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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F92F0B it is the complementary color #06D0F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F92F0B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F92F0B shade: #FE2F06, #FF4119, #FF532C, #FF653F and #FF7752

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F92F0B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F92F0B shade: #F92F0B, #E81D00, #D70B00, #C60000 and #B50000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F92F0B shade: #F92F0B and #F90B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F92F0B shade: #F92F0B, #F96F0B, #F9AF0B, #F9EF0B and #C2F90B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F92F0B shade matches the following richer shades: #F92F0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F92F0B shade: #F92F0B, #E53D20, #D04B34, #BC5A48 and #A8685C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F92F0B shade: #F90B66, #F90B27, #F92F0B, #F96E0B and #F9AE0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F92F0B shade: #AD1E04, #D52505, #F92F0B, #FA5234 and #FB745C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F92F0B shade: #F92F0B, #A6F90B and #0B47F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F92F0B shade: #F92F0B, #0BF92F and #2F0BF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F92F0B shade: #F92F0B, #A6F90B, #0BD5F9 and #5E0BF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F92F0B shade: #F92F0B, #5EF90B, #0BD5F9 and #A60BF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 96 / 2

HEX #F92F0B

RGB 249 47 11

HSL 9.08, 0.95%, 0.51%

LAB 54.24, 72.4, 64.36

 

Complementary color

CMYK 98 / 15 / 0 / 4

HEX #06D0F4

RGB 6 208 244

HSL 189.08, 0.95%, 0.49%

LAB 77.09, -29.83, -29.61

 

CMYK 0 / 81 / 98 / 0

HEX #FE2F06

RGB 254 47 6

HSL 9.92, 0.99%, 0.51%

LAB 55.19, 73.74, 66.48

 

CMYK 0 / 75 / 90 / 0

HEX #FF4119

RGB 255 65 25

HSL 10.43, 1%, 0.55%

LAB 57.18, 69.3, 62.68

 

CMYK 0 / 67 / 83 / 0

HEX #FF532C

RGB 255 83 44

HSL 11.09, 1%, 0.59%

LAB 59.55, 63.43, 56.98

 

CMYK 0 / 60 / 75 / 0

HEX #FF653F

RGB 255 101 63

HSL 11.88, 1%, 0.62%

LAB 62.45, 56.67, 50.77

 

CMYK 0 / 53 / 68 / 0

HEX #FF7752

RGB 255 119 82

HSL 12.83, 1%, 0.66%

LAB 65.8, 49.32, 44.75

 

CMYK 0 / 81 / 96 / 2

HEX #F92F0B

RGB 249 47 11

HSL 9.08, 0.95%, 0.51%

LAB 54.24, 72.4, 64.36

 

CMYK 0 / 88 / 100 / 9

HEX #E81D00

RGB 232 29 0

HSL 7.5, 1%, 0.45%

LAB 49.54, 71.46, 62.97

 

CMYK 0 / 95 / 100 / 16

HEX #D70B00

RGB 215 11 0

HSL 3.07, 1%, 0.42%

LAB 45.2, 69.46, 59.21

 

CMYK 0 / 100 / 100 / 22

HEX #C60000

RGB 198 0 0

HSL 0, 1%, 0.39%

LAB 41.23, 66.22, 55.56

 

CMYK 0 / 100 / 100 / 29

HEX #B50000

RGB 181 0 0

HSL 0, 1%, 0.35%

LAB 37.52, 61.93, 51.94

 

CMYK 0 / 81 / 96 / 2

HEX #F92F0B

RGB 249 47 11

HSL 9.08, 0.95%, 0.51%

LAB 54.24, 72.4, 64.36

 

CMYK 0 / 96 / 96 / 2

HEX #F90B0B

RGB 249 11 11

HSL 0, 0.95%, 0.51%

LAB 52.29, 77.97, 63.38

 

CMYK 0 / 81 / 96 / 2

HEX #F92F0B

RGB 249 47 11

HSL 9.08, 0.95%, 0.51%

LAB 54.24, 72.4, 64.36

 

CMYK 0 / 55 / 96 / 2

HEX #F96F0B

RGB 249 111 11

HSL 25.21, 0.95%, 0.51%

LAB 62.95, 48.83, 69.42

 

CMYK 0 / 30 / 96 / 2

HEX #F9AF0B

RGB 249 175 11

HSL 41.34, 0.95%, 0.51%

LAB 76.57, 16.26, 78.52

 

CMYK 0 / 4 / 96 / 2

HEX #F9EF0B

RGB 249 239 11

HSL 57.48, 0.95%, 0.51%

LAB 92.53, -16.28, 90.08

 

CMYK 22 / 0 / 96 / 2

HEX #C2F90B

RGB 194 249 11

HSL 73.87, 0.95%, 0.51%

LAB 91.34, -43.07, 87.48

 

CMYK 0 / 81 / 96 / 2

HEX #F92F0B

RGB 249 47 11

HSL 9.08, 0.95%, 0.51%

LAB 54.24, 72.4, 64.36

 

CMYK 0 / 81 / 96 / 2

HEX #F92F0B

RGB 249 47 11

HSL 9.08, 0.95%, 0.51%

LAB 54.24, 72.4, 64.36

 

CMYK 0 / 73 / 86 / 10

HEX #E53D20

RGB 229 61 32

HSL 8.83, 0.79%, 0.51%

LAB 51.95, 62.89, 53.92

 

CMYK 0 / 64 / 75 / 18

HEX #D04B34

RGB 208 75 52

HSL 8.85, 0.62%, 0.51%

LAB 50.32, 51.31, 41.23

 

CMYK 0 / 52 / 62 / 26

HEX #BC5A48

RGB 188 90 72

HSL 9.31, 0.46%, 0.51%

LAB 50.06, 38, 28.93

 

CMYK 0 / 38 / 45 / 34

HEX #A8685C

RGB 168 104 92

HSL 9.47, 0.3%, 0.51%

LAB 50.69, 24.28, 17.57

 

CMYK 0 / 96 / 59 / 2

HEX #F90B66

RGB 249 11 102

HSL 337.06, 0.95%, 0.51%

LAB 53.32, 80.8, 17.39

 

CMYK 0 / 96 / 84 / 2

HEX #F90B27

RGB 249 11 39

HSL 352.94, 0.95%, 0.51%

LAB 52.43, 78.35, 52.64

 

CMYK 0 / 81 / 96 / 2

HEX #F92F0B

RGB 249 47 11

HSL 9.08, 0.95%, 0.51%

LAB 54.24, 72.4, 64.36

 

CMYK 0 / 56 / 96 / 2

HEX #F96E0B

RGB 249 110 11

HSL 24.96, 0.95%, 0.51%

LAB 62.77, 49.3, 69.3

 

CMYK 0 / 30 / 96 / 2

HEX #F9AE0B

RGB 249 174 11

HSL 41.09, 0.95%, 0.51%

LAB 76.34, 16.79, 78.35

 

CMYK 0 / 83 / 98 / 32

HEX #AD1E04

RGB 173 30 4

HSL 9.23, 0.95%, 0.35%

LAB 37.52, 54.94, 49.35

 

CMYK 0 / 83 / 98 / 16

HEX #D52505

RGB 213 37 5

HSL 9.23, 0.95%, 0.43%

LAB 46.29, 64.73, 57.91

 

CMYK 0 / 81 / 96 / 2

HEX #F92F0B

RGB 249 47 11

HSL 9.08, 0.95%, 0.51%

LAB 54.24, 72.4, 64.36

 

CMYK 0 / 67 / 79 / 2

HEX #FA5234

RGB 250 82 52

HSL 9.09, 0.95%, 0.59%

LAB 58.61, 62.43, 52.05

 

CMYK 0 / 54 / 63 / 2

HEX #FB745C

RGB 251 116 92

HSL 9.06, 0.95%, 0.67%

LAB 64.78, 49.87, 38.06

 

CMYK 0 / 81 / 96 / 2

HEX #F92F0B

RGB 249 47 11

HSL 9.08, 0.95%, 0.51%

LAB 54.24, 72.4, 64.36

 

CMYK 33 / 0 / 96 / 2

HEX #A6F90B

RGB 166 249 11

HSL 80.92, 0.95%, 0.51%

LAB 89.8, -53.34, 85.62

 

CMYK 96 / 71 / 0 / 2

HEX #0B47F9

RGB 11 71 249

HSL 224.87, 0.95%, 0.51%

LAB 40.27, 52.28, -91.23

 

CMYK 0 / 81 / 96 / 2

HEX #F92F0B

RGB 249 47 11

HSL 9.08, 0.95%, 0.51%

LAB 54.24, 72.4, 64.36

 

CMYK 96 / 0 / 81 / 2

HEX #0BF92F

RGB 11 249 47

HSL 129.08, 0.95%, 0.51%

LAB 86.02, -82.98, 74.95

 

CMYK 81 / 96 / 0 / 2

HEX #2F0BF9

RGB 47 11 249

HSL 249.08, 0.95%, 0.51%

LAB 33.31, 76.63, -102.77

 

CMYK 0 / 81 / 96 / 2

HEX #F92F0B

RGB 249 47 11

HSL 9.08, 0.95%, 0.51%

LAB 54.24, 72.4, 64.36

 

CMYK 33 / 0 / 96 / 2

HEX #A6F90B

RGB 166 249 11

HSL 80.92, 0.95%, 0.51%

LAB 89.8, -53.34, 85.62

 

CMYK 96 / 14 / 0 / 2

HEX #0BD5F9

RGB 11 213 249

HSL 189.08, 0.95%, 0.51%

LAB 78.75, -30.53, -29.72

 

CMYK 62 / 96 / 0 / 2

HEX #5E0BF9

RGB 94 11 249

HSL 260.92, 0.95%, 0.51%

LAB 36.85, 78.41, -96.78

 

CMYK 0 / 81 / 96 / 2

HEX #F92F0B

RGB 249 47 11

HSL 9.08, 0.95%, 0.51%

LAB 54.24, 72.4, 64.36

 

CMYK 62 / 0 / 96 / 2

HEX #5EF90B

RGB 94 249 11

HSL 99.08, 0.95%, 0.51%

LAB 87.07, -74.16, 82.29

 

CMYK 96 / 14 / 0 / 2

HEX #0BD5F9

RGB 11 213 249

HSL 189.08, 0.95%, 0.51%

LAB 78.75, -30.53, -29.72

 

CMYK 33 / 96 / 0 / 2

HEX #A60BF9

RGB 166 11 249

HSL 279.08, 0.95%, 0.51%

LAB 45.89, 84.47, -81.56

 

Description

Color code: HEX #F92F0B | qconv.com Color code: HEX #F92F0B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 47 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 47 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 96 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 96% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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