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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9591ACE it is the complementary color #06A6E5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9591ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9591ACE shade: #FE5915CE, #FF6B28CE, #FF7D3BCE, #FF8F4ECE and #FFA161CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9591ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9591ACE shade: #F9591ACE, #E84707CE, #D73500CE, #C62300CE and #B51100CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9591ACE shade: #F9591A, #F91D1A and #F91A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9591ACE shade: #F9591A, #F9951A, #F9D11A, #E5F91A and #A9F91A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9591ACE shade matches the following richer shades: #F9591A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9591ACE shade: #F9591A, #E6612D, #D36A40, #C07253 and #AD7A66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9591ACE shade: #F91A56, #F91A1A, #F9561A, #F9911A and #F9CD1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9591ACE shade: #BC3905, #E44506, #F9591A, #FA7642 and #FB946B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9591ACE shade: #F9591A, #91F91A and #1A38F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9591ACE shade: #F9591A, #1AF956 and #561AF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9591ACE shade: #F9591A, #91F91A, #1ABEF9 and #821AF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9591ACE shade: #F9591A, #4EF91A, #1ABEF9 and #C51AF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 73 / 2

HEX #F9591ACE

RGBA 249 89 26 0.81

HSLA 16.95, 0.95%, 0.54%, 0.81

LABA 59.31, 58.73, 63.35, 0.81

 

Complementary color

CMYK 79 / 22 / 0 / 8

HEX #06A6E5CE

RGBA 6 166 229 0.81

HSLA 196.95, 0.95%, 0.46%, 0.81

LABA 64.14, -13.3, -41.57, 0.81

 

CMYK 0 / 53 / 74 / 0

HEX #FE5915CE

RGBA 254 89 21 0.81

HSLA 17.51, 0.99%, 0.54%, 0.81

LABA 60.13, 60.33, 65.81, 0.81

 

CMYK 0 / 47 / 68 / 0

HEX #FF6B28CE

RGBA 255 107 40 0.81

HSLA 18.7, 1%, 0.58%, 0.81

LABA 63.28, 53.31, 61.88, 0.81

 

CMYK 0 / 41 / 62 / 0

HEX #FF7D3BCE

RGBA 255 125 59 0.81

HSLA 20.2, 1%, 0.62%, 0.81

LABA 66.71, 45.42, 57.01, 0.81

 

CMYK 0 / 36 / 56 / 0

HEX #FF8F4ECE

RGBA 255 143 78 0.81

HSLA 22.03, 1%, 0.65%, 0.81

LABA 70.49, 37.27, 52.06, 0.81

 

CMYK 0 / 30 / 50 / 0

HEX #FFA161CE

RGBA 255 161 97 0.81

HSLA 24.3, 1%, 0.69%, 0.81

LABA 74.58, 29.09, 47.35, 0.81

 

CMYK 0 / 52 / 73 / 2

HEX #F9591ACE

RGBA 249 89 26 0.81

HSLA 16.95, 0.95%, 0.54%, 0.81

LABA 59.31, 58.73, 63.35, 0.81

 

CMYK 0 / 56 / 79 / 7

HEX #E84707CE

RGBA 232 71 7 0.81

HSLA 17.07, 0.94%, 0.47%, 0.81

LABA 53.68, 59.96, 63.22, 0.81

 

CMYK 0 / 61 / 81 / 13

HEX #D73500CE

RGBA 215 53 0 0.81

HSLA 14.79, 1%, 0.42%, 0.81

LABA 48.25, 60.81, 60.44, 0.81

 

CMYK 0 / 67 / 81 / 18

HEX #C62300CE

RGBA 198 35 0 0.81

HSLA 10.61, 1%, 0.39%, 0.81

LABA 43.07, 60.91, 56.26, 0.81

 

CMYK 0 / 73 / 81 / 24

HEX #B51100CE

RGBA 181 17 0 0.81

HSLA 5.64, 1%, 0.35%, 0.81

LABA 38.24, 59.86, 52.22, 0.81

 

CMYK 0 / 64 / 90 / 2

HEX #F9591A

RGB 249 89 26

HSL 16.95, 0.95%, 0.54%

LAB 59.31, 58.73, 63.35

 

CMYK 0 / 88 / 90 / 2

HEX #F91D1A

RGB 249 29 26

HSL 0.81, 0.95%, 0.54%

LAB 53.05, 76.1, 58.94

 

CMYK 0 / 90 / 90 / 2

HEX #F91A1A

RGB 249 26 26

HSL 0, 0.95%, 0.54%

LAB 52.9, 76.54, 58.83

 

CMYK 0 / 64 / 90 / 2

HEX #F9591A

RGB 249 89 26

HSL 16.95, 0.95%, 0.54%

LAB 59.31, 58.73, 63.35

 

CMYK 0 / 40 / 90 / 2

HEX #F9951A

RGB 249 149 26

HSL 33.09, 0.95%, 0.54%

LAB 70.67, 30.05, 71.7

 

CMYK 0 / 16 / 90 / 2

HEX #F9D11A

RGB 249 209 26

HSL 49.24, 0.95%, 0.54%

LAB 84.9, -1.17, 82.52

 

CMYK 8 / 0 / 90 / 2

HEX #E5F91A

RGB 229 249 26

HSL 65.38, 0.95%, 0.54%

LAB 93.66, -29.07, 88.64

 

CMYK 32 / 0 / 90 / 2

HEX #A9F91A

RGB 169 249 26

HSL 81.52, 0.95%, 0.54%

LAB 89.98, -52.05, 84.14

 

CMYK 0 / 64 / 90 / 2

HEX #F9591A

RGB 249 89 26

HSL 16.95, 0.95%, 0.54%

LAB 59.31, 58.73, 63.35

 

CMYK 0 / 64 / 90 / 2

HEX #F9591A

RGB 249 89 26

HSL 16.95, 0.95%, 0.54%

LAB 59.31, 58.73, 63.35

 

CMYK 0 / 58 / 80 / 10

HEX #E6612D

RGB 230 97 45

HSL 16.86, 0.79%, 0.54%

LAB 57.62, 49.01, 53.24

 

CMYK 0 / 50 / 70 / 17

HEX #D36A40

RGB 211 106 64

HSL 17.14, 0.63%, 0.54%

LAB 56.61, 38.24, 41.96

 

CMYK 0 / 41 / 57 / 25

HEX #C07253

RGB 192 114 83

HSL 17.06, 0.46%, 0.54%

LAB 55.95, 27.69, 30.22

 

CMYK 0 / 29 / 41 / 32

HEX #AD7A66

RGB 173 122 102

HSL 16.9, 0.3%, 0.54%

LAB 55.85, 17.32, 18.88

 

CMYK 0 / 90 / 65 / 2

HEX #F91A56

RGB 249 26 86

HSL 343.86, 0.95%, 0.54%

LAB 53.55, 78.38, 27.34

 

CMYK 0 / 90 / 90 / 2

HEX #F91A1A

RGB 249 26 26

HSL 0, 0.95%, 0.54%

LAB 52.9, 76.54, 58.83

 

CMYK 0 / 65 / 90 / 2

HEX #F9561A

RGB 249 86 26

HSL 16.14, 0.95%, 0.54%

LAB 58.85, 59.94, 63.02

 

CMYK 0 / 42 / 90 / 2

HEX #F9911A

RGB 249 145 26

HSL 32.02, 0.95%, 0.54%

LAB 69.8, 32.12, 71.05

 

CMYK 0 / 18 / 90 / 2

HEX #F9CD1A

RGB 249 205 26

HSL 48.16, 0.95%, 0.54%

LAB 83.9, 0.88, 81.75

 

CMYK 0 / 70 / 97 / 26

HEX #BC3905

RGB 188 57 5

HSL 17.05, 0.95%, 0.38%

LAB 43.7, 50.75, 53.91

 

CMYK 0 / 70 / 97 / 11

HEX #E44506

RGB 228 69 6

HSL 17.03, 0.95%, 0.46%

LAB 52.69, 59.4, 62.51

 

CMYK 0 / 64 / 90 / 2

HEX #F9591A

RGB 249 89 26

HSL 16.95, 0.95%, 0.54%

LAB 59.31, 58.73, 63.35

 

CMYK 0 / 53 / 74 / 2

HEX #FA7642

RGB 250 118 66

HSL 16.96, 0.95%, 0.62%

LAB 64.7, 47.21, 51.44

 

CMYK 0 / 41 / 57 / 2

HEX #FB946B

RGB 251 148 107

HSL 17.08, 0.95%, 0.7%

LAB 71.39, 34.95, 38.19

 

CMYK 0 / 64 / 90 / 2

HEX #F9591A

RGB 249 89 26

HSL 16.95, 0.95%, 0.54%

LAB 59.31, 58.73, 63.35

 

CMYK 42 / 0 / 90 / 2

HEX #91F91A

RGB 145 249 26

HSL 87.98, 0.95%, 0.54%

LAB 88.85, -60.12, 82.75

 

CMYK 90 / 78 / 0 / 2

HEX #1A38F9

RGB 26 56 249

HSL 231.93, 0.95%, 0.54%

LAB 37.64, 60.83, -95.58

 

CMYK 0 / 64 / 90 / 2

HEX #F9591A

RGB 249 89 26

HSL 16.95, 0.95%, 0.54%

LAB 59.31, 58.73, 63.35

 

CMYK 90 / 0 / 65 / 2

HEX #1AF956

RGB 26 249 86

HSL 136.14, 0.95%, 0.54%

LAB 86.33, -79.36, 62.44

 

CMYK 65 / 90 / 0 / 2

HEX #561AF9

RGB 86 26 249

HSL 256.14, 0.95%, 0.54%

LAB 37.03, 75.13, -96.5

 

CMYK 0 / 64 / 90 / 2

HEX #F9591A

RGB 249 89 26

HSL 16.95, 0.95%, 0.54%

LAB 59.31, 58.73, 63.35

 

CMYK 42 / 0 / 90 / 2

HEX #91F91A

RGB 145 249 26

HSL 87.98, 0.95%, 0.54%

LAB 88.85, -60.12, 82.75

 

CMYK 90 / 24 / 0 / 2

HEX #1ABEF9

RGB 26 190 249

HSL 195.87, 0.95%, 0.54%

LAB 72.15, -18.41, -39.92

 

CMYK 48 / 90 / 0 / 2

HEX #821AF9

RGB 130 26 249

HSL 267.98, 0.95%, 0.54%

LAB 41.73, 78.53, -88.58

 

CMYK 0 / 64 / 90 / 2

HEX #F9591A

RGB 249 89 26

HSL 16.95, 0.95%, 0.54%

LAB 59.31, 58.73, 63.35

 

CMYK 69 / 0 / 90 / 2

HEX #4EF91A

RGB 78 249 26

HSL 106.01, 0.95%, 0.54%

LAB 86.72, -77.02, 80.11

 

CMYK 90 / 24 / 0 / 2

HEX #1ABEF9

RGB 26 190 249

HSL 195.87, 0.95%, 0.54%

LAB 72.15, -18.41, -39.92

 

CMYK 21 / 90 / 0 / 2

HEX #C51AF9

RGB 197 26 249

HSL 286.01, 0.95%, 0.54%

LAB 51.21, 86.54, -72.68

 

Description

Color code: HEX #F9591ACE | qconv.com Color code: HEX #F9591ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 89 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 89 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 73 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 73% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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