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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9424F it is the complementary color #06BDB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9424F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9424F shade: #FE424A, #FF545D, #FF6670, #FF7883 and #FF8A96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9424F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9424F shade: #F9424F, #E8303C, #D71E29, #C60C16 and #B50003

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9424F shade: #F94350 and #F94343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9424F shade: #F94350, #F94381, #F943B2, #F943E3 and #DE43F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9424F shade matches the following richer shades: #F94350

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9424F shade: #F94350, #EA535D, #DA626B, #CA7278 and #BA8286

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9424F shade: #F943B3, #F94383, #F94352, #F96443 and #F99543

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9424F shade: #E30717, #F81B2B, #F94350, #FA6B75 and #FC939A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9424F shade: #F9424F, #E4F943 and #439BF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9424F shade: #F9424F, #52F943 and #4352F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9424F shade: #F9424F, #E4F943, #43F9EA and #5843F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9424F shade: #F9424F, #ADF943, #43F9EA and #8F43F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 68 / 2

HEX #F9424F

RGB 249 66 79

HSL 355.74, 0.94%, 0.62%

LAB 56.68, 68.83, 35.36

 

Complementary color

CMYK 97 / 0 / 7 / 26

HEX #06BDB0

RGB 6 189 176

HSL 175.74, 0.94%, 0.38%

LAB 69.16, -42.05, -4.68

 

CMYK 0 / 74 / 71 / 0

HEX #FE424A

RGB 254 66 74

HSL 357.45, 0.99%, 0.63%

LAB 57.52, 70.05, 39.41

 

CMYK 0 / 67 / 64 / 0

HEX #FF545D

RGB 255 84 93

HSL 356.84, 1%, 0.66%

LAB 60.24, 65.04, 31.99

 

CMYK 0 / 60 / 56 / 0

HEX #FF6670

RGB 255 102 112

HSL 356.08, 1%, 0.7%

LAB 63.29, 58.93, 25.11

 

CMYK 0 / 53 / 49 / 0

HEX #FF7883

RGB 255 120 131

HSL 355.11, 1%, 0.74%

LAB 66.77, 52.3, 19.04

 

CMYK 0 / 46 / 41 / 0

HEX #FF8A96

RGB 255 138 150

HSL 353.85, 1%, 0.77%

LAB 70.62, 45.38, 13.73

 

CMYK 0 / 73 / 68 / 2

HEX #F9424F

RGB 249 66 79

HSL 355.74, 0.94%, 0.62%

LAB 56.68, 68.83, 35.36

 

CMYK 0 / 79 / 74 / 9

HEX #E8303C

RGB 232 48 60

HSL 356.09, 0.8%, 0.55%

LAB 51.38, 68.48, 39.2

 

CMYK 0 / 86 / 81 / 16

HEX #D71E29

RGB 215 30 41

HSL 356.43, 0.76%, 0.48%

LAB 46.36, 67.39, 43.48

 

CMYK 0 / 94 / 89 / 22

HEX #C60C16

RGB 198 12 22

HSL 356.77, 0.89%, 0.41%

LAB 41.73, 65.27, 47.69

 

CMYK 0 / 100 / 98 / 29

HEX #B50003

RGB 181 0 3

HSL 359.01, 1%, 0.35%

LAB 37.54, 61.97, 50.72

 

CMYK 0 / 73 / 68 / 2

HEX #F94350

RGB 249 67 80

HSL 355.71, 0.94%, 0.62%

LAB 56.81, 68.55, 34.94

 

CMYK 0 / 73 / 73 / 2

HEX #F94343

RGB 249 67 67

HSL 0, 0.94%, 0.62%

LAB 56.64, 67.98, 42.07

 

CMYK 0 / 73 / 68 / 2

HEX #F94350

RGB 249 67 80

HSL 355.71, 0.94%, 0.62%

LAB 56.81, 68.55, 34.94

 

CMYK 0 / 73 / 48 / 2

HEX #F94381

RGB 249 67 129

HSL 339.56, 0.94%, 0.62%

LAB 57.79, 71.75, 7.49

 

CMYK 0 / 73 / 29 / 2

HEX #F943B2

RGB 249 67 178

HSL 323.41, 0.94%, 0.62%

LAB 59.31, 76.59, -18.92

 

CMYK 0 / 73 / 9 / 2

HEX #F943E3

RGB 249 67 227

HSL 307.25, 0.94%, 0.62%

LAB 61.39, 82.91, -43.59

 

CMYK 11 / 73 / 0 / 2

HEX #DE43F9

RGB 222 67 249

HSL 291.1, 0.94%, 0.62%

LAB 58.4, 80.86, -60.89

 

CMYK 0 / 73 / 68 / 2

HEX #F94350

RGB 249 67 80

HSL 355.71, 0.94%, 0.62%

LAB 56.81, 68.55, 34.94

 

CMYK 0 / 73 / 68 / 2

HEX #F94350

RGB 249 67 80

HSL 355.71, 0.94%, 0.62%

LAB 56.81, 68.55, 34.94

 

CMYK 0 / 65 / 60 / 8

HEX #EA535D

RGB 234 83 93

HSL 356.03, 0.78%, 0.62%

LAB 56.55, 58.81, 26.55

 

CMYK 0 / 55 / 51 / 15

HEX #DA626B

RGB 218 98 107

HSL 355.5, 0.62%, 0.62%

LAB 56.78, 47.82, 18.25

 

CMYK 0 / 44 / 41 / 21

HEX #CA7278

RGB 202 114 120

HSL 355.91, 0.45%, 0.62%

LAB 57.99, 35.21, 12.01

 

CMYK 0 / 30 / 28 / 27

HEX #BA8286

RGB 186 130 134

HSL 355.71, 0.29%, 0.62%

LAB 60, 22.17, 6.53

 

CMYK 0 / 73 / 28 / 2

HEX #F943B3

RGB 249 67 179

HSL 323.08, 0.94%, 0.62%

LAB 59.35, 76.7, -19.44

 

CMYK 0 / 73 / 47 / 2

HEX #F94383

RGB 249 67 131

HSL 338.9, 0.94%, 0.62%

LAB 57.84, 71.92, 6.38

 

CMYK 0 / 73 / 67 / 2

HEX #F94352

RGB 249 67 82

HSL 355.05, 0.94%, 0.62%

LAB 56.84, 68.65, 33.83

 

CMYK 0 / 60 / 73 / 2

HEX #F96443

RGB 249 100 67

HSL 10.88, 0.94%, 0.62%

LAB 61.36, 55.2, 47.29

 

CMYK 0 / 40 / 73 / 2

HEX #F99543

RGB 249 149 67

HSL 27.03, 0.94%, 0.62%

LAB 70.9, 31.28, 57.4

 

CMYK 0 / 97 / 90 / 11

HEX #E30717

RGB 227 7 23

HSL 355.64, 0.94%, 0.46%

LAB 47.68, 73.02, 54.33

 

CMYK 0 / 89 / 83 / 3

HEX #F81B2B

RGB 248 27 43

HSL 355.66, 0.94%, 0.54%

LAB 52.86, 76.46, 50.94

 

CMYK 0 / 73 / 68 / 2

HEX #F94350

RGB 249 67 80

HSL 355.71, 0.94%, 0.62%

LAB 56.81, 68.55, 34.94

 

CMYK 0 / 57 / 53 / 2

HEX #FA6B75

RGB 250 107 117

HSL 355.8, 0.93%, 0.7%

LAB 63.45, 55.44, 22.33

 

CMYK 0 / 42 / 39 / 1

HEX #FC939A

RGB 252 147 154

HSL 356, 0.95%, 0.78%

LAB 72.16, 40.19, 13.61

 

CMYK 0 / 73 / 68 / 2

HEX #F9424F

RGB 249 66 79

HSL 355.74, 0.94%, 0.62%

LAB 56.68, 68.83, 35.36

 

CMYK 8 / 0 / 73 / 2

HEX #E4F943

RGB 228 249 67

HSL 66.92, 0.94%, 0.62%

LAB 93.73, -28.25, 79.18

 

CMYK 73 / 38 / 0 / 2

HEX #439BF9

RGB 67 155 249

HSL 210.99, 0.94%, 0.62%

LAB 62.91, 4.56, -54.43

 

CMYK 0 / 73 / 68 / 2

HEX #F9424F

RGB 249 66 79

HSL 355.74, 0.94%, 0.62%

LAB 56.68, 68.83, 35.36

 

CMYK 67 / 0 / 73 / 2

HEX #52F943

RGB 82 249 67

HSL 115.05, 0.94%, 0.62%

LAB 86.97, -74.32, 70.29

 

CMYK 73 / 67 / 0 / 2

HEX #4352F9

RGB 67 82 249

HSL 235.05, 0.94%, 0.62%

LAB 44.33, 48.95, -84.48

 

CMYK 0 / 73 / 68 / 2

HEX #F9424F

RGB 249 66 79

HSL 355.74, 0.94%, 0.62%

LAB 56.68, 68.83, 35.36

 

CMYK 8 / 0 / 73 / 2

HEX #E4F943

RGB 228 249 67

HSL 66.92, 0.94%, 0.62%

LAB 93.73, -28.25, 79.18

 

CMYK 73 / 0 / 6 / 2

HEX #43F9EA

RGB 67 249 234

HSL 175.05, 0.94%, 0.62%

LAB 89.34, -47.64, -5.8

 

CMYK 65 / 73 / 0 / 2

HEX #5843F9

RGB 88 67 249

HSL 246.92, 0.94%, 0.62%

LAB 42.66, 59.34, -87.19

 

CMYK 0 / 73 / 68 / 2

HEX #F9424F

RGB 249 66 79

HSL 355.74, 0.94%, 0.62%

LAB 56.68, 68.83, 35.36

 

CMYK 31 / 0 / 73 / 2

HEX #ADF943

RGB 173 249 67

HSL 85.05, 0.94%, 0.62%

LAB 90.34, -49.1, 74.74

 

CMYK 73 / 0 / 6 / 2

HEX #43F9EA

RGB 67 249 234

HSL 175.05, 0.94%, 0.62%

LAB 89.34, -47.64, -5.8

 

CMYK 43 / 73 / 0 / 2

HEX #8F43F9

RGB 143 67 249

HSL 265.05, 0.94%, 0.62%

LAB 47.87, 66.76, -78.43

 

Description

Color code: HEX #F9424F | qconv.com Color code: HEX #F9424F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 66 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 66 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 68 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 68% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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