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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F91F62 it is the complementary color #06E09D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F91F62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F91F62 shade: #FE1F5D, #FF3170, #FF4383, #FF5596 and #FF67A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F91F62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F91F62 shade: #F91F62, #E80D4F, #D7003C, #C60029 and #B50016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F91F62 shade: #F91F62, #F91F27 and #F91F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F91F62 shade: #F91F62, #F91F9D, #F91FD8, #E01FF9 and #A51FF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F91F62 shade matches the following richer shades: #F91F62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F91F62 shade: #F91F62, #E73269, #D44471, #C25778 and #AF6A7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F91F62 shade: #F91FD9, #F91F9E, #F91F64, #F91F2A and #F94E1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F91F62 shade: #C1053F, #E9064C, #F91F62, #FA477E and #FB709B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F91F62 shade: #F91F62, #F9E01F and #1FBBF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F91F62 shade: #F91F62, #64F91F and #1F64F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F91F62 shade: #F91F62, #F9E01F, #1FF9B4 and #1F39F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F91F62 shade: #F91F62, #D1F91F, #1FF9B4 and #471FF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 61 / 2

HEX #F91F62

RGB 249 31 98

HSL 341.56, 0.95%, 0.55%

LAB 54.03, 78.27, 20.76

 

Complementary color

CMYK 97 / 0 / 30 / 12

HEX #06E09D

RGB 6 224 157

HSL 161.56, 0.95%, 0.45%

LAB 79.49, -60.83, 20.29

 

CMYK 0 / 88 / 63 / 0

HEX #FE1F5D

RGB 254 31 93

HSL 343.32, 0.99%, 0.56%

LAB 54.91, 79.2, 25.1

 

CMYK 0 / 81 / 56 / 0

HEX #FF3170

RGB 255 49 112

HSL 341.65, 1%, 0.6%

LAB 56.71, 77.05, 16.21

 

CMYK 0 / 74 / 49 / 0

HEX #FF4383

RGB 255 67 131

HSL 339.57, 1%, 0.63%

LAB 58.89, 73.53, 8.03

 

CMYK 0 / 67 / 41 / 0

HEX #FF5596

RGB 255 85 150

HSL 337.06, 1%, 0.67%

LAB 61.62, 69.05, 0.85

 

CMYK 0 / 60 / 34 / 0

HEX #FF67A9

RGB 255 103 169

HSL 333.95, 1%, 0.7%

LAB 64.82, 63.82, -5.38

 

CMYK 0 / 88 / 61 / 2

HEX #F91F62

RGB 249 31 98

HSL 341.56, 0.95%, 0.55%

LAB 54.03, 78.27, 20.76

 

CMYK 0 / 94 / 66 / 9

HEX #E80D4F

RGB 232 13 79

HSL 341.92, 0.89%, 0.48%

LAB 49.51, 75.46, 25.7

 

CMYK 0 / 100 / 72 / 16

HEX #D7003C

RGB 215 0 60

HSL 343.26, 1%, 0.42%

LAB 45.32, 71.67, 31.32

 

CMYK 0 / 100 / 79 / 22

HEX #C60029

RGB 198 0 41

HSL 347.58, 1%, 0.39%

LAB 41.48, 66.91, 37.4

 

CMYK 0 / 100 / 88 / 29

HEX #B50016

RGB 181 0 22

HSL 352.71, 1%, 0.35%

LAB 37.63, 62.22, 42.93

 

CMYK 0 / 88 / 61 / 2

HEX #F91F62

RGB 249 31 98

HSL 341.56, 0.95%, 0.55%

LAB 54.03, 78.27, 20.76

 

CMYK 0 / 88 / 84 / 2

HEX #F91F27

RGB 249 31 39

HSL 357.8, 0.95%, 0.55%

LAB 53.24, 76.01, 53.34

 

CMYK 0 / 88 / 88 / 2

HEX #F91F1F

RGB 249 31 31

HSL 0, 0.95%, 0.55%

LAB 53.19, 75.86, 56.97

 

CMYK 0 / 88 / 61 / 2

HEX #F91F62

RGB 249 31 98

HSL 341.56, 0.95%, 0.55%

LAB 54.03, 78.27, 20.76

 

CMYK 0 / 88 / 37 / 2

HEX #F91F9D

RGB 249 31 157

HSL 325.32, 0.95%, 0.55%

LAB 55.64, 82.76, -12.22

 

CMYK 0 / 88 / 13 / 2

HEX #F91FD8

RGB 249 31 216

HSL 309.08, 0.95%, 0.55%

LAB 58.11, 89.37, -42.56

 

CMYK 10 / 88 / 0 / 2

HEX #E01FF9

RGB 224 31 249

HSL 293.12, 0.95%, 0.55%

LAB 55.75, 89.8, -65.12

 

CMYK 34 / 88 / 0 / 2

HEX #A51FF9

RGB 165 31 249

HSL 276.88, 0.95%, 0.55%

LAB 46.74, 81.38, -80.18

 

CMYK 0 / 88 / 61 / 2

HEX #F91F62

RGB 249 31 98

HSL 341.56, 0.95%, 0.55%

LAB 54.03, 78.27, 20.76

 

CMYK 0 / 88 / 61 / 2

HEX #F91F62

RGB 249 31 98

HSL 341.56, 0.95%, 0.55%

LAB 54.03, 78.27, 20.76

 

CMYK 0 / 78 / 55 / 9

HEX #E73269

RGB 231 50 105

HSL 341.77, 0.79%, 0.55%

LAB 52.16, 70.1, 13.43

 

CMYK 0 / 68 / 47 / 17

HEX #D44471

RGB 212 68 113

HSL 341.25, 0.63%, 0.55%

LAB 51.06, 59.49, 6.57

 

CMYK 0 / 55 / 38 / 24

HEX #C25778

RGB 194 87 120

HSL 341.5, 0.47%, 0.55%

LAB 51.43, 46.14, 2.51

 

CMYK 0 / 39 / 27 / 31

HEX #AF6A7F

RGB 175 106 127

HSL 341.74, 0.3%, 0.55%

LAB 52.9, 30.33, 0.17

 

CMYK 0 / 88 / 13 / 2

HEX #F91FD9

RGB 249 31 217

HSL 308.81, 0.95%, 0.55%

LAB 58.16, 89.5, -43.05

 

CMYK 0 / 88 / 37 / 2

HEX #F91F9E

RGB 249 31 158

HSL 325.05, 0.95%, 0.55%

LAB 55.67, 82.85, -12.76

 

CMYK 0 / 88 / 60 / 2

HEX #F91F64

RGB 249 31 100

HSL 341.01, 0.95%, 0.55%

LAB 54.07, 78.38, 19.61

 

CMYK 0 / 88 / 83 / 2

HEX #F91F2A

RGB 249 31 42

HSL 356.97, 0.95%, 0.55%

LAB 53.26, 76.07, 51.88

 

CMYK 0 / 69 / 88 / 2

HEX #F94E1F

RGB 249 78 31

HSL 12.94, 0.95%, 0.55%

LAB 57.74, 63.11, 60.44

 

CMYK 0 / 97 / 67 / 24

HEX #C1053F

RGB 193 5 63

HSL 341.49, 0.95%, 0.39%

LAB 40.9, 66.05, 22.98

 

CMYK 0 / 97 / 67 / 9

HEX #E9064C

RGB 233 6 76

HSL 341.5, 0.95%, 0.47%

LAB 49.47, 76.11, 27.52

 

CMYK 0 / 88 / 61 / 2

HEX #F91F62

RGB 249 31 98

HSL 341.56, 0.95%, 0.55%

LAB 54.03, 78.27, 20.76

 

CMYK 0 / 72 / 50 / 2

HEX #FA477E

RGB 250 71 126

HSL 341.56, 0.95%, 0.63%

LAB 58.36, 70.48, 10.09

 

CMYK 0 / 55 / 38 / 2

HEX #FB709B

RGB 251 112 155

HSL 341.44, 0.95%, 0.71%

LAB 65.33, 57.05, 3.29

 

CMYK 0 / 88 / 61 / 2

HEX #F91F62

RGB 249 31 98

HSL 341.56, 0.95%, 0.55%

LAB 54.03, 78.27, 20.76

 

CMYK 0 / 10 / 88 / 2

HEX #F9E01F

RGB 249 224 31

HSL 53.12, 0.95%, 0.55%

LAB 88.71, -8.64, 84.6

 

CMYK 88 / 25 / 0 / 2

HEX #1FBBF9

RGB 31 187 249

HSL 197.06, 0.95%, 0.55%

LAB 71.33, -16.57, -41.2

 

CMYK 0 / 88 / 61 / 2

HEX #F91F62

RGB 249 31 98

HSL 341.56, 0.95%, 0.55%

LAB 54.03, 78.27, 20.76

 

CMYK 60 / 0 / 88 / 2

HEX #64F91F

RGB 100 249 31

HSL 101.01, 0.95%, 0.55%

LAB 87.27, -72.39, 79.98

 

CMYK 88 / 60 / 0 / 2

HEX #1F64F9

RGB 31 100 249

HSL 221.01, 0.95%, 0.55%

LAB 47.29, 35.2, -79.67

 

CMYK 0 / 88 / 61 / 2

HEX #F91F62

RGB 249 31 98

HSL 341.56, 0.95%, 0.55%

LAB 54.03, 78.27, 20.76

 

CMYK 0 / 10 / 88 / 2

HEX #F9E01F

RGB 249 224 31

HSL 53.12, 0.95%, 0.55%

LAB 88.71, -8.64, 84.6

 

CMYK 88 / 0 / 28 / 2

HEX #1FF9B4

RGB 31 249 180

HSL 161.01, 0.95%, 0.55%

LAB 87.65, -63.88, 19.71

 

CMYK 88 / 77 / 0 / 2

HEX #1F39F9

RGB 31 57 249

HSL 232.84, 0.95%, 0.55%

LAB 37.94, 60.48, -95.07

 

CMYK 0 / 88 / 61 / 2

HEX #F91F62

RGB 249 31 98

HSL 341.56, 0.95%, 0.55%

LAB 54.03, 78.27, 20.76

 

CMYK 16 / 0 / 88 / 2

HEX #D1F91F

RGB 209 249 31

HSL 71.01, 0.95%, 0.55%

LAB 92.31, -36.95, 86.22

 

CMYK 88 / 0 / 28 / 2

HEX #1FF9B4

RGB 31 249 180

HSL 161.01, 0.95%, 0.55%

LAB 87.65, -63.88, 19.71

 

CMYK 71 / 88 / 0 / 2

HEX #471FF9

RGB 71 31 249

HSL 251.01, 0.95%, 0.55%

LAB 36.29, 72.94, -97.77

 

Description

Color code: HEX #F91F62 | qconv.com Color code: HEX #F91F62 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 31 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 31 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 61 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 61% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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