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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F91F90 it is the complementary color #06E06F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F91F90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F91F90 shade: #FE1F8B, #FF319E, #FF43B1, #FF55C4 and #FF67D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F91F90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F91F90 shade: #F91F90, #E80D7D, #D7006A, #C60057 and #B50044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F91F90 shade: #F91F90, #F91F55 and #F91F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F91F90 shade: #F91F90, #F91FCB, #ED1FF9, #B21FF9 and #771FF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F91F90 shade matches the following richer shades: #F91F90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F91F90 shade: #F91F90, #E73290, #D4448F, #C2578E and #AF6A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F91F90 shade: #EB1FF9, #F91FCE, #F91F94, #F91F59 and #F91F1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F91F90 shade: #C10566, #E9067C, #F91F90, #FA47A4 and #FB70B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F91F90 shade: #F91F90, #F9B11F and #1FEBF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F91F90 shade: #F91F90, #94F91F and #1F94F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F91F90 shade: #F91F90, #F9B11F, #1FF985 and #1F68F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F91F90 shade: #F91F90, #F9F21F, #1FF985 and #1F27F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 42 / 2

HEX #F91F90

RGB 249 31 144

HSL 328.9, 0.95%, 0.55%

LAB 55.21, 81.58, -5.16

 

Complementary color

CMYK 97 / 0 / 50 / 12

HEX #06E06F

RGB 6 224 111

HSL 148.9, 0.95%, 0.45%

LAB 78.75, -69.5, 42.55

 

CMYK 0 / 88 / 45 / 0

HEX #FE1F8B

RGB 254 31 139

HSL 330.94, 0.99%, 0.56%

LAB 56, 82.27, -0.91

 

CMYK 0 / 81 / 38 / 0

HEX #FF319E

RGB 255 49 158

HSL 328.25, 1%, 0.6%

LAB 57.97, 80.76, -9.21

 

CMYK 0 / 74 / 31 / 0

HEX #FF43B1

RGB 255 67 177

HSL 324.89, 1%, 0.63%

LAB 60.29, 77.94, -16.76

 

CMYK 0 / 67 / 23 / 0

HEX #FF55C4

RGB 255 85 196

HSL 320.82, 1%, 0.67%

LAB 63.13, 74.19, -23.31

 

CMYK 0 / 60 / 16 / 0

HEX #FF67D7

RGB 255 103 215

HSL 315.79, 1%, 0.7%

LAB 66.42, 69.71, -28.97

 

CMYK 0 / 88 / 42 / 2

HEX #F91F90

RGB 249 31 144

HSL 328.9, 0.95%, 0.55%

LAB 55.21, 81.58, -5.16

 

CMYK 0 / 94 / 46 / 9

HEX #E80D7D

RGB 232 13 125

HSL 329.32, 0.89%, 0.48%

LAB 50.6, 78.43, -0.91

 

CMYK 0 / 100 / 51 / 16

HEX #D7006A

RGB 215 0 106

HSL 330.42, 1%, 0.42%

LAB 46.3, 74.27, 4.09

 

CMYK 0 / 100 / 56 / 22

HEX #C60057

RGB 198 0 87

HSL 333.64, 1%, 0.39%

LAB 42.3, 69.11, 9.83

 

CMYK 0 / 100 / 62 / 29

HEX #B50044

RGB 181 0 68

HSL 337.46, 1%, 0.35%

LAB 38.27, 63.96, 15.87

 

CMYK 0 / 88 / 42 / 2

HEX #F91F90

RGB 249 31 144

HSL 328.9, 0.95%, 0.55%

LAB 55.21, 81.58, -5.16

 

CMYK 0 / 88 / 66 / 2

HEX #F91F55

RGB 249 31 85

HSL 345.14, 0.95%, 0.55%

LAB 53.79, 77.58, 28.24

 

CMYK 0 / 88 / 88 / 2

HEX #F91F1F

RGB 249 31 31

HSL 0, 0.95%, 0.55%

LAB 53.19, 75.86, 56.97

 

CMYK 0 / 88 / 42 / 2

HEX #F91F90

RGB 249 31 144

HSL 328.9, 0.95%, 0.55%

LAB 55.21, 81.58, -5.16

 

CMYK 0 / 88 / 18 / 2

HEX #F91FCB

RGB 249 31 203

HSL 312.66, 0.95%, 0.55%

LAB 57.49, 87.75, -36.11

 

CMYK 5 / 88 / 0 / 2

HEX #ED1FF9

RGB 237 31 249

HSL 296.7, 0.95%, 0.55%

LAB 57.87, 91.88, -61.61

 

CMYK 29 / 88 / 0 / 2

HEX #B21FF9

RGB 178 31 249

HSL 280.46, 0.95%, 0.55%

LAB 48.62, 83.07, -77.03

 

CMYK 52 / 88 / 0 / 2

HEX #771FF9

RGB 119 31 249

HSL 264.22, 0.95%, 0.55%

LAB 40.8, 76.36, -90.15

 

CMYK 0 / 88 / 42 / 2

HEX #F91F90

RGB 249 31 144

HSL 328.9, 0.95%, 0.55%

LAB 55.21, 81.58, -5.16

 

CMYK 0 / 88 / 42 / 2

HEX #F91F90

RGB 249 31 144

HSL 328.9, 0.95%, 0.55%

LAB 55.21, 81.58, -5.16

 

CMYK 0 / 78 / 38 / 9

HEX #E73290

RGB 231 50 144

HSL 328.84, 0.79%, 0.55%

LAB 53.26, 73.43, -8.42

 

CMYK 0 / 68 / 33 / 17

HEX #D4448F

RGB 212 68 143

HSL 328.75, 0.63%, 0.55%

LAB 51.97, 62.59, -10.1

 

CMYK 0 / 55 / 27 / 24

HEX #C2578E

RGB 194 87 142

HSL 329.16, 0.47%, 0.55%

LAB 52.11, 48.9, -9.59

 

CMYK 0 / 39 / 19 / 31

HEX #AF6A8E

RGB 175 106 142

HSL 328.7, 0.3%, 0.55%

LAB 53.36, 32.61, -7.99

 

CMYK 6 / 88 / 0 / 2

HEX #EB1FF9

RGB 235 31 249

HSL 296.15, 0.95%, 0.55%

LAB 57.54, 91.55, -62.15

 

CMYK 0 / 88 / 17 / 2

HEX #F91FCE

RGB 249 31 206

HSL 311.83, 0.95%, 0.55%

LAB 57.63, 88.11, -37.61

 

CMYK 0 / 88 / 41 / 2

HEX #F91F94

RGB 249 31 148

HSL 327.8, 0.95%, 0.55%

LAB 55.34, 81.93, -7.35

 

CMYK 0 / 88 / 64 / 2

HEX #F91F59

RGB 249 31 89

HSL 344.04, 0.95%, 0.55%

LAB 53.86, 77.78, 25.94

 

CMYK 0 / 88 / 88 / 2

HEX #F91F1F

RGB 249 31 31

HSL 0, 0.95%, 0.55%

LAB 53.19, 75.86, 56.97

 

CMYK 0 / 97 / 47 / 24

HEX #C10566

RGB 193 5 102

HSL 329.04, 0.95%, 0.39%

LAB 41.85, 68.6, -0.41

 

CMYK 0 / 97 / 47 / 9

HEX #E9067C

RGB 233 6 124

HSL 328.81, 0.95%, 0.47%

LAB 50.58, 79.11, -0.3

 

CMYK 0 / 88 / 42 / 2

HEX #F91F90

RGB 249 31 144

HSL 328.9, 0.95%, 0.55%

LAB 55.21, 81.58, -5.16

 

CMYK 0 / 72 / 34 / 2

HEX #FA47A4

RGB 250 71 164

HSL 328.83, 0.95%, 0.63%

LAB 59.44, 74.03, -10.59

 

CMYK 0 / 55 / 27 / 2

HEX #FB70B8

RGB 251 112 184

HSL 328.92, 0.95%, 0.71%

LAB 66.18, 60.47, -11.94

 

CMYK 0 / 88 / 42 / 2

HEX #F91F90

RGB 249 31 144

HSL 328.9, 0.95%, 0.55%

LAB 55.21, 81.58, -5.16

 

CMYK 0 / 29 / 88 / 2

HEX #F9B11F

RGB 249 177 31

HSL 40.18, 0.95%, 0.55%

LAB 77.09, 15.49, 75.46

 

CMYK 88 / 6 / 0 / 2

HEX #1FEBF9

RGB 31 235 249

HSL 183.85, 0.95%, 0.55%

LAB 85.27, -40.1, -19.78

 

CMYK 0 / 88 / 42 / 2

HEX #F91F90

RGB 249 31 144

HSL 328.9, 0.95%, 0.55%

LAB 55.21, 81.58, -5.16

 

CMYK 41 / 0 / 88 / 2

HEX #94F91F

RGB 148 249 31

HSL 87.8, 0.95%, 0.55%

LAB 88.99, -59.03, 82.12

 

CMYK 88 / 41 / 0 / 2

HEX #1F94F9

RGB 31 148 249

HSL 207.8, 0.95%, 0.55%

LAB 60.17, 5.38, -58.84

 

CMYK 0 / 88 / 42 / 2

HEX #F91F90

RGB 249 31 144

HSL 328.9, 0.95%, 0.55%

LAB 55.21, 81.58, -5.16

 

CMYK 0 / 29 / 88 / 2

HEX #F9B11F

RGB 249 177 31

HSL 40.18, 0.95%, 0.55%

LAB 77.09, 15.49, 75.46

 

CMYK 88 / 0 / 47 / 2

HEX #1FF985

RGB 31 249 133

HSL 148.07, 0.95%, 0.55%

LAB 86.87, -72.88, 42.19

 

CMYK 88 / 58 / 0 / 2

HEX #1F68F9

RGB 31 104 249

HSL 219.91, 0.95%, 0.55%

LAB 48.3, 32.67, -78.02

 

CMYK 0 / 88 / 42 / 2

HEX #F91F90

RGB 249 31 144

HSL 328.9, 0.95%, 0.55%

LAB 55.21, 81.58, -5.16

 

CMYK 0 / 3 / 88 / 2

HEX #F9F21F

RGB 249 242 31

HSL 58.07, 0.95%, 0.55%

LAB 93.34, -17.47, 88.26

 

CMYK 88 / 0 / 47 / 2

HEX #1FF985

RGB 31 249 133

HSL 148.07, 0.95%, 0.55%

LAB 86.87, -72.88, 42.19

 

CMYK 88 / 84 / 0 / 2

HEX #1F27F9

RGB 31 39 249

HSL 237.8, 0.95%, 0.55%

LAB 35.17, 68.64, -99.69

 

Description

Color code: HEX #F91F90 | qconv.com Color code: HEX #F91F90 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 31 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 31 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 42 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 42% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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