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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F963283F it is the complementary color #069CD73F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F963283F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F963283F shade: #FE63233F, #FF75363F, #FF87493F, #FF995C3F and #FFAB6F3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F963283F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F963283F shade: #F963283F, #E851153F, #D73F023F, #C62D003F and #B51B003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F963283F shade: #FA6429, #FA2C29 and #FA2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F963283F shade: #FA6429, #FA9C29, #FAD429, #E6FA29 and #AEFA29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F963283F shade matches the following richer shades: #FA6429

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F963283F shade: #FA6429, #E86C3B, #D6734D, #C47B5E and #B38370

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F963283F shade: #FA2961, #FA2929, #FA6129, #FA9829 and #FAD029

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F963283F shade: #CB3D05, #F34906, #FA6429, #FB8151 and #FC9E7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F963283F shade: #F96328, #98FA29 and #2945FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F963283F shade: #F96328, #29FA61 and #6129FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F963283F shade: #F96328, #98FA29, #29C2FA and #8A29FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F963283F shade: #F96328, #5AFA29, #29C2FA and #C929FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 21 / 1

HEX #F963283F

RGBA 249 99 40 0.25

HSLA 16.94, 0.95%, 0.57%, 0.25

LABA 60.97, 54.75, 59.54, 0.25

 

Complementary color

CMYK 24 / 7 / 0 / 4

HEX #069CD73F

RGBA 6 156 215 0.25

HSLA 196.94, 0.95%, 0.43%, 0.25

LABA 60.54, -12.86, -39.46, 0.25

 

CMYK 0 / 15 / 22 / 0

HEX #FE63233F

RGBA 254 99 35 0.25

HSLA 17.53, 0.99%, 0.57%, 0.25

LABA 61.75, 56.38, 62.45, 0.25

 

CMYK 0 / 14 / 20 / 0

HEX #FF75363F

RGBA 255 117 54 0.25

HSLA 18.81, 1%, 0.61%, 0.25

LABA 65.16, 49.08, 57.74, 0.25

 

CMYK 0 / 12 / 18 / 0

HEX #FF87493F

RGBA 255 135 73 0.25

HSLA 20.44, 1%, 0.64%, 0.25

LABA 68.8, 41.06, 52.64, 0.25

 

CMYK 0 / 10 / 16 / 0

HEX #FF995C3F

RGBA 255 153 92 0.25

HSLA 22.45, 1%, 0.68%, 0.25

LABA 72.77, 32.92, 47.73, 0.25

 

CMYK 0 / 8 / 14 / 0

HEX #FFAB6F3F

RGBA 255 171 111 0.25

HSLA 25, 1%, 0.72%, 0.25

LABA 77, 24.86, 43.18, 0.25

 

CMYK 0 / 15 / 21 / 1

HEX #F963283F

RGBA 249 99 40 0.25

HSLA 16.94, 0.95%, 0.57%, 0.25

LABA 60.97, 54.75, 59.54, 0.25

 

CMYK 0 / 16 / 23 / 2

HEX #E851153F

RGBA 232 81 21 0.25

HSLA 17.06, 0.83%, 0.5%, 0.25

LABA 55.17, 56.19, 60.66, 0.25

 

CMYK 0 / 18 / 25 / 4

HEX #D73F023F

RGBA 215 63 2 0.25

HSLA 17.18, 0.98%, 0.43%, 0.25

LABA 49.5, 57.38, 60.51, 0.25

 

CMYK 0 / 19 / 25 / 6

HEX #C62D003F

RGBA 198 45 0 0.25

HSLA 13.64, 1%, 0.39%, 0.25

LABA 44.06, 58.13, 56.67, 0.25

 

CMYK 0 / 21 / 25 / 7

HEX #B51B003F

RGBA 181 27 0 0.25

HSLA 8.95, 1%, 0.35%, 0.25

LABA 38.91, 57.95, 52.48, 0.25

 

CMYK 0 / 60 / 84 / 2

HEX #FA6429

RGB 250 100 41

HSL 16.94, 0.95%, 0.57%

LAB 61.31, 54.69, 59.48

 

CMYK 0 / 82 / 84 / 2

HEX #FA2C29

RGB 250 44 41

HSL 0.86, 0.95%, 0.57%

LAB 54.33, 73.81, 53.4

 

CMYK 0 / 84 / 84 / 2

HEX #FA2929

RGB 250 41 41

HSL 0, 0.95%, 0.57%

LAB 54.1, 74.45, 53.2

 

CMYK 0 / 60 / 84 / 2

HEX #FA6429

RGB 250 100 41

HSL 16.94, 0.95%, 0.57%

LAB 61.31, 54.69, 59.48

 

CMYK 0 / 38 / 84 / 2

HEX #FA9C29

RGB 250 156 41

HSL 33.01, 0.95%, 0.57%

LAB 72.4, 27.14, 68.95

 

CMYK 0 / 15 / 84 / 2

HEX #FAD429

RGB 250 212 41

HSL 49.09, 0.95%, 0.57%

LAB 85.79, -1.96, 80.15

 

CMYK 8 / 0 / 84 / 2

HEX #E6FA29

RGB 230 250 41

HSL 65.74, 0.95%, 0.57%

LAB 94.04, -28.82, 86.35

 

CMYK 30 / 0 / 84 / 2

HEX #AEFA29

RGB 174 250 41

HSL 81.82, 0.95%, 0.57%

LAB 90.56, -50.28, 82.02

 

CMYK 0 / 60 / 84 / 2

HEX #FA6429

RGB 250 100 41

HSL 16.94, 0.95%, 0.57%

LAB 61.31, 54.69, 59.48

 

CMYK 0 / 60 / 84 / 2

HEX #FA6429

RGB 250 100 41

HSL 16.94, 0.95%, 0.57%

LAB 61.31, 54.69, 59.48

 

CMYK 0 / 53 / 75 / 9

HEX #E86C3B

RGB 232 108 59

HSL 16.99, 0.79%, 0.57%

LAB 60.07, 45.04, 49.16

 

CMYK 0 / 46 / 64 / 16

HEX #D6734D

RGB 214 115 77

HSL 16.64, 0.63%, 0.57%

LAB 59.06, 35.53, 38.01

 

CMYK 0 / 37 / 52 / 23

HEX #C47B5E

RGB 196 123 94

HSL 17.06, 0.46%, 0.57%

LAB 58.7, 25.35, 27.7

 

CMYK 0 / 27 / 37 / 30

HEX #B38370

RGB 179 131 112

HSL 17.01, 0.31%, 0.57%

LAB 58.96, 15.92, 17.53

 

CMYK 0 / 84 / 61 / 2

HEX #FA2961

RGB 250 41 97

HSL 343.92, 0.95%, 0.57%

LAB 54.84, 76.63, 22.48

 

CMYK 0 / 84 / 84 / 2

HEX #FA2929

RGB 250 41 41

HSL 0, 0.95%, 0.57%

LAB 54.1, 74.45, 53.2

 

CMYK 0 / 61 / 84 / 2

HEX #FA6129

RGB 250 97 41

HSL 16.08, 0.95%, 0.57%

LAB 60.81, 56, 59.05

 

CMYK 0 / 39 / 84 / 2

HEX #FA9829

RGB 250 152 41

HSL 31.87, 0.95%, 0.57%

LAB 71.51, 29.22, 68.2

 

CMYK 0 / 17 / 84 / 2

HEX #FAD029

RGB 250 208 41

HSL 47.94, 0.95%, 0.57%

LAB 84.79, 0.08, 79.32

 

CMYK 0 / 70 / 98 / 20

HEX #CB3D05

RGB 203 61 5

HSL 16.97, 0.95%, 0.41%

LAB 47.03, 54.22, 57.23

 

CMYK 0 / 70 / 98 / 5

HEX #F34906

RGB 243 73 6

HSL 16.96, 0.95%, 0.49%

LAB 55.92, 62.74, 65.7

 

CMYK 0 / 60 / 84 / 2

HEX #FA6429

RGB 250 100 41

HSL 16.94, 0.95%, 0.57%

LAB 61.31, 54.69, 59.48

 

CMYK 0 / 49 / 68 / 2

HEX #FB8151

RGB 251 129 81

HSL 16.94, 0.96%, 0.65%

LAB 67.13, 42.93, 46.65

 

CMYK 0 / 37 / 52 / 1

HEX #FC9E7A

RGB 252 158 122

HSL 16.62, 0.96%, 0.73%

LAB 73.9, 31.36, 33.44

 

CMYK 0 / 60 / 84 / 2

HEX #F96328

RGB 249 99 40

HSL 16.94, 0.95%, 0.57%

LAB 60.97, 54.75, 59.54

 

CMYK 39 / 0 / 84 / 2

HEX #98FA29

RGB 152 250 41

HSL 88.13, 0.95%, 0.57%

LAB 89.49, -57.82, 80.67

 

CMYK 84 / 72 / 0 / 2

HEX #2945FA

RGB 41 69 250

HSL 231.96, 0.95%, 0.57%

LAB 40.62, 54.81, -91.19

 

CMYK 0 / 60 / 84 / 2

HEX #F96328

RGB 249 99 40

HSL 16.94, 0.95%, 0.57%

LAB 60.97, 54.75, 59.54

 

CMYK 84 / 0 / 61 / 2

HEX #29FA61

RGB 41 250 97

HSL 136.08, 0.95%, 0.57%

LAB 86.85, -77.4, 58.57

 

CMYK 61 / 84 / 0 / 2

HEX #6129FA

RGB 97 41 250

HSL 256.08, 0.95%, 0.57%

LAB 39.63, 71.69, -92.72

 

CMYK 0 / 60 / 84 / 2

HEX #F96328

RGB 249 99 40

HSL 16.94, 0.95%, 0.57%

LAB 60.97, 54.75, 59.54

 

CMYK 39 / 0 / 84 / 2

HEX #98FA29

RGB 152 250 41

HSL 88.13, 0.95%, 0.57%

LAB 89.49, -57.82, 80.67

 

CMYK 84 / 22 / 0 / 2

HEX #29C2FA

RGB 41 194 250

HSL 196.08, 0.95%, 0.57%

LAB 73.52, -19.26, -38.33

 

CMYK 45 / 84 / 0 / 2

HEX #8A29FA

RGB 138 41 250

HSL 267.85, 0.95%, 0.57%

LAB 44.08, 75.83, -85.24

 

CMYK 0 / 60 / 84 / 2

HEX #F96328

RGB 249 99 40

HSL 16.94, 0.95%, 0.57%

LAB 60.97, 54.75, 59.54

 

CMYK 64 / 0 / 84 / 2

HEX #5AFA29

RGB 90 250 41

HSL 105.93, 0.95%, 0.57%

LAB 87.34, -74.52, 77.96

 

CMYK 84 / 22 / 0 / 2

HEX #29C2FA

RGB 41 194 250

HSL 196.08, 0.95%, 0.57%

LAB 73.52, -19.26, -38.33

 

CMYK 20 / 84 / 0 / 2

HEX #C929FA

RGB 201 41 250

HSL 285.93, 0.95%, 0.57%

LAB 52.85, 84.5, -70.55

 

Description

Color code: HEX #F963283F | qconv.com Color code: HEX #F963283F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 99 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 99 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 21 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 21% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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