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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F95892 it is the complementary color #06A76D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F95892. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F95892 shade: #FE588D, #FF6AA0, #FF7CB3, #FF8EC6 and #FFA0D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F95892. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F95892 shade: #F95892, #E8467F, #D7346C, #C62259 and #B51046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F95892 shade: #F95892, #F95866 and #F95858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F95892 shade: #F95892, #F958BD, #F958E9, #DE58F9 and #B258F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F95892 shade matches the following richer shades: #F95892

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F95892 shade: #F95892, #EB6696, #DD749A, #CF829E and #C190A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F95892 shade: #F958E9, #F958BE, #F95893, #F95868 and #F97358

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F95892 shade: #F5095E, #F73078, #F95892, #FA7FAC and #FCA7C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F95892 shade: #F95892, #F9DE58 and #58D3F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F95892 shade: #F95892, #93F958 and #5893F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F95892 shade: #F95892, #F9DE58, #58F9BE and #5873F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F95892 shade: #F95892, #E3F958, #58F9BE and #6D58F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 41 / 2

HEX #F95892

RGB 249 88 146

HSL 338.39, 0.93%, 0.66%

LAB 60.95, 65.77, 2.08

 

Complementary color

CMYK 96 / 0 / 35 / 35

HEX #06A76D

RGB 6 167 109

HSL 158.39, 0.93%, 0.34%

LAB 60.59, -50.33, 20

 

CMYK 0 / 65 / 44 / 0

HEX #FE588D

RGB 254 88 141

HSL 340.84, 0.99%, 0.67%

LAB 61.63, 66.77, 6.07

 

CMYK 0 / 58 / 37 / 0

HEX #FF6AA0

RGB 255 106 160

HSL 338.26, 1%, 0.71%

LAB 65.05, 61.53, 0.09

 

CMYK 0 / 51 / 30 / 0

HEX #FF7CB3

RGB 255 124 179

HSL 334.81, 1%, 0.74%

LAB 68.7, 55.53, -5.31

 

CMYK 0 / 44 / 22 / 0

HEX #FF8EC6

RGB 255 142 198

HSL 330.27, 1%, 0.78%

LAB 72.68, 49.28, -9.99

 

CMYK 0 / 37 / 15 / 0

HEX #FFA0D9

RGB 255 160 217

HSL 324, 1%, 0.81%

LAB 76.93, 42.96, -14.08

 

CMYK 0 / 65 / 41 / 2

HEX #F95892

RGB 249 88 146

HSL 338.39, 0.93%, 0.66%

LAB 60.95, 65.77, 2.08

 

CMYK 0 / 70 / 45 / 9

HEX #E8467F

RGB 232 70 127

HSL 338.89, 0.78%, 0.59%

LAB 55.14, 65.84, 4.49

 

CMYK 0 / 76 / 50 / 16

HEX #D7346C

RGB 215 52 108

HSL 339.39, 0.67%, 0.52%

LAB 49.48, 65.45, 7.41

 

CMYK 0 / 83 / 55 / 22

HEX #C62259

RGB 198 34 89

HSL 339.88, 0.71%, 0.45%

LAB 44.05, 64.34, 11.02

 

CMYK 0 / 91 / 61 / 29

HEX #B51046

RGB 181 16 70

HSL 340.36, 0.84%, 0.39%

LAB 38.96, 62.2, 15.51

 

CMYK 0 / 65 / 41 / 2

HEX #F95892

RGB 249 88 146

HSL 338.39, 0.93%, 0.66%

LAB 60.95, 65.77, 2.08

 

CMYK 0 / 65 / 59 / 2

HEX #F95866

RGB 249 88 102

HSL 354.78, 0.93%, 0.66%

LAB 59.96, 62.16, 26.27

 

CMYK 0 / 65 / 65 / 2

HEX #F95858

RGB 249 88 88

HSL 0, 0.93%, 0.66%

LAB 59.73, 61.3, 33.97

 

CMYK 0 / 65 / 41 / 2

HEX #F95892

RGB 249 88 146

HSL 338.39, 0.93%, 0.66%

LAB 60.95, 65.77, 2.08

 

CMYK 0 / 65 / 24 / 2

HEX #F958BD

RGB 249 88 189

HSL 322.36, 0.93%, 0.66%

LAB 62.33, 70.62, -20.63

 

CMYK 0 / 65 / 6 / 2

HEX #F958E9

RGB 249 88 233

HSL 305.96, 0.93%, 0.66%

LAB 64.16, 76.77, -42.59

 

CMYK 11 / 65 / 0 / 2

HEX #DE58F9

RGB 222 88 249

HSL 289.94, 0.93%, 0.66%

LAB 61.09, 73.26, -56.59

 

CMYK 29 / 65 / 0 / 2

HEX #B258F9

RGB 178 88 249

HSL 273.54, 0.93%, 0.66%

LAB 55.36, 63.78, -66.08

 

CMYK 0 / 65 / 41 / 2

HEX #F95892

RGB 249 88 146

HSL 338.39, 0.93%, 0.66%

LAB 60.95, 65.77, 2.08

 

CMYK 0 / 65 / 41 / 2

HEX #F95892

RGB 249 88 146

HSL 338.39, 0.93%, 0.66%

LAB 60.95, 65.77, 2.08

 

CMYK 0 / 57 / 36 / 8

HEX #EB6696

RGB 235 102 150

HSL 338.35, 0.77%, 0.66%

LAB 61.1, 55.95, -0.28

 

CMYK 0 / 48 / 30 / 13

HEX #DD749A

RGB 221 116 154

HSL 338.29, 0.61%, 0.66%

LAB 61.82, 45.08, -1.76

 

CMYK 0 / 37 / 24 / 19

HEX #CF829E

RGB 207 130 158

HSL 338.18, 0.45%, 0.66%

LAB 63.09, 33.42, -2.39

 

CMYK 0 / 25 / 17 / 24

HEX #C190A1

RGB 193 144 161

HSL 339.18, 0.28%, 0.66%

LAB 64.85, 21.14, -1.7

 

CMYK 0 / 65 / 6 / 2

HEX #F958E9

RGB 249 88 233

HSL 305.96, 0.93%, 0.66%

LAB 64.16, 76.77, -42.59

 

CMYK 0 / 65 / 24 / 2

HEX #F958BE

RGB 249 88 190

HSL 321.99, 0.93%, 0.66%

LAB 62.37, 70.75, -21.14

 

CMYK 0 / 65 / 41 / 2

HEX #F95893

RGB 249 88 147

HSL 338.01, 0.93%, 0.66%

LAB 60.98, 65.87, 1.54

 

CMYK 0 / 65 / 58 / 2

HEX #F95868

RGB 249 88 104

HSL 354.04, 0.93%, 0.66%

LAB 60, 62.29, 25.16

 

CMYK 0 / 54 / 65 / 2

HEX #F97358

RGB 249 115 88

HSL 10.06, 0.93%, 0.66%

LAB 64.25, 49.38, 39.5

 

CMYK 0 / 96 / 62 / 4

HEX #F5095E

RGB 245 9 94

HSL 338.39, 0.93%, 0.5%

LAB 52.3, 79.57, 20.73

 

CMYK 0 / 81 / 51 / 3

HEX #F73078

RGB 247 48 120

HSL 338.29, 0.93%, 0.58%

LAB 55.32, 75.83, 9.28

 

CMYK 0 / 65 / 41 / 2

HEX #F95892

RGB 249 88 146

HSL 338.39, 0.93%, 0.66%

LAB 60.95, 65.77, 2.08

 

CMYK 0 / 49 / 31 / 2

HEX #FA7FAC

RGB 250 127 172

HSL 338.05, 0.92%, 0.74%

LAB 68.37, 51.61, -1.93

 

CMYK 0 / 34 / 21 / 1

HEX #FCA7C6

RGB 252 167 198

HSL 338.12, 0.93%, 0.82%

LAB 77.53, 35.48, -2.86

 

CMYK 0 / 65 / 41 / 2

HEX #F95892

RGB 249 88 146

HSL 338.39, 0.93%, 0.66%

LAB 60.95, 65.77, 2.08

 

CMYK 0 / 11 / 65 / 2

HEX #F9DE58

RGB 249 222 88

HSL 49.94, 0.93%, 0.66%

LAB 88.49, -5.51, 66.82

 

CMYK 65 / 15 / 0 / 2

HEX #58D3F9

RGB 88 211 249

HSL 194.16, 0.93%, 0.66%

LAB 79.33, -22.9, -28.74

 

CMYK 0 / 65 / 41 / 2

HEX #F95892

RGB 249 88 146

HSL 338.39, 0.93%, 0.66%

LAB 60.95, 65.77, 2.08

 

CMYK 41 / 0 / 65 / 2

HEX #93F958

RGB 147 249 88

HSL 98.01, 0.93%, 0.66%

LAB 89.23, -56.33, 65.64

 

CMYK 65 / 41 / 0 / 2

HEX #5893F9

RGB 88 147 249

HSL 218.01, 0.93%, 0.66%

LAB 61.47, 12.32, -56.68

 

CMYK 0 / 65 / 41 / 2

HEX #F95892

RGB 249 88 146

HSL 338.39, 0.93%, 0.66%

LAB 60.95, 65.77, 2.08

 

CMYK 0 / 11 / 65 / 2

HEX #F9DE58

RGB 249 222 88

HSL 49.94, 0.93%, 0.66%

LAB 88.49, -5.51, 66.82

 

CMYK 65 / 0 / 24 / 2

HEX #58F9BE

RGB 88 249 190

HSL 158.01, 0.93%, 0.66%

LAB 88.71, -55.39, 16.18

 

CMYK 65 / 54 / 0 / 2

HEX #5873F9

RGB 88 115 249

HSL 229.94, 0.93%, 0.66%

LAB 53.14, 31.69, -70.06

 

CMYK 0 / 65 / 41 / 2

HEX #F95892

RGB 249 88 146

HSL 338.39, 0.93%, 0.66%

LAB 60.95, 65.77, 2.08

 

CMYK 9 / 0 / 65 / 2

HEX #E3F958

RGB 227 249 88

HSL 68.2, 0.93%, 0.66%

LAB 93.79, -27.55, 71.85

 

CMYK 65 / 0 / 24 / 2

HEX #58F9BE

RGB 88 249 190

HSL 158.01, 0.93%, 0.66%

LAB 88.71, -55.39, 16.18

 

CMYK 56 / 65 / 0 / 2

HEX #6D58F9

RGB 109 88 249

HSL 247.83, 0.93%, 0.66%

LAB 48.35, 50.89, -77.79

 

Description

Color code: HEX #F95892 | qconv.com Color code: HEX #F95892 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 88 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 88 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 41 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 41% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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