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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F96079 it is the complementary color #069F86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F96079. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F96079 shade: #FE6074, #FF7287, #FF849A, #FF96AD and #FFA8C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F96079. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F96079 shade: #F96079, #E84E66, #D73C53, #C62A40 and #B5182D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F96079 shade: #F9627A and #F96262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F96079 shade: #F9627A, #F962A3, #F962CC, #F962F5 and #D562F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F96079 shade matches the following richer shades: #F9627A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F96079 shade: #F9627A, #EC6F83, #DF7C8C, #D28995 and #C4969E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F96079 shade: #F962CC, #F962A3, #F9627B, #F97162 and #F99962

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F96079 shade: #F61237, #F83A59, #F9627A, #FB899C and #FCB1BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F96079 shade: #F96079, #F4F962 and #62B8F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F96079 shade: #F96079, #7BF962 and #627BF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F96079 shade: #F96079, #F4F962, #62F9E0 and #6762F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F96079 shade: #F96079, #C7F962, #62F9E0 and #9462F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 51 / 2

HEX #F96079

RGB 249 96 121

HSL 350.2, 0.93%, 0.68%

LAB 61.56, 60.26, 17.44

 

Complementary color

CMYK 96 / 0 / 16 / 38

HEX #069F86

RGB 6 159 134

HSL 170.2, 0.93%, 0.32%

LAB 58.56, -40.91, 3.22

 

CMYK 0 / 62 / 54 / 0

HEX #FE6074

RGB 254 96 116

HSL 352.41, 0.99%, 0.69%

LAB 62.25, 61.46, 21.4

 

CMYK 0 / 55 / 47 / 0

HEX #FF7287

RGB 255 114 135

HSL 351.06, 1%, 0.72%

LAB 65.78, 55.46, 15.41

 

CMYK 0 / 48 / 40 / 0

HEX #FF849A

RGB 255 132 154

HSL 349.27, 1%, 0.76%

LAB 69.54, 48.78, 9.96

 

CMYK 0 / 41 / 32 / 0

HEX #FF96AD

RGB 255 150 173

HSL 346.86, 1%, 0.79%

LAB 73.6, 41.95, 5.2

 

CMYK 0 / 34 / 25 / 0

HEX #FFA8C0

RGB 255 168 192

HSL 343.45, 1%, 0.83%

LAB 77.92, 35.15, 1.02

 

CMYK 0 / 61 / 51 / 2

HEX #F96079

RGB 249 96 121

HSL 350.2, 0.93%, 0.68%

LAB 61.56, 60.26, 17.44

 

CMYK 0 / 66 / 56 / 9

HEX #E84E66

RGB 232 78 102

HSL 350.65, 0.77%, 0.61%

LAB 55.65, 60.81, 20.02

 

CMYK 0 / 72 / 61 / 16

HEX #D73C53

RGB 215 60 83

HSL 351.1, 0.66%, 0.54%

LAB 49.86, 61.03, 23.1

 

CMYK 0 / 79 / 68 / 22

HEX #C62A40

RGB 198 42 64

HSL 351.54, 0.65%, 0.47%

LAB 44.28, 60.72, 26.82

 

CMYK 0 / 87 / 75 / 29

HEX #B5182D

RGB 181 24 45

HSL 351.97, 0.77%, 0.4%

LAB 39.01, 59.56, 31.29

 

CMYK 0 / 61 / 51 / 2

HEX #F9627A

RGB 249 98 122

HSL 350.46, 0.93%, 0.68%

LAB 61.9, 59.48, 17.33

 

CMYK 0 / 61 / 61 / 2

HEX #F96262

RGB 249 98 98

HSL 0, 0.93%, 0.68%

LAB 61.44, 57.72, 30.48

 

CMYK 0 / 61 / 51 / 2

HEX #F9627A

RGB 249 98 122

HSL 350.46, 0.93%, 0.68%

LAB 61.9, 59.48, 17.33

 

CMYK 0 / 61 / 35 / 2

HEX #F962A3

RGB 249 98 163

HSL 334.17, 0.93%, 0.68%

LAB 62.94, 63.48, -4.82

 

CMYK 0 / 61 / 18 / 2

HEX #F962CC

RGB 249 98 204

HSL 317.88, 0.93%, 0.68%

LAB 64.35, 68.63, -26.05

 

CMYK 0 / 61 / 2 / 2

HEX #F962F5

RGB 249 98 245

HSL 301.59, 0.93%, 0.68%

LAB 66.11, 74.79, -46.18

 

CMYK 14 / 61 / 0 / 2

HEX #D562F9

RGB 213 98 249

HSL 285.7, 0.93%, 0.68%

LAB 61.41, 66.99, -56.14

 

CMYK 0 / 61 / 51 / 2

HEX #F9627A

RGB 249 98 122

HSL 350.46, 0.93%, 0.68%

LAB 61.9, 59.48, 17.33

 

CMYK 0 / 61 / 51 / 2

HEX #F9627A

RGB 249 98 122

HSL 350.46, 0.93%, 0.68%

LAB 61.9, 59.48, 17.33

 

CMYK 0 / 53 / 44 / 7

HEX #EC6F83

RGB 236 111 131

HSL 350.4, 0.77%, 0.68%

LAB 62.37, 50.07, 12.52

 

CMYK 0 / 44 / 37 / 13

HEX #DF7C8C

RGB 223 124 140

HSL 350.3, 0.61%, 0.68%

LAB 63.34, 39.98, 8.48

 

CMYK 0 / 35 / 29 / 18

HEX #D28995

RGB 210 137 149

HSL 350.14, 0.45%, 0.68%

LAB 64.77, 29.47, 5.2

 

CMYK 0 / 23 / 19 / 23

HEX #C4969E

RGB 196 150 158

HSL 349.57, 0.28%, 0.68%

LAB 66.53, 18.46, 2.48

 

CMYK 0 / 61 / 18 / 2

HEX #F962CC

RGB 249 98 204

HSL 317.88, 0.93%, 0.68%

LAB 64.35, 68.63, -26.05

 

CMYK 0 / 61 / 35 / 2

HEX #F962A3

RGB 249 98 163

HSL 334.17, 0.93%, 0.68%

LAB 62.94, 63.48, -4.82

 

CMYK 0 / 61 / 51 / 2

HEX #F9627B

RGB 249 98 123

HSL 350.07, 0.93%, 0.68%

LAB 61.92, 59.57, 16.78

 

CMYK 0 / 55 / 61 / 2

HEX #F97162

RGB 249 113 98

HSL 5.96, 0.93%, 0.68%

LAB 64.02, 50.95, 33.76

 

CMYK 0 / 39 / 61 / 2

HEX #F99962

RGB 249 153 98

HSL 21.85, 0.93%, 0.68%

LAB 72.1, 30.94, 43.7

 

CMYK 0 / 93 / 78 / 4

HEX #F61237

RGB 246 18 55

HSL 350.26, 0.93%, 0.52%

LAB 52.18, 77.4, 43.69

 

CMYK 0 / 77 / 64 / 3

HEX #F83A59

RGB 248 58 89

HSL 350.21, 0.93%, 0.6%

LAB 55.79, 71.48, 28.39

 

CMYK 0 / 61 / 51 / 2

HEX #F9627A

RGB 249 98 122

HSL 350.46, 0.93%, 0.68%

LAB 61.9, 59.48, 17.33

 

CMYK 0 / 45 / 38 / 2

HEX #FB899C

RGB 251 137 156

HSL 350, 0.93%, 0.76%

LAB 70.04, 45.13, 9.48

 

CMYK 0 / 30 / 25 / 1

HEX #FCB1BD

RGB 252 177 189

HSL 350.4, 0.93%, 0.84%

LAB 79.51, 28.96, 4.92

 

CMYK 0 / 61 / 51 / 2

HEX #F96079

RGB 249 96 121

HSL 350.2, 0.93%, 0.68%

LAB 61.56, 60.26, 17.44

 

CMYK 2 / 0 / 61 / 2

HEX #F4F962

RGB 244 249 98

HSL 61.99, 0.93%, 0.68%

LAB 95.1, -20.19, 69.67

 

CMYK 61 / 26 / 0 / 2

HEX #62B8F9

RGB 98 184 249

HSL 205.83, 0.93%, 0.68%

LAB 72.04, -7.06, -39.98

 

CMYK 0 / 61 / 51 / 2

HEX #F96079

RGB 249 96 121

HSL 350.2, 0.93%, 0.68%

LAB 61.56, 60.26, 17.44

 

CMYK 51 / 0 / 61 / 2

HEX #7BF962

RGB 123 249 98

HSL 110.07, 0.93%, 0.68%

LAB 88.37, -62.37, 60.36

 

CMYK 61 / 51 / 0 / 2

HEX #627BF9

RGB 98 123 249

HSL 230.07, 0.93%, 0.68%

LAB 55.69, 28.45, -65.91

 

CMYK 0 / 61 / 51 / 2

HEX #F96079

RGB 249 96 121

HSL 350.2, 0.93%, 0.68%

LAB 61.56, 60.26, 17.44

 

CMYK 2 / 0 / 61 / 2

HEX #F4F962

RGB 244 249 98

HSL 61.99, 0.93%, 0.68%

LAB 95.1, -20.19, 69.67

 

CMYK 61 / 0 / 10 / 2

HEX #62F9E0

RGB 98 249 224

HSL 170.07, 0.93%, 0.68%

LAB 89.73, -45.85, 0.06

 

CMYK 59 / 61 / 0 / 2

HEX #6762F9

RGB 103 98 249

HSL 241.99, 0.93%, 0.68%

LAB 50.05, 44.24, -75.04

 

CMYK 0 / 61 / 51 / 2

HEX #F96079

RGB 249 96 121

HSL 350.2, 0.93%, 0.68%

LAB 61.56, 60.26, 17.44

 

CMYK 20 / 0 / 61 / 2

HEX #C7F962

RGB 199 249 98

HSL 79.87, 0.93%, 0.68%

LAB 92.03, -37.61, 65.44

 

CMYK 61 / 0 / 10 / 2

HEX #62F9E0

RGB 98 249 224

HSL 170.07, 0.93%, 0.68%

LAB 89.73, -45.85, 0.06

 

CMYK 41 / 61 / 0 / 2

HEX #9462F9

RGB 148 98 249

HSL 259.87, 0.93%, 0.68%

LAB 53.89, 52.57, -68.63

 

Description

Color code: HEX #F96079 | qconv.com Color code: HEX #F96079 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 96 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 96 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 51 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 51% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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