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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F95D4ACE it is the complementary color #06A2B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F95D4ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F95D4ACE shade: #FE5D45CE, #FF6F58CE, #FF816BCE, #FF937ECE and #FFA591CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F95D4ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F95D4ACE shade: #F95D4ACE, #E84B37CE, #D73924CE, #C62711CE and #B51500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F95D4ACE shade: #F95B48 and #F94848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F95D4ACE shade: #F95B48, #F98B48, #F9BB48, #F9EB48 and #D8F948

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F95D4ACE shade matches the following richer shades: #F95B48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F95D4ACE shade: #F95B48, #EA6757, #DB7366, #CC7F76 and #BC8B85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F95D4ACE shade: #F94895, #F94866, #F95A48, #F98948 and #F9B848

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F95D4ACE shade: #E82007, #F83720, #F95B48, #FB7F70 and #FCA398

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F95D4ACE shade: #F95D4A, #C4F948 and #487DF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F95D4ACE shade: #F95D4A, #48F95A and #5A48F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F95D4ACE shade: #F95D4A, #C4F948, #48E8F9 and #7D48F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F95D4ACE shade: #F95D4A, #8FF948, #48E8F9 and #B248F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 57 / 2

HEX #F95D4ACE

RGBA 249 93 74 0.81

HSLA 6.51, 0.94%, 0.63%, 0.81

LABA 60.3, 58.53, 42.41, 0.81

 

Complementary color

CMYK 78 / 9 / 0 / 24

HEX #06A2B5CE

RGBA 6 162 181 0.81

HSLA 186.51, 0.94%, 0.37%, 0.81

LABA 60.97, -27.9, -19.75, 0.81

 

CMYK 0 / 51 / 59 / 0

HEX #FE5D45CE

RGBA 254 93 69 0.81

HSLA 7.78, 0.99%, 0.63%, 0.81

LABA 61.07, 59.97, 46.17, 0.81

 

CMYK 0 / 46 / 53 / 0

HEX #FF6F58CE

RGBA 255 111 88 0.81

HSLA 8.26, 1%, 0.67%, 0.81

LABA 64.43, 53.38, 39.94, 0.81

 

CMYK 0 / 40 / 47 / 0

HEX #FF816BCE

RGBA 255 129 107 0.81

HSLA 8.92, 1%, 0.71%, 0.81

LABA 68.04, 46.04, 34.07, 0.81

 

CMYK 0 / 34 / 41 / 0

HEX #FF937ECE

RGBA 255 147 126 0.81

HSLA 9.77, 1%, 0.75%, 0.81

LABA 71.98, 38.53, 28.84, 0.81

 

CMYK 0 / 29 / 35 / 0

HEX #FFA591CE

RGBA 255 165 145 0.81

HSLA 10.91, 1%, 0.78%, 0.81

LABA 76.2, 31.04, 24.18, 0.81

 

CMYK 0 / 51 / 57 / 2

HEX #F95D4ACE

RGBA 249 93 74 0.81

HSLA 6.51, 0.94%, 0.63%, 0.81

LABA 60.3, 58.53, 42.41, 0.81

 

CMYK 0 / 55 / 62 / 7

HEX #E84B37CE

RGBA 232 75 55 0.81

HSLA 6.78, 0.79%, 0.56%, 0.81

LABA 54.52, 59.43, 45.36, 0.81

 

CMYK 0 / 60 / 67 / 13

HEX #D73924CE

RGBA 215 57 36 0.81

HSLA 7.04, 0.71%, 0.49%, 0.81

LABA 48.88, 60.02, 48.42, 0.81

 

CMYK 0 / 65 / 74 / 18

HEX #C62711CE

RGBA 198 39 17 0.81

HSLA 7.29, 0.84%, 0.42%, 0.81

LABA 43.5, 60.06, 51.04, 0.81

 

CMYK 0 / 72 / 81 / 24

HEX #B51500CE

RGBA 181 21 0 0.81

HSLA 6.96, 1%, 0.35%, 0.81

LABA 38.48, 59.17, 52.31, 0.81

 

CMYK 0 / 63 / 71 / 2

HEX #F95B48

RGB 249 91 72

HSL 6.44, 0.94%, 0.63%

LAB 59.97, 59.27, 43.11

 

CMYK 0 / 71 / 71 / 2

HEX #F94848

RGB 249 72 72

HSL 0, 0.94%, 0.63%

LAB 57.31, 66.51, 40.06

 

CMYK 0 / 63 / 71 / 2

HEX #F95B48

RGB 249 91 72

HSL 6.44, 0.94%, 0.63%

LAB 59.97, 59.27, 43.11

 

CMYK 0 / 44 / 71 / 2

HEX #F98B48

RGB 249 139 72

HSL 22.71, 0.94%, 0.63%

LAB 68.8, 36.66, 52.88

 

CMYK 0 / 25 / 71 / 2

HEX #F9BB48

RGB 249 187 72

HSL 38.98, 0.94%, 0.63%

LAB 79.7, 11.62, 64.27

 

CMYK 0 / 6 / 71 / 2

HEX #F9EB48

RGB 249 235 72

HSL 55.25, 0.94%, 0.63%

LAB 91.7, -12.79, 76.14

 

CMYK 13 / 0 / 71 / 2

HEX #D8F948

RGB 216 249 72

HSL 71.19, 0.94%, 0.63%

LAB 92.93, -32.76, 76.5

 

CMYK 0 / 63 / 71 / 2

HEX #F95B48

RGB 249 91 72

HSL 6.44, 0.94%, 0.63%

LAB 59.97, 59.27, 43.11

 

CMYK 0 / 63 / 71 / 2

HEX #F95B48

RGB 249 91 72

HSL 6.44, 0.94%, 0.63%

LAB 59.97, 59.27, 43.11

 

CMYK 0 / 56 / 63 / 8

HEX #EA6757

RGB 234 103 87

HSL 6.53, 0.78%, 0.63%

LAB 59.78, 49.61, 34.07

 

CMYK 0 / 47 / 53 / 14

HEX #DB7366

RGB 219 115 102

HSL 6.67, 0.62%, 0.63%

LAB 60.14, 39.31, 25.65

 

CMYK 0 / 38 / 42 / 20

HEX #CC7F76

RGB 204 127 118

HSL 6.28, 0.46%, 0.63%

LAB 61.07, 28.78, 17.48

 

CMYK 0 / 26 / 29 / 26

HEX #BC8B85

RGB 188 139 133

HSL 6.55, 0.29%, 0.63%

LAB 62.38, 17.8, 10.52

 

CMYK 0 / 71 / 40 / 2

HEX #F94895

RGB 249 72 149

HSL 333.9, 0.94%, 0.63%

LAB 58.92, 71.91, -2.63

 

CMYK 0 / 71 / 59 / 2

HEX #F94866

RGB 249 72 102

HSL 349.83, 0.94%, 0.63%

LAB 57.78, 68.12, 23.39

 

CMYK 0 / 64 / 71 / 2

HEX #F95A48

RGB 249 90 72

HSL 6.1, 0.94%, 0.63%

LAB 59.82, 59.68, 42.94

 

CMYK 0 / 45 / 71 / 2

HEX #F98948

RGB 249 137 72

HSL 22.03, 0.94%, 0.63%

LAB 68.39, 37.68, 52.43

 

CMYK 0 / 26 / 71 / 2

HEX #F9B848

RGB 249 184 72

HSL 37.97, 0.94%, 0.63%

LAB 78.98, 13.19, 63.53

 

CMYK 0 / 86 / 97 / 9

HEX #E82007

RGB 232 32 7

HSL 6.67, 0.94%, 0.47%

LAB 49.74, 70.98, 61.19

 

CMYK 0 / 78 / 87 / 3

HEX #F83720

RGB 248 55 32

HSL 6.39, 0.94%, 0.55%

LAB 54.86, 70.32, 57.74

 

CMYK 0 / 63 / 71 / 2

HEX #F95B48

RGB 249 91 72

HSL 6.44, 0.94%, 0.63%

LAB 59.97, 59.27, 43.11

 

CMYK 0 / 49 / 55 / 2

HEX #FB7F70

RGB 251 127 112

HSL 6.47, 0.95%, 0.71%

LAB 67.17, 45.93, 30.1

 

CMYK 0 / 35 / 40 / 1

HEX #FCA398

RGB 252 163 152

HSL 6.6, 0.94%, 0.79%

LAB 75.55, 31.7, 19.43

 

CMYK 0 / 63 / 70 / 2

HEX #F95D4A

RGB 249 93 74

HSL 6.51, 0.94%, 0.63%

LAB 60.3, 58.53, 42.41

 

CMYK 21 / 0 / 71 / 2

HEX #C4F948

RGB 196 249 72

HSL 77.97, 0.94%, 0.63%

LAB 91.66, -40.44, 74.82

 

CMYK 71 / 50 / 0 / 2

HEX #487DF9

RGB 72 125 249

HSL 222.03, 0.94%, 0.63%

LAB 54.95, 23.28, -67.16

 

CMYK 0 / 63 / 70 / 2

HEX #F95D4A

RGB 249 93 74

HSL 6.51, 0.94%, 0.63%

LAB 60.3, 58.53, 42.41

 

CMYK 71 / 0 / 64 / 2

HEX #48F95A

RGB 72 249 90

HSL 126.1, 0.94%, 0.63%

LAB 86.93, -74.06, 61.67

 

CMYK 64 / 71 / 0 / 2

HEX #5A48F9

RGB 90 72 249

HSL 246.1, 0.94%, 0.63%

LAB 43.72, 56.98, -85.43

 

CMYK 0 / 63 / 70 / 2

HEX #F95D4A

RGB 249 93 74

HSL 6.51, 0.94%, 0.63%

LAB 60.3, 58.53, 42.41

 

CMYK 21 / 0 / 71 / 2

HEX #C4F948

RGB 196 249 72

HSL 77.97, 0.94%, 0.63%

LAB 91.66, -40.44, 74.82

 

CMYK 71 / 7 / 0 / 2

HEX #48E8F9

RGB 72 232 249

HSL 185.76, 0.94%, 0.63%

LAB 84.96, -35.28, -20.2

 

CMYK 50 / 71 / 0 / 2

HEX #7D48F9

RGB 125 72 249

HSL 257.97, 0.94%, 0.63%

LAB 46.76, 61.69, -80.33

 

CMYK 0 / 63 / 70 / 2

HEX #F95D4A

RGB 249 93 74

HSL 6.51, 0.94%, 0.63%

LAB 60.3, 58.53, 42.41

 

CMYK 43 / 0 / 71 / 2

HEX #8FF948

RGB 143 249 72

HSL 95.93, 0.94%, 0.63%

LAB 88.95, -58.75, 71.22

 

CMYK 71 / 7 / 0 / 2

HEX #48E8F9

RGB 72 232 249

HSL 185.76, 0.94%, 0.63%

LAB 84.96, -35.28, -20.2

 

CMYK 29 / 71 / 0 / 2

HEX #B248F9

RGB 178 72 249

HSL 275.93, 0.94%, 0.63%

LAB 52.88, 70.71, -70.09

 

Description

Color code: HEX #F95D4ACE | qconv.com Color code: HEX #F95D4ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 93 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 93 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 57 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 57% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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