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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F94C3ACE it is the complementary color #06B3C5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F94C3ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F94C3ACE shade: #FE4C35CE, #FF5E48CE, #FF705BCE, #FF826ECE and #FF9481CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F94C3ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F94C3ACE shade: #F94C3ACE, #E83A27CE, #D72814CE, #C61601CE and #B50400CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F94C3ACE shade: #F94B39 and #F93939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F94C3ACE shade: #F94B39, #F97F39, #F9B339, #F9E639 and #D8F939

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F94C3ACE shade matches the following richer shades: #F94B39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F94C3ACE shade: #F94B39, #E8594A, #D8665A, #C7736B and #B7817B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F94C3ACE shade: #F9398F, #F9395C, #F94939, #F97C39 and #F9AF39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F94C3ACE shade: #D91A07, #F82711, #F94B39, #FA7061 and #FB9489

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F94C3ACE shade: #F94C3A, #C3F939 and #3976F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F94C3ACE shade: #F94C3A, #39F949 and #4939F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F94C3ACE shade: #F94C3A, #C3F939, #39E9F9 and #6F39F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F94C3ACE shade: #F94C3A, #89F939, #39E9F9 and #A939F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 62 / 2

HEX #F94C3ACE

RGBA 249 76 58 0.81

HSLA 5.65, 0.94%, 0.6%, 0.81

LABA 57.67, 64.55, 48.01, 0.81

 

Complementary color

CMYK 79 / 7 / 0 / 18

HEX #06B3C5CE

RGBA 6 179 197 0.81

HSLA 185.65, 0.94%, 0.4%, 0.81

LABA 66.76, -31, -19.86, 0.81

 

CMYK 0 / 57 / 64 / 0

HEX #FE4C35CE

RGBA 254 76 53 0.81

HSLA 6.87, 0.99%, 0.6%, 0.81

LABA 58.51, 65.94, 51.69, 0.81

 

CMYK 0 / 51 / 58 / 0

HEX #FF5E48CE

RGBA 255 94 72 0.81

HSLA 7.21, 1%, 0.64%, 0.81

LABA 61.42, 60.01, 45.02, 0.81

 

CMYK 0 / 45 / 52 / 0

HEX #FF705BCE

RGBA 255 112 91 0.81

HSLA 7.68, 1%, 0.68%, 0.81

LABA 64.65, 53.09, 38.57, 0.81

 

CMYK 0 / 40 / 46 / 0

HEX #FF826ECE

RGBA 255 130 110 0.81

HSLA 8.28, 1%, 0.72%, 0.81

LABA 68.28, 45.77, 32.74, 0.81

 

CMYK 0 / 34 / 40 / 0

HEX #FF9481CE

RGBA 255 148 129 0.81

HSLA 9.05, 1%, 0.75%, 0.81

LABA 72.25, 38.28, 27.55, 0.81

 

CMYK 0 / 56 / 62 / 2

HEX #F94C3ACE

RGBA 249 76 58 0.81

HSLA 5.65, 0.94%, 0.6%, 0.81

LABA 57.67, 64.55, 48.01, 0.81

 

CMYK 0 / 61 / 67 / 7

HEX #E83A27CE

RGBA 232 58 39 0.81

HSLA 5.91, 0.81%, 0.53%, 0.81

LABA 52.21, 64.93, 51.17, 0.81

 

CMYK 0 / 66 / 73 / 13

HEX #D72814CE

RGBA 215 40 20 0.81

HSLA 6.15, 0.83%, 0.46%, 0.81

LABA 46.99, 64.73, 53.9, 0.81

 

CMYK 0 / 72 / 81 / 18

HEX #C61601CE

RGBA 198 22 1 0.81

HSLA 6.4, 0.99%, 0.39%, 0.81

LABA 42.13, 63.64, 55.53, 0.81

 

CMYK 0 / 79 / 81 / 24

HEX #B50400CE

RGBA 181 4 0 0.81

HSLA 1.33, 1%, 0.35%, 0.81

LABA 37.68, 61.48, 52.01, 0.81

 

CMYK 0 / 70 / 77 / 2

HEX #F94B39

RGB 249 75 57

HSL 5.63, 0.94%, 0.6%

LAB 57.53, 64.88, 48.38

 

CMYK 0 / 77 / 77 / 2

HEX #F93939

RGB 249 57 57

HSL 0, 0.94%, 0.6%

LAB 55.44, 70.67, 46.21

 

CMYK 0 / 70 / 77 / 2

HEX #F94B39

RGB 249 75 57

HSL 5.63, 0.94%, 0.6%

LAB 57.53, 64.88, 48.38

 

CMYK 0 / 49 / 77 / 2

HEX #F97F39

RGB 249 127 57

HSL 21.88, 0.94%, 0.6%

LAB 66.22, 42.08, 57.14

 

CMYK 0 / 28 / 77 / 2

HEX #F9B339

RGB 249 179 57

HSL 38.13, 0.94%, 0.6%

LAB 77.68, 15.17, 68.12

 

CMYK 0 / 8 / 77 / 2

HEX #F9E639

RGB 249 230 57

HSL 54.06, 0.94%, 0.6%

LAB 90.33, -10.92, 79.7

 

CMYK 13 / 0 / 77 / 2

HEX #D8F939

RGB 216 249 57

HSL 70.31, 0.94%, 0.6%

LAB 92.86, -33.42, 81.05

 

CMYK 0 / 70 / 77 / 2

HEX #F94B39

RGB 249 75 57

HSL 5.63, 0.94%, 0.6%

LAB 57.53, 64.88, 48.38

 

CMYK 0 / 70 / 77 / 2

HEX #F94B39

RGB 249 75 57

HSL 5.63, 0.94%, 0.6%

LAB 57.53, 64.88, 48.38

 

CMYK 0 / 62 / 68 / 9

HEX #E8594A

RGB 232 89 74

HSL 5.7, 0.77%, 0.6%

LAB 56.88, 54.51, 37.7

 

CMYK 0 / 53 / 58 / 15

HEX #D8665A

RGB 216 102 90

HSL 5.71, 0.62%, 0.6%

LAB 56.92, 43.79, 28.19

 

CMYK 0 / 42 / 46 / 22

HEX #C7736B

RGB 199 115 107

HSL 5.22, 0.45%, 0.6%

LAB 57.53, 32.13, 18.82

 

CMYK 0 / 30 / 33 / 28

HEX #B7817B

RGB 183 129 123

HSL 6, 0.29%, 0.6%

LAB 59.16, 20.05, 11.59

 

CMYK 0 / 77 / 43 / 2

HEX #F9398F

RGB 249 57 143

HSL 333.13, 0.94%, 0.6%

LAB 57.12, 75.91, -1.75

 

CMYK 0 / 77 / 63 / 2

HEX #F9395C

RGB 249 57 92

HSL 349.06, 0.94%, 0.6%

LAB 55.93, 72.2, 26.84

 

CMYK 0 / 71 / 77 / 2

HEX #F94939

RGB 249 73 57

HSL 5, 0.94%, 0.6%

LAB 57.27, 65.59, 48.12

 

CMYK 0 / 50 / 77 / 2

HEX #F97C39

RGB 249 124 57

HSL 20.94, 0.94%, 0.6%

LAB 65.63, 43.56, 56.56

 

CMYK 0 / 30 / 77 / 2

HEX #F9AF39

RGB 249 175 57

HSL 36.88, 0.94%, 0.6%

LAB 76.74, 17.27, 67.23

 

CMYK 0 / 88 / 97 / 15

HEX #D91A07

RGB 217 26 7

HSL 5.43, 0.94%, 0.44%

LAB 46.32, 68.08, 57.81

 

CMYK 0 / 84 / 93 / 3

HEX #F82711

RGB 248 39 17

HSL 5.71, 0.94%, 0.52%

LAB 53.44, 73.95, 62.23

 

CMYK 0 / 70 / 77 / 2

HEX #F94B39

RGB 249 75 57

HSL 5.63, 0.94%, 0.6%

LAB 57.53, 64.88, 48.38

 

CMYK 0 / 55 / 61 / 2

HEX #FA7061

RGB 250 112 97

HSL 5.88, 0.94%, 0.68%

LAB 63.98, 51.7, 34.28

 

CMYK 0 / 41 / 45 / 2

HEX #FB9489

RGB 251 148 137

HSL 5.79, 0.93%, 0.76%

LAB 71.89, 37.54, 22.6

 

CMYK 0 / 69 / 77 / 2

HEX #F94C3A

RGB 249 76 58

HSL 5.65, 0.94%, 0.6%

LAB 57.67, 64.55, 48.01

 

CMYK 22 / 0 / 77 / 2

HEX #C3F939

RGB 195 249 57

HSL 76.88, 0.94%, 0.6%

LAB 91.53, -41.54, 79.34

 

CMYK 77 / 53 / 0 / 2

HEX #3976F9

RGB 57 118 249

HSL 220.94, 0.94%, 0.6%

LAB 52.58, 25.87, -71.02

 

CMYK 0 / 69 / 77 / 2

HEX #F94C3A

RGB 249 76 58

HSL 5.65, 0.94%, 0.6%

LAB 57.67, 64.55, 48.01

 

CMYK 77 / 0 / 71 / 2

HEX #39F949

RGB 57 249 73

HSL 125, 0.94%, 0.6%

LAB 86.55, -77.74, 67.66

 

CMYK 71 / 77 / 0 / 2

HEX #4939F9

RGB 73 57 249

HSL 245, 0.94%, 0.6%

LAB 39.89, 62.86, -91.8

 

CMYK 0 / 69 / 77 / 2

HEX #F94C3A

RGB 249 76 58

HSL 5.65, 0.94%, 0.6%

LAB 57.67, 64.55, 48.01

 

CMYK 22 / 0 / 77 / 2

HEX #C3F939

RGB 195 249 57

HSL 76.88, 0.94%, 0.6%

LAB 91.53, -41.54, 79.34

 

CMYK 77 / 6 / 0 / 2

HEX #39E9F9

RGB 57 233 249

HSL 185, 0.94%, 0.6%

LAB 84.99, -37.34, -20.18

 

CMYK 55 / 77 / 0 / 2

HEX #6F39F9

RGB 111 57 249

HSL 256.88, 0.94%, 0.6%

LAB 42.98, 66.63, -86.58

 

CMYK 0 / 69 / 77 / 2

HEX #F94C3A

RGB 249 76 58

HSL 5.65, 0.94%, 0.6%

LAB 57.67, 64.55, 48.01

 

CMYK 45 / 0 / 77 / 2

HEX #89F939

RGB 137 249 57

HSL 95, 0.94%, 0.6%

LAB 88.62, -61.46, 75.59

 

CMYK 77 / 6 / 0 / 2

HEX #39E9F9

RGB 57 233 249

HSL 185, 0.94%, 0.6%

LAB 84.99, -37.34, -20.18

 

CMYK 32 / 77 / 0 / 2

HEX #A939F9

RGB 169 57 249

HSL 275, 0.94%, 0.6%

LAB 49.74, 74.77, -75.25

 

Description

Color code: HEX #F94C3ACE | qconv.com Color code: HEX #F94C3ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 76 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 76 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 62 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 62% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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