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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F95683 it is the complementary color #06A97C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F95683. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F95683 shade: #FE567E, #FF6891, #FF7AA4, #FF8CB7 and #FF9ECA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F95683. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F95683 shade: #F95683, #E84470, #D7325D, #C6204A and #B50E37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F95683 shade: #F95884, #F95859 and #F95858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F95683 shade: #F95884, #F958B0, #F958DB, #EB58F9 and #C058F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F95683 shade matches the following richer shades: #F95884

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F95683 shade: #F95884, #EB668A, #DD7491, #CF8297 and #C1909D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F95683 shade: #F958DB, #F958B0, #F95885, #F9585A and #F98058

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F95683 shade: #F5094A, #F73067, #F95884, #FA7FA1 and #FCA7BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F95683 shade: #F95683, #F9EB58 and #58C6F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F95683 shade: #F95683, #85F958 and #5885F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F95683 shade: #F95683, #F9EB58, #58F9CB and #5865F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F95683 shade: #F95683, #D6F958, #58F9CB and #7B58F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 47 / 2

HEX #F95683

RGB 249 86 131

HSL 343.44, 0.93%, 0.66%

LAB 60.28, 65.17, 9.85

 

Complementary color

CMYK 96 / 0 / 27 / 34

HEX #06A97C

RGB 6 169 124

HSL 163.44, 0.93%, 0.34%

LAB 61.54, -47.63, 13.06

 

CMYK 0 / 66 / 50 / 0

HEX #FE567E

RGB 254 86 126

HSL 345.71, 0.99%, 0.67%

LAB 60.99, 66.24, 13.88

 

CMYK 0 / 59 / 43 / 0

HEX #FF6891

RGB 255 104 145

HSL 343.71, 1%, 0.7%

LAB 64.33, 60.86, 7.64

 

CMYK 0 / 52 / 36 / 0

HEX #FF7AA4

RGB 255 122 164

HSL 341.05, 1%, 0.74%

LAB 67.92, 54.69, 2

 

CMYK 0 / 45 / 28 / 0

HEX #FF8CB7

RGB 255 140 183

HSL 337.57, 1%, 0.77%

LAB 71.85, 48.26, -2.9

 

CMYK 0 / 38 / 21 / 0

HEX #FF9ECA

RGB 255 158 202

HSL 332.78, 1%, 0.81%

LAB 76.06, 41.74, -7.18

 

CMYK 0 / 65 / 47 / 2

HEX #F95683

RGB 249 86 131

HSL 343.44, 0.93%, 0.66%

LAB 60.28, 65.17, 9.85

 

CMYK 0 / 71 / 52 / 9

HEX #E84470

RGB 232 68 112

HSL 343.9, 0.78%, 0.59%

LAB 54.51, 65.28, 12.53

 

CMYK 0 / 77 / 57 / 16

HEX #D7325D

RGB 215 50 93

HSL 344.36, 0.67%, 0.52%

LAB 48.91, 64.92, 15.76

 

CMYK 0 / 84 / 63 / 22

HEX #C6204A

RGB 198 32 74

HSL 344.82, 0.72%, 0.45%

LAB 43.56, 63.83, 19.72

 

CMYK 0 / 92 / 70 / 29

HEX #B50E37

RGB 181 14 55

HSL 345.27, 0.86%, 0.38%

LAB 38.57, 61.68, 24.56

 

CMYK 0 / 65 / 47 / 2

HEX #F95884

RGB 249 88 132

HSL 343.6, 0.93%, 0.66%

LAB 60.59, 64.47, 9.71

 

CMYK 0 / 65 / 64 / 2

HEX #F95859

RGB 249 88 89

HSL 359.63, 0.93%, 0.66%

LAB 59.74, 61.36, 33.42

 

CMYK 0 / 65 / 65 / 2

HEX #F95858

RGB 249 88 88

HSL 0, 0.93%, 0.66%

LAB 59.73, 61.3, 33.97

 

CMYK 0 / 65 / 47 / 2

HEX #F95884

RGB 249 88 132

HSL 343.6, 0.93%, 0.66%

LAB 60.59, 64.47, 9.71

 

CMYK 0 / 65 / 29 / 2

HEX #F958B0

RGB 249 88 176

HSL 327.2, 0.93%, 0.66%

LAB 61.87, 69.02, -13.89

 

CMYK 0 / 65 / 12 / 2

HEX #F958DB

RGB 249 88 219

HSL 311.18, 0.93%, 0.66%

LAB 63.54, 74.69, -35.75

 

CMYK 6 / 65 / 0 / 2

HEX #EB58F9

RGB 235 88 249

HSL 294.78, 0.93%, 0.66%

LAB 62.91, 76.14, -53.57

 

CMYK 23 / 65 / 0 / 2

HEX #C058F9

RGB 192 88 249

HSL 278.76, 0.93%, 0.66%

LAB 57.1, 66.74, -63.19

 

CMYK 0 / 65 / 47 / 2

HEX #F95884

RGB 249 88 132

HSL 343.6, 0.93%, 0.66%

LAB 60.59, 64.47, 9.71

 

CMYK 0 / 65 / 47 / 2

HEX #F95884

RGB 249 88 132

HSL 343.6, 0.93%, 0.66%

LAB 60.59, 64.47, 9.71

 

CMYK 0 / 57 / 41 / 8

HEX #EB668A

RGB 235 102 138

HSL 343.76, 0.77%, 0.66%

LAB 60.78, 54.66, 6.2

 

CMYK 0 / 48 / 34 / 13

HEX #DD7491

RGB 221 116 145

HSL 343.43, 0.61%, 0.66%

LAB 61.57, 43.96, 3.04

 

CMYK 0 / 37 / 27 / 19

HEX #CF8297

RGB 207 130 151

HSL 343.64, 0.45%, 0.66%

LAB 62.9, 32.42, 1.31

 

CMYK 0 / 25 / 19 / 24

HEX #C1909D

RGB 193 144 157

HSL 344.08, 0.28%, 0.66%

LAB 64.74, 20.5, 0.4

 

CMYK 0 / 65 / 12 / 2

HEX #F958DB

RGB 249 88 219

HSL 311.18, 0.93%, 0.66%

LAB 63.54, 74.69, -35.75

 

CMYK 0 / 65 / 29 / 2

HEX #F958B0

RGB 249 88 176

HSL 327.2, 0.93%, 0.66%

LAB 61.87, 69.02, -13.89

 

CMYK 0 / 65 / 47 / 2

HEX #F95885

RGB 249 88 133

HSL 343.23, 0.93%, 0.66%

LAB 60.62, 64.56, 9.16

 

CMYK 0 / 65 / 64 / 2

HEX #F9585A

RGB 249 88 90

HSL 359.25, 0.93%, 0.66%

LAB 59.76, 61.41, 32.88

 

CMYK 0 / 49 / 65 / 2

HEX #F98058

RGB 249 128 88

HSL 14.91, 0.93%, 0.66%

LAB 66.74, 43.06, 42.48

 

CMYK 0 / 96 / 70 / 4

HEX #F5094A

RGB 245 9 74

HSL 343.47, 0.93%, 0.5%

LAB 51.95, 78.61, 32.35

 

CMYK 0 / 81 / 58 / 3

HEX #F73067

RGB 247 48 103

HSL 343.42, 0.93%, 0.58%

LAB 54.94, 74.67, 18.92

 

CMYK 0 / 65 / 47 / 2

HEX #F95884

RGB 249 88 132

HSL 343.6, 0.93%, 0.66%

LAB 60.59, 64.47, 9.71

 

CMYK 0 / 49 / 36 / 2

HEX #FA7FA1

RGB 250 127 161

HSL 343.41, 0.92%, 0.74%

LAB 68.08, 50.3, 3.84

 

CMYK 0 / 34 / 24 / 1

HEX #FCA7BF

RGB 252 167 191

HSL 343.06, 0.93%, 0.82%

LAB 77.34, 34.48, 0.68

 

CMYK 0 / 65 / 47 / 2

HEX #F95683

RGB 249 86 131

HSL 343.44, 0.93%, 0.66%

LAB 60.28, 65.17, 9.85

 

CMYK 0 / 6 / 65 / 2

HEX #F9EB58

RGB 249 235 88

HSL 54.78, 0.93%, 0.66%

LAB 91.8, -11.98, 70.3

 

CMYK 65 / 20 / 0 / 2

HEX #58C6F9

RGB 88 198 249

HSL 199.01, 0.93%, 0.66%

LAB 75.64, -16.23, -34.42

 

CMYK 0 / 65 / 47 / 2

HEX #F95683

RGB 249 86 131

HSL 343.44, 0.93%, 0.66%

LAB 60.28, 65.17, 9.85

 

CMYK 47 / 0 / 65 / 2

HEX #85F958

RGB 133 249 88

HSL 103.23, 0.93%, 0.66%

LAB 88.66, -60.52, 64.85

 

CMYK 65 / 47 / 0 / 2

HEX #5885F9

RGB 88 133 249

HSL 223.23, 0.93%, 0.66%

LAB 57.74, 20.72, -62.64

 

CMYK 0 / 65 / 47 / 2

HEX #F95683

RGB 249 86 131

HSL 343.44, 0.93%, 0.66%

LAB 60.28, 65.17, 9.85

 

CMYK 0 / 6 / 65 / 2

HEX #F9EB58

RGB 249 235 88

HSL 54.78, 0.93%, 0.66%

LAB 91.8, -11.98, 70.3

 

CMYK 65 / 0 / 18 / 2

HEX #58F9CB

RGB 88 249 203

HSL 162.86, 0.93%, 0.66%

LAB 88.99, -52.49, 9.85

 

CMYK 65 / 59 / 0 / 2

HEX #5865F9

RGB 88 101 249

HSL 235.16, 0.93%, 0.66%

LAB 49.76, 40.18, -75.54

 

CMYK 0 / 65 / 47 / 2

HEX #F95683

RGB 249 86 131

HSL 343.44, 0.93%, 0.66%

LAB 60.28, 65.17, 9.85

 

CMYK 14 / 0 / 65 / 2

HEX #D6F958

RGB 214 249 88

HSL 73.04, 0.93%, 0.66%

LAB 92.91, -32.62, 70.65

 

CMYK 65 / 0 / 18 / 2

HEX #58F9CB

RGB 88 249 203

HSL 162.86, 0.93%, 0.66%

LAB 88.99, -52.49, 9.85

 

CMYK 51 / 65 / 0 / 2

HEX #7B58F9

RGB 123 88 249

HSL 253.04, 0.93%, 0.66%

LAB 49.53, 53.2, -75.81

 

Description

Color code: HEX #F95683 | qconv.com Color code: HEX #F95683 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 86 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 86 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 47 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 47% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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