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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F947EE it is the complementary color #06B811. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F947EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F947EE shade: #FE47E9, #FF59FC, #FF6BFF, #FF7DFF and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F947EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F947EE shade: #F947EE, #E835DB, #D723C8, #C611B5 and #B500A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F947EE shade: #F948EE, #F948BF, #F9488F, #F9485F and #F94848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F947EE shade: #F948EE, #D448F9, #A548F9, #7548F9 and #4848F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F947EE shade matches the following richer shades: #F948EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F947EE shade: #F948EE, #EA57E1, #DB66D4, #CC76C6 and #BC85B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F947EE shade: #A448F9, #D348F9, #F948F0, #F948C1 and #F94892

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F947EE shade: #E807DA, #F820EB, #F948EE, #FB70F2 and #FC98F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F947EE shade: #F947EE, #F97448 and #48F9BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F947EE shade: #F947EE, #F0F948 and #48F0F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F947EE shade: #F947EE, #F97448, #48F951 and #48CDF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F947EE shade: #F947EE, #F9AA48, #48F951 and #4898F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 4 / 2

HEX #F947EE

RGB 249 71 238

HSL 303.71, 0.94%, 0.63%

LAB 62.35, 83.3, -48.22

 

Complementary color

CMYK 97 / 0 / 91 / 28

HEX #06B811

RGB 6 184 17

HSL 123.71, 0.94%, 0.37%

LAB 65.25, -66.75, 62.93

 

CMYK 0 / 72 / 8 / 0

HEX #FE47E9

RGB 254 71 233

HSL 306.89, 0.99%, 0.64%

LAB 62.89, 83.63, -44.53

 

CMYK 0 / 65 / 1 / 0

HEX #FF59FC

RGB 255 89 252

HSL 301.08, 1%, 0.67%

LAB 66.08, 80.71, -50.02

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 71 / 4 / 2

HEX #F947EE

RGB 249 71 238

HSL 303.71, 0.94%, 0.63%

LAB 62.35, 83.3, -48.22

 

CMYK 0 / 77 / 6 / 9

HEX #E835DB

RGB 232 53 219

HSL 304.36, 0.8%, 0.56%

LAB 56.9, 82.13, -46.36

 

CMYK 0 / 84 / 7 / 16

HEX #D723C8

RGB 215 35 200

HSL 305, 0.72%, 0.49%

LAB 51.63, 80.19, -44.02

 

CMYK 0 / 91 / 9 / 22

HEX #C611B5

RGB 198 17 181

HSL 305.64, 0.84%, 0.42%

LAB 46.64, 77.24, -41.07

 

CMYK 0 / 100 / 10 / 29

HEX #B500A2

RGB 181 0 162

HSL 306.3, 1%, 0.35%

LAB 41.9, 73.26, -37.49

 

CMYK 0 / 71 / 4 / 2

HEX #F948EE

RGB 249 72 238

HSL 303.73, 0.94%, 0.63%

LAB 62.46, 82.99, -48.05

 

CMYK 0 / 71 / 23 / 2

HEX #F948BF

RGB 249 72 191

HSL 319.66, 0.94%, 0.63%

LAB 60.37, 76.56, -24.78

 

CMYK 0 / 71 / 43 / 2

HEX #F9488F

RGB 249 72 143

HSL 335.93, 0.94%, 0.63%

LAB 58.75, 71.34, 0.63

 

CMYK 0 / 71 / 62 / 2

HEX #F9485F

RGB 249 72 95

HSL 352.2, 0.94%, 0.63%

LAB 57.66, 67.69, 27.32

 

CMYK 0 / 71 / 71 / 2

HEX #F94848

RGB 249 72 72

HSL 0, 0.94%, 0.63%

LAB 57.31, 66.51, 40.06

 

CMYK 0 / 71 / 4 / 2

HEX #F948EE

RGB 249 72 238

HSL 303.73, 0.94%, 0.63%

LAB 62.46, 82.99, -48.05

 

CMYK 15 / 71 / 0 / 2

HEX #D448F9

RGB 212 72 249

HSL 287.46, 0.94%, 0.63%

LAB 57.53, 77.22, -62.36

 

CMYK 34 / 71 / 0 / 2

HEX #A548F9

RGB 165 72 249

HSL 271.53, 0.94%, 0.63%

LAB 51.24, 68.34, -72.84

 

CMYK 53 / 71 / 0 / 2

HEX #7548F9

RGB 117 72 249

HSL 255.25, 0.94%, 0.63%

LAB 45.98, 60.51, -81.63

 

CMYK 71 / 71 / 0 / 2

HEX #4848F9

RGB 72 72 249

HSL 240, 0.94%, 0.63%

LAB 42.54, 55.08, -87.42

 

CMYK 0 / 71 / 4 / 2

HEX #F948EE

RGB 249 72 238

HSL 303.73, 0.94%, 0.63%

LAB 62.46, 82.99, -48.05

 

CMYK 0 / 71 / 4 / 2

HEX #F948EE

RGB 249 72 238

HSL 303.73, 0.94%, 0.63%

LAB 62.46, 82.99, -48.05

 

CMYK 0 / 63 / 4 / 8

HEX #EA57E1

RGB 234 87 225

HSL 303.67, 0.78%, 0.63%

LAB 61.43, 72.35, -42.57

 

CMYK 0 / 53 / 3 / 14

HEX #DB66D4

RGB 219 102 212

HSL 303.59, 0.62%, 0.63%

LAB 61.06, 59.98, -36

 

CMYK 0 / 42 / 3 / 20

HEX #CC76C6

RGB 204 118 198

HSL 304.19, 0.46%, 0.63%

LAB 61.54, 45.31, -27.49

 

CMYK 0 / 29 / 2 / 26

HEX #BC85B9

RGB 188 133 185

HSL 303.27, 0.29%, 0.63%

LAB 62.48, 29.68, -18.86

 

CMYK 34 / 71 / 0 / 2

HEX #A448F9

RGB 164 72 249

HSL 271.19, 0.94%, 0.63%

LAB 51.11, 68.16, -73.04

 

CMYK 15 / 71 / 0 / 2

HEX #D348F9

RGB 211 72 249

HSL 287.12, 0.94%, 0.63%

LAB 57.39, 77.03, -62.59

 

CMYK 0 / 71 / 4 / 2

HEX #F948F0

RGB 249 72 240

HSL 303.05, 0.94%, 0.63%

LAB 62.56, 83.29, -49.01

 

CMYK 0 / 71 / 22 / 2

HEX #F948C1

RGB 249 72 193

HSL 318.98, 0.94%, 0.63%

LAB 60.45, 76.81, -25.8

 

CMYK 0 / 71 / 41 / 2

HEX #F94892

RGB 249 72 146

HSL 334.92, 0.94%, 0.63%

LAB 58.84, 71.62, -1

 

CMYK 0 / 97 / 6 / 9

HEX #E807DA

RGB 232 7 218

HSL 303.73, 0.94%, 0.47%

LAB 54.42, 89.07, -49.73

 

CMYK 0 / 87 / 5 / 3

HEX #F820EB

RGB 248 32 235

HSL 303.61, 0.94%, 0.55%

LAB 58.96, 91.57, -51.93

 

CMYK 0 / 71 / 4 / 2

HEX #F948EE

RGB 249 72 238

HSL 303.73, 0.94%, 0.63%

LAB 62.46, 82.99, -48.05

 

CMYK 0 / 55 / 4 / 2

HEX #FB70F2

RGB 251 112 242

HSL 303.88, 0.95%, 0.71%

LAB 68.39, 68.94, -40.92

 

CMYK 0 / 40 / 2 / 1

HEX #FC98F6

RGB 252 152 246

HSL 303.6, 0.94%, 0.79%

LAB 75.95, 50.87, -31.37

 

CMYK 0 / 71 / 4 / 2

HEX #F947EE

RGB 249 71 238

HSL 303.71, 0.94%, 0.63%

LAB 62.35, 83.3, -48.22

 

CMYK 0 / 53 / 71 / 2

HEX #F97448

RGB 249 116 72

HSL 14.92, 0.94%, 0.63%

LAB 64.24, 48.07, 47.9

 

CMYK 71 / 0 / 25 / 2

HEX #48F9BB

RGB 72 249 187

HSL 158.98, 0.94%, 0.63%

LAB 88.31, -58.44, 17.12

 

CMYK 0 / 71 / 4 / 2

HEX #F947EE

RGB 249 71 238

HSL 303.71, 0.94%, 0.63%

LAB 62.35, 83.3, -48.22

 

CMYK 4 / 0 / 71 / 2

HEX #F0F948

RGB 240 249 72

HSL 63.05, 0.94%, 0.63%

LAB 94.63, -23.22, 78.72

 

CMYK 71 / 4 / 0 / 2

HEX #48F0F9

RGB 72 240 249

HSL 183.05, 0.94%, 0.63%

LAB 87.26, -38.97, -16.73

 

CMYK 0 / 71 / 4 / 2

HEX #F947EE

RGB 249 71 238

HSL 303.71, 0.94%, 0.63%

LAB 62.35, 83.3, -48.22

 

CMYK 0 / 53 / 71 / 2

HEX #F97448

RGB 249 116 72

HSL 14.92, 0.94%, 0.63%

LAB 64.24, 48.07, 47.9

 

CMYK 71 / 0 / 67 / 2

HEX #48F951

RGB 72 249 81

HSL 123.05, 0.94%, 0.63%

LAB 86.86, -74.92, 65.12

 

CMYK 71 / 18 / 0 / 2

HEX #48CDF9

RGB 72 205 249

HSL 194.92, 0.94%, 0.63%

LAB 77.21, -22.13, -32.03

 

CMYK 0 / 71 / 4 / 2

HEX #F947EE

RGB 249 71 238

HSL 303.71, 0.94%, 0.63%

LAB 62.35, 83.3, -48.22

 

CMYK 0 / 32 / 71 / 2

HEX #F9AA48

RGB 249 170 72

HSL 33.22, 0.94%, 0.63%

LAB 75.67, 20.53, 60.13

 

CMYK 71 / 0 / 67 / 2

HEX #48F951

RGB 72 249 81

HSL 123.05, 0.94%, 0.63%

LAB 86.86, -74.92, 65.12

 

CMYK 71 / 39 / 0 / 2

HEX #4898F9

RGB 72 152 249

HSL 212.88, 0.94%, 0.63%

LAB 62.23, 6.97, -55.49

 

Description

Color code: HEX #F947EE | qconv.com Color code: HEX #F947EE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 71 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 71 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 4 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 4% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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