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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F955EA it is the complementary color #06AA15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F955EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F955EA shade: #FE55E5, #FF67F8, #FF79FF, #FF8BFF and #FF9DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F955EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F955EA shade: #F955EA, #E843D7, #D731C4, #C61FB1 and #B50D9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F955EA shade: #F953EA, #F953BD, #F95390, #F95363 and #F95353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F955EA shade: #F953EA, #DB53F9, #AE53F9, #8253F9 and #5553F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F955EA shade matches the following richer shades: #F953EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F955EA shade: #F953EA, #EA61DE, #DC70D2, #CD7EC6 and #BF8DBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F955EA shade: #AE53F9, #DA53F9, #F953EB, #F953BF and #F95392

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F955EA shade: #F009DB, #F72BE5, #F953EA, #FA7BEF and #FCA2F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F955EA shade: #F955EA, #F98253 and #53F9C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F955EA shade: #F955EA, #EBF953 and #53EBF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F955EA shade: #F955EA, #F98253, #53F961 and #53CAF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F955EA shade: #F955EA, #F9B453, #53F961 and #5398F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 6 / 2

HEX #F955EA

RGB 249 85 234

HSL 305.49, 0.93%, 0.65%

LAB 63.82, 78.02, -43.69

 

Complementary color

CMYK 96 / 0 / 88 / 33

HEX #06AA15

RGB 6 170 21

HSL 125.49, 0.93%, 0.35%

LAB 60.64, -62.67, 58.17

 

CMYK 0 / 67 / 10 / 0

HEX #FE55E5

RGB 254 85 229

HSL 308.88, 0.99%, 0.66%

LAB 64.34, 78.44, -40.03

 

CMYK 0 / 60 / 3 / 0

HEX #FF67F8

RGB 255 103 248

HSL 302.76, 1%, 0.7%

LAB 67.83, 74.71, -45.07

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFF

RGB 255 139 255

HSL 300, 1%, 0.77%

LAB 74.15, 59.74, -39

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 0 / 66 / 6 / 2

HEX #F955EA

RGB 249 85 234

HSL 305.49, 0.93%, 0.65%

LAB 63.82, 78.02, -43.69

 

CMYK 0 / 71 / 7 / 9

HEX #E843D7

RGB 232 67 215

HSL 306.18, 0.78%, 0.59%

LAB 58.11, 77.49, -42.18

 

CMYK 0 / 77 / 9 / 16

HEX #D731C4

RGB 215 49 196

HSL 306.87, 0.67%, 0.52%

LAB 52.54, 76.38, -40.28

 

CMYK 0 / 84 / 11 / 22

HEX #C61FB1

RGB 198 31 177

HSL 307.54, 0.73%, 0.45%

LAB 47.18, 74.45, -37.85

 

CMYK 0 / 93 / 13 / 29

HEX #B50D9E

RGB 181 13 158

HSL 308.21, 0.87%, 0.38%

LAB 42.12, 71.4, -34.72

 

CMYK 0 / 67 / 6 / 2

HEX #F953EA

RGB 249 83 234

HSL 305.42, 0.93%, 0.65%

LAB 63.56, 78.73, -44.09

 

CMYK 0 / 67 / 24 / 2

HEX #F953BD

RGB 249 83 189

HSL 321.69, 0.93%, 0.65%

LAB 61.65, 72.5, -21.67

 

CMYK 0 / 67 / 42 / 2

HEX #F95390

RGB 249 83 144

HSL 337.95, 0.93%, 0.65%

LAB 60.19, 67.51, 2.15

 

CMYK 0 / 67 / 60 / 2

HEX #F95363

RGB 249 83 99

HSL 354.22, 0.93%, 0.65%

LAB 59.18, 63.93, 26.98

 

CMYK 0 / 67 / 67 / 2

HEX #F95353

RGB 249 83 83

HSL 0, 0.93%, 0.65%

LAB 58.93, 63, 35.81

 

CMYK 0 / 67 / 6 / 2

HEX #F953EA

RGB 249 83 234

HSL 305.42, 0.93%, 0.65%

LAB 63.56, 78.73, -44.09

 

CMYK 12 / 67 / 0 / 2

HEX #DB53F9

RGB 219 83 249

HSL 289.16, 0.93%, 0.65%

LAB 59.97, 74.58, -58.4

 

CMYK 30 / 67 / 0 / 2

HEX #AE53F9

RGB 174 83 249

HSL 272.89, 0.93%, 0.65%

LAB 54.05, 65.25, -68.22

 

CMYK 48 / 67 / 0 / 2

HEX #8253F9

RGB 130 83 249

HSL 256.99, 0.93%, 0.65%

LAB 49.22, 57.03, -76.29

 

CMYK 66 / 67 / 0 / 2

HEX #5553F9

RGB 85 83 249

HSL 240.72, 0.93%, 0.65%

LAB 45.58, 50.35, -82.4

 

CMYK 0 / 67 / 6 / 2

HEX #F953EA

RGB 249 83 234

HSL 305.42, 0.93%, 0.65%

LAB 63.56, 78.73, -44.09

 

CMYK 0 / 67 / 6 / 2

HEX #F953EA

RGB 249 83 234

HSL 305.42, 0.93%, 0.65%

LAB 63.56, 78.73, -44.09

 

CMYK 0 / 59 / 5 / 8

HEX #EA61DE

RGB 234 97 222

HSL 305.26, 0.77%, 0.65%

LAB 62.77, 67.8, -38.78

 

CMYK 0 / 49 / 5 / 14

HEX #DC70D2

RGB 220 112 210

HSL 305.56, 0.61%, 0.65%

LAB 62.89, 55.18, -32.01

 

CMYK 0 / 39 / 3 / 20

HEX #CD7EC6

RGB 205 126 198

HSL 305.32, 0.44%, 0.65%

LAB 63.32, 41.42, -24.74

 

CMYK 0 / 26 / 3 / 25

HEX #BF8DBA

RGB 191 141 186

HSL 306, 0.28%, 0.65%

LAB 64.7, 26.45, -16.03

 

CMYK 30 / 67 / 0 / 2

HEX #AE53F9

RGB 174 83 249

HSL 272.89, 0.93%, 0.65%

LAB 54.05, 65.25, -68.22

 

CMYK 12 / 67 / 0 / 2

HEX #DA53F9

RGB 218 83 249

HSL 288.8, 0.93%, 0.65%

LAB 59.83, 74.37, -58.63

 

CMYK 0 / 67 / 6 / 2

HEX #F953EB

RGB 249 83 235

HSL 305.06, 0.93%, 0.65%

LAB 63.61, 78.88, -44.57

 

CMYK 0 / 67 / 23 / 2

HEX #F953BF

RGB 249 83 191

HSL 320.96, 0.93%, 0.65%

LAB 61.73, 72.75, -22.69

 

CMYK 0 / 67 / 41 / 2

HEX #F95392

RGB 249 83 146

HSL 337.23, 0.93%, 0.65%

LAB 60.25, 67.7, 1.06

 

CMYK 0 / 96 / 9 / 6

HEX #F009DB

RGB 240 9 219

HSL 305.45, 0.93%, 0.49%

LAB 55.92, 90.41, -47.82

 

CMYK 0 / 83 / 7 / 3

HEX #F72BE5

RGB 247 43 229

HSL 305.29, 0.93%, 0.57%

LAB 59.12, 88.69, -48.33

 

CMYK 0 / 67 / 6 / 2

HEX #F953EA

RGB 249 83 234

HSL 305.42, 0.93%, 0.65%

LAB 63.56, 78.73, -44.09

 

CMYK 0 / 51 / 4 / 2

HEX #FA7BEF

RGB 250 123 239

HSL 305.2, 0.93%, 0.73%

LAB 69.98, 63.23, -36.81

 

CMYK 0 / 36 / 4 / 1

HEX #FCA2F3

RGB 252 162 243

HSL 306, 0.94%, 0.81%

LAB 77.88, 45.25, -26.79

 

CMYK 0 / 66 / 6 / 2

HEX #F955EA

RGB 249 85 234

HSL 305.49, 0.93%, 0.65%

LAB 63.82, 78.02, -43.69

 

CMYK 0 / 48 / 67 / 2

HEX #F98253

RGB 249 130 83

HSL 16.99, 0.93%, 0.65%

LAB 67.07, 41.78, 45.48

 

CMYK 67 / 0 / 21 / 2

HEX #53F9C4

RGB 83 249 196

HSL 160.84, 0.93%, 0.65%

LAB 88.72, -54.86, 13.08

 

CMYK 0 / 66 / 6 / 2

HEX #F955EA

RGB 249 85 234

HSL 305.49, 0.93%, 0.65%

LAB 63.82, 78.02, -43.69

 

CMYK 6 / 0 / 67 / 2

HEX #EBF953

RGB 235 249 83

HSL 65.06, 0.93%, 0.65%

LAB 94.33, -24.67, 74.45

 

CMYK 67 / 6 / 0 / 2

HEX #53EBF9

RGB 83 235 249

HSL 185.06, 0.93%, 0.65%

LAB 86.05, -35.26, -18.52

 

CMYK 0 / 66 / 6 / 2

HEX #F955EA

RGB 249 85 234

HSL 305.49, 0.93%, 0.65%

LAB 63.82, 78.02, -43.69

 

CMYK 0 / 48 / 67 / 2

HEX #F98253

RGB 249 130 83

HSL 16.99, 0.93%, 0.65%

LAB 67.07, 41.78, 45.48

 

CMYK 67 / 0 / 61 / 2

HEX #53F961

RGB 83 249 97

HSL 125.06, 0.93%, 0.65%

LAB 87.22, -71.47, 59.16

 

CMYK 67 / 19 / 0 / 2

HEX #53CAF9

RGB 83 202 249

HSL 196.99, 0.93%, 0.65%

LAB 76.63, -19.08, -32.9

 

CMYK 0 / 66 / 6 / 2

HEX #F955EA

RGB 249 85 234

HSL 305.49, 0.93%, 0.65%

LAB 63.82, 78.02, -43.69

 

CMYK 0 / 28 / 67 / 2

HEX #F9B453

RGB 249 180 83

HSL 35.06, 0.93%, 0.65%

LAB 78.11, 15.86, 57.86

 

CMYK 67 / 0 / 61 / 2

HEX #53F961

RGB 83 249 97

HSL 125.06, 0.93%, 0.65%

LAB 87.22, -71.47, 59.16

 

CMYK 67 / 39 / 0 / 2

HEX #5398F9

RGB 83 152 249

HSL 215.06, 0.93%, 0.65%

LAB 62.62, 8.57, -54.85

 

Description

Color code: HEX #F955EA | qconv.com Color code: HEX #F955EA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 85 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 85 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 6 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 6% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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