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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F965C6 it is the complementary color #069A39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F965C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F965C6 shade: #FE65C1, #FF77D4, #FF89E7, #FF9BFA and #FFADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F965C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F965C6 shade: #F965C6, #E853B3, #D741A0, #C62F8D and #B51D7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F965C6 shade: #F966C7, #F9669F, #F96677 and #F96666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F965C6 shade: #F966C7, #F966EE, #DD66F9, #B566F9 and #8E66F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F965C6 shade matches the following richer shades: #F966C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F965C6 shade: #F966C7, #ED73C3, #E080BF, #D38DBB and #C69AB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F965C6 shade: #DC66F9, #F966F0, #F966C8, #F966A1 and #F9667A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F965C6 shade: #F717A9, #F83FB8, #F966C7, #FB8ED5 and #FCB6E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F965C6 shade: #F965C6, #F9B566 and #66F9F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F965C6 shade: #F965C6, #C8F966 and #66C8F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F965C6 shade: #F965C6, #F9B566, #66F997 and #66ABF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F965C6 shade: #F965C6, #F9E166, #66F997 and #667FF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 20 / 2

HEX #F965C6

RGB 249 101 198

HSL 320.68, 0.93%, 0.69%

LAB 64.58, 66.55, -22.3

 

Complementary color

CMYK 96 / 0 / 63 / 40

HEX #069A39

RGB 6 154 57

HSL 140.68, 0.93%, 0.31%

LAB 55.53, -54.93, 40.46

 

CMYK 0 / 60 / 24 / 0

HEX #FE65C1

RGB 254 101 193

HSL 323.92, 0.99%, 0.7%

LAB 65.14, 67.28, -18.56

 

CMYK 0 / 53 / 17 / 0

HEX #FF77D4

RGB 255 119 212

HSL 318.97, 1%, 0.73%

LAB 68.9, 62.3, -23.48

 

CMYK 0 / 46 / 9 / 0

HEX #FF89E7

RGB 255 137 231

HSL 312.2, 1%, 0.77%

LAB 72.84, 56.7, -27.95

 

CMYK 0 / 39 / 2 / 0

HEX #FF9BFA

RGB 255 155 250

HSL 303, 1%, 0.8%

LAB 77.04, 50.95, -31.82

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 0 / 59 / 20 / 2

HEX #F965C6

RGB 249 101 198

HSL 320.68, 0.93%, 0.69%

LAB 64.58, 66.55, -22.3

 

CMYK 0 / 64 / 23 / 9

HEX #E853B3

RGB 232 83 179

HSL 321.34, 0.76%, 0.62%

LAB 58.6, 66.73, -20.83

 

CMYK 0 / 70 / 26 / 16

HEX #D741A0

RGB 215 65 160

HSL 322, 0.65%, 0.55%

LAB 52.69, 66.54, -19.03

 

CMYK 0 / 76 / 29 / 22

HEX #C62F8D

RGB 198 47 141

HSL 322.65, 0.62%, 0.48%

LAB 46.92, 65.82, -16.76

 

CMYK 0 / 84 / 33 / 29

HEX #B51D7A

RGB 181 29 122

HSL 323.29, 0.72%, 0.41%

LAB 41.39, 64.26, -13.86

 

CMYK 0 / 59 / 20 / 2

HEX #F966C7

RGB 249 102 199

HSL 320.41, 0.92%, 0.69%

LAB 64.78, 66.27, -22.57

 

CMYK 0 / 59 / 36 / 2

HEX #F9669F

RGB 249 102 159

HSL 336.73, 0.92%, 0.69%

LAB 63.46, 61.32, -1.76

 

CMYK 0 / 59 / 52 / 2

HEX #F96677

RGB 249 102 119

HSL 353.06, 0.92%, 0.69%

LAB 62.49, 57.5, 19.87

 

CMYK 0 / 59 / 59 / 2

HEX #F96666

RGB 249 102 102

HSL 0, 0.92%, 0.69%

LAB 62.17, 56.24, 29.15

 

CMYK 0 / 59 / 20 / 2

HEX #F966C7

RGB 249 102 199

HSL 320.41, 0.92%, 0.69%

LAB 64.78, 66.27, -22.57

 

CMYK 0 / 59 / 4 / 2

HEX #F966EE

RGB 249 102 238

HSL 304.49, 0.92%, 0.69%

LAB 66.38, 72.04, -41.89

 

CMYK 11 / 59 / 0 / 2

HEX #DD66F9

RGB 221 102 249

HSL 288.57, 0.92%, 0.69%

LAB 63.11, 67.09, -53.38

 

CMYK 27 / 59 / 0 / 2

HEX #B566F9

RGB 181 102 249

HSL 272.24, 0.92%, 0.69%

LAB 58.19, 57.7, -61.51

 

CMYK 43 / 59 / 0 / 2

HEX #8E66F9

RGB 142 102 249

HSL 256.33, 0.92%, 0.69%

LAB 54.13, 49.18, -68.27

 

CMYK 0 / 59 / 20 / 2

HEX #F966C7

RGB 249 102 199

HSL 320.41, 0.92%, 0.69%

LAB 64.78, 66.27, -22.57

 

CMYK 0 / 59 / 20 / 2

HEX #F966C7

RGB 249 102 199

HSL 320.41, 0.92%, 0.69%

LAB 64.78, 66.27, -22.57

 

CMYK 0 / 51 / 18 / 7

HEX #ED73C3

RGB 237 115 195

HSL 320.66, 0.77%, 0.69%

LAB 65.13, 56.37, -19.94

 

CMYK 0 / 43 / 15 / 12

HEX #E080BF

RGB 224 128 191

HSL 320.63, 0.61%, 0.69%

LAB 65.79, 45.27, -16.84

 

CMYK 0 / 33 / 11 / 17

HEX #D38DBB

RGB 211 141 187

HSL 320.57, 0.44%, 0.69%

LAB 66.89, 33.45, -13.08

 

CMYK 0 / 22 / 8 / 22

HEX #C69AB7

RGB 198 154 183

HSL 320.45, 0.28%, 0.69%

LAB 68.41, 21.15, -8.71

 

CMYK 12 / 59 / 0 / 2

HEX #DC66F9

RGB 220 102 249

HSL 288.16, 0.92%, 0.69%

LAB 62.98, 66.86, -53.6

 

CMYK 0 / 59 / 4 / 2

HEX #F966F0

RGB 249 102 240

HSL 303.67, 0.92%, 0.69%

LAB 66.47, 72.36, -42.85

 

CMYK 0 / 59 / 20 / 2

HEX #F966C8

RGB 249 102 200

HSL 320, 0.92%, 0.69%

LAB 64.81, 66.4, -23.08

 

CMYK 0 / 59 / 35 / 2

HEX #F966A1

RGB 249 102 161

HSL 335.92, 0.92%, 0.69%

LAB 63.52, 61.54, -2.82

 

CMYK 0 / 59 / 51 / 2

HEX #F9667A

RGB 249 102 122

HSL 351.84, 0.92%, 0.69%

LAB 62.55, 57.75, 18.23

 

CMYK 0 / 91 / 32 / 3

HEX #F717A9

RGB 247 23 169

HSL 320.89, 0.93%, 0.53%

LAB 55.33, 84.61, -19.79

 

CMYK 0 / 75 / 26 / 3

HEX #F83FB8

RGB 248 63 184

HSL 320.76, 0.93%, 0.61%

LAB 58.95, 78.25, -22.95

 

CMYK 0 / 59 / 20 / 2

HEX #F966C7

RGB 249 102 199

HSL 320.41, 0.92%, 0.69%

LAB 64.78, 66.27, -22.57

 

CMYK 0 / 43 / 15 / 2

HEX #FB8ED5

RGB 251 142 213

HSL 320.92, 0.93%, 0.77%

LAB 72.67, 50.2, -18.36

 

CMYK 0 / 28 / 10 / 1

HEX #FCB6E4

RGB 252 182 228

HSL 320.57, 0.92%, 0.85%

LAB 81.7, 32.27, -12.91

 

CMYK 0 / 59 / 20 / 2

HEX #F965C6

RGB 249 101 198

HSL 320.68, 0.93%, 0.69%

LAB 64.58, 66.55, -22.3

 

CMYK 0 / 27 / 59 / 2

HEX #F9B566

RGB 249 181 102

HSL 32.24, 0.92%, 0.69%

LAB 78.55, 16.54, 49.39

 

CMYK 59 / 0 / 4 / 2

HEX #66F9F0

RGB 102 249 240

HSL 176.33, 0.92%, 0.69%

LAB 90.26, -41.15, -7.48

 

CMYK 0 / 59 / 20 / 2

HEX #F965C6

RGB 249 101 198

HSL 320.68, 0.93%, 0.69%

LAB 64.58, 66.55, -22.3

 

CMYK 20 / 0 / 59 / 2

HEX #C8F966

RGB 200 249 102

HSL 80, 0.92%, 0.69%

LAB 92.13, -36.93, 63.9

 

CMYK 59 / 20 / 0 / 2

HEX #66C8F9

RGB 102 200 249

HSL 200, 0.92%, 0.69%

LAB 76.66, -14.88, -32.8

 

CMYK 0 / 59 / 20 / 2

HEX #F965C6

RGB 249 101 198

HSL 320.68, 0.93%, 0.69%

LAB 64.58, 66.55, -22.3

 

CMYK 0 / 27 / 59 / 2

HEX #F9B566

RGB 249 181 102

HSL 32.24, 0.92%, 0.69%

LAB 78.55, 16.54, 49.39

 

CMYK 59 / 0 / 39 / 2

HEX #66F997

RGB 102 249 151

HSL 140, 0.92%, 0.69%

LAB 88.36, -60.29, 35.55

 

CMYK 59 / 31 / 0 / 2

HEX #66ABF9

RGB 102 171 249

HSL 211.84, 0.92%, 0.69%

LAB 68.6, 0.9, -45.35

 

CMYK 0 / 59 / 20 / 2

HEX #F965C6

RGB 249 101 198

HSL 320.68, 0.93%, 0.69%

LAB 64.58, 66.55, -22.3

 

CMYK 0 / 10 / 59 / 2

HEX #F9E166

RGB 249 225 102

HSL 50.2, 0.92%, 0.69%

LAB 89.37, -6.13, 61.82

 

CMYK 59 / 0 / 39 / 2

HEX #66F997

RGB 102 249 151

HSL 140, 0.92%, 0.69%

LAB 88.36, -60.29, 35.55

 

CMYK 59 / 49 / 0 / 2

HEX #667FF9

RGB 102 127 249

HSL 229.8, 0.92%, 0.69%

LAB 56.92, 26.75, -63.91

 

Description

Color code: HEX #F965C6 | qconv.com Color code: HEX #F965C6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 101 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 101 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 20 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 20% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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