 51.69, 31.38

 

CMYK 0 / 39 / 59 / 2

HEX #F99866

RGB 249 152 102

HSL 20.41, 0.92%, 0.69%

LAB 71.93, 31.74, 41.43

 

CMYK 0 / 23 / 59 / 2

HEX #F9C066

RGB 249 192 102

HSL 36.73, 0.92%, 0.69%

LAB 81.18, 10.78, 52.48

 

CMYK 0 / 7 / 59 / 2

HEX #F9E766

RGB 249 231 102

HSL 52.65, 0.92%, 0.69%

LAB 90.89, -9.13, 63.52

 

CMYK 8 / 0 / 59 / 2

HEX #E4F966

RGB 228 249 102

HSL 68.57, 0.92%, 0.69%

LAB 93.97, -26.23, 66.46

 

CMYK 0 / 55 / 59 / 2

HEX #F97066

RGB 249 112 102

HSL 4.08, 0.92%, 0.69%

LAB 63.91, 51.69, 31.38

 

CMYK 0 / 55 / 59 / 2

HEX #F97066

RGB 249 112 102

HSL 4.08, 0.92%, 0.69%

LAB 63.91, 51.69, 31.38

 

CMYK 0 / 48 / 51 / 7

HEX #ED7B73

RGB 237 123 115

HSL 3.93, 0.77%, 0.69%

LAB 64.49, 43.05, 24.54

 

CMYK 0 / 40 / 43 / 12

HEX #E08680

RGB 224 134 128

HSL 3.75, 0.61%, 0.69%

LAB 65.32, 33.79, 18.07

 

CMYK 0 / 31 / 33 / 17

HEX #D3928D

RGB 211 146 141

HSL 4.29, 0.44%, 0.69%

LAB 66.77, 23.92, 12.57

 

CMYK 0 / 21 / 22 / 22

HEX #C69D9A

RGB 198 157 154

HSL 4.09, 0.28%, 0.69%

LAB 68.35, 14.75, 7.37

 

CMYK 0 / 59 / 31 / 2

HEX #F966AB

RGB 249 102 171

HSL 331.84, 0.92%, 0.69%

LAB 63.82, 62.69, -8.1

 

CMYK 0 / 59 / 47 / 2

HEX #F96684

RGB 249 102 132

HSL 347.76, 0.92%, 0.69%

LAB 62.77, 58.61, 12.78

 

CMYK 0 / 55 / 59 / 2

HEX #F97066

RGB 249 112 102

HSL 4.08, 0.92%, 0.69%

LAB 63.91, 51.69, 31.38

 

CMYK 0 / 39 / 59 / 2

HEX #F99766

RGB 249 151 102

HSL 20, 0.92%, 0.69%

LAB 71.71, 32.26, 41.17

 

CMYK 0 / 23 / 59 / 2

HEX #F9BF66

RGB 249 191 102

HSL 36.33, 0.92%, 0.69%

LAB 80.94, 11.31, 52.2

 

CMYK 0 / 85 / 91 / 3

HEX #F72617

RGB 247 38 23

HSL 4.02, 0.93%, 0.53%

LAB 53.19, 73.96, 59.98

 

CMYK 0 / 70 / 75 / 3

HEX #F84B3F

RGB 248 75 63

HSL 3.89, 0.93%, 0.61%

LAB 57.41, 64.78, 45.05

 

CMYK 0 / 55 / 59 / 2

HEX #F97066

RGB 249 112 102

HSL 4.08, 0.92%, 0.69%

LAB 63.91, 51.69, 31.38

 

CMYK 0 / 40 / 43 / 2

HEX #FB968E

RGB 251 150 142

HSL 4.4, 0.93%, 0.77%

LAB 72.41, 37.01, 20.57

 

CMYK 0 / 26 / 28 / 1

HEX #FCBBB6

RGB 252 187 182

HSL 4.29, 0.92%, 0.85%

LAB 81.63, 22.76, 11.73

 

CMYK 0 / 55 / 59 / 2

HEX #F96F65

RGB 249 111 101

HSL 4.05, 0.93%, 0.69%

LAB 63.71, 52.08, 31.69

 

CMYK 16 / 0 / 59 / 2

HEX #D2F966

RGB 210 249 102

HSL 75.92, 0.92%, 0.69%

LAB 92.76, -33.17, 64.77

 

CMYK 59 / 39 / 0 / 2

HEX #6697F9

RGB 102 151 249

HSL 220, 0.92%, 0.69%

LAB 63.18, 12.42, -53.92

 

CMYK 0 / 55 / 59 / 2

HEX #F96F65

RGB 249 111 101

HSL 4.05, 0.93%, 0.69%

LAB 63.71, 52.08, 31.69

 

CMYK 59 / 0 / 55 / 2

HEX #66F970

RGB 102 249 112

HSL 124.08, 0.92%, 0.69%

LAB 87.85, -65.93, 53.47

 

CMYK 55 / 59 / 0 / 2

HEX #7066F9

RGB 112 102 249

HSL 244.08, 0.92%, 0.69%

LAB 51.6, 43.43, -72.49

 

CMYK 0 / 55 / 59 / 2

HEX #F96F65

RGB 249 111 101

HSL 4.05, 0.93%, 0.69%

LAB 63.71, 52.08, 31.69

 

CMYK 16 / 0 / 59 / 2

HEX #D2F966

RGB 210 249 102

HSL 75.92, 0.92%, 0.69%

LAB 92.76, -33.17, 64.77

 

CMYK 59 / 4 / 0 / 2

HEX #66F0F9

RGB 102 240 249

HSL 183.67, 0.92%, 0.69%

LAB 87.96, -34.66, -15.61

 

CMYK 43 / 59 / 0 / 2

HEX #8E66F9

RGB 142 102 249

HSL 256.33, 0.92%, 0.69%

LAB 54.13, 49.18, -68.27

 

CMYK 0 / 55 / 59 / 2

HEX #F96F65

RGB 249 111 101

HSL 4.05, 0.93%, 0.69%

LAB 63.71, 52.08, 31.69

 

CMYK 33 / 0 / 59 / 2

HEX #A6F966

RGB 166 249 102

HSL 93.88, 0.92%, 0.69%

LAB 90.24, -48.98, 61.26

 

CMYK 59 / 4 / 0 / 2

HEX #66F0F9

RGB 102 240 249

HSL 183.67, 0.92%, 0.69%

LAB 87.96, -34.66, -15.61

 

CMYK 25 / 59 / 0 / 2

HEX #BA66F9

RGB 186 102 249

HSL 274.29, 0.92%, 0.69%

LAB 58.77, 58.85, -60.55

 

Description

Color code: HEX #F96F65 | qconv.com Color code: HEX #F96F65 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 111 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 111 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 59 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 59% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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