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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F925DF it is the complementary color #06DA20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F925DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F925DF shade: #FE25DA, #FF37ED, #FF49FF, #FF5BFF and #FF6DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F925DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F925DF shade: #F925DF, #E813CC, #D701B9, #C600A6 and #B50093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F925DF shade: #F924DF, #F924A6, #F9246C, #F92433 and #F92424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F925DF shade: #F924DF, #DA24F9, #A124F9, #6724F9 and #2E24F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F925DF shade matches the following richer shades: #F924DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F925DF shade: #F924DF, #E736D2, #D549C4, #C35BB6 and #B16DA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F925DF shade: #A124F9, #D924F9, #F924E1, #F924A8 and #F9246F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F925DF shade: #C605AE, #EE06D2, #F924DF, #FA4CE5 and #FB75EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F925DF shade: #F925DF, #F96824 and #24F9BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F925DF shade: #F925DF, #E1F924 and #24E1F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F925DF shade: #F925DF, #F96824, #24F93D and #24B6F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F925DF shade: #F925DF, #F9A824, #24F93D and #2476F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 10 / 2

HEX #F925DF

RGB 249 37 223

HSL 307.36, 0.95%, 0.56%

LAB 58.78, 89.34, -45.46

 

Complementary color

CMYK 97 / 0 / 85 / 15

HEX #06DA20

RGB 6 218 32

HSL 127.36, 0.95%, 0.44%

LAB 76.24, -75.52, 69.62

 

CMYK 0 / 85 / 14 / 0

HEX #FE25DA

RGB 254 37 218

HSL 309.95, 0.99%, 0.57%

LAB 59.39, 89.63, -41.61

 

CMYK 0 / 78 / 7 / 0

HEX #FF37ED

RGB 255 55 237

HSL 305.4, 1%, 0.61%

LAB 61.75, 88.72, -48.57

 

CMYK 0 / 71 / 0 / 0

HEX #FF49FF

RGB 255 73 255

HSL 300, 1%, 0.64%

LAB 64.36, 86.49, -54.4

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 85 / 10 / 2

HEX #F925DF

RGB 249 37 223

HSL 307.36, 0.95%, 0.56%

LAB 58.78, 89.34, -45.46

 

CMYK 0 / 92 / 12 / 9

HEX #E813CC

RGB 232 19 204

HSL 307.89, 0.85%, 0.49%

LAB 54.01, 86.23, -42.38

 

CMYK 0 / 100 / 14 / 16

HEX #D701B9

RGB 215 1 185

HSL 308.41, 0.99%, 0.42%

LAB 49.46, 82.24, -38.74

 

CMYK 0 / 100 / 16 / 22

HEX #C600A6

RGB 198 0 166

HSL 309.7, 1%, 0.39%

LAB 45.3, 76.85, -34.29

 

CMYK 0 / 100 / 19 / 29

HEX #B50093

RGB 181 0 147

HSL 311.27, 1%, 0.35%

LAB 41.11, 71.3, -29.66

 

CMYK 0 / 86 / 10 / 2

HEX #F924DF

RGB 249 36 223

HSL 307.32, 0.95%, 0.56%

LAB 58.72, 89.51, -45.55

 

CMYK 0 / 86 / 33 / 2

HEX #F924A6

RGB 249 36 166

HSL 323.38, 0.95%, 0.56%

LAB 56.24, 82.82, -16.61

 

CMYK 0 / 86 / 57 / 2

HEX #F9246C

RGB 249 36 108

HSL 339.72, 0.95%, 0.56%

LAB 54.54, 78.02, 15.44

 

CMYK 0 / 86 / 80 / 2

HEX #F92433

RGB 249 36 51

HSL 355.77, 0.95%, 0.56%

LAB 53.64, 75.43, 47.58

 

CMYK 0 / 86 / 86 / 2

HEX #F92424

RGB 249 36 36

HSL 0, 0.95%, 0.56%

LAB 53.52, 75.07, 55

 

CMYK 0 / 86 / 10 / 2

HEX #F924DF

RGB 249 36 223

HSL 307.32, 0.95%, 0.56%

LAB 58.72, 89.51, -45.55

 

CMYK 12 / 86 / 0 / 2

HEX #DA24F9

RGB 218 36 249

HSL 291.27, 0.95%, 0.56%

LAB 55.08, 88.01, -66.26

 

CMYK 35 / 86 / 0 / 2

HEX #A124F9

RGB 161 36 249

HSL 275.21, 0.95%, 0.56%

LAB 46.55, 79.77, -80.5

 

CMYK 59 / 86 / 0 / 2

HEX #6724F9

RGB 103 36 249

HSL 258.87, 0.95%, 0.56%

LAB 39.55, 73.57, -92.27

 

CMYK 82 / 86 / 0 / 2

HEX #2E24F9

RGB 46 36 249

HSL 242.82, 0.95%, 0.56%

LAB 35.36, 70.21, -99.35

 

CMYK 0 / 86 / 10 / 2

HEX #F924DF

RGB 249 36 223

HSL 307.32, 0.95%, 0.56%

LAB 58.72, 89.51, -45.55

 

CMYK 0 / 86 / 10 / 2

HEX #F924DF

RGB 249 36 223

HSL 307.32, 0.95%, 0.56%

LAB 58.72, 89.51, -45.55

 

CMYK 0 / 77 / 9 / 9

HEX #E736D2

RGB 231 54 210

HSL 307.12, 0.79%, 0.56%

LAB 56.37, 80.37, -42.1

 

CMYK 0 / 66 / 8 / 16

HEX #D549C4

RGB 213 73 196

HSL 307.29, 0.63%, 0.56%

LAB 54.97, 68.14, -36.49

 

CMYK 0 / 53 / 7 / 24

HEX #C35BB6

RGB 195 91 182

HSL 307.5, 0.46%, 0.56%

LAB 54.51, 53.38, -29.32

 

CMYK 0 / 38 / 5 / 31

HEX #B16DA8

RGB 177 109 168

HSL 307.94, 0.3%, 0.56%

LAB 55.19, 36.1, -20.37

 

CMYK 35 / 86 / 0 / 2

HEX #A124F9

RGB 161 36 249

HSL 275.21, 0.95%, 0.56%

LAB 46.55, 79.77, -80.5

 

CMYK 13 / 86 / 0 / 2

HEX #D924F9

RGB 217 36 249

HSL 290.99, 0.95%, 0.56%

LAB 54.92, 87.85, -66.52

 

CMYK 0 / 86 / 10 / 2

HEX #F924E1

RGB 249 36 225

HSL 306.76, 0.95%, 0.56%

LAB 58.82, 89.77, -46.52

 

CMYK 0 / 86 / 33 / 2

HEX #F924A8

RGB 249 36 168

HSL 322.82, 0.95%, 0.56%

LAB 56.32, 83.02, -17.67

 

CMYK 0 / 86 / 55 / 2

HEX #F9246F

RGB 249 36 111

HSL 338.87, 0.95%, 0.56%

LAB 54.6, 78.21, 13.73

 

CMYK 0 / 97 / 12 / 22

HEX #C605AE

RGB 198 5 174

HSL 307.46, 0.95%, 0.4%

LAB 45.87, 77.44, -38.15

 

CMYK 0 / 97 / 12 / 7

HEX #EE06D2

RGB 238 6 210

HSL 307.24, 0.95%, 0.48%

LAB 55.03, 89.1, -44.13

 

CMYK 0 / 86 / 10 / 2

HEX #F924DF

RGB 249 36 223

HSL 307.32, 0.95%, 0.56%

LAB 58.72, 89.51, -45.55

 

CMYK 0 / 70 / 8 / 2

HEX #FA4CE5

RGB 250 76 229

HSL 307.24, 0.95%, 0.64%

LAB 62.63, 80.6, -42.75

 

CMYK 0 / 53 / 6 / 2

HEX #FB75EB

RGB 251 117 235

HSL 307.16, 0.94%, 0.72%

LAB 68.92, 65.59, -36.25

 

CMYK 0 / 85 / 10 / 2

HEX #F925DF

RGB 249 37 223

HSL 307.36, 0.95%, 0.56%

LAB 58.78, 89.34, -45.46

 

CMYK 0 / 58 / 86 / 2

HEX #F96824

RGB 249 104 36

HSL 19.15, 0.95%, 0.56%

LAB 61.8, 52.43, 61.78

 

CMYK 86 / 0 / 24 / 2

HEX #24F9BD

RGB 36 249 189

HSL 163.1, 0.95%, 0.56%

LAB 87.87, -61.56, 15.4

 

CMYK 0 / 85 / 10 / 2

HEX #F925DF

RGB 249 37 223

HSL 307.36, 0.95%, 0.56%

LAB 58.78, 89.34, -45.46

 

CMYK 10 / 0 / 86 / 2

HEX #E1F924

RGB 225 249 36

HSL 66.76, 0.95%, 0.56%

LAB 93.4, -30.49, 86.67

 

CMYK 86 / 10 / 0 / 2

HEX #24E1F9

RGB 36 225 249

HSL 186.76, 0.95%, 0.56%

LAB 82.41, -35.22, -24.11

 

CMYK 0 / 85 / 10 / 2

HEX #F925DF

RGB 249 37 223

HSL 307.36, 0.95%, 0.56%

LAB 58.78, 89.34, -45.46

 

CMYK 0 / 58 / 86 / 2

HEX #F96824

RGB 249 104 36

HSL 19.15, 0.95%, 0.56%

LAB 61.8, 52.43, 61.78

 

CMYK 86 / 0 / 76 / 2

HEX #24F93D

RGB 36 249 61

HSL 127.04, 0.95%, 0.56%

LAB 86.24, -80.78, 71.26

 

CMYK 86 / 27 / 0 / 2

HEX #24B6F9

RGB 36 182 249

HSL 198.87, 0.95%, 0.56%

LAB 69.94, -13.6, -43.37

 

CMYK 0 / 85 / 10 / 2

HEX #F925DF

RGB 249 37 223

HSL 307.36, 0.95%, 0.56%

LAB 58.78, 89.34, -45.46

 

CMYK 0 / 33 / 86 / 2

HEX #F9A824

RGB 249 168 36

HSL 37.18, 0.95%, 0.56%

LAB 75, 20.32, 72.52

 

CMYK 86 / 0 / 76 / 2

HEX #24F93D

RGB 36 249 61

HSL 127.04, 0.95%, 0.56%

LAB 86.24, -80.78, 71.26

 

CMYK 86 / 53 / 0 / 2

HEX #2476F9

RGB 36 118 249

HSL 216.9, 0.95%, 0.56%

LAB 52.03, 24.13, -71.94

 

Description

Color code: HEX #F925DF | qconv.com Color code: HEX #F925DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 37 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 37 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 10 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 10% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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