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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F93F77 it is the complementary color #06C088. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F93F77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F93F77 shade: #FE3F72, #FF5185, #FF6398, #FF75AB and #FF87BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F93F77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F93F77 shade: #F93F77, #E82D64, #D71B51, #C6093E and #B5002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F93F77 shade: #F93E76, #F93E44 and #F93E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F93F77 shade: #F93E76, #F93EA9, #F93EDB, #E43EF9 and #B23EF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F93F77 shade matches the following richer shades: #F93E76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F93F77 shade: #F93E76, #E94E7D, #D95E83, #C96E8A and #B97E90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F93F77 shade: #F93EDD, #F93EAB, #F93E79, #F93E47 and #F9673E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F93F77 shade: #DE0748, #F8165A, #F93E76, #FA6693 and #FC8EAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F93F77 shade: #F93F77, #F9E33E and #3EC4F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F93F77 shade: #F93F77, #79F93E and #3E79F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F93F77 shade: #F93F77, #F9E33E, #3EF9BE and #3E54F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F93F77 shade: #F93F77, #D7F93E, #3EF9BE and #603EF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 52 / 2

HEX #F93F77

RGB 249 63 119

HSL 341.94, 0.94%, 0.61%

LAB 57.1, 72.21, 12.43

 

Complementary color

CMYK 97 / 0 / 29 / 25

HEX #06C088

RGB 6 192 136

HSL 161.94, 0.94%, 0.39%

LAB 69.12, -53.68, 17.07

 

CMYK 0 / 75 / 55 / 0

HEX #FE3F72

RGB 254 63 114

HSL 343.98, 0.99%, 0.62%

LAB 57.89, 73.2, 16.62

 

CMYK 0 / 68 / 48 / 0

HEX #FF5185

RGB 255 81 133

HSL 342.07, 1%, 0.66%

LAB 60.64, 68.98, 9.33

 

CMYK 0 / 61 / 40 / 0

HEX #FF6398

RGB 255 99 152

HSL 339.62, 1%, 0.69%

LAB 63.71, 63.69, 2.74

 

CMYK 0 / 54 / 33 / 0

HEX #FF75AB

RGB 255 117 171

HSL 336.52, 1%, 0.73%

LAB 67.22, 57.83, -2.98

 

CMYK 0 / 47 / 25 / 0

HEX #FF87BE

RGB 255 135 190

HSL 332.5, 1%, 0.76%

LAB 71.08, 51.65, -7.94

 

CMYK 0 / 75 / 52 / 2

HEX #F93F77

RGB 249 63 119

HSL 341.94, 0.94%, 0.61%

LAB 57.1, 72.21, 12.43

 

CMYK 0 / 81 / 57 / 9

HEX #E82D64

RGB 232 45 100

HSL 342.35, 0.8%, 0.54%

LAB 51.78, 71.32, 15.96

 

CMYK 0 / 87 / 62 / 16

HEX #D71B51

RGB 215 27 81

HSL 342.77, 0.78%, 0.47%

LAB 46.74, 69.61, 20.22

 

CMYK 0 / 95 / 69 / 22

HEX #C6093E

RGB 198 9 62

HSL 343.17, 0.91%, 0.41%

LAB 42.08, 66.82, 25.31

 

CMYK 0 / 100 / 76 / 29

HEX #B5002B

RGB 181 0 43

HSL 345.75, 1%, 0.35%

LAB 37.84, 62.79, 31.18

 

CMYK 0 / 75 / 53 / 2

HEX #F93E76

RGB 249 62 118

HSL 342.03, 0.94%, 0.61%

LAB 56.97, 72.43, 12.84

 

CMYK 0 / 75 / 73 / 2

HEX #F93E44

RGB 249 62 68

HSL 358.07, 0.94%, 0.61%

LAB 56.09, 69.6, 40.89

 

CMYK 0 / 75 / 75 / 2

HEX #F93E3E

RGB 249 62 62

HSL 0, 0.94%, 0.61%

LAB 56.02, 69.37, 44.12

 

CMYK 0 / 75 / 53 / 2

HEX #F93E76

RGB 249 62 118

HSL 342.03, 0.94%, 0.61%

LAB 56.97, 72.43, 12.84

 

CMYK 0 / 75 / 32 / 2

HEX #F93EA9

RGB 249 62 169

HSL 325.67, 0.94%, 0.61%

LAB 58.46, 77.08, -14.99

 

CMYK 0 / 75 / 12 / 2

HEX #F93EDB

RGB 249 62 219

HSL 309.63, 0.94%, 0.61%

LAB 60.52, 83.22, -40.47

 

CMYK 8 / 75 / 0 / 2

HEX #E43EF9

RGB 228 62 249

HSL 293.26, 0.94%, 0.61%

LAB 58.77, 83.53, -60.24

 

CMYK 29 / 75 / 0 / 2

HEX #B23EF9

RGB 178 62 249

HSL 277.22, 0.94%, 0.61%

LAB 51.55, 74.5, -72.25

 

CMYK 0 / 75 / 53 / 2

HEX #F93E76

RGB 249 62 118

HSL 342.03, 0.94%, 0.61%

LAB 56.97, 72.43, 12.84

 

CMYK 0 / 75 / 53 / 2

HEX #F93E76

RGB 249 62 118

HSL 342.03, 0.94%, 0.61%

LAB 56.97, 72.43, 12.84

 

CMYK 0 / 67 / 46 / 9

HEX #E94E7D

RGB 233 78 125

HSL 341.81, 0.78%, 0.61%

LAB 56.34, 62.98, 7.41

 

CMYK 0 / 57 / 40 / 15

HEX #D95E83

RGB 217 94 131

HSL 341.95, 0.62%, 0.61%

LAB 56.48, 51.72, 3.74

 

CMYK 0 / 45 / 31 / 21

HEX #C96E8A

RGB 201 110 138

HSL 341.54, 0.46%, 0.61%

LAB 57.47, 39.14, 0.8

 

CMYK 0 / 32 / 22 / 27

HEX #B97E90

RGB 185 126 144

HSL 341.69, 0.3%, 0.61%

LAB 59.2, 25.49, -0.38

 

CMYK 0 / 75 / 11 / 2

HEX #F93EDD

RGB 249 62 221

HSL 308.98, 0.94%, 0.61%

LAB 60.61, 83.49, -41.45

 

CMYK 0 / 75 / 31 / 2

HEX #F93EAB

RGB 249 62 171

HSL 325.03, 0.94%, 0.61%

LAB 58.53, 77.3, -16.05

 

CMYK 0 / 75 / 51 / 2

HEX #F93E79

RGB 249 62 121

HSL 341.07, 0.94%, 0.61%

LAB 57.04, 72.66, 11.16

 

CMYK 0 / 75 / 71 / 2

HEX #F93E47

RGB 249 62 71

HSL 357.11, 0.94%, 0.61%

LAB 56.13, 69.72, 39.25

 

CMYK 0 / 59 / 75 / 2

HEX #F9673E

RGB 249 103 62

HSL 13.16, 0.94%, 0.61%

LAB 61.82, 53.67, 50.32

 

CMYK 0 / 97 / 68 / 13

HEX #DE0748

RGB 222 7 72

HSL 341.86, 0.94%, 0.45%

LAB 47.17, 73.25, 26.59

 

CMYK 0 / 91 / 64 / 3

HEX #F8165A

RGB 248 22 90

HSL 341.95, 0.94%, 0.53%

LAB 53.24, 78.85, 24.5

 

CMYK 0 / 75 / 53 / 2

HEX #F93E76

RGB 249 62 118

HSL 342.03, 0.94%, 0.61%

LAB 56.97, 72.43, 12.84

 

CMYK 0 / 59 / 41 / 2

HEX #FA6693

RGB 250 102 147

HSL 341.76, 0.94%, 0.69%

LAB 63.29, 60.36, 4.9

 

CMYK 0 / 44 / 31 / 1

HEX #FC8EAF

RGB 252 142 175

HSL 342, 0.95%, 0.77%

LAB 71.65, 45.22, 1.21

 

CMYK 0 / 75 / 52 / 2

HEX #F93F77

RGB 249 63 119

HSL 341.94, 0.94%, 0.61%

LAB 57.1, 72.21, 12.43

 

CMYK 0 / 9 / 75 / 2

HEX #F9E33E

RGB 249 227 62

HSL 52.94, 0.94%, 0.61%

LAB 89.59, -9.25, 77.48

 

CMYK 75 / 21 / 0 / 2

HEX #3EC4F9

RGB 62 196 249

HSL 197.01, 0.94%, 0.61%

LAB 74.41, -18.7, -36.38

 

CMYK 0 / 75 / 52 / 2

HEX #F93F77

RGB 249 63 119

HSL 341.94, 0.94%, 0.61%

LAB 57.1, 72.21, 12.43

 

CMYK 51 / 0 / 75 / 2

HEX #79F93E

RGB 121 249 62

HSL 101.07, 0.94%, 0.61%

LAB 88.05, -65.75, 73.33

 

CMYK 75 / 51 / 0 / 2

HEX #3E79F9

RGB 62 121 249

HSL 221.07, 0.94%, 0.61%

LAB 53.53, 24.54, -69.47

 

CMYK 0 / 75 / 52 / 2

HEX #F93F77

RGB 249 63 119

HSL 341.94, 0.94%, 0.61%

LAB 57.1, 72.21, 12.43

 

CMYK 0 / 9 / 75 / 2

HEX #F9E33E

RGB 249 227 62

HSL 52.94, 0.94%, 0.61%

LAB 89.59, -9.25, 77.48

 

CMYK 75 / 0 / 24 / 2

HEX #3EF9BE

RGB 62 249 190

HSL 161.07, 0.94%, 0.61%

LAB 88.21, -59.01, 15.4

 

CMYK 75 / 66 / 0 / 2

HEX #3E54F9

RGB 62 84 249

HSL 232.94, 0.94%, 0.61%

LAB 44.52, 47.3, -84.17

 

CMYK 0 / 75 / 52 / 2

HEX #F93F77

RGB 249 63 119

HSL 341.94, 0.94%, 0.61%

LAB 57.1, 72.21, 12.43

 

CMYK 14 / 0 / 75 / 2

HEX #D7F93E

RGB 215 249 62

HSL 70.91, 0.94%, 0.61%

LAB 92.82, -33.61, 79.54

 

CMYK 75 / 0 / 24 / 2

HEX #3EF9BE

RGB 62 249 190

HSL 161.07, 0.94%, 0.61%

LAB 88.21, -59.01, 15.4

 

CMYK 61 / 75 / 0 / 2

HEX #603EF9

RGB 96 62 249

HSL 250.91, 0.94%, 0.61%

LAB 42.42, 62.67, -87.56

 

Description

Color code: HEX #F93F77 | qconv.com Color code: HEX #F93F77 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 63 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 63 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 52 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 52% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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