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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F96C784C it is the complementary color #0693874C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F96C784C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F96C784C shade: #FE6C734C, #FF7E864C, #FF90994C, #FFA2AC4C and #FFB4BF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F96C784C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F96C784C shade: #F96C784C, #E85A654C, #D748524C, #C6363F4C and #B5242C4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F96C784C shade: #F96C78 and #F96C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F96C784C shade: #F96C78, #F96C9E, #F96CC4, #F96CEA and #E26CF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F96C784C shade matches the following richer shades: #F96C78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F96C784C shade: #F96C78, #ED7882, #E0858D, #D49197 and #C79EA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F96C784C shade: #F96CC5, #F96CA0, #F96C7A, #F9846C and #F9A96C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F96C784C shade: #F61D2F, #F74554, #F96C78, #FB949C and #FCBBC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F96C784C shade: #F96C78, #EBF96C and #6CB3F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F96C784C shade: #F96C78, #7AF96C and #6C7AF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F96C784C shade: #F96C78, #EBF96C, #6CF9EB and #7A6CF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F96C784C shade: #F96C78, #C1F96C, #6CF9EB and #A46CF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 16 / 1

HEX #F96C784C

RGBA 249 108 120 0.3

HSLA 354.89, 0.92%, 0.7%, 0.3

LABA 63.53, 54.89, 20.71, 0.3

 

Complementary color

CMYK 29 / 0 / 2 / 13

HEX #0693874C

RGBA 6 147 135 0.3

HSLA 174.89, 0.92%, 0.3%, 0.3

LABA 54.72, -35.32, -2.96, 0.3

 

CMYK 0 / 17 / 16 / 0

HEX #FE6C734C

RGBA 254 108 115 0.3

HSLA 357.12, 0.99%, 0.71%, 0.3

LABA 64.19, 56.18, 24.57, 0.3

 

CMYK 0 / 15 / 14 / 0

HEX #FF7E864C

RGBA 255 126 134 0.3

HSLA 356.28, 1%, 0.75%, 0.3

LABA 67.95, 49.7, 18.97, 0.3

 

CMYK 0 / 13 / 12 / 0

HEX #FF90994C

RGBA 255 144 153 0.3

HSLA 355.14, 1%, 0.78%, 0.3

LABA 71.9, 42.69, 13.85, 0.3

 

CMYK 0 / 11 / 10 / 0

HEX #FFA2AC4C

RGBA 255 162 172 0.3

HSLA 353.55, 1%, 0.82%, 0.3

LABA 76.12, 35.65, 9.35, 0.3

 

CMYK 0 / 9 / 8 / 0

HEX #FFB4BF4C

RGBA 255 180 191 0.3

HSLA 351.2, 1%, 0.85%, 0.3

LABA 80.55, 28.74, 5.38, 0.3

 

CMYK 0 / 17 / 16 / 1

HEX #F96C784C

RGBA 249 108 120 0.3

HSLA 354.89, 0.92%, 0.7%, 0.3

LABA 63.53, 54.89, 20.71, 0.3

 

CMYK 0 / 18 / 17 / 3

HEX #E85A654C

RGBA 232 90 101 0.3

HSLA 355.35, 0.76%, 0.63%, 0.3

LABA 57.47, 55.76, 23.05, 0.3

 

CMYK 0 / 20 / 19 / 5

HEX #D748524C

RGBA 215 72 82 0.3

HSLA 355.8, 0.64%, 0.56%, 0.3

LABA 51.49, 56.46, 25.81, 0.3

 

CMYK 0 / 22 / 20 / 7

HEX #C6363F4C

RGBA 198 54 63 0.3

HSLA 356.25, 0.57%, 0.49%, 0.3

LABA 45.64, 56.82, 29.11, 0.3

 

CMYK 0 / 24 / 23 / 9

HEX #B5242C4C

RGBA 181 36 44 0.3

HSLA 356.69, 0.67%, 0.43%, 0.3

LABA 40.03, 56.6, 33.03, 0.3

 

CMYK 0 / 57 / 52 / 2

HEX #F96C78

RGB 249 108 120

HSL 354.89, 0.92%, 0.7%

LAB 63.53, 54.89, 20.71

 

CMYK 0 / 57 / 57 / 2

HEX #F96C6C

RGB 249 108 108

HSL 0, 0.92%, 0.7%

LAB 63.3, 53.96, 27.22

 

CMYK 0 / 57 / 52 / 2

HEX #F96C78

RGB 249 108 120

HSL 354.89, 0.92%, 0.7%

LAB 63.53, 54.89, 20.71

 

CMYK 0 / 57 / 37 / 2

HEX #F96C9E

RGB 249 108 158

HSL 338.72, 0.92%, 0.7%

LAB 64.43, 58.56, 0.23

 

CMYK 0 / 57 / 21 / 2

HEX #F96CC4

RGB 249 108 196

HSL 322.55, 0.92%, 0.7%

LAB 65.63, 63.26, -19.58

 

CMYK 0 / 57 / 6 / 2

HEX #F96CEA

RGB 249 108 234

HSL 306.38, 0.92%, 0.7%

LAB 67.13, 68.88, -38.5

 

CMYK 9 / 57 / 0 / 2

HEX #E26CF9

RGB 226 108 249

HSL 290.21, 0.92%, 0.7%

LAB 64.75, 65.61, -50.74

 

CMYK 0 / 57 / 52 / 2

HEX #F96C78

RGB 249 108 120

HSL 354.89, 0.92%, 0.7%

LAB 63.53, 54.89, 20.71

 

CMYK 0 / 57 / 52 / 2

HEX #F96C78

RGB 249 108 120

HSL 354.89, 0.92%, 0.7%

LAB 63.53, 54.89, 20.71

 

CMYK 0 / 49 / 45 / 7

HEX #ED7882

RGB 237 120 130

HSL 354.87, 0.76%, 0.7%

LAB 64.2, 45.93, 15.66

 

CMYK 0 / 41 / 37 / 12

HEX #E0858D

RGB 224 133 141

HSL 354.73, 0.59%, 0.7%

LAB 65.39, 35.77, 10.84

 

CMYK 0 / 32 / 29 / 17

HEX #D49197

RGB 212 145 151

HSL 354.63, 0.44%, 0.7%

LAB 66.89, 26.16, 7.14

 

CMYK 0 / 21 / 19 / 22

HEX #C79EA1

RGB 199 158 161

HSL 355.61, 0.27%, 0.7%

LAB 68.87, 15.65, 4.23

 

CMYK 0 / 57 / 21 / 2

HEX #F96CC5

RGB 249 108 197

HSL 322.13, 0.92%, 0.7%

LAB 65.67, 63.39, -20.09

 

CMYK 0 / 57 / 36 / 2

HEX #F96CA0

RGB 249 108 160

HSL 337.87, 0.92%, 0.7%

LAB 64.49, 58.78, -0.83

 

CMYK 0 / 57 / 51 / 2

HEX #F96C7A

RGB 249 108 122

HSL 354.04, 0.92%, 0.7%

LAB 63.57, 55.06, 19.62

 

CMYK 0 / 47 / 57 / 2

HEX #F9846C

RGB 249 132 108

HSL 10.21, 0.92%, 0.7%

LAB 67.82, 42.41, 33.08

 

CMYK 0 / 32 / 57 / 2

HEX #F9A96C

RGB 249 169 108

HSL 25.96, 0.92%, 0.7%

LAB 75.82, 23.29, 43.11

 

CMYK 0 / 88 / 81 / 4

HEX #F61D2F

RGB 246 29 47

HSL 355.02, 0.92%, 0.54%

LAB 52.59, 75.75, 48.47

 

CMYK 0 / 72 / 66 / 3

HEX #F74554

RGB 247 69 84

HSL 354.94, 0.92%, 0.62%

LAB 56.75, 67.51, 32.48

 

CMYK 0 / 57 / 52 / 2

HEX #F96C78

RGB 249 108 120

HSL 354.89, 0.92%, 0.7%

LAB 63.53, 54.89, 20.71

 

CMYK 0 / 41 / 38 / 2

HEX #FB949C

RGB 251 148 156

HSL 355.34, 0.93%, 0.78%

LAB 72.29, 39.55, 12.67

 

CMYK 0 / 26 / 23 / 1

HEX #FCBBC1

RGB 252 187 193

HSL 354.46, 0.92%, 0.86%

LAB 81.89, 24.26, 6.19

 

CMYK 0 / 57 / 52 / 2

HEX #F96C78

RGB 249 108 120

HSL 354.89, 0.92%, 0.7%

LAB 63.53, 54.89, 20.71

 

CMYK 6 / 0 / 57 / 2

HEX #EBF96C

RGB 235 249 108

HSL 65.96, 0.92%, 0.7%

LAB 94.52, -23.06, 64.68

 

CMYK 57 / 28 / 0 / 2

HEX #6CB3F9

RGB 108 179 249

HSL 209.79, 0.92%, 0.7%

LAB 71.06, -2.42, -41.49

 

CMYK 0 / 57 / 52 / 2

HEX #F96C78

RGB 249 108 120

HSL 354.89, 0.92%, 0.7%

LAB 63.53, 54.89, 20.71

 

CMYK 51 / 0 / 57 / 2

HEX #7AF96C

RGB 122 249 108

HSL 114.04, 0.92%, 0.7%

LAB 88.43, -61.58, 56.1

 

CMYK 57 / 51 / 0 / 2

HEX #6C7AF9

RGB 108 122 249

HSL 234.04, 0.92%, 0.7%

LAB 56.03, 30.85, -65.32

 

CMYK 0 / 57 / 52 / 2

HEX #F96C78

RGB 249 108 120

HSL 354.89, 0.92%, 0.7%

LAB 63.53, 54.89, 20.71

 

CMYK 6 / 0 / 57 / 2

HEX #EBF96C

RGB 235 249 108

HSL 65.96, 0.92%, 0.7%

LAB 94.52, -23.06, 64.68

 

CMYK 57 / 0 / 6 / 2

HEX #6CF9EB

RGB 108 249 235

HSL 174.04, 0.92%, 0.7%

LAB 90.29, -41.36, -4.81

 

CMYK 51 / 57 / 0 / 2

HEX #7A6CF9

RGB 122 108 249

HSL 245.96, 0.92%, 0.7%

LAB 53.71, 41.79, -69.03

 

CMYK 0 / 57 / 52 / 2

HEX #F96C78

RGB 249 108 120

HSL 354.89, 0.92%, 0.7%

LAB 63.53, 54.89, 20.71

 

CMYK 22 / 0 / 57 / 2

HEX #C1F96C

RGB 193 249 108

HSL 83.83, 0.92%, 0.7%

LAB 91.76, -39, 60.81

 

CMYK 57 / 0 / 6 / 2

HEX #6CF9EB

RGB 108 249 235

HSL 174.04, 0.92%, 0.7%

LAB 90.29, -41.36, -4.81

 

CMYK 34 / 57 / 0 / 2

HEX #A46CF9

RGB 164 108 249

HSL 263.83, 0.92%, 0.7%

LAB 57.52, 50.71, -62.69

 

Description

Color code: HEX #F96C784C | qconv.com Color code: HEX #F96C784C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 108 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 108 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 16 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 16% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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